16th Century Wall Decorations

Very rare 16th Century English tapestry. Hand made my candle light over 300 years ago. Recently professionally cleaned and in good condition. Sources in Lyon France Any questions p...

Belgium / 16th century / wooden sculpted panel / oak / Gothic / Rustic / Antique A panel in oak wood enriched with Gothic graphic carvings. Hand carved in Belgium in the 16th centur...

16th Century Oil Painting of Holy Roman Emperor Frederic III, Antique Religious Oil Painting, Antique Royal King Oil Painting, Hans Burgkmair the older. 16th Century Oil Painting on board of the Holy Roman Emperor Frederic III by circle or school of Hans Burgkmair the older (1473 - 1531). Portrait of the Holy Roman Emperor Frederic III. (1415 – 1493). Oil on wooden panel. Described top right. In later attractive European gilt frame with black & gilt inner decoration, circa 18th Century. Hans Burgkmair was a German woodcut...

Often when centuries-old trunks did not survive the passage of time, 19th-century menuisiers (French woodworkers) would salvage the surviving wood and carve new furniture such as desks and similar trunks. The facade was typically the most ornate section of these antique trunks, making intact frontages highly valued antiques. Hand-carved from oak in Picardie, France, circa 1550, this period Gothic architectural is a beautiful example of an antique trunk facade that was not incorporated into a more recent furnishing. Picardie is a former administrative region in northern France that is home to many Gothic cathedrals. The Amiens Cathedral (mid-13th century) is the largest standing cathedral in Europe and is truly a masterpiece of Gothic architecture. Our trunk frontage has five vertically oriented inset panels embellished with various forms of Gothic tracery, including high-arching niches...

Early 16th century flemish late Gothic tapestry, possibly tournai. Provenance: Dinolevi, Florence, circa 1960.

16th Century Antique Flemish Silk And Wool Biblical Scene Tapestry, Country Of Origin: Belgium, Circa Date: 16th Century. Size: 10 ft 8 in x 11 ft 3 in (3.25 m x 3.43 m)

A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...

A very striking 16th century statue - head of a nobleman - crafted from Roman concrete - opus caementicium. Roman concrete is durable due to its incorporation of volcanic ash, which...

A large pre-Columbian textile fragment from Inca period in nowadays Peru, circa 15-16th century. The piece consists of three narrower panels woven from fine camelid yarns and were se...

Important German Tabernacle Museum Piece 16th-17th century IMPORTANT GERMAN TABERNACLE IN MUSEUM 16TH-17TH CENTURY EXCEPTIONAL SOUTHERN GERMAN TABERNACLE...

Albrecht Dürer, Saint Eustace. Wood engraving, 1501. Signed with the monogram A.D (Albrecht Dürer) Why not having on a wall a Masterpiece which is also ...

16th century, by Raffaello Sanzio (Urbino, 1483 - Rome, 1520) Madonna of the Carnations Measures: Oil on canvas 38 x 30 - with frame 59 x 52.5 cm The Madonna dei Garofani made b...

A fine example of a 16th century Spanish silk floss textile fragment from the Avila, Spain region, with embroidered angels, grotesques, and mythological animals. This textile is moun...

Marvelous Antique Belgian Tapestry, Country of Origin / Rug Type: Belgium, Circa date: 16th century. Size: 8 ft x 9 ft 6 in (2.44 m ...

Set of Three De Bry Botanical Engravings of Indian Fruits and Spices, c.1598 – Pineapple, Mango, and Pepper An exceptional trio of original copper engravings from Theodor de Bry’s P...

Pair of 17th Century Gilt silver framed saints. Silver saints are draped in period clothing and holding a book, against a red fabric background with ...

A beautiful pair of tapestry fragments, hand-woven in Brussels during the 1500s. At roughly 99 inches (over 8 feet) long, the fragments were, originally, vertical borders to a large ...

A wonderful example of Mary Stuart (Mary, Queen of Scots) hand wrought commemorative embroidery with a central foliate cartouche surrounded by four smaller ones, each with metallic t...

An antique English Tudor period oak panel dating to circa 1590, deeply handcarved with three large foliage scrolls and flowers. Over 430 years old, this oak wall panel has stood the ...

A pair of handcarved mid 16th century renaissance style oak wall panels depicting portraits of noble people. Each are of an expert quality after more than 450 years and well-carved ...

Antique Tapestry Rug in Wool and Cotton 11'9x9'2 Key Details: Pile: Wool Foundation: Cotton Origin: Tapestry Design: Pictorial Approximate Age: 16th century Quality (KPI): 3...

Antonio Alegri, (Correggio - 1494-1534) Our Lady with the Child Jesus oil on copper, Italian School 16th century With inscription on the back '1494-1534...

The Martyrdom of Santa Barbara Wool and silk tapestry Bruges, 1530-50 270 x 198 cm Expertise by Professor Guy Delmarcel This Flemish tapestry is a remarkable example of 16th-century craftsmanship, distinguished by its exceptionally well-preserved color palette. The medaillon-shaped center stands out against a background of dark blue roses and acanthus leaves. It depicts the martyrdom of Saint Barbara, identified by the tower where she was imprisoned. According to legend, her father, Dioscorus, is about to behead her with a scimitar, while an angel descends from the heavens to strike him with lightning. At the bottom, beneath Saint Barbara, two fantastical creatures. On the left is a griffon depicted with the body of a lion and the head and wings of an eagle. On the right is a creature with the body of a leopard, the head of an elephant adorned in a fancy blue cloak. Both animals face each other standing either side of a green hill top in the middle of the tapestry. The lavish scene of the tapestry is framed by a border which is embellished with foliage, flowers and fantastical elephant heads in blue and white on a red background. The corners and center of the edges display goldsmith-objects. The vibrant brick-red colour and striking bluish-green leaves create a stunning visual impact, showcasing the outstanding state of conservation. Professor Guy Delmarcel connects this tapestry to a series of textiles produced in Bruges after 1530, characterized by their fantastical nature scenes populated with imaginative creatures. Most feature similar roses and acanthus-leaves as well as other vegetation, with wild animals appearing ready to attack. Two almost identical pieces preserved at the Art Institute of Chicago (Bruges, 336 x 599 cm) and the Rijksmuseum in Amsterdam ("Tournai," 285 x 490 cm) serve as prime examples. The entire surface is filled with greenery, along with birds and fantastic animals. This tapestry exemplifies the rich decorative style of the time, merging naturalistic and poetic elements with exotic animals that spark the imagination. Other works of this type follow the theme of the "Closed Garden." In the lower register, fantastical creatures occasionally appear, as seen in the exquisite Bruges Tapestry displayed at the Museum of Decorative Arts in Paris, and in the example from the Burrell Collection in Glasgow. The Parisian tapestry from Bruges features a mythical animal in the lower register, dressed in blue fabric, which closely resembles the animal in our tapestry. If Enghien or other centers produced similar pieces, several elements suggest a stronger connection to Bruges for two formal reasons: The overall colour-palette of our tapestry fabric characterized by pronounced brick-red colours and bluish-green leaves, aligns more closely with Bruges than with Tournai or Enghien. The intricate border design with the warm brick-red background, adorned with floral motifs, goldsmith-inspired elements such as incense burners and small bells, can be traced back to Bruges around 1530. This style, often associated with heraldic imagery, underscores the tapestry's connection to the city's rich artistic heritage. A comparable example is the tapestry featuring the Arms of Paolo Giovio, now part of the Prince of Liechtenstein's collection in Vaduz. This piece, set against a brick-red background, depicts arms and armors, cornucopias, boys riding grotesque dolphins, as well as various flowers and leaves. All available literature dates this group of tapestries to the second quarter of the sixteenth century. A key formal element further supports this dating: the executioner, depicted preparing to behead Barbara, wields a Turkish scimitar, a reference to the frequent Ottoman incursions into Central Europe beginning with the 1529 siege of Vienna...

Very ancient and very important portal in walnut wood, richly carved by hand with bambocci and columns typical of the time, built entirely by hand by Italian artists in the 16th cent...

16th Century Enghien Dutch Wool Silk Flora Fauna Tapestry Offered for sale is a rare and earl Dutch Enghien Workshop tapestry from the second half of the 16th century. The tapestry...

Attr. to Girolamo Siciolante known as da Sermoneta (Sermoneta, 1521 - Rome, 1575) Adoration of the Shepherds Oil on copper, 39 x 29.5 cm Frame 47 x 39 cm The refined taste, the refined poses, the definition of the anatomies, the vibrant light, allow us to identify for this painting the hand of a Mannerist painter active during the sixteenth century. In particular, the composition and stylistic research allow us to attribute the panel to Girolamo Siciolante, known as da Sermoneta (1521 - 1575). His first training took place under the guidance of Leonardo Grazia known as da Pistoia (1502 - 1548). Later he settled in Rome where he was able to see the painting of Raphael and Michelangelo from life and where he was first a pupil and then a collaborator of Perin del Vaga...

Domenico Carnevale (Sassuolo, 1524 - Modena, 1579) Adoration of the Shepherds Oil on copper, 42 x 28 cm Frame 54 x 36 cm Expert opinion of Prof. Emilio Negro The painting represents the Adoration of the Shepherds, the Child in the center, next to the Madonna kneeling in prayer and an angel behind her; towards him in the foreground a woman with a child in her arms, a shepherd with a sheep on the right, a bagpiper on the left and various other male and female characters turn to him. The architectures of the background, between which a glimpse of the landscape can be glimpsed, are hidden in the upper part by the clouds, where a "celestial glory" encamps with three flying angels. The painting shows mannerist characters that can be traced back to the second half of the sixteenth century, and can be traced back to an author from the Modena area, with stylistic references to the Bolognese Samacchini (1532 - 1577) and Passerotti (1529 - 1592). More precisely, it can be attributed to Domenico Carnevale (1524-1579), one of the most important masters of the sixteenth century active in the local area. The Carnival was formed in Emilia, his homeland, where he worked for many years. However, his works also show a clear Roman influence, dictated by a long experience in the city, during which he also dedicated himself to the restoration of the Sistine Chapel. Trained in the late-mannerist environment of Modena, he is also linked to the Parmesan Corrorese and Ferrarese Dossesque tradition; Carnival also always maintains a slight archaic sentiment in his work, The main stylistic reference must be identified in a work similar in subject and iconographic setting, coming from the church of the Pio Istituto Orfanelle di San Geminiano di Modena, currently part of the Art Collection of the Province, attributed to the same influence as the Carnival. Another interesting comparison should be identified with A Presentation of Jesus in the Temple...

Pair of decorative Renaissance oak wooden reliefs depicting two man with curly hair and a moustache. The reliefs were probably part of a piece of furniture or architectural element. ...

A Set of Four Tuscan Carved Wood and Parcel Gilt Equestrian Reliefs Walnut, gilt, velvet Italy Circa 1580 SIZE: two reliefs: 25cm high, 48cm wide - 9¾ ins high, 19 ins wide two...

Venetian School, second half of the 16th century Tobiah and Sarah led to Nineveh by the archangel Azariah Oil on canvas, 48 x 56 cm - Framed, 58 x 72 cm The present canvas, made w...

Oil on copper representing the martyrdom of an unidentified saint (the angels passing over the scene) and bringing him the palm and the crown of martyrs, without any specific attribu...

Bolognese School of the 16th Century Mummy of Saint Catherine of Bologna
Oil on Panel 20,5 x 7 x 0,8 cm This rare painting depicts Saint Catherine of Bologna as a mummy, housed in a ...

Renaissance relief depicting two female figures dressed in a chiton Italy, probably Rome, 16th century Marble, wooden frame (provenance label on the back) 28 x 20 x 5 cm This beau...

Late 16th century-early 17th century Flemish tapestry.

Hans Sebald Beham (1500 Nuremberg - 1550 Frankfurt am Main) “Judicium des Paris”, The Judgement of Paris, original copperplate engraving, framed behind glass, 1546, dated in the cane...

Elegant pair of oil paintings on wooden panels, depicting Jesus and the Madonna in their youthful physiognomy. Originally part of a larger wooden altarpiece, these two works are now ...

America – Indians Crossing a River, Rafts and Canoes – De Bry, Latin Edition c.1594–1596 This finely engraved and hand-colored copperplate originates from the celebrated America ser...

A fragment of antique Peruvian textile from Pre-Columbia era, nicely displayed in a matted metal frame. Likely from Chancay culture in Centra...

Pair of small carved walnut doors, 16th century, central Italy This pair of small doors was made in the sixteenth century, in central Italy, in carved walnut. The decoration provides...

De Bry Engraving “Wie es den Holländern in der Grundlosen Insul ergangen” – Encounter of the Dutch with Islanders, c.1599 A remarkable original copper engraving from Theodor de Bry’...

Amazing and Rare 16th Century Panel Moorish composition 0.81 x 0.81 good condition

Pair of De Bry Engravings of Birds, Fish, and Sea Plants Observed en Route to India, c.1598 A fascinating pair of original copper engravings from Theodor de Bry’s Petits Voyages (Fr...

16th Century Spanish gold gilded and polychromed Carved-wood sculpture of Our Lady of Mount Carmel. She depicts the Blessed Virgin Mary in her...

Allegory of Time. Oil on panel. Circle of Jacob de Backer (act. Antwerp, 1571-1585). Exhibition: “Reality, time and artifice. Still life and vanitas in baro...

A pair of late 15th / early 16th century French oak panels carved with round masks surrounded by pattern decoration. The right hand panel appears to show partial text. Both are ready...

Set of Four De Bry Engravings of India and the East Indies, c.1598 – Cockfights, Sacred Trees, Exotic Animals, and the Eeme Bird An exceptional and matching set of four original eng...

De Bry Engraving “Expressio Germinum” – Exotic Plants of St. Lawrence Island, c.1598 A fascinating original 16th-century copper engraving from Theodor de Bry’s Petits Voyages (Frank...

Pair of antique engravings by Johannes Sadeler I (1550-1600) with hand painted Italian frames. Literary work: Guduvaldus - Venezia 1598. From the s...

16th Century Spanish Colonial Oil on canvas painting of the Virgin of the Immaculate Conception. In this representation of the Virgin Mary being f...

A very rare - finest quality - mid 16th century Italian Renaissance engraving (after Raphael) by an anonymous pupil of MARCANTONIO RAIMONDI (1480-...

One sheet with two engraved maps, one on each site, and text in Italian. Late 16th century copper engravings in great condition, considering its age. "Tavola Decima Dell'Asia" - Tabula Asiae X" Plate X (10). Pakistan, Cashmir, Bangla Desh, North-India...

Ptolemaic map of the Arabian Peninsula based on the 1548 map of Giacomo Gastaldi. It covers nearly all of the peninsula, but does not include the head of the Red Sea. The coastlines ...

Antique print, titled: 'Sigibertus I Metensis Rex (…)' Original and very rare antique print showing a full length portrait of Sigebert I (c. 535 – c. 575), the Germanic king of...

Title: Rare 1592 Woodcut of Exotic Animal from Sebastian Münster's "Cosmographia" Description: This intriguing woodcut, published in Basel in 1592, is from Sebastian Münster's gr...

Panel composed of twelve antique 16th-century tiles, decorated with floral motifs in soft shades of green, blue, and brown. Each piece displays patina, wear, and crazing characterist...

This panel comprises four antique tiles with a geometric design glazed in greens, browns, and blacks. Made using the cuerda seca technique, they exhibit patina, craquelure, and visib...

Venetian Woman – Antique Hand-Coloured Woodcut by Jost Amman, Plate CXXII, 1577 This beautifully hand-coloured woodcut depicts a Venetian woman in rich 16th-century attire, titled *...

Great Italian painting from the second half of the 16th century. Oil on canvas painting depicting a Holy Family from the Tuscan school of remarkable pictorial quality. We find the typical stylistic features of the Renaissance with a wonderful pyramidal composition, a refined chromatic palette and particular attention to the drapery. In the center is the Madonna with the baby Jesus in her arms who reaches out toward Saint John the Baptist with a lamb at his side, a symbol of Christ's sacrifice. At the top left we see Saint Joseph sleeping...

This engraving illustrates the capture of Limburg by Spanish forces under the command of Alexander Farnese, Duke of Parma, in 1578 during the Eighty Years' War. The scene vividly dep...

A very fine impression of this map of the Malay Peninsula, Sumatra, Java, with Singapore denoted as 'Cinca Pula'. Highly distorted and inaccurate map by Girolamo Ruscelli after J...