1820s Wall Decorations

Traditional Headdresses from Italy and France: Florence, Ostia, Castà – 1823 This hand-colored lithograph, marked “No. 5,” is the fifth plate in a captivating 1823 series published in London by Baldwin, Cradock & Joy, illustrating traditional headdresses from across Europe. With a focus on Italian regional fashion, but also including a figure from Languedoc (France), the print showcases the diversity and creativity of 19th-century women's headwear in both ceremonial and everyday contexts. At upper left, a woman from Montefiascone wears a simple yet elegant white veil draped loosely over her hair and shoulders. Her scarlet sleeve ribbons and golden earring add a dash of vibrancy to an otherwise modest ensemble. In contrast, the central figure from Lariana dons one of the most dramatic headpieces on the sheet: a large, bright yellow hat embellished with blue ribbon and multiple ornamental loops. Her necklace with a red cross pendant suggests a religious or festival connection. To the upper right, the figure from Languedoc is rendered in profile wearing a striking purple bonnet with vertical ridges, trimmed with white lace, and set against a yellow collar. This French addition provides an interesting cross-cultural comparison within a primarily Italian series. The bottom row continues with a woman from Florence, shown from behind with her dark hair intricately braided and adorned with a long pink and white ribbon that drapes down her back—an emblem of grace and femininity. The central bottom figure from Ostia wears a wide-brimmed felt hat...

Title: Roman Carnival Costumes & Festivity - 1820 Etching of Celebration Description: This lively 1820 etching, titled "Carnival at Rome," captures the vibrant spirit of a Roman car...

Maker: Sams, W. (1793-1842). Title: "Distribution of Wine on the Morning of St. Louis." Handcolored etching and aquatint from W. SAMS, A Tour through Paris (1822-1824), with ...

Traditional Head Dresses of Dieppe, France – Costume Study, 1823 This hand-colored lithograph titled “Head Dresses at Dieppe” offers a refined visual study of traditional French female headdresses from the coastal town of Dieppe in Normandy. Published in London on December 1, 1823, by the well-known firm of Baldwin, Cradock & Joy, the print forms part of a broader early 19th-century fascination with regional European costume, particularly among British collectors and travel enthusiasts. The composition is striking in its simplicity and elegance. Three distinct women’s headpieces are displayed against a clean, uncluttered background, allowing their design and symbolism to speak clearly to the viewer. The headdresses are meticulously detailed and richly hand-colored, suggesting both ceremonial and regional variation. On the left, a profile view reveals a tall, conical headdress in lavender with a long, flowing veil pinned at the top. This type is reminiscent of medieval hennins and suggests local continuity in ceremonial dress. The woman wears a gold hoop earring and a striped shawl, emphasizing her social and regional identity. At center, a woman in three-quarter profile wears a fan-shaped, white headpiece with radiating pleats, secured by a decorative blue band across the crown. Her deep red shawl and golden earring contribute to a look of formal dignity, suggestive of local festivals or important social occasions. On the right, a frontal view shows a woman wearing a purple cap over a white veil that falls along the sides of her face, topped with a large gold cross...

1823 Hand-Coloured Engraving - Gauchos Lassoing Cattle in Buenos Aires, Argentina Description: This 1823 hand-coloured copperplate engraving from Friedrich Johann Bertuch's "Bilderb...

Traditional Headwear from Assisi, Naples, Viterbo, and Beyond – 1823 Print This charming hand-colored lithograph, labeled “No. 2,” is part of a series documenting traditional European costumes, focusing here on regional female headwear. Published in London on December 1, 1823, by Baldwin, Cradock & Joy, it was designed for an English audience eager to explore the rich cultural diversity of the Continent through costume. The print features six finely rendered bust-length portraits of women from different locations in Italy and France, each showcasing distinctive regional headwear. Their names are labeled beneath each figure: Assisi, Near Naples, Vallestirna, Lyon, Meaux, and Viterbo. The woman from Assisi wears a delicate lace veil structured in a geometric latticework over her head, with a red flower tucked near her ear and golden hoop earrings adding warmth. Center top, the figure from Near Naples is seen from behind, with her hair elegantly coiled and secured by a horizontal golden pin, finished with blue and red shoulder ribbons—an unusual rear view that highlights hair arrangement and ornament. The woman from Vallestirna dons a sharply folded white headdress with decorative red and blue shoulder ties and pendant earrings. Her appearance is modest, yet festive. In contrast, the figure from Lyon (bottom left) is depicted in one of the most dramatic regional costumes, wearing a sculptural headdress resembling a bishop’s mitre, paired with a heavy cross pendant and ochre dress...

Botanical Print: Common & Spanish Hazelnut, Le Jardin Fruitier, 1821 This captivating botanical print features two varieties of hazelnuts: the Common Hazelnut (Noisette franche) and...

Regency period Norfolk Sampler, 1828, by E A Giscard Aged 12. The sampler is worked in silk threads on a linen ground, in cross stitch and Algerian eye. Meandering strawberry and lea...

Title: Antique Primate Engraving of a Sapajou Atèle Hybride and Macaque Domestique - 19th Century Description: This exquisite antique print captures two fascinating primate species,...

Title: Antique Engraving of Rodents: Hamster, Jerboa, Pocket Gopher, and Beaver - 19th Century Description: This fascinating antique engraving depicts four distinct rodent species: ...

Antique 1828 Satirical Print A Fool to Pleasure Yet a Slave to Fame Hand-Colored This hand-colored etching titled *A Fool to Pleasure Yet a Slave to Fame* was published in 1828 as p...

Title: Lilium speciosum (Elegant Lily) – Hand-Colored Botanical Engraving by Desmares, circa 1825 Description: This exquisite hand-colored copperplate engraving features Lilium sp...

This hand-colored aquatint is a topographical view of Djursholm Castle in Danderyd, Sweden, and it is a part of Ulrik Thersner's ambitious project, "Fordna och närvarande Sverige" (Antiquity and Present Sweden). This work aimed to be a modern counterpart to Erik Dahlbergh's "Suecia antiqua et hodierna," a significant 17th-century work that showcased Sweden's historical and contemporary landscapes, buildings, and monuments through engravings. Ulrik Thersner's endeavor in creating "Fordna och närvarande Sverige" involved drawing several mansions, among other subjects, and began publishing these works in 1817. The technique used, aquatint, is a form of etching that allows for the creation of images with tonal variations, resembling watercolor paintings, which makes it particularly suited for detailed and atmospheric topographical representations like the one of Djursholm Castle. Carl Fredrik Akrell, a notable engraver, worked on engraving Thersner's images, which were then executed in aquatint, a process that allows for a rich gradation of tones and a painterly quality. Wilhelm Maximilian Carpelan later joined the publication effort, indicating a collaborative process in bringing Thersner's vision to fruition. The parts of the series were published over a period, with Skåne completed in 1823, and the regions of Östergötland, Uppland, and Södermanland addressed in the years 1820 and 1824-25. Thersner's personal involvement in writing the text for the pictures underlines the detailed and scholarly approach taken in producing this series. Thersner's "Fordna och närvarande Sverige" would have been an invaluable contribution to the documentation of Swedish cultural heritage and landscape during the early 19th century, providing a vivid pictorial record that would have appealed to both the scholarly community and the general public interested in the country's history and geography. The print of Djursholm Castle that you are referring to would be a part of this important series. More about the maker: Ulrik Thersner was a multifaceted individual, having an impactful military career alongside his work as a draftsman and topographer. Born on April 2, 1779, in Kyrkslätt parish in Finland, Thersner began his military service early, becoming a ship's boy in the Swedish navy at the tender age of seven. His naval service during Gustav III's Russian War...

Austrian Grenz Regiment Soldiers in the Field, Early 19th Century Detailed description: This hand-colored lithograph, likely created in the early 1820s, features soldiers from the ...

Royal House Antiques Royal House Antiques is delighted to offer for sale this rather stunning, 1825 dated needlework sampler made during the reign of King George IV by Eliza Ann Pra...

1823 Hand-Coloured Engraving - Gaucho Hunting Ostrich with Bolas in the Pampas Description: This 1823 hand-coloured copperplate engraving by Theodore Goetz is from Friedrich Johann...

"Botanical Illustration of Sonchus oleraceus (Common Sow Thistle)" Description: This exquisite hand-colored copperplate engraving by F. Guimpel, from the early 19th century, featur...

The print is from "Il Costume Antico e Moderno" by Giulio Ferrario, specifically depicting the "Le Lullunge" feast in Senegambia. This festival is illustrated as part of the extensive series detailing the customs, costumes, and daily life of people from different parts of the world. The illustration captures a lively and culturally significant dance that forms part of the "Le Lullunge" celebrations, showcasing traditional attire and communal participation, which are central to the event in Senegambian culture. The illustration not only serves as a vibrant representation of the dance and celebration but also as an ethnographic record from the early 19th century, emphasizing the richness of Senegambian traditions. The term "Senegambia" historically referred to a region in West Africa that encompassed parts of what are today known as Senegal and The Gambia. This area is known for its rich cultural heritage, including vibrant festivals and communal celebrations like the one depicted in the illustration. The "Le Lullunge" feast, as illustrated in Giulio Ferrario's "Il Costume Antico e Moderno," captures the traditional dances and social practices of the peoples in this West African region. This original antique hand-colored print depicts a vibrant scene of Native African dance, possibly part of a ceremonial or ritualistic activity. The individuals are animatedly engaged in dance, with their limbs dynamically positioned, suggesting vigorous movement. Each figure is adorned with elaborate feathered headdresses and carries feathers or other items as part of their dance. These accessories likely have cultural significance, possibly denoting status, role in the ceremony, or spiritual symbolism. The attire of the dancers is simple yet functional for their vigorous activity, consisting of skirts that allow for ease of movement. Their outfits are decorated with additional elements that may indicate tribal affiliation or personal achievement. The dancers are barefoot, connecting them physically and symbolically to the earth, which is a common aspect in many African cultural practices emphasizing a connection to nature. The setting of the dance is outdoors, under a large tree, indicating the importance of natural surroundings for the event. This could be a communal gathering place, chosen for its significance within their community or for its natural beauty and tranquility. Overall, this image captures a moment of cultural expression, highlighting the importance of dance in Native African traditions as a form of communication, celebration, or spiritual practice. The detail and color used in the depiction aim to convey the vibrancy and energy of the scene, reflecting the artist’s perspective on these cultural practices. In more detail: From: ‘Il Costume Antico e Moderno …, l’America.’ , by Giulio Ferrario, published in Milan in 21 volumes by Antonio Fortunato Stella in 1827 (first edition, second issue). The 17 volumes of the first issue were published sequentially between c. 1815/1816 until 1826 after first being issued in 143 weekly installments. The work appeared in Italian and French. Smaller size editions with smaller much less elaborate plates were published in Florence (1823-38), Naples (1831-42) and even a 16mo. editon in Livorno (1830). Original blindstamp at bottom right image. The sources used for this work are wide. Made by ‘Gallo Gallina’ after ‘Giulio Ferrario’. Giulio Ferrario was founder of the ‘Societa Tipografica de Classici Italiani’ and served as the director of the Braidense National Library in Milan, Italy. Artists that worked on this monumental work are: Gallo Gallina, D.K. Bonatti, A. Biasioli, L. Rossi, Paolo Fumagalli, Gaetano Zancon (1771-1816), G. Bigatti, C. Bramati, G. Gallo, C. Bottiglia, G. Castellini, Antonio Rancati (1784-1816), Vittorio Raineri, Sydney Parkinson...

Handcolored Copperplate Engraving of Cashmere Goats and Sheep, Friedrich Johann Bertuch, 1823 This is an exquisite handcolored copperplate engraving depicting a group of Cashmere go...

This print from "Illustrations of British Ornithology" by Prideaux John Selby features the Little Auk in both its summer and winter plumages. The illustration captures the distinctiv...

Antique Print - Plaza de Mayo, Buenos Aires, 1820s - Jules Ferrario This historically rich print, titled "Plaza de Mayo, Buenos Aires," originates from Jules Ferrario's renowned series "Le Costume Ancien et Moderne," specifically from Volume II, plate 2. The print offers a captivating depiction of the Plaza de Mayo, one of the most significant public squares in Buenos Aires, Argentina. It beautifully captures the essence of the plaza during the early 19th century, featuring local inhabitants engaged in daily activities, architectural landmarks, and a dynamic urban atmosphere. The intricate detailing and careful hand coloring enhance the visual impact, providing a window into the architectural and social fabric of Buenos Aires during this period. This piece is invaluable for collectors interested in South American history, urban landscapes, and antique lithography. It not only serves as a decorative artwork but also as an important document that highlights the urban development and cultural milieu of Buenos Aires in the early 1800s. It remains in good condition, with colors that have retained their depth and vibrancy, making it a prized addition to any collection of historical prints. In more detail: Line & aquatint etching with original hand colouring on wove (vellin) paper. From: ‘Il Costume Antico e Moderno …, l’America.’ , by Giulio Ferrario, published in Milan in 17 volumes (first issue), published sequentially between c. 1815/1816 until 1826 after first being issued in 143 weekly installments. This Italian volume has the date 1821. The second issue was published in 21 volumes in 1827. The work appeared in Italian and French. Smaller size editions with smaller much less elaborate plates were published in Florence (1823-38), Naples (1831-42) and even a 16mo. editon in Livorno (1830). Original blindstamp at bottom right image. The sources used for this work are wide including van Humboldt, von Wied etc. Made by ‘D.K. Bonatti’ after ‘Giulio Ferrario’. Giulio Ferrario was founder of the ‘Societa Tipografica de Classici Italiani’ and served as the director of the Braidense National Library in Milan, Italy. Artists that worked on this monumental work are: Gallo Gallina, D.K. Bonatti, A. Biasioli, L. Rossi, Paolo Fumagalli, Gaetano Zancon (1771-1816), G. Bigatti, C. Bramati, G. Gallo, C. Bottiglia, G. Castellini, Antonio Rancati (1784-1816), Vittorio Raineri, Sydney Parkinson...

Antique Print - Soldiers at Rio de la Plata, Eastern Beach - Ferrario-Bonatti 1821 This vibrant hand-colored etching, titled "Soldiers of the Eastern Beach of the Rio de la Plata Re...

Antique print titled 'Chinoise de Qualité'. Old print of a Chinese lady holding a bird, China. Also shows pagodas. Source unknown, to be determined. Artists and Engravers: An...

Antique Print - Indigenous Dress and Interiors, South America - Ferrario-Bonatti 1821 This hand-colored etching, titled "Indigenous Dress and Interiors of South America," offers a u...

This image is an illustration depicting a traditional scene or ceremony. The caption on the side reads "Costumi Caratteristici" which translates from Italian to "Characteristic Custo...

This illustration, titled "Péruvienne" and stemming from around 1820, likely portrays a European interpretation of a Peruvian woman, possibly an actress dressed for a theatrical role...

Antique print, titled: 'Ile Timor.' - ('Timor Island'). Full-length portrait of a native female from the Indonesian island Timor. Source: 'Voyage autour du monde sur les corvette...

Antique print titled "Danze de' Chiliesi" (Dance of the Chileans), from the historical work "Il Costume Antico e Moderno" by Giulio Ferrario. The print, created in 1821, showcases a traditional Chilean dance, vividly captured in line and aquatint etching with original hand coloring on wove (vellin) paper. The scene depicts a group of Chilean dancers in a circular formation, engaging in a traditional dance. The dancers are adorned in colorful attire, featuring breechcloths, leggings, and vibrant headdresses with feathers, which reflect their cultural heritage and the festive nature of the dance. The setting is outdoors, possibly during a community celebration or ritual, indicated by the natural backdrop and the casual yet organized arrangement of the figures. Cultural and Historical Significance This print is significant as it provides a visual documentation of Chilean cultural practices from the early 19th century, emphasizing the traditional dances that were an integral part of community gatherings and celebrations. The artwork, by C. Bramati and Paolo Fumagalli after designs by Giulio Ferrario, is part of a larger series that aimed to capture the costumes and customs of people around the world, offering insights into the diversity of cultural expressions during a time of burgeoning global awareness. The detailed depiction not only highlights the dance but also serves as an ethnographic record, preserving aspects of Chilean culture that might have evolved or faded over time. This work, along with others in the series, was widely distributed and appreciated for its educational and artistic value, making significant contributions to the understanding of global cultural heritage in the 19th century. ‘Tavole XXVIII. Danze de’ Chiliesi.’ Line & aquatint etching with original hand colouring on wove (vellin) paper. Sheet size: 33 x 23,5 cm. (13 x 9,3 inch). Image size: 21 x 15,5 cm. (8,3 x 6,1 inch). In more detail: From: ‘Il Costume Antico e Moderno …, l’America.’ , by Giulio Ferrario, published in Milan in 17 volumes (first issue), published sequentially between c. 1815/1816 until 1826 after first being issued in 143 weekly installments. This Italian volume has the date 1821. The second issue was published in 21 volumes in 1827. The work appeared in Italian and French. Smaller size editions with smaller much less elaborate plates were published in Florence (1823-38), Naples (1831-42) and even a 16mo. editon in Livorno (1830). Original blindstamp at bottom right image. The sources used for this work are wide including van Humboldt, von Wied etc. Made by ‘C. Bramati and Paola Fumagalli’ after ‘Giulio Ferrario’. Giulio Ferrario was founder of the ‘Societa Tipografica de Classici Italiani’ and served as the director of the Braidense National Library in Milan, Italy. Artists that worked on this monumental work are: Gallo Gallina, D.K. Bonatti, A. Biasioli, L. Rossi, Paolo Fumagalli, Gaetano Zancon (1771-1816), G. Bigatti, C. Bramati, G. Gallo, C. Bottiglia, G. Castellini, Antonio Rancati (1784-1816), Vittorio Raineri, Sydney Parkinson...

Antique Print - Indigenous Warriors, Early 19th Century South America - Ferrario-Bonatti Line & aquatint etching with original hand colouring on wove (vellin) paper. This compellin...

This is an hand-colored illustration of an officer from the King's German Legion, specifically the 3rd Hussar Regiment, also known as the Duke of Cambrid...

The engraving is captioned as "Mode of Fighting in the Navigator's Islands" and depicts a scene of conflict among the indigenous people of the Navigator's Islands, now known as the ...

Great map of China Drawn under the direction of Arrowsmith Copper-plate engraving Published by Longman, Hurst, Rees, Orme and Brown, 1820 Unfr...

A satirical engraving of John Wilkes, a notable figure in 18th-century British politics known for his radical views and fierce criticism of the monarchy and government. Wilkes was ...

Gentle Repose at Österby: An 1824 Aquatint by Ulrik Thersner. This aquatint by Ulrik Thersner, created in 1824, depicts the serene landscape of Österby in Sweden. The image is suffused with a gentle light that bathes the scene in a warm, inviting glow. It features two individuals on horseback in the foreground, suggesting a tranquil pace of life and leisurely exploration. Their presence adds a narrative element to the scene, inviting viewers to contemplate the journey the riders are undertaking. The central focus of the aquatint is the stately building situated by the water, likely a manor house or a significant estate of the time, reflecting the architectural style of the early 19th century. The estate is flanked by expansive, lush greenery and tall trees, with a prominent pine tree in the foreground that anchors the composition. The detailed rendering of the foliage and the atmospheric perspective in the background create a sense of depth and spaciousness. In Skåne, Thersner had drawn several mansions in 1816, and he decided to publish a counterpart to Erik Dahlbergh's Suecia antiqua et hodierna. He called his work Fordna och present Sverige, and in 1817 began its publication. Carl Fredrik Akrell engraved the images, which were executed in aquatint. Eventually, Wilhelm Maximilian Carpelan joined the publication. The Scania part was completed in 1823, Östergötland was started in 1820 and Uppland and Södermanland in 1824-25. Thersner himself wrote the text for the pictures. After Thersner's death, his widow, with the help of friends, continued the publication, which had never received public support. Michael Gustaf Anckarsvärd took over the publication, in lithographic form, until 1843. The work could be continued, partly with the drawings left by Thersner as templates, partly by Anckarsvärd and others contributing new drawings. In general, Anckarsvärd's work is considered superior to Thersner's. In 1843, the work was taken over by Thersner's daughter, Thora Thersner (1818-1867). She continued publishing until her death. Thora Thersner lithographed her drawings herself, which are usually considered conscientious, if somewhat dry and weak. During her time, among other things, the part about Närke (1838-55) was continued and completed. At the time of Thora Thersner's death, the entire work comprised 91 booklets, containing 364 plates with text. The publication had cost each subscriber 682 kroner and 50 öre. More about the maker: Ulrik Thersner was a multifaceted individual, having an impactful military career alongside his work as a draftsman and topographer. Born on April 2, 1779, in Kyrkslätt parish in Finland, Thersner began his military service early, becoming a ship's boy in the Swedish navy at the tender age of seven. His naval service during Gustav III's Russian War...

Title: Dacelo Gigantea Better know as the Laughing Kookaburra, by Shaw 1825. In eastern Australia, the raucous cackle of the Laughing Kookaburra is an...

This original antique aquatint is a picturesque depiction of Söderfors, a place likely to be in Sweden, given the naming convention and style of the artwork. Crafted by Ulrik Thersner in 1825, the image portrays a vibrant, pastoral scene set by a rushing waterway, suggesting the presence of a river or stream. The landscape is dotted with buildings that have the architectural hallmarks of early 19th-century Swedish design. A group of figures is depicted in the foreground, which adds a human element and scale to the scene. Söderfors, if it is the same location known today, has a historical industrial background and is located in Uppsala County, Sweden. The area has been known for its ironworks and manufacturing history dating back to the 17th century. It is a locality situated in Tierp Municipality, Uppsala County, Sweden with 1,572 inhabitants in 2010 If the aquatint represents this area, it may have captured Söderfors at a time when it was transitioning from a more agricultural society to one influenced by industrialization. Today, the region may still have remnants of its historical past, although it would have undoubtedly undergone significant changes since Thersner's time. More about the maker: Ulrik Thersner was a multifaceted individual, having an impactful military career alongside his work as a draftsman and topographer. Born on April 2, 1779, in Kyrkslätt parish in Finland, Thersner began his military service early, becoming a ship's boy in the Swedish navy at the tender age of seven. His naval service during Gustav III's Russian War...

Large original antique print with two illustrations of birds, which are finely detailed and colored, from a series of ornithological studies. The print is engraved with the signature...

The print is a beautifully detailed hand-colored lithograph from the early 19th century, attributed to Carl Wilhelm Hahn. It showcases the Spangled C...

Elegant Plaque in cast iron. Swedish King Karl XVI Johan as a Roman General from the 1820s. Made by Finspång Bruk in Östergötland, Sweden Wear consistent with age and use

This engraving is from Prideaux John Selby's "Illustrations of British Ornithology," depicting two species of plovers. It shows the Ring Plover in two different stages of life—adult ...

A beautifully detailed print from Prideaux John Selby's "Illustrations of British Ornithology," depicting the Little Gull in various stages of plumage. The artwork features an adul...

This original antique engraving features a pair of Dippers, also known as water ouzels, which are small, stout, aquatic songbirds. This print from Prideaux John Selby's "Illustration...

Large original hand-colored antique ornithological print made by Selby and published around 1826. This engraving is an exquisite print fro...

Antique map titled 'Geographical, Statistical and Historical Map of Russia'. Old map of the Russian Empire, encompassed on three sides by English language text. Originates from L...

Great map of South Africa. Drawn under the direction of Arrowsmith. Copper-plate engraving. Published by Longman, Hurst, Rees, Orme and Br...

Great map of Hungary Drawn under the direction of Arrowsmith. Copper-plate engraving. Published by Longman, Hurst, Rees, Orme and Brown, 1820 Unframed.

This attractive map of Massachusetts presents a finely detailed overview of the state in the first quarter of the 19th century. Transportation ...

Untitled print depicting an Arabian / Muslim Imam and other men. This print originates from 'Il Costume Antico e Moderno ...' , by Giulio Ferrario, published in Milan in 21 volumes by Antonio Fortunato Stella in 1827 (first edition, second issue). The 17 volumes of the first issue were published sequentially between c. 1815/1816 until 1826 after first being issued in 143 weekly installments. The work appeared in Italian and French. Smaller size editions with smaller much less elaborate plates were published in Florence (1823-38), Naples (1831-42) and even a 16mo. editon in Livorno (1830). Artists and Engravers: Giulio Ferrario was founder of the 'Societa Tipografica de Classici Italiani' and served as the director of the Braidense National Library in Milan, Italy. Artists that worked on this monumental work are: Gallo Gallina...

Description: Antique map titled 'Europäisches Russland'. Two individuel sheets, joined together they depict Russia in Europe. These maps originate from 'Stielers Handatlas'. Publis...

Antique print titled '1. Echinus verticillatus 2. Echinoneus semilunaris (..)'. Old print of the sand dollar and other sea urchins. This print originates from 'Iconographie du rè...

Antique print, titled: 'Ile Timor. Vue de notre Premier Debarquement a l'Etablissement Portugais de Dille.' - ('Timor Island. View of our first disembarkation at the Portugese se...

Antique print, titled: 'Vue du Tombeau de Raja de Taybeno, sur l'Ile Timor.' - ('View of the Tomb of the Raja of Taybeno on the island Timor'). View of the tomb, adorned with the VOC (Dutch East Indies Company...

Antique print titled 'Het Opperhoofd der Botocoedos Kerengnatnuck en zyn gezin'. Original antique print of a Botocudo chief with his family. Botocudo are South American Indian pe...

Isaac Titsingh, Bijzonderheden van Japan. Het huwelijksprotocol uitgebeeld. This print is from a work of Titsingh, who had a long and successful career in Asia. It shows the cere...

Title: Carte geographique, statistique et historique de la Pensylvanie. Beautiful Hand-Colored 1825 French Map of Pennsylvania, with a List of Prominent Rivers, Descriptions of Mountains, Climate and Government as well as a list of Colonial and post-American Revolution Governors Produced by: J. Carez in Paris. (1825) Hand colored engraved map. Relief shown by hachures. Text and tables at sides and bottom. Prime meridians: Washington and Paris. A very interesting 1825 French hand-colored map of Pennsylvania from Lucas' 1822 map, which breaks down county populations by Whites and Free Blacks. "Carte Geographique, Statistique et Historique de la Pensylvanie" Originally published in 1822 by Carey and Lea and then revised and republished in 1825 by J. A. C. Buchon (1791-1846 ) in a French edition entitled Atlas Geographique des Deux Ameriques, printed by J. Carez. Fielding Lucas, Jr. (1781-1854), a Baltimore mapmaker and publisher, drew the map. original hand-coloring. Shown on the map are parts of Maryland, Delaware, New York and New jersey. Printed on the same page as the map is geographical, statistical, and historical information about Pennsylvania, such as descriptions of the state's important rivers, a list of Governors since its founding as well as important French and Indian...

Antique print titled 'Survey of Winter Harbour Melville Island, June 1820'. Chart of the bay or harbor on Melville Island where William Parry's expedit...

Antique map titled 'Plan du Détroit de Madura'. Detailed map of the Madura Strait in Indonesia. The eastern part of the island Java with the city of Gresik and the western part o...

Antique horse print titled 'Plate 2nd Love, dedicated by permission to his most Gracious Majesty George the Fourth (..)'. Artists and Engravers: In 1827, British artist Henry Barnard Chalon (1770-1849), designed and lithographed a portfolio of six prints illustrating the “passions” of horses. Chalon had been appointed animal painter to the Duchess of York...

Antique map titled 'Essai sur la Geographie de l'Ile Timor.' A map showing Timor and the surrounding nearby islands (Floris, Sabrao, Solor, Lomblem, Panter, Ombai and Wetter. With ...

Antique print, titled: 'Vue du l'Interieur du Temple Chinois, a Coupang, Sur l'Ile Timor.' - ('View of the interior of the Chinese Temple of Coupang, Timor Island'). Source: 'Voyage ...