18th Century and Earlier Wall Decorations

Religious Oil on Canvas – European School, 18th Century Dimensions: 50 x 45 cm (frame), 34 x 29 cm (view): San Carlos Borromeo, Archbishop of Milan (1538-1584) A serene and contempl...

Continental Franco/Belgian (17th Century) woven tapestry with military figures titled The Hostage. Antique condition, fading and wear, tears in places

This vibrant tapestry fragment hails from 18th century France. Two panels have been recently attached with brilliant blue trimming. The fabric is worn but retains its vibrant floral ...

Title: 1730 Southern Hemisphere Celestial Chart with Zodiac Signs and Decorative Putti Description: This stunning 1730 celestial map, "Hemisphaerium Coeli Australe," showcases the S...

a late 18th century Flemish Vedure Tapestry Measures: 7'4'' wide x 9' long. Tapestries make integral part of the Flemish cultural heritage. Most of the tapestries have religious, m...

Coptic Monastery Plan, Ammonia Oven & Egg Incubator, Egypt c.1776 Description: This fascinating antique engraving, dating from circa 1776 presents a detailed architectural and techn...

A fine large French Aubusson or Flemish style tapestry from the 18th century, featuring a pastoral landscape scene with a man fishing a stream next to a large tree in the foreground, creel basket...

Surmounted by a pierced foliate cresting, flanked by glazed panels to the sides and below, the white enamel dial with Roman hours and Arabic minutes, inscribed Nils Berg...

A spectacular and exceptional 18th century Altar Facade from the Catalan region of Spain. Carved in wood and gilded with both gold and silver. To...

Venetian Fleet vs. Ottoman Turks – Dardanelles Naval Battle Engraving, 1656 This print was almost certainly published by Matthäus Merian’s heirs, most likely as part of the Theatru...

Hand-colored French map, Carte de la Partie Nord, des Etats Unis, de l'Amérique Septentrionale, late 18th century. A French map of New England published at the end of the Revolutionary War...

This large Italian Baroque oil on canvas, dating from the late 17th century represents an exceptionally vivid battle scene with the unusual subject of a brigand ambush on a stagecoac...

This "Pirates" ladder is BEYOND whimsical from Spain. A total of 26 feet long, perhaps used by Spanish pirates in the 1800's, we envision this more of a rustic wall art piece. Can ...

18th Century, Painting with Architectural Capriccio with figures, attributed to Isaac De Moucheron Measures: canvas cm H 108 x L 152; with frame cm H 132 x L 176 x 8 The painting i...

A large scale (life size) 18th Century Italian oil on canvas. 'THE BODY OF THE DEAD CHRIST IN THE TOMB' after Hans Holbein the Younger, showing Christ lying in the tomb. His head re...

An engraved portrait of Edward I, also known as Edward Longshanks and the Hammer of the Scots, who was King of England from 1272 to 1307. The text beneath t...

This evocative three-quarter length portrait, executed in the Venetian School during the 17th century, depicts an imagined figure of an elite Ottoman woman, rendered in rich oils on canvas. Her elaborate headdress, ornate costume, and poised bearing align with Western ideals of exoticism and nobility, shaped through Venetian eyes. The rose delicately held at her chest may serve as a symbolic identifier—an allusion to Rossa or Rosselana, the Western name for Hürrem Sultan (c.1502–1558), the influential consort and later wife of Sultan Suleiman the Magnificent...

Period: 17th century Style: Rome and Antic Greece Condition: Perfect condition Material: Wool Width: 465 cm Height: 307 cm Depth: 1 cm In keeping with tradition, this magnificent ta...

Shield form with a crown over a coat of arms with different symbols, the frame carved and gilded in the baroque style. From the Michael Kittredge collection.

A late 18th century copy of a painting by Claude Lorrain titled, "Port scene with the Villa Medici" the original painted in 1637 and now hanging in the Uffizi Gallery in Florence. Th...

Belgium / 16th century / wooden sculpted panel / oak / Gothic / Rustic / Antique A panel in oak wood enriched with Gothic graphic carvings. Hand carved in Belgium in the 16th centur...

A French Aubusson historical tapestry from the late 17th century, depicting Aeneas relating his adventures to Dido, from 'The Story of Dido and Aeneas'...

Elevate your collection with this breathtaking oil painting, "Adoration of the Magi," skillfully rendered on a magnificent 51x40 cm Cotognino Alabaster panel. This extraordinary piec...

A splendid 17th century Flemish painting. Oil on canvas artwork depicting a mythological subject of great charm, Meleager offers the boar's head to Atalanta. The Fates had predicted ...

Nature morte di fiori in vaso di scuola italiana del XVII secolo, coppia di due dipinti senza cornice. Olio su tela con sfondo scuro e fiori finemente definiti. Questi dipinti, natur...

The artistry and industry of Portuguese azulejos tiles is a tradition that dates back many centuries; as a practical, architectural surface to cover both interior and exterior walls ...

Refined 17th-century oil on panel portrait depicting Isabella Clara Eugenia of Austria, daughter of King Philip II of Spain. Painted with exquisite attention to detail, the work capt...

Rare Portrait of Elizabeth Petrovna of Russia (1709-1762) 18th Century Signature Signed by court painter Magnificent oil on canvas depicting Empress Elizabeth Petrovna (1709-1762),...

A collection of assignats, the paper currency that the revolutionary government attempted to introduce to compensate for the lack of metallic currency and to meet the war effort agai...

"Justice and Diversity in the Early Modern World" Description: This detailed engraving presents a vivid tableau in two distinct parts, each illustrating significant cultural and hi...

This a print of the iconic The Blue Boy by Thomas Gainsborough from around 1770. It is believed to be a portrait of Jonathan Buttali, the son of wealthy ironmonger. This print come...

Falco Leucocephalus Hornotinus – The Young Bald Eagle, by Sepp & Nozeman, 1770s This magnificent hand-colored engraving of Falco Leucocephalus Hornotinus (the young Bald Eagle) was ...

Exceptional pair of 18th century hand-colored engraving prints by Albertus Seba (Dutch 1665-1736). Each featuring woven paper mounted in gilt wood frames behind museum grade acrylic....

A Swedish Gustavian period painted wood wall hanging corner cabinet from the late 18th century, with blue paint, single door and weathered appearance. Created in Sweden during the la...

Grand Baroque composition made in Naples in the mid-17th century intended for the private chapel of a noble Neapolitan family. In the early nineteenth century on the finely executed ...

Rivinus botanicals: Lotus, Lathyrus & Hedysarum, Leipzig, 1690s Set of three late-17th/early-18th-century botanical copper engravings with period hand-colour, attributed to Augustus...

An evocative Venetian Renaissance oil on wood panel depicting a graceful Portrait of a Lady. The sitter’s serene expression and refined composition recall the elegance of Titian’s Ve...

Alberto Carlieri (Italy-Roma 1672-1720), "Christ and the adulteress", Oil on canvas, with frame cm H 115 x L 151 x 6.5, only canvas H 98.5 x L 135 cm...

Historische Wappen-Charte: Coats of Arms of the Prominent Italian Royal and Ducal Houses, 1718 This exquisite copper engraving, printed in 1718 in Nuremberg by Johann Ernst Adelbuln...

Spectacular large scale mid-17th Century Flemish tapestry created after the 1630s design by Jacob Jordaens (d. 1678). Several tapestries of identical design were produced based on dr...

Title: Joseph’s Well in the Citadel of Cairo – Section and Plan Engraving, Egypt 1776 Description: This detailed architectural engraving from 1776 presents the ground plan, sectiona...

Embroidered Holy Spirit panel. Antique embroidered doubled sided panel in paper with original antique seeded glass and gilt carved frame, Italy, l...

Pair of old master paintings by August Querfurt (1696-1761). Oil on panel, one signed with initials in the lower left. Two scenes depicting hawking parties from the 18th century. ...

This exquisite compilation showcases two engravings (not framed!) of various fish species from *Histoire Naturelle*, a significant 18th-century work on natural history. The engraving...

As found in Sweden, a set of two substantial gilt wood wall decorations. This set is impressive as wall sculptures in a living or dining room setting. We also see these as a centerpi...

An antique Portuguese wall relief or sopra porte made of Pinewood, in good condition. The Baroque wall panel was hand carved and is richly ornate wi...

Alberto Carlieri (Rome 1672-1720) "Architectural capriccio with the preaching of Saint Paul in the Areopagus of Athens" Oil on canvas, measures with...

Pier Francesco Cittadini (Milan, 1616-Bologna, 1681) "Jacob and his family go to Egypt" Oil on canvas, cm 109 x 190 (canvas only) The valuable painting, made in oil on canvas, depicts Jacob and his family go to Egypt and we believe it can be, given the high quality painting, autograph work of Italian Pier Francesco Cittadini (Italy Milan, 1616 - Bologna, 1681) made after 1647. The work, in excellent condition is accompanied by a coeval frame in wood finely carved and golden. The scene depicted, which was confused with the Flight to Egypt in the past years, is instead identified with the biblical episode of Jacob’s journey. In the foreground, reading the painting from left to right, we see a caravan composed of animals, including donkeys, dromedaries, goats, dogs and horses and people, women, men and slaves, who carry on their journey along the banks of a river, following a path that to the right, would seem to lead to the through of a bridge. In addition to the watercourse is described an environment characterized by large rocks and impervious come far to cover the entire verticality of the canvas. On the left, in the distance, we see the tail of the caravan that runs along the steep path. Large trees enliven and harmonize the environment, as well as white and grey clouds characterize the predominantly clear sky and illuminated on the right by sunlight. The story is told in the Bible, Book of Genesis, 30, 25, passage in which is described the flight of Jacob from Haran after the contrasts with Laban, father of his wife Rachel. Jacob is the third great patriarch of the Bible. From his descendants originate the twelve generations of the people of Israel. He is the son of Isaac and Rebekah, who led him to flee from the wrath of Esau to Haran to seek refuge from his brother, Laban. At his uncle’s house Jacob met his daughter Rachel. As soon as he saw his cousin, Jacob was taken. Jacob will stay seven years in the service of Laban to marry his beloved Rachel. But Laban, with a deception, will give him in marriage first Lia, the least beautiful eldest daughter, and only after another seven years the splendid Rachel. From his first wife he will have several children, while Rachel will give birth to the beloved son, Joseph, who will become viceroy of Egypt. After years of service, Jacob asked to be paid with every dark-coloured garment among the sheep and every spotted and dotted garment among the goats. Laban accepted and sent away from his sons all the leaders of that kind. So Jacob took fresh branches of poplar, almond and plane tree, and flayed them, and put them in the troughs. The optical suggestion induced the goats and the sheep to conceive and give birth to dark, striped and dotted garments. He also ensured that all the strongest and healthiest leaders of the flock of Laban would drink near the barked branches, thus assuring a genetic superiority to his part of the flock. His flocks grew numerous and strong and he became richer than his relative, arousing envy. It was clear that Laban would not respect him much longer. At the suggestion of the Lord, Jacob decided to return to Canaan. Trying to avoid any possible dispute, he left with his family while Laban was absent for shearing sheep. But when, three days later, his uncle returned home, he became angry, feeling offended because Jacob had gone secretly and had not allowed him to greet his daughters and grandchildren. In addition, his teraphim, statuettes, or idols, which depicted the family deities, had disappeared. After 7 days of pursuit, Laban and his men reached Jacob’s group on Mount Gilead, in the mountainous region west of the Euphrates River, where his uncle and grandson had a stormy conversation. The younger man was outraged at being accused of stealing idols and told Labano to rummage through his family’s tents at will. Neither of them could know or even imagine that it was Rachel who took the idols and hid them in the saddle of the camel. During the search, she sat down firmly on the saddle, apologizing for not being able to get up, «because I usually have what happens to women» (Gen 31:35). So the loot wasn’t discovered. The author of this work was inspired by the composition of an engraving by Stefano Della Bella (1610-1664) of circa 1647. The engraving by Stefano della Bella bears the title "Iacob sur ses vieux jours quitte sans fascherie pour voir son filz Ioseph, sa terre et sa patrie" and is signed on the bottom left "Stef. of the Beautiful In. et fe." while on the right it is declared "Cum privil. Regis", that is with license of the king. Stefano Della Bella (Italy - Florence, May 18, 1610-Florence, July 12, 1664) was born in a family of painters, sculptors and goldsmiths and was left early orphan of his father sculptor, he dedicated himself first to the art of goldsmith at the school of Giovanni Benedetto Castiglione and Gasparo Mola, then turning his attention to drawing and engraving. He soon began drawing figures and copying the etchings of Jacques Callot, which inspired his early works. Under the protection of the Medici, in particular of Don Lorenzo, cadet son of Grand Duke Ferdinand I, Della Bella has the opportunity to make study trips to Rome, where he stayed from 1633-1636; In Rome he met French engravers and publishers of prints such as Israël Henriet and François Langlois, who influenced his decision to move to Paris in 1639, four years after the death of Callot. In Paris he soon reached, thanks to the engravings commissioned by Cardinal Richelieu, the success also worldly; he frequented courtiers, theatre artists and writers, while refusing too oppressive honors. In 1646-1647 he continued his travels in the Netherlands to Amsterdam, Antwerp and Dordrecht. He returned to Florence in 1650 and resumed working under the protection of the Medici court, working for his patrons. In 1656 he became a member of the Academy of Apatists. The painting object of this study is reasonably attributable to Pier Francesco Cittadini, or Pierfrancesco Cittadini, called the Milanese or the Franceschino (Italy - Milan, 1616-Bologna, 1681) as some exemplary stylistic comparisons proposed to follow can prove. Pier Francesco Cittadini was an Italian baroque painter, mainly active in Bologna. His artistic training first took place with the painter Daniele Crespi...

Discover a unique and exceptional piece of religious art with this impressive gilded silver Orthodox cross, dated 1750. An object of devotion and sacred art that carries a rich histo...

Presented is a rare stipple engraving of “Liberty. In the form of the Goddess of Youth giving Support to the Bald Eagle.” This engraving was drawn, engraved, and published by Edward ...

A traditional Russian triptych of Christ and the Virgin of the Unfading Roses. The Mother of God and her son are shown wearing crowns and dressed in r...

Set of 3 Biblical Engravings – Nativity, Luke the Evangelist & Annunciation This set of three antique engravings, dating to 1735, presents key moments from the Gospel of Luke with b...

A Flemish Verdure Tapestry, 18th Century Depicting a woodland scene, with a large tree in the foreground and a city in the far background. Provenance: Private Australian Collection...

Set of Four De Bry Botanical Engravings of Exotic Spices and Plants, c.1598 – Cinnamon, Aloe, and Aromatics of the Indies A fine and complete set of four original copper engravings ...

An antique engraving of the frontispiece to "Bankes's New System of Geography." The detailed artwork typically found in frontispieces of this era was designed to capture the essence ...

Inscriptions on the Legs of the Colossus of Memnon – Greek & Latin Graffiti Description: This fascinating paired engraving documents the inscriptions found on the legs of the famed ...

Title: Earliest Depiction of Balinese Festival and Gamelan, Dutch Engraving c.1601 Description: Rare early 17th-century Dutch engraving showing a royal festival and equestrian tourn...

Ancient Ruins with Strollers. Brown wash and graphite.

This is the frontispiece of the first volume of "Delle antichità di Ercolano" (The Antiquities of Herculaneum), published in 1757 by the Royal Printing House of Naples, Italy. The ...

Title: Early Depiction of Indigenous Fishing, “Maniere van te visschen,” Linschoten c.1601 Description: Original 17th-century Dutch engraving from Itinerario by Jan Huygen van Linsc...