Early 19th Century Wall Decorations

Antique Handcolored Engraving of Lizards and Newts, Amphibien XIII, c.1800 This original handcolored copperplate engraving features four species of reptiles and amphibians, showc...

Description: This original handcolored copperplate engraving illustrates four species of amphibious or aquatic eels and snake-like creatures in dynamic poses. It is part of Friedrich...

Antique Handcolored Engraving of Wild Canines and Hyenas, Quadruped XV, c.1800 This original handcolored copperplate engraving depicts various wild canines and hyenas, highlightin...

Title: "Great St. Bernard and St. Gotthard Passes: Alpine Routes of Switzerland, 1805" Description This finely hand-colored copperplate engraving vividly depicts two iconic Alpine p...

Antique Handcolored Engraving of Medicinal Plants, Plantes XIII, c.1800 This original handcolored copperplate engraving depicts two medicinal plants, illustrating their botanical ...

Hand-Colored 1805 Butterfly Print by Friedrich J. Bertuch - Convolvulus & Privet Hawk-Moth Description: This hand-colored copperplate engraving, from Friedrich Johann Bertuch's "Bil...

Title: "Cat and Kittens, 1809 Hand-Colored Etching by Samuel Howitt" Description: This hand-colored etching, titled "Cat and Kittens," was created by Samuel Howitt and published i...

"Botanical Illustration of Sonchus oleraceus (Common Sow Thistle)" Description: This exquisite hand-colored copperplate engraving by F. Guimpel, from the early 19th century, featur...

"Medlar and Cornelian Cherry: Blossoms, Fruit, and Seeds, Bertuch, 1805" Description This captivating hand-colored copperplate engraving showcases the medlar (Mespilus germanica) an...

"European Garden Spider Anatomy: Variations, Silk Spinnerets, and Mandibles" This captivating hand-colored copperplate engraving, from Friedrich Johann Bertuch’s *Bilderbuch für K...

Botanical Study of Plum and Cherry Blossoms and Fruits, 1805 This exquisite handcolored copperplate engraving, part of Friedrich Johann Bertuch's *Bilderbuch für Kinder* (Picture Bo...

A scene of White Horse Hill, which is located in the county of Berkshire. The text in the image states: "Engrav'd for England Display'd" and "View of White Horse Hill in the County ...

Title: "Scenes of Traditional Life and Festivities: Hand-Colored Engraving from Bertuch's Bilderbuch für Kinder" Description: This lively hand-colored copperplate engraving captures four distinct vignettes of traditional European life and festive activities, highlighting the cultural practices and vibrant community spirit of the 19th century. Published in Friedrich Johann Bertuch’s renowned *Bilderbuch für Kinder* (Picture Book for Children) in Weimar, 1805, the engraving reflects the Enlightenment-era focus on illustrating the diversity of human life. The scenes include: - Figure 1: A wrestling match in a grassy meadow, surrounded by an attentive crowd, showcasing traditional sportsmanship. - Figure 2: A pastoral scene with a group enjoying the melodies of an alpine horn...

Title: Intricate Depictions of Marine Life: Hand-Colored Copperplate Engraving from Bertuch's "Bilderbuch für Kinder" Description: This fascinating hand-colored copperplate engr...

This handcolored copperplate engraving from Friedrich Johann Bertuch’s "Bilderbuch für Kinder" (Picture Book for Children) beautifully illustrates various stages in the life cycle of...

Stunning quality antique Victorian Black Forest aneroid barometer having a fantastic quality antique Victorian Black Forest barometer with a quality carved walnut case with leaves su...

"The Old Woman and Her Cats, 1809 Hand-Colored Etching by Edward Orme" This hand-colored etching, titled "The Old Woman and Her Cats," was published in September 1809 by Edward Orm...

Italy / 1924 / advertising sign / Prior / tin, metal / Art Deco / Mid-Century Old Art Deco Advertising sign on tinplate for “Prior” sigars. Dated 1924, numbered “51” and signed by d...

This print titled "Anecdote, Lion & Hottentot" features a dramatic scene in a rocky terrain in Africa. A powerful lion is captured mid-leap, eyes wide with focus and intensity, aim...

Swiss alp " decoupage " signed and dated 1802

Old print of a fin whale or rorqual, Balaenoptera physalus, endangered 1, bottlenose dolphin, Tursiops truncatus 2, and northern bottle-nosed wha...

This rare set of four reverse glass mezzotints representing Britain's victories includes: "Britannia's Triumph on the Restoration of Peace"- L...

Title: "Birds of Prey: Hand-Colored Engraving of Raptors from a 19th-Century Natural History Collection" Description: This stunning engraving from a 19th-century natural history po...

The Devil's Bridge at Gotthard Pass and 12th-Century Rhone Bridge at St. Maurice: Hand-Colored Engraving from Bertuch’s *Bilderbuch für Kinder* This captivating hand-colored copperp...

A View of Ohiopyle Falls in Pennsylvania This charming hand-colored engraving presents a serene view of Ohiopyle Falls in Pennsylvania, a natural landmark renowned for its cascading...

Title: *The Coffee Room at the Auction Mart, Bartholomew Lane, London – 1811* This hand-colored engraving depicts the interior of the Coffee Room at the Auction Mart in Bartholomew ...

Antique Botanical Engraving of Pokeweed (Phytolacca) - 1803 Floral Print by Samuel Curtis Description: This engraving is from "The Botanic...

Royal House Antiques Royal House Antiques is delighted to offer for sale this rather stunning, 1825 dated needlework sampler made during the reign of King George IV by Eliza Ann Pra...

Antique Handcolored Engraving of Crocodiles, Amphibien II, c.1800 This original handcolored copperplate engraving features two distinct crocodile species depicted in naturalistic ...

Three original botanical engravings in old handcoloring on hand-laid paper with watermark. 1. Salvia sclarea (Common Name: Clary Sage) - This engraving features Salvia sclarea, ...

The print is from "Il Costume Antico e Moderno" by Giulio Ferrario, specifically depicting the "Le Lullunge" feast in Senegambia. This festival is illustrated as part of the extensive series detailing the customs, costumes, and daily life of people from different parts of the world. The illustration captures a lively and culturally significant dance that forms part of the "Le Lullunge" celebrations, showcasing traditional attire and communal participation, which are central to the event in Senegambian culture. The illustration not only serves as a vibrant representation of the dance and celebration but also as an ethnographic record from the early 19th century, emphasizing the richness of Senegambian traditions. The term "Senegambia" historically referred to a region in West Africa that encompassed parts of what are today known as Senegal and The Gambia. This area is known for its rich cultural heritage, including vibrant festivals and communal celebrations like the one depicted in the illustration. The "Le Lullunge" feast, as illustrated in Giulio Ferrario's "Il Costume Antico e Moderno," captures the traditional dances and social practices of the peoples in this West African region. This original antique hand-colored print depicts a vibrant scene of Native African dance, possibly part of a ceremonial or ritualistic activity. The individuals are animatedly engaged in dance, with their limbs dynamically positioned, suggesting vigorous movement. Each figure is adorned with elaborate feathered headdresses and carries feathers or other items as part of their dance. These accessories likely have cultural significance, possibly denoting status, role in the ceremony, or spiritual symbolism. The attire of the dancers is simple yet functional for their vigorous activity, consisting of skirts that allow for ease of movement. Their outfits are decorated with additional elements that may indicate tribal affiliation or personal achievement. The dancers are barefoot, connecting them physically and symbolically to the earth, which is a common aspect in many African cultural practices emphasizing a connection to nature. The setting of the dance is outdoors, under a large tree, indicating the importance of natural surroundings for the event. This could be a communal gathering place, chosen for its significance within their community or for its natural beauty and tranquility. Overall, this image captures a moment of cultural expression, highlighting the importance of dance in Native African traditions as a form of communication, celebration, or spiritual practice. The detail and color used in the depiction aim to convey the vibrancy and energy of the scene, reflecting the artist’s perspective on these cultural practices. In more detail: From: ‘Il Costume Antico e Moderno …, l’America.’ , by Giulio Ferrario, published in Milan in 21 volumes by Antonio Fortunato Stella in 1827 (first edition, second issue). The 17 volumes of the first issue were published sequentially between c. 1815/1816 until 1826 after first being issued in 143 weekly installments. The work appeared in Italian and French. Smaller size editions with smaller much less elaborate plates were published in Florence (1823-38), Naples (1831-42) and even a 16mo. editon in Livorno (1830). Original blindstamp at bottom right image. The sources used for this work are wide. Made by ‘Gallo Gallina’ after ‘Giulio Ferrario’. Giulio Ferrario was founder of the ‘Societa Tipografica de Classici Italiani’ and served as the director of the Braidense National Library in Milan, Italy. Artists that worked on this monumental work are: Gallo Gallina, D.K. Bonatti, A. Biasioli, L. Rossi, Paolo Fumagalli, Gaetano Zancon (1771-1816), G. Bigatti, C. Bramati, G. Gallo, C. Bottiglia, G. Castellini, Antonio Rancati (1784-1816), Vittorio Raineri, Sydney Parkinson...

Handcolored Copperplate Engraving of Cashmere Goats and Sheep, Friedrich Johann Bertuch, 1823 This is an exquisite handcolored copperplate engraving depicting a group of Cashmere go...

A fragment of the very best Bukhara quality ikat - fully saturated colour with 6 or 7 colours. Probably from a wall hanging. For references see: c.f. Goldman collection plates 17, 3...

Antique Handcolored Engraving of Lemurs and Flying Mammals, Quadruped XIX, c.1800 This original handcolored copperplate engraving features various lemurs, bats, and flying mammals...

Antique Handcolored Engraving of Seals and Amphibious Mammals, c.1800 This original handcolored copperplate engraving illustrates various seals and amphibious mammals in their nat...

Early 19th Century Swedish folk painted wall decoration depicting flowers and plants, painted on re-purposed home spun cloth, in wonderful blues, golds and grey tones.

Antique lithographs of Maxuruna and Botocudo tribes, Brodtmann 1827 These original lithographs, produced in 1827 by Karl Joseph Brodtmann, present rare and historically significant ...

Antique lithographs of African peoples by Brodtmann, 1827 These original antique lithographs were created in 1827 by Karl Joseph Brodtmann, one of the most influential Swiss natural...

Antique lithographs of inhabitants of Van Diemen’s Land, Brodtmann 1827 These original antique lithographs were created in 1827 by Karl Joseph Brodtmann, one of the most important S...

Antique map titled 'Polynesia and Australasia'. It shows Australia (New Holland), part of Asia, New Zealand and many islands. This map originates from 'Encyclopedia Londinensis'.

Antique print titled 'Lieut General Lord Hill, K.B'. Rare, original antique print of General Rowland Hill, a British Army officer who served in the Napoleoni...

Title: Antique Botanical Print of Banana Shrub and Starry Wild Jasmine, 1803 This title accurately reflects the plant subjects depicted in the illustration: the Banana Shrub (Fig. 1, showing the seed pod) and the Starry Wild Jasmine (Fig. 2, showing the flower in bloom). This antique engraving from April 23, 1803, beautifully illustrates two botanical figures, emphasizing the natural beauty and complexity of plant life. Here's what makes these illustrations unique and special: 1. Botanical Detail: Fig. 1 shows a plant section with a dark, almost wilted appearance, possibly representing the fruiting body or a seed pod, which contrasts with the lively and vibrant Fig. 2, depicting a flower in bloom. This juxtaposition captures both the end and the beginning of life cycles in the plant kingdom, showcasing the botanical accuracy and attention to detail that was essential in early scientific illustrations. 2. Artistic Technique: The illustration is a fine example of handcolored copperplate engraving, a method that requires exceptional skill. This technique allows for precise details and subtle gradations of color, qualities that make antique botanical prints highly valued by collectors and art enthusiasts alike. 3. Historical and Educational Value: Published by W. Curtis at St. George Crescent in 1803, this work is part of a larger series that aimed to educate and inform about the diversity of plant species. Such prints are crucial for understanding how plants were studied and classified in the early 19th century, providing insight into the history of botany and scientific illustration. 4. Collectibility: Due to their age, artistic merit, and the detailed craftsmanship, prints like these are sought after by collectors of antique botanical art...

This print from "Illustrations of British Ornithology" by Prideaux John Selby features the Little Auk in both its summer and winter plumages. The illustration captures the distinctiv...

Set of four antique prints of Dutch costumes. These prints originate from 'Afbeeldingen van de kleeding, zeden en gewoonten in de bataafsche republiek, met den aanvang der negentiend...

This engraving, titled *Anas Aegyptiaca - L’Oie d’Égypte* (Egyptian Goose), depicts the Egyptian goose, scientifically known as *Alopochen aegyptiaca*. The artist is Nicolas Maréch...

Title: "Social Hierarchy of the Nagai Tartars - An Etching by Geissler, ca. 1800" Description: This etching by Christian Gottfried Heinrich Geissler, titled "Nagai Tartars," is a fine representation of the German School from around the year 1800. It portrays three figures, labeled to indicate their social standing: a woman of distinction, her daughter, and a female servant, numerically annotated as 1, 2, and 3 respectively. The detailed depiction captures the intricate attire and cultural fashion of the period, reflecting the societal structure and familial roles within the Nagai Tartar community. The women are adorned in traditional garments that signify their status and identity, while the setting suggests a backdrop typical of their environment, providing a glimpse into the life of the Tartar people at the turn of the 19th century. The Nagai or Nogai Tartars were part of the Nogai Horde, a confederation that occupied the Pontic–Caspian steppe from about 1500 until they were displaced in the 17th century by the Kalmyks and Russians. They were named after Nogai Khan, a Mongol ruler, and were divided into groups such as the Budjak and Yedisan in the area north of the Black Sea. The Nogais were known to be pastoral nomads who grazed sheep, horses, and camels and were also involved in trade, raiding, and tribute. They spoke a form of Kypchak Turkic and were Muslim, although their religious institutions were not strongly developed. The societal structure of the Nogais was quite fluid, with personal prestige playing a significant role in their political organization. They were historically known for their slave raids across Eastern Europe, which were an important part of their economy. The term "Tatar" broadly refers to Turkic-speaking peoples, mainly found in west-central Russia and other former Soviet Republics. It was originally used to refer to various nomadic groups from the vast Central and Northern Asian region then known as Tartary. The largest Tatar group is the Volga Tatar from the Volga region in Russia. There are several Tatar groups, including the Volga Tatars and the Crimean Tatars, with the latter being subdivided into groups such as the Tats and the Nogai. The Tatars have a rich history that dates back to the 5th century when nomadic tribes in northeastern Mongolia around Lake Baikal were first recognized. They became part of Genghis Khan's army in the 13th century and were known to Europeans as Tatars. Following the disintegration of the Mongol Empire, the Tatars were particularly associated with the western part of the empire, the Golden Horde...

Set of three original antique prints of various monkeys including maki, indri and others. These prints originate from 'Bilderbuch fur Kinder' by F.J. Bertuch. Friedrich Johann Bertuc...

Antique Print - Plaza de Mayo, Buenos Aires, 1820s - Jules Ferrario This historically rich print, titled "Plaza de Mayo, Buenos Aires," originates from Jules Ferrario's renowned series "Le Costume Ancien et Moderne," specifically from Volume II, plate 2. The print offers a captivating depiction of the Plaza de Mayo, one of the most significant public squares in Buenos Aires, Argentina. It beautifully captures the essence of the plaza during the early 19th century, featuring local inhabitants engaged in daily activities, architectural landmarks, and a dynamic urban atmosphere. The intricate detailing and careful hand coloring enhance the visual impact, providing a window into the architectural and social fabric of Buenos Aires during this period. This piece is invaluable for collectors interested in South American history, urban landscapes, and antique lithography. It not only serves as a decorative artwork but also as an important document that highlights the urban development and cultural milieu of Buenos Aires in the early 1800s. It remains in good condition, with colors that have retained their depth and vibrancy, making it a prized addition to any collection of historical prints. In more detail: Line & aquatint etching with original hand colouring on wove (vellin) paper. From: ‘Il Costume Antico e Moderno …, l’America.’ , by Giulio Ferrario, published in Milan in 17 volumes (first issue), published sequentially between c. 1815/1816 until 1826 after first being issued in 143 weekly installments. This Italian volume has the date 1821. The second issue was published in 21 volumes in 1827. The work appeared in Italian and French. Smaller size editions with smaller much less elaborate plates were published in Florence (1823-38), Naples (1831-42) and even a 16mo. editon in Livorno (1830). Original blindstamp at bottom right image. The sources used for this work are wide including van Humboldt, von Wied etc. Made by ‘D.K. Bonatti’ after ‘Giulio Ferrario’. Giulio Ferrario was founder of the ‘Societa Tipografica de Classici Italiani’ and served as the director of the Braidense National Library in Milan, Italy. Artists that worked on this monumental work are: Gallo Gallina, D.K. Bonatti, A. Biasioli, L. Rossi, Paolo Fumagalli, Gaetano Zancon (1771-1816), G. Bigatti, C. Bramati, G. Gallo, C. Bottiglia, G. Castellini, Antonio Rancati (1784-1816), Vittorio Raineri, Sydney Parkinson...

Antique Print - Soldiers at Rio de la Plata, Eastern Beach - Ferrario-Bonatti 1821 This vibrant hand-colored etching, titled "Soldiers of the Eastern Beach of the Rio de la Plata Re...

Description of the Plants in the three combined original antique engravings: 1. Aethusa cynapium (Common Name: Fool's Parsley) - This engraving depicts Aethusa cynapium, commonly...

This print titled "Bird Catching from Below" showcases a traditional method of bird hunting along a rocky coastline. In the scene, several men in plaid attire are depicted in action....

Hand-Colored Engravings that were published in the 1819 sixth edition of "Getreue Darstellung und Beschreibung der in der Arzenykunde gebrauchlichen Gewächse" by Friedrich Gottlob Ha...

Set of seven antique prints of beds with drapery. These prints originate from 'The General Artist's Encyclopaedia' by Thomas Sheraton. Published 1803-1805.

Plate CXI illustrating various birds including the African Beef-Eater, Pied Hornbill and the Bull-Faced Barbet. By A. Bell, circa 1800.

These illustrations were published in the 1819 sixth edition of "Getreue Darstellung und Beschreibung der in der Arzenykunde gebrauchlichen Gewächse" by Friedrich Gottlob Hayne. This...

Original antique print of fossil crinoids. This print originates from 'Bilderbuch fur Kinder' by F.J. Bertuch. Friedrich Johann Bertuch (1747-18...

PRESENTING a LOVELY Early 19C Oil on Canvas ‘Portrait of a Distinguished Lady’ In the Style of Jacob Eichholtz. Nice sized portrait of an older lady of high social status, from circa 1820. She has brown curly hair (suggesting that she may not have been as old as she appears) with a beautiful lace bonnet, with intricate lace collar and black period dress which is suggestive of a ‘mourning’ period. Oil on Canvas mounted on a wooden fame with nails and glue. Unsigned, but most definitely in the style and manner of Jacob Eichholtz, who was a renowned Pennsylvanian artist, known for his portraits of families of status and wealth, in and around Pennsylvania in the early 19th Century. Jacob Eichholtz (1776–1842) was an early American painter...

Antique Print - Indigenous Dress and Interiors, South America - Ferrario-Bonatti 1821 This hand-colored etching, titled "Indigenous Dress and Interiors of South America," offers a u...

Antique print titled 'Chinoise de Qualité'. Old print of a Chinese lady holding a bird, China. Also shows pagodas. Source unknown, to be determined. Artists and Engravers: An...

Mount Tabor – Antique Aquatint View of Galilee by F.B. Spilsbury, 1803 This beautifully hand-colored aquatint titled Mount Tabor presents a sweeping view ...