Early 2000s Photography

Framed archival pigment print from Nicholas Alan Cope's inaugural book and accompanying 2014 New York solo exhibition at Mondo Cane / Patrick Parrish Gallery, “WHITEWASH”. Edition of...

A work as much a study of lunar light as of circular composition. Observing the moon’s variances, in shadow, in illumination, the photograph carries something elemental in its sparse...

A framed photograph by Italian artist Paolo Ventura (b. 1968), No 59 from the series Winter Stories and created in 2009. The current digital chromogenic print on offer is presented f...

Extraordinary photograph taken and signed by the Parisian photographer David Law, where a female face is represented. It is printed in methacrylate, a modern material that enhances t...

Our gallery is pleased to be have the opportunity to represent the internationally renowned Photographer Nicola Majocchi. The photograph is stretched and framed in a black wood free ...

Our gallery is proud to announce we are representing the noted photographer Nicola Majocchi. We will be listing his limited edition works and presenting them in our gallery. This is ...

"Manga Expect" original photomanga by Kanjo Take, 2005 Offered for sale is an original Photomanga by German/Chinese artist Kanjo Take. In the summer of 2005 Kanjo Take organized the first creative national Chinese photo...

"Champagne" Francis Apesteguy Inkjet photo on Epson semi gloss paper Printed in 2007 Photograph signed, titled and numbered 2/9 Size : 40 x 60 cm Very good condition Price : € 490

Our gallery is proud to represent the noted photographer Nicola Majocchi. This work is titled as follows: Birth of Venus (Two) Limited edition of ten (10) Measures: 20” W x 20” H ...

This early original photography by the late Brian McKee (1977-2018) of a war-torn Castle in Northern Afghanistan. This is a chromogenic print mounted on aluminum - Series 1 of 5, from 2002. Provenance: This amazing piece was purchased at Art Basel (Switzerland) in 2002 from Galerie Ernst Hilger (Vienna). Paperwork to be provided at time of purchase. THIS ITEM IS LOCATED AND WILL SHIP FROM OUR MIAMI, FLORIDA SHOWROOM. Biography Brian McKee was born in 1977 in Excelsior Springs, Missouri and attended the Interlochen Arts Academy and Bard College. While at Bard College he studied photography with Stephen Shore, Larry Fink and Barbara Ess as well as writing under John Ashbery whose assistant he was for more than three years. For five years he was the assistant to the photographer Lynn Davis. He lived and worked in New York City/USA, Vienna/Austria and Istanbul/Turkey. Brian McKee called himself “a visual historian” who ventured to “convey a unique and important view of select aspects of World History” with his photographs. “Within architecture and landscapes I find my true subject, the detritus of civilization, and seek to explore the way we define and relate to its existence. Although creating precisely composed and executed images I carefully chose projects that have a conceptual meaning and importance beyond their visual interest or beauty.” For the past 15 years McKee had focused on examining and visualizing a body of work that explored both the current and past social and political atmospheres of countries around the world. Photographing with an 8x10 inch Deardorff plate camera he composed poetic images, which conveyed a complex untold narrative embedded in an immaculate concept, which didn’t only exist for aesthetic purposes. He was fond of ”the idea that houses, buildings, towns and cities provide us with a true understanding of the cultures that inhabited those spaces. At the same time they are a reflection of the social, political and personal atmosphere that created them.” His signature subject of the rise and fall began 1999 when he photographed Soviet military...

This brass trimmed framed photo print with details of wood grain and wonderful black print with excellent clarity. A wonderful piece of wall art. The LeVeque Tower is a 47-story s...

Yoshida Kimiko (Japanese, b. 1963) The Berber Bride, Morocco, early 20th century; self-portrait C-print, Diasec; aluminum mounted Signed, titled and dated to artist's label verso Edition 2/10 Size: 47.25 x 47.25 in. Kimiko Yoshida...

Bert Stern Gary Cooper Photo inkjet Edition of 50 Circa 2009 33 x 48 cms Signature recto/ verso Certificate Perfect condition 3900 euros

A framed C-print photography by British artist Sam Taylor-Wood (1967-). Entitled "Self-Portrait in a Single-Breasted Suit with Hare", the print was made in 2001 and its unique in this size at 9" h x 6" w. Presented in a wood frame. Provenance: Matthew Marks Gallery, NYC (label verso). Artist Biography (courtesy of Guggenheim Musuem Collection) Sam Taylor-Wood B. 1967, LONDON Sam Taylor-Wood was born in London in 1967. At the age of sixteen, she enrolled in an art school in Hastings, later moving back to London to attend Goldsmiths College. After graduating in 1990, she worked as a bartender and as a dresser at the Royal Opera House; the latter experience would influence her work’s unabashed theatricality. Originally a sculptor, she began working in photography, film, and video in the early 1990s. Her first film, 16mm (1993), consists of an isolated female figure gyrating to a steady beat. She explored similar intersections between video, dance, theater, music, film, and video in subsequent works, including Killing Time (1994), in which seemingly bored actors wait their turn to lip-synch the lines of different characters from Richard Strauss’s Electra. Her photographic work also finds points of intersection with other mediums. The title of Five Revolutionary Seconds (1995–98), for example, refers to her creation of a panoramic image by rotating her camera around a room over that period of time; the resulting image has a narrative quality despite being a static image. In recent years, Taylor-Wood has engaged ideas of celebrity culture in her work. Third Party (1999–2000), a seven-screen video installation at the Hayward Gallery in London, featured pop singer Marianne Faithful and actor Ray Winstone in different one- and two-person scenes of flirtation and ennui, creating a party-like environment in the gallery where the viewer is privy to these personal exchanges. Equal parts pathos and humor, the two-minute film Pietà (2001), in which the artist attempts to suspend the Hollywood actor and hard-living icon Robert Downey, Jr. in her arms, also evokes the well-known art historical subject. Her video David (2004) evokes similar connotations and intimately unveils the much-photographed dynamic soccer icon David Beckham in deep sleep. Time and speed are often centerpieces of her videos, whether the rapid acceleration of a bowl of fruit’s decay process in Still Life (2001) or the illusion of frozen time in The Last Century (2006), for which the actors are in fact filmed in real time but remain impossibly still. Taylor-Wood’s first narrative film, Love You More (2008), borrows its title from a song by the 70s punk band Buzzcocks and chronicles the story of two teenagers who hear the recently released song together in a record store. Since her first show, Killing Time at the Showroom in London in 1994, Taylor-Wood has had solo exhibitions at White Cube in London (1995, 2001, 2004, and 2008), Kunsthalle Zürich (1997), Hirshhorn Museum and Sculpture Garden in Washington, D.C. (1999), Museo Nacional Centro de Arte Reina Sofía in Madrid (2000), Centre National de la Photographie in Paris (2001), Musée d’Art Contemporain de Montréal (2002), Russian Museum in St. Petersburg (2004), Museum of Contemporary Art in Sydney (2006), Museum of Contemporary Art in Cleveland (2007), and Museum of Contemporary Art in Houston...

"The Teaser" Street Photography /2000, Portugal / Analog camera photo / B&W 35 mm film. 400 iso / Gelatin Silver Print. Unframed Signed, titled, negative date & print date on verso. Please take a moment to visit our art gallery on 1stdibs listed in the fine art section. Ana Maria Cortesão...

Street Photography /2001. Sanctuary of Fátima, Portugal / Analog camera photo / B&W 35 mm film. 400 iso / Gelatin Silver Print Signed, titled, negative date and print date on verso. ...

Sylvia Kristel by Just Jaeckin signed and numbered 21/100 lower left print on glossy paper excellent condition Circa of the print : 2009 size : 80 x 60...

Carole Bouquet by Just Jaeckin signed and numbered 21/100 lower left print on glossy paper excellent condition Circa of the print : 2009 Size : 80...

"Alternative movements on the Seine" Francis Apesteguy Inkjet photo on Epson semi gloss paper Printed in 2007 Photograph signed, titled and numbered 1/9 Size : 40 x 60 cm Very good c...

Massimo Vitali - Venezia San Marco Offset Photolitograph (90x70 cm) from A Portfolio of Landscapes and Figures printed on Royal Consort Paper by Steidl Verlag for Brancolini Grimaldi...

"The Red Mill" Francis Apesteguy Inkjet photo on Epson semi gloss paper Printed in 2007 Photograph signed, titled and numbered 1/9 Size : 40 x 60 cm Very good...

"Hallucinations" Francis Apesteguy Inkjet photo on Epson semi gloss paper Printed in 2007 Photograph signed, titled and numbered 1/9 Size : 40 x 60 cm Very good condition Price : € 490

Framed original photography print of a small yellow bird among Hawaiian blossoms framed in a lustrous red Koa Wood frame. Bottom Reads: Anianiau Ohia Lehua Blossoms. Kokee State Par...

"Women Photographers at National Geographic". Hardcover book, September 1, 2000 Celebrating the women who have helped make National Geographic one ...

Introducing a breathtaking framed behind glass and matted panorama photograph titled "Fall Lake Reflections" by artist photographer Robert Knight. This captivating artwork showcases the serene beauty of a lake during the fall season, with its vibrant colors and tranquil reflections. The photograph is a limited edition print, numbered 108, and personally signed by the artist. Robert Salisbury Knight...

James Billings (British) A large and striking fine art photograph of an abandoned amusement park in Berlin, Germany. A chromogenic print mounted under plexiglass sheet, floated in wo...

Framed archival pigment print from Nicholas Alan Cope's inaugural book and accompanying 2014 New York solo exhibition at Mondo Cane / Patrick Parrish Gallery, “WHITEWASH”. Edition of...

Photographie mode représentant le model Edita Vilkeviciute Photographie réalisée par Bela Adler . 2018 53x65 cm avec encadrement 35 x 50 Photo seule

Archival pigment print by Chris Austin. Untitled (Night #33), 2008. Edition 1/5.

A framed behind glass and matted panorama photograph titled "Wildflower Coast" by the talented artist photographer Robert Knight. This captivating piece showcases a breathtaking coastal landscape adorned with vibrant wildflowers. It is a limited edition print, numbered 9, and personally signed by the artist. Robert Salisbury Knight...

Our gallery is pleased to be have the opportunity to represent the internationally renowned Photographer Nicola Majocchi. The photograph is stretched and framed in a natural wood fre...

This is a series of THREE (3) - all of which is MONA, the photographer's Muse and Model. Mona painted in black and white. Original framing in white.

Chronotopia 2, 2003 C-print Measures: 24 × 30 in 61 × 76.2 cm Edition 5/10. Simon Norfolk is a well known British landscape photographer who has r...

Chronotopia 2, 2003 C-print 24 × 30 in 61 × 76.2 cm Edition 8/10 Simon Norfolk is a well known British landscape photographer who has regularly worked w...

"Sandstorm in the library" Francis Apesteguy Inkjet photo on Epson semi gloss paper Printed in 2007 Photograph signed, titled and numbered 1/9 Size : 40 x 60 cm Very good condition P...

"The ghost ship" Francis Apesteguy Inkjet photo on Epson semi gloss paper Printed in 2007 Photograph signed, titled and numbered 1/9 Size : 40 x 60 cm Very good condition Price : € 490

"Sexual Trepidations" Francis Apesteguy Inkjet photo on Epson semi gloss paper Printed in 2007 Photograph signed, titled and numbered 1/9 Size : 40 x 60 cm Very good condition Price ...

"Stellar Influence" Francis Apesteguy Inkjet photo on Epson semi gloss paper Printed in 2007 Photograph signed, titled and numbered 1/9 Size : 40 x 60 cm Very good condition Price : ...

"Turbulences of mechanical energy" Francis Apesteguy Inkjet photograph on Epson semi gloss paper Printed in 2007 Photograph signed, titled and numbered 1/9 Size : 40 x 60 cm Perfect ...

Photograph by John Steinbeck. Roy Schatt Photo by Elia Kazan ( Roy's photography student ) Print by Roy Schatt photography With frame L 41 cm x 51 cm W...

Fabrice Vallon. La Tour Eiffel. photographie de 2007 papier photographique numérotée et signée 2/100 petit accident en bas à gauche dimensions : 70x50...

Jean-pascal Bredenbac, photo on sheet metal, mounted on wooden panel, Dated 2000.