German Prints

Antique Copper Engraving – Domestic and Wild Cats (Felis domestica, Felis sylvestris), 1660 This charming and historically significant 17th-century copper engraving presents two cat...

Antique engraving of a state prison in Sicily by Zeyer & French, c.1840–1860 This dramatic antique engraving presents a coastal view of a state prison in Sicily, titled in German “...

Karl Blossfeldt — Framed Photogravure: Natural Grace, 1942 A striking Karl Blossfeldt photogravure from the 1942 edition of Wunder in der Natur. Retaining its original condition, i...

A group of Rupprecht Geiger screen prints from the portfolio "Go Back, Go On, Go". Twenty screen prints with texts by Helmut Heissenbüttel. Ex. from an edition of 100. Cologne, Galer...

Karl Blossfeldt — Framed Photogravure: Natural Grace, 1942 A striking Karl Blossfeldt photogravure from the 1942 edition of Wunder in der Natur. Retaining its original condition, i...

Rivinus botanicals: Cracca, Lotus lybica & Foenugracum, Leipzig, 1690s Set of three late-17th/early-18th-century botanical copper engravings with period hand-colour, attributed to A...

Large antique print of Cain and Abel. Published by Mosella-Verlag, 1913. This print originates from a series titled 'Kathol. Schulbibelwerk von Dr. Ecker'.

Antique Engraving of Birds and Bat Species, Emberiza schoeniclus & Vespertilio spectrum, c.1800 Description: This elegant natural history engraving from around 1800 features two fin...

The posters and prints may display signs of aging, such as paper discoloration, tears, folds, and other imperfections. These pieces were part of an art collection owned by a German ...

De Bry Engraving “Expressio Germinum” – Exotic Plants of St. Lawrence Island, c.1598 A fascinating original 16th-century copper engraving from Theodor de Bry’s Petits Voyages (Frank...

Karl Blossfeldt — Framed Photogravure: Natural Grace, 1942 A striking Karl Blossfeldt photogravure from the 1942 edition of Wunder in der Natur. Retaining its original condition, i...

Marine Fish Print: Swordfish, Anglerfish, Tuna & Pipefish – Antique 1867 This striking antique print depicts a wide variety of marine fish, including swordfish, anglerfish, tuna, pi...

Antique Chromolithograph of the Rhine Falls near Schaffhausen, ca. 1890 This captivating chromolithograph, titled “Der Rheinfall bei Schaffhausen” (The Rhine Falls near Schaffhausen...

America – Indians Crossing a River, Rafts and Canoes – De Bry, Latin Edition c.1594–1596 This finely engraved and hand-colored copperplate originates from the celebrated America ser...

Belgian National Guard – Infantry Drill and Uniforms, c.1830–1840 This finely hand-colored military print depicts the Belgian National Guard shortly after the formation of the Kingd...

Karl Blossfeldt — Framed Photogravure: Natural Grace, 1942 A striking Karl Blossfeldt photogravure from the 1942 edition of Wunder in der Natur. Retaining its original condition, i...

Hangman's Bridge (Henkersteg), Nuremberg, Bavaria, Germany - Antique fine art hand colored engraving on heavy cream paper - architectural view - indistinctly signed by the artist low...

Rivinus botanicals: Cracca, Genista & Coronilla, Leipzig, 1690s (set of 3) Set of three late-17th/early-18th-century botanical copper engravings with period hand-colour, attributed ...

18th Century Anatomical Back Muscle Study with Shovel Academic Engraving German c1745 This finely executed academic engraving depicts a standing male figure seen from the back, rend...

18th Century Anatomical Muscle Figure with Shovel Academic Engraving German c1745 Description This striking academic engraving depicts a standing male figure shown in profile, holdi...

18th Century Anatomical Back Studies Academic Figure Engraving after de Lairesse c1745 This refined academic engraving presents a detailed study of the male back and torso, shown th...

Male Torso Studies after de Lairesse German Academic Anatomy c1745 This finely engraved academic anatomy plate originates from the German edition of Gérard de Lairesse’s influential...

Human Skull Anatomy Plate after de Lairesse German Edition, c1745 This finely engraved anatomical study of the human skull originates from the German edition of Gérard de Lairesse’s...

Satirical German Military Engraving of Napoleon as the Little Corporal, c1835 This 19th-century German engraving presents a humorous encounter between a marching soldier and Napoleon Bonaparte, referred to here by his well-known nickname “the Little Corporal.” The guard refuses to let Napoleon pass, replying firmly: “Man passirt nicht — Und wär’ Ihr der kleine Corporal selbst; ich sage Euch man passirt nicht” (“One does not pass — and even if you were the Little Corporal himself, I tell you one does not pass”). The composition gently satirizes Napoleon’s legendary status, contrasting the anonymous authority of a common soldier with the figure who once ruled Europe. Produced around 1830–1850, likely in a German or Austrian print workshop, the engraving reflects the wave of post-Napoleonic satire that circulated widely in Central Europe. The artist captures the exchange with strong facial expressions, detailed uniforms and a richly rendered woodland setting. Prints of this type remain popular among collectors of Napoleonic history, military art and European caricature, while the crisp impression and large sheet size make it appealing as decorative wall art as well. A charming and historically engaging image from the early 19th century, combining humour, military history and well-executed engraving work. Condition: Strong impression; light age toning; minor handling marks; margins clean with no major tears or repairs. Suitable for immediate framing. Framing: Looks best floated on off-white or pale cream museum board in a thin black, dark walnut or antiqued gold frame. Museum glass recommended to preserve contrast and period detail. Keywords: Napoleon engraving...

Karl Blossfeldt — Framed Photogravure: Natural Grace, 1942 A striking Karl Blossfeldt photogravure from the 1942 edition of Wunder in der Natur. Retaining its original condition, i...

Karl Blossfeldt — Framed Photogravure: Natural Grace, 1942 A striking Karl Blossfeldt photogravure from the 1942 edition of Wunder in der Natur. Retaining its original condition, i...

Karl Blossfeldt — Framed Photogravure: Natural Grace, 1942 A striking Karl Blossfeldt photogravure from the 1942 edition of Wunder in der Natur. Retaining its original condition, i...

Set of Three Antique Prints of Eagles and Falcons by Oskar von Riesenthal, 1894 Description: A powerful collection of three chromolithographs from Oskar von Riesenthal’s Die Raubvög...

Antique Print of the Tangut People in China by Athanasius Kircher, c.1660 This rare 17th-century engraving shows the traditional dress of the Tangut people in western China, as desc...

Antique Print of Honey Buzzards by Oskar von Riesenthal, 1894 Description: Antique print (unframed), titled: 'Taf. III. Pernis Apivorus, Wespen-Bussard.' – This finely detailed plat...

Les Pyramides de l'Égypte – Optical Print by Probst, Augsburg c.1780 This antique optical print, titled Les Pyramides de l'Égypte, offers a vivid and imaginative depiction of the py...

Antique Print – Turtle Hunting Scene in India, Hand-Colored Lithograph, 1857 A vivid 19th-century hand-colored lithograph depicting a dramatic turtle hunting scene, published in 185...

Lac Derg in der Graffschafft Donegal - (Lough Derg in County Donegal). This engraving shows the pilgrimage island in Lough Derg, famous since the Middle Ages as a site of penitenti...

Antique Islamic Vessels and Metalwork Object Study, Maximilian Egypt 1846 This exceptionally refined 19th-century Orientalist reference engraving presents a comprehensive study of I...

Antique Egyptian Women at the Nile Water Scene from Maximilian in Bavaria, 1846 This elegant and atmospheric 19th-century Orientalist engraving depicts a group of Egyptian women gat...

Antique Egyptian Cavalry Battle Scene from Maximilian in Bavaria, 1846 This dynamic and finely detailed 19th-century Orientalist engraving depicts a charge of irregular Egyptian cav...

Holy Family at Work with Saint Joseph – Antique German Chromolithograph, 1900 This deeply devotional and beautifully detailed antique German chromolithograph depicts the Holy Family...

The Holy Guardian Angel Protecting a Child – Antique German Chromolithograph, 1900 This beautifully composed antique German chromolithograph depicts the Holy Guardian Angel gently guiding and protecting a small child as they cross a narrow wooden bridge above flowing water. The scene is rich in symbolic meaning, representing divine protection, childhood innocence, and spiritual guidance — themes deeply rooted in Catholic devotional tradition. The guardian angel is shown in flowing white robes with a pale blue sash, her wide luminous wings fully extended as she leads the child safely forward. A golden halo and radiant star above her head emphasize her divine nature, while her calm and protective posture reinforces the message of constant heavenly care. The child, dressed in soft rose-colored garments and holding a simple walking staff, steps forward with trust and quiet confidence. The surrounding landscape enhances the spiritual narrative: a peaceful waterfall below, a distant church on the cliffs above, and lush greenery framing the path. These details reflect the traditional Catholic interpretation of life’s journey guided by faith. The soft atmospheric lighting, subtle color transitions, and fine detail are characteristic of high-quality German chromolithography at the turn of the 20th century. This image was widely cherished in Catholic homes, schools, and religious institutions, where it served both as devotional inspiration and as a comforting symbol of protection for children. Today, original examples in strong condition are increasingly scarce and highly sought after by collectors of antique religious art. An ideal piece for Catholic art collectors, children’s rooms, chapels, prayer spaces, and anyone seeking a meaningful symbol of spiritual guardianship. CONDITION REPORT Good antique condition. Light, even age toning throughout. Minor edge wear and gentle softening at the corners. No tears, no significant losses, and no restoration. Colors remain vibrant, with excellent preservation of gold tones and soft pastel shading. FRAMING TIPS This print will be beautifully enhanced by a softly antiqued gilt or champagne-gold frame to echo the angelic glow. A deep ivory or pale linen mat with museum glass will elevate the devotional and collector-quality presentation. TECHNIQUE Chromolithography MAKER German devotional publisher, Germany, circa 1900 KEYWORD BLOCK Holy Guardian Angel antique print, Guardian Angel child protection, Catholic devotional art, German chromolithograph, religious wall art antique, angel with child print, Christian protection symbol, sacred angel print, Catholic nursery art...

Asian Wildlife and Hunting Scene – Antique German Engraving, c.1840 Description: This captivating antique engraving titled “Asien” depicts Asian wildlife alongside traditional hunting scenes in a decorative tripartite composition. At the top are three finely engraved and partially hand-colored antelopes: a blackbuck (Antilope cervicapra) with its distinctive spiral horns, an Indian gazelle or chinkara (Gazella bennettii), and a greater kudu (Tragelaphus strepsiceros) or similar large antelope species with lyre-shaped horns. Their detailed anatomical rendering and warm coloration highlight the European natural history fascination of the early 19th century. The middle register portrays an elaborate hunting expedition with an elephant bearing a howdah and rider, accompanied by horsemen and handlers. Surrounding them are multiple cheetahs (Acinonyx jubatus...

Portrait of Friedrich Wilhelm II, King of Prussia, circa 1810–1825 This finely executed antique print presents a distinguished profile portrait of Friedrich Wilhelm II (1744–1797), ...

Set of Three Antique Prints of Birds of Prey by Oskar von Riesenthal, 1894 Description: A rare and beautifully preserved set of three chromolithographs from Oskar von Riesenthal’s D...

Antique print of a spring landscape, made after a painting by Ludwig Richter. Published circa 1900.

Rivinus botanicals: Natrix, Astragalus & Cytisus, Leipzig, 1690s (set of 3) Set of three late-17th/early-18th-century botanical copper engravings with period hand-colour, attributed...

Optica View of Batavia Castle Bastion Perl, Indonesia, circa 1770 This is an original 18th-century hand-coloured optical print depicting a view of the Bastion Perl along the curtain...

Karl Blossfeldt — Framed Photogravure: Natural Grace, 1942 A striking Karl Blossfeldt photogravure from the 1942 edition of Wunder in der Natur. Retaining its original condition, i...

Orientalist Lithograph of Reclining Woman with Parrots – “Ulrika”, c.1840, Berlin This striking hand-colored lithograph titled “Ulrika” present...

Antique Fruit Prints – Pears, Strawberry, Apple with Insects, c.1840s–1850s A charming set of five original hand-colored lithographs depicting a ...

Antique Chromolithographs of Quail, Grouse & Partridge – 19th Century Bird Prints Description: This set of three antique chromolithographs presents beautifully detailed studies of g...

Set of Antique Chromolithographs of Waders – Ruff and Common Snipe, c.1890 A pair of fine antique chromolithographs depicting European waders in detailed natural habitats. The first...

The Angelus at Sunset, After Millet, Antique European Chromolithograph This atmospheric late 19th-century European chromolithograph presents a devotional rural scene inspired by Jea...

Guardian Angel Protecting Children by the Water, Antique German Chromolithograph This touching late 19th–early 20th century German chromolithograph depicts a classic Catholic devoti...

Christ on the Mount of Olives, Antique German Chromolithograph c.1900 This striking late 19th to early 20th century German chromolithograph depicts Christ in the Garden of Gethsemane, the solemn moment of prayer and surrender before His arrest. Christ kneels in contemplation beneath the night sky, gazing upward toward a descending angel who brings the chalice of suffering, symbolizing the Passion that is about to unfold. At the left, the sleeping apostles Peter, James, and John lie overcome with weariness, emphasizing the solitude of Christ’s sacrifice. The composition is rich in devotional symbolism. Christ’s folded hands, bowed posture, and softly glowing halo express humility and obedience to divine will. The angel’s flowing white robes and green mantle are dramatically illuminated against the darkened sky, while the radiant chalice floats above as a direct reference to Luke 22:42, “Father, if thou be willing, remove this cup from me: nevertheless not my will, but thine, be done.” Palm trees and distant buildings subtly root the scene in the Holy Land. This image was created for private devotion and contemplation and would originally have been displayed in chapels, monasteries, religious schools, or Catholic homes. Passion scenes of this size and quality were specifically intended to guide prayer during Lent and Holy Week. The calm dignity of the composition, paired with its dramatic spiritual symbolism, makes this a powerful and emotionally resonant devotional work. The print was produced using the demanding chromolithographic process, requiring multiple stone plates to achieve its luminous color depth and fine tonal transitions. The halo effects, delicately layered drapery, and atmospheric landscape demonstrate the high technical standards of German devotional printing at the turn of the century. This is a genuine period chromolithograph and not a later reproduction. The printed attribution along the lower margin confirms German production for the Catholic market. Large-format Passion scenes in strong, unfaded condition are increasingly scarce and are highly sought after by collectors of Catholic iconography and museum-quality devotional art. Condition report: Very good overall condition. Colors remain strong and unfaded. Light age toning mostly confined to the margins. Minor handling wear consistent with age. No major tears, losses, water damage, or restoration observed. The image area remains clean and vivid. Framing tips: This work presents beautifully in an antiqued gold-leaf or warm gilt frame to enhance the sacred glow of the halos. An ivory or soft parchment mat complements the night sky without overpowering the colors. A dark walnut frame also works well for church or monastery interiors. Technique: Chromolithograph Maker: German devotional press, printed in Germany, circa 1900 christ mount of olives agony in the garden garden of gethsemane print christ praying chromolithograph antique catholic devotional art religious german chromolithograph passion of christ print holy week wall art lenten devotion image christ angel chalice biblical prayer scene antique christian wall art sacred jesus artwork turn of the century devotional printed in germany religious catholic passion art jesus gethsemane antique religious lithograph...

Freshwater Fish Print: Pike, Catfish, Eel, Trout – Antique 1867 This detailed antique print depicts a variety of European freshwater fish, including pike, catfish, trout, eels, and ...

This dynamic aquaprint by Peter Klasen, a leading figure of the French Figuration Narrative movement, presents the artist’s unmistakable visual vocabulary. Bold red and yellow fields...

Antique Chromolithograph of 19th Century Sugarcane Harvest, circa 1890 This striking chromolithograph titled “Die Zuckerrohrernte” (The Sugarcane Harvest) dates to around 1890 and d...

Antique Lichen Prints Set of 6 – German Botanical Lithographs 1874 This remarkable wall set of six original scientific lithographs comes from the rare 1874 German publication “Cryptogamen-Flora – Flechten,” devoted entirely to the detailed study of lichens. Issued in Gera by the respected scientific publisher C. B. Griesbach and prepared by Otto Müller and G. Pabst, this series represents one of the most precise 19th-century visual documents of cryptogamic botany. Each plate is densely populated with finely rendered lichen specimens, shown in multiple growth stages with accompanying microscopic structural details. The compositions are carefully balanced across each sheet, creating an extraordinary rhythm of organic textures, cellular formations, and natural pattern systems. Together, the six plates form a powerful scientific grid that is visually striking both at close inspection and from a distance. Produced during the golden age of European botanical taxonomy, these lithographs were created as serious reference tools for pharmacists, physicians, and natural scientists. Unlike decorative flower books intended for the general public, true cryptogam atlases such as this were printed in far smaller numbers and were subjected to hard professional use. As a result, intact matching sets have become increasingly scarce on the market. The restrained monochrome palette gives this set a timeless graphic quality that integrates effortlessly into both classical and contemporary interiors. Displayed as a horizontal 3×2 wall arrangement or in vertical pairing formats, the set works exceptionally well in studies, medical offices, libraries, design hotels, law firms, galleries, and minimalist residential spaces. The scientific precision combined with the abstract beauty of lichen morphology makes this set particularly attractive to modern interior designers seeking authentic historical material with strong visual structure. This is a cohesive original 19th-century wall ensemble, not a later reproduction or decorative reprint. Each plate is an authentic lithograph pulled from the original 1874 publication. Condition Report All six plates are in very good antique condition. Light, even age toning consistent with 19th-century paper. No tears or losses observed. Margins remain intact. Image impressions are crisp and well preserved. Minor surface marks or faint edge handling wear may be present but do not detract from display quality. Framing Suggestions This set presents beautifully in slim natural oak or walnut frames with deep ivory museum mats for a clean, contemporary gallery look. For a more dramatic, archival presentation, matte black frames with soft off-white mats will emphasize the fine line work and give the set a striking museum-style presence. UV-protective glazing is recommended for long-term preservation. Technique: Lithography Maker: Otto Müller & G. Pabst, Germany, 1874 SEO Keyword Block antique botanical prints, lichen lithographs, cryptogam flora, 19th century science prints, german botanical art, medical wall art, pharmacy decor, scientific wall set, black and white botanical prints, natural history lithographs, antique plant prints, lichen study plates, interior designer wall art, antique scientific illustration

Wassily Kandinsky silk screen print. Titled: Riding Couple, original painted in 1906, harmonious and perfect form among geometrical shapes. This from the 1990 edition published in h...

Antique Engraving of Leeuwarden, Friesland with Peace and Justice, c.1625 Small, evocative city view of Leeuwarden, capital of Friesland, with the personifications of Peace and Just...

Karl Blossfeldt — Framed Photogravure: Natural Grace, 1942 A striking Karl Blossfeldt photogravure from the 1942 edition of Wunder in der Natur. Retaining its original condition, i...

St. Aloysius Gonzaga, c.1900 German Devotional Chromolithograph (Printed in Germany) This early 20th-century German chromolithograph presents a serene and contemplative portrait of St. Aloysius Gonzaga, one of the most revered saints of the Catholic Church and patron saint of youth and purity. Produced around 1900 by a major German devotional press, the print displays the refined craftsmanship and rich colouring typical of the period’s finest chromolithographic work. The composition shows the young saint in quiet adoration of the crucifix, his head tilted in prayerful devotion, surrounded by classic symbols of sanctity and purity: lilies, rosary beads, devotional books, and the deep red cloth of an altar. Unlike the more dramatic depictions from the same era, this version places Aloysius within a softly rendered church interior, with a framed image of the Virgin and Child visible behind him. His vestments are delicately modelled, with lace edging and soft shading achieved through multiple lithographic stones, each layer adding depth and texture to the fabric. The gentle gradation of colour in the background and the luminous golden halo around the saint reveal the technical mastery of German chromolithographers working circa 1900–1915. The lower margin includes multilingual captions—“Hl. Aloysius von Gonzaga. St. Luigi di Gonzaga. St. Louis de Gonzague. St. Luis Gonzaga. St. Aloysius of Gonzaga.”—reflecting the widespread international distribution of German devotional prints. The imprimatur line, “Imprimi permittitur. Ordinariatus episcopalis Limburgensis,” confirms official Church approval for its publication. The imprint “Printed in Germany” situates the work in one of the major German centres of religious chromolithography, likely Munich or Cologne, where high-quality devotional images were produced for Catholic communities across Europe and the Americas. This print is unquestionably an original chromolithograph. The velvety colour fields, stippled pigment textures, soft transitions, crisp typesetting, and characteristic matte paper all confirm authentic stone-based printing rather than modern offset or digital reproduction. Prints of St. Aloysius from this period were commonly displayed in Catholic schools, parishes, and youth chapels, making high-quality surviving examples increasingly desirable for both devotional use and collectors of sacred art. Conditon Report: Very good condition. The colours remain bright and true, with light and even toning at the outer margins and minor handling marks typical of age. No tears, losses, creases, or repairs. The plate text and imprimatur remain sharp and fully legible. Tips for Framing: Ideal for framing in a dark walnut or gilded frame to complement the warm reds and golds of the composition. A cream or ivory mat helps emphasize the saint’s pale vestments and the purity symbolized by the lilies. For a more modern presentation, a slim black frame with a wide mat creates elegant contrast while preserving the devotional atmosphere. Technique: Chromolithograph Maker: German Devotional Press, printed in Germany, c.1900 st aloysius gonzaga saint aloysius aloysius print catholic saint art devotional art religious art german chromolithograph printed in germany antique lithograph chromolithograph imprimi permittitur church imprimatur holy youth lilies of purity crucifix devotion altar scene early 20th century religious print german devotional art fine chromolitho religious ephemera antique christian art