Early 1800s Prints

Title: Rare 19th-Century Hand-Colored Engraving of a Crested Woodpecker – Exotic Ornithological Print Description: This exquisite hand-colored engraving, titled "Oxyrhynque en ...

Wonderful set of 10 Hogarth prints This is the Hubidras series typical of the satirical/political artwork of Hogarth Copper-plate engravings by Th...

Title: 1805 Hand-Colored Engraving of Eastern Costumes from F.J. Bertuch’s Work Description: This exquisite hand-colored engraving originates from Friedrich Justin Bertuch’s *Port...

Title: "Detailed Study of the Housefly: Anatomy Under the Microscope, Bertuch, 1805" Description This fascinating hand-colored copperplate engraving presents an intricate, magnified view of the housefly (Musca domestica) as seen through a microscope. The engraving provides a meticulous exploration of its anatomy, including: - **Figure 1**: Actual size of the housefly, offering a point of comparison to the magnified details. - **Figure 2**: A detailed underside view of the head and body, showcasing the complex structure of the fly's thorax and appendages. - **Figure 3**: A close examination of the segmented abdomen, highlighting the unique pattern and intricate venation. - **Figure 4**: The leg of the housefly, emphasizing the fine bristles and jointed segments adapted for movement and sensory functions. - **Figure 5**: A striking visualization of the compound eye, illustrating the hexagonal structure of the ommatidia, responsible for the fly's wide field of vision. Published in 1805 as part of Friedrich Johann Bertuch’s "Bilderbuch für Kinder" (Picture Book for Children), this engraving bridges...

The composition of these two hand-colored copperplate engravings presents a visually rich study of moths, butterflies, and their life stages, as published in Friedrich Johann Bertuch...

This handcolored copperplate engraving features a beautifully detailed illustration of a water lily (Nymphaea), showcasing its intricate flowers, buds, and leaves. The delicate white...

West View of the Stupendous Iron Bridge Over the River Wear, Sunderland, 1805 This finely detailed engraving depicts the Iron Bridge over the River We...

Antique map titled 'Kaart van den Mond van Norton, en van de Engte van Bhering, toonende de meest Oostlijke Kaap van Asien, en den meest Westlijken Urthoek van Amerika'. Map of t...

Antique Handcolored Engraving of Kangaroo, Jerboas, and Bilby, Quadruped XXI, c.1800 This original handcolored copperplate engraving depicts various marsupials and small mammals,...

This captivating hand-colored copperplate engraving from Friedrich Johann Bertuch’s *Bilderbuch für Kinder* (Picture Book for Children), published in Weimar in 1805, provides a fasci...

Common Nightingale (Luscinia megarhynchos) and Chiffchaff (Phylloscopus collybita) with Nest and Eggs, 1805 Charming Engraving by Bertuch Description: This delightful handcolored co...

Antique Handcolored Engraving of Sheep and Rams, Quadruped XXXII, c.1800 This original handcolored copperplate engraving depicts various breeds of sheep and rams, highlighting their unique physical characteristics and adaptations. The plate is from Friedrich Johann Bertuch’s *Bilderbuch für Kinder* (Picture Book for Children), a 12-volume natural history encyclopedia published between 1790 and 1830, celebrated for its educational and artistic contributions to zoology. The engraving includes: 1. A ram with curled horns, possibly a Mouflon (*Ovis orientalis*), depicted resting (Fig. 1). 2. A long-haired goat or primitive sheep breed, such as the Jacob sheep, characterized by its multiple horns (Fig. 2). 3. A domestic sheep breed, shown standing and with shorn wool, indicating agricultural significance (Fig. 3). 4. A woolly sheep...

Title: Rare 19th-Century Hand-Colored Engraving of a Natterer’s Nightjar – Ornithological Illustration Description: This stunning hand-colored engraving, titled 'Engoulevent Natt...

Title: Rare 19th-Century Hand-Colored Engraving of a Himalayan Monal – Exotic Ornithological Print Description: This striking hand-colored engraving, titled "Lophophore, Cuvier,...

Copperplate engraving on a vellin type hand laid paper with watermark. Original hand colouring. - Overall size: 21.5 x 25.5 cm (8.5 x 10.4 inches) - Image size: 15 x 19 cm (5.9 ...

Wonderful print of the Royal Golden Barge Copper-plate engraving Published C.1800 Unframed.     

Title: 1805 Hand-Colored Engraving of Ancient Pyramid Construction from Bertuch’s Work Description: This remarkable hand-colored engraving is from Friedrich Justin Bertuch’s *Port...

Antique Handcolored Engraving of Turtles and Tortoises, Amphibien XXXVII, c.1800 This original handcolored copperplate engraving depicts a variety of turtles and tortoises, highl...

Antique Handcolored Engraving of Frogs and Amphibians, Amphibien VIII, c.1800 Description; This original handcolored copperplate engraving features three detailed depictions of fr...

Antique Handcolored Engraving of Lizards and Newts, Amphibien XIII, c.1800 This original handcolored copperplate engraving features four species of reptiles and amphibians, showc...

Description: This original handcolored copperplate engraving illustrates four species of amphibious or aquatic eels and snake-like creatures in dynamic poses. It is part of Friedrich...

The Northern Lights or the Aurora Borealis, and the sun at midnight as seen from the North Cape, Norway. Handcoloured copperplate engraving from Bertuch's "Bilderbuch fur Kinder" (...

Antique Handcolored Engraving of Wild Canines and Hyenas, Quadruped XV, c.1800 This original handcolored copperplate engraving depicts various wild canines and hyenas, highlightin...

Antique Handcolored Engraving of Medicinal Plants, Plantes XIII, c.1800 This original handcolored copperplate engraving depicts two medicinal plants, illustrating their botanical ...

A well engraved and detailed large-scale map of Wales, printed on two sheets . The map is thoroughly detailed and includes good information regarding t...

Hand-Colored 1805 Butterfly Print by Friedrich J. Bertuch - Convolvulus & Privet Hawk-Moth Description: This hand-colored copperplate engraving, from Friedrich Johann Bertuch's "Bil...

"Medlar and Cornelian Cherry: Blossoms, Fruit, and Seeds, Bertuch, 1805" Description This captivating hand-colored copperplate engraving showcases the medlar (Mespilus germanica) an...

"European Garden Spider Anatomy: Variations, Silk Spinnerets, and Mandibles" This captivating hand-colored copperplate engraving, from Friedrich Johann Bertuch’s *Bilderbuch für K...

Title: "Cat and Kittens, 1809 Hand-Colored Etching by Samuel Howitt" Description: This hand-colored etching, titled "Cat and Kittens," was created by Samuel Howitt and published i...

Antique print titled 'Gezigt op het eiland Rotterdam'. View of Rotterdam Island, Pacific. Originates from 'Reizen Rondom de Waereld door James Cook (..)'. Rotterdam or nowadays Nomuka is a small island in the southern part of the Ha?apai group of islands in the Kingdom of Tonga. It is part of the Nomuka Group of islands, also called the ?Otu Mu?omu?a. Nomuka, is 7 square kilometres in area and contains a large, brackish lake (Ano Lahi) in the middle, and also three other smaller lakes—Ano Ha'amea, Ano Fungalei, and Molou. There are approximately 400-500 inhabitants who subsist on fishing, farming, and remittances from family members abroad. The island has a secondary school, two primary schools, and a kindergarten. It also has seven churches. The island is accessible by boat only. Boats leave weekly from Nuku?alofa and Lifuka, Ha?apai. There is one guesthouse on the island, and three or four small fale koloa, or convenience stores. It is also home to the Royal Nomuka Yacht Club Notable historic visitors include Abel Tasman, Captain Cook, Captain Bligh, and William Mariner. The Dutch Abel Tasman made the first European discovery of the island on 24 January 1643. A party went ashore to get water, and the description of the huge lake they brought back afterwards leaves little doubt about the identification. Tasman called it Rotterdam island, after the city of Rotterdam, a major port in the Netherlands, and noted in his maps the indigenous name of Amamocka, a misspelling of ?a Nomuka, ?a being a subject-indicating article. We also find the name of Amorkakij for Nomuka iki.[1] Captain Bligh in the Bounty spent 3 days wooding and watering at Nomuka in April 1789. The Mutiny on the Bounty occurred the day after they left. Nomuka is known for raising up the greatest number of church leaders for the major Christian denominations in Tonga such as Rev. Sione Lepa To'a the former president of the Free Wesleyan Church of Tonga, Rev. Seluipepeli Mafi and his son Rev Dr Feke Mafi as both former presidents of the Church of Tonga, and Pastor Tetileti Pahulu, a former president of the Seventh Day Adventist...

Title: "Scenes of Traditional Life and Festivities: Hand-Colored Engraving from Bertuch's Bilderbuch für Kinder" Description: This lively hand-colored copperplate engraving captures four distinct vignettes of traditional European life and festive activities, highlighting the cultural practices and vibrant community spirit of the 19th century. Published in Friedrich Johann Bertuch’s renowned *Bilderbuch für Kinder* (Picture Book for Children) in Weimar, 1805, the engraving reflects the Enlightenment-era focus on illustrating the diversity of human life. The scenes include: - Figure 1: A wrestling match in a grassy meadow, surrounded by an attentive crowd, showcasing traditional sportsmanship. - Figure 2: A pastoral scene with a group enjoying the melodies of an alpine horn...

Title: Intricate Depictions of Marine Life: Hand-Colored Copperplate Engraving from Bertuch's "Bilderbuch für Kinder" Description: This fascinating hand-colored copperplate engr...

Antique Handcolored Engraving of Civets, Mongooses, and Badgers, Quadruped XI, c.1800 This original handcolored copperplate engraving depicts a variety of small carnivorous mammal...

Antique print Australia titled 'Gezigt van de Rivier Endeavour op de Kust van Nieuw-Holland'. View of an encampent on the shore of the Endeavour river on the coast of Australia where the Endeavour boat was beached. Originates from 'Reizen Rondom de Waereld door James Cook (..)'. HMS Endeavour was a British Royal Navy research vessel that Lieutenant James Cook commanded to Australia and New Zealand on his first voyage of discovery from 1768 to 1771. She was launched in 1764 as the collier Earl of Pembroke, with the Navy purchasing her in 1768 for a scientific mission to the Pacific Ocean and to explore the seas for the surmised Terra Australis Incognita or "unknown southern land". Commissioned as His Majesty's Bark Endeavour, she departed Plymouth in August 1768, rounded Cape Horn and reached Tahiti in time to observe the 1769 transit of Venus across the Sun. She then set sail into the largely uncharted ocean to the south, stopping at the islands of Huahine, Bora Bora, and Raiatea west of Tahiti to allow Cook to claim them for Great Britain. In September 1769, she anchored off New Zealand, becoming the first European vessel to reach the islands since Abel Tasman's Heemskerck 127 years earlier. In April 1770, Endeavour became the first European ship to reach the east coast of Australia, with Cook going ashore at what is now known as Botany Bay. Endeavour then sailed north along the Australian coast. She narrowly avoided disaster after running aground on the Great Barrier Reef, and Cook had to throw her guns overboard to lighten her. Endeavour was beached on the Australian mainland for seven weeks to permit rudimentary repairs to her hull. Resuming her voyage, she limped into port in Batavia in October 1770, her crew sworn to secrecy about the lands that they had visited. From Batavia Endeavour continued westward, rounded the Cape of Good Hope on 13 March 1771 and reached the English port of Dover on 12 July, having been at sea for nearly three years. The ship was largely forgotten after her Pacific voyage, spending the next three years hauling troops and cargo to and from the Falkland Islands. She was renamed in 1775 after being sold into private hands, and used to transport timber from the Baltic. Rehired as a British troop transport during the American War of Independence, she was finally scuttled in a blockade of Narragansett Bay, Rhode Island in 1778. Historical evidence indicates the ship was sunk just north of Goat Island in Newport Harbor, along with four other British transports. Relics from Endeavour are displayed at maritime museums worldwide, including an anchor and six of her cannon. A replica of Endeavour was launched in 1994 and is berthed alongside the Australian National Maritime Museum in Sydney Harbour. The NASA Space Shuttle...

Title: "Birds of Prey: Hand-Colored Engraving of Raptors from a 19th-Century Natural History Collection" Description: This stunning engraving from a 19th-century natural history po...

The Devil's Bridge at Gotthard Pass and 12th-Century Rhone Bridge at St. Maurice: Hand-Colored Engraving from Bertuch’s *Bilderbuch für Kinder* This captivating hand-colored copperp...

Antique print titled 'Een Man van Kamtschatka, reizende in den Winter'. Antique print depicting a native of Kamchatka, dog sledding. Originates from 'Reizen...

Antique Handcolored Engraving of Carnivorous Mammals, Quadruped X, c.1800 This original handcolored copperplate engraving illustrates a variety of carnivorous mammals, showcasing ...

A View of Ohiopyle Falls in Pennsylvania This charming hand-colored engraving presents a serene view of Ohiopyle Falls in Pennsylvania, a natural landmark renowned for its cascading...

Antique Handcolored Engraving of Lemurs and Flying Mammals, Quadruped XIX, c.1800 This original handcolored copperplate engraving features various lemurs, bats, and flying mammals...

Antique Handcolored Engraving of Seals and Amphibious Mammals, c.1800 This original handcolored copperplate engraving illustrates various seals and amphibious mammals in their nat...

Antique Botanical Engraving of Pokeweed (Phytolacca) - 1803 Floral Print by Samuel Curtis Description: This engraving is from "The Botanic...

"The Old Woman and Her Cats, 1809 Hand-Colored Etching by Edward Orme" This hand-colored etching, titled "The Old Woman and Her Cats," was published in September 1809 by Edward Orm...

Title: Antique Botanical Print of Banana Shrub and Starry Wild Jasmine, 1803 This title accurately reflects the plant subjects depicted in the illustration: the Banana Shrub (Fig. 1, showing the seed pod) and the Starry Wild Jasmine (Fig. 2, showing the flower in bloom). This antique engraving from April 23, 1803, beautifully illustrates two botanical figures, emphasizing the natural beauty and complexity of plant life. Here's what makes these illustrations unique and special: 1. Botanical Detail: Fig. 1 shows a plant section with a dark, almost wilted appearance, possibly representing the fruiting body or a seed pod, which contrasts with the lively and vibrant Fig. 2, depicting a flower in bloom. This juxtaposition captures both the end and the beginning of life cycles in the plant kingdom, showcasing the botanical accuracy and attention to detail that was essential in early scientific illustrations. 2. Artistic Technique: The illustration is a fine example of handcolored copperplate engraving, a method that requires exceptional skill. This technique allows for precise details and subtle gradations of color, qualities that make antique botanical prints highly valued by collectors and art enthusiasts alike. 3. Historical and Educational Value: Published by W. Curtis at St. George Crescent in 1803, this work is part of a larger series that aimed to educate and inform about the diversity of plant species. Such prints are crucial for understanding how plants were studied and classified in the early 19th century, providing insight into the history of botany and scientific illustration. 4. Collectibility: Due to their age, artistic merit, and the detailed craftsmanship, prints like these are sought after by collectors of antique botanical art...

Great image of bullfighting Copper-plate engraving Published 1805 Unframed.

Antique map titled 'Kaart van Nieuw Zuid Wales of de Oostlyke Kust van Nieuw Holland ontdekt en onderzogt door den Luitenant J. Cook met het Schip de Endeavour in het Jaar 1770'. ...

This engraving, titled *Anas Aegyptiaca - L’Oie d’Égypte* (Egyptian Goose), depicts the Egyptian goose, scientifically known as *Alopochen aegyptiaca*. The artist is Nicolas Maréch...

A scene of White Horse Hill, which is located in the county of Berkshire. The text in the image states: "Engrav'd for England Display'd" and "View of White Horse Hill in the County ...

Antique print New Zealand titled 'Oorlogs-Praauw van Nieuw-Zeeland'. View of a Maori war canoe, New Zealand. Originates from 'Reizen Rondom...

Botanical Study of Various Plant Structures This engraving is from the publication "Flora Londinensis," an illustrated work detailing the flora found around London. The specific pla...

Antique print titled 'Dans van O-Tahiti'. Antique print depicting natives of Tahiti, dancing. Originates from 'Reizen Rondom de Waereld door James Cook (..)'. Artists and Eng...

Gezicht van een Huis in Nootka Kanaal van binnen – Interior of a Nootka House c.1795 This antique print depicts the interior of a traditional house in Nootka Sound, located on the w...

Title: "Social Hierarchy of the Nagai Tartars - An Etching by Geissler, ca. 1800" Description: This etching by Christian Gottfried Heinrich Geissler, titled "Nagai Tartars," is a fine representation of the German School from around the year 1800. It portrays three figures, labeled to indicate their social standing: a woman of distinction, her daughter, and a female servant, numerically annotated as 1, 2, and 3 respectively. The detailed depiction captures the intricate attire and cultural fashion of the period, reflecting the societal structure and familial roles within the Nagai Tartar community. The women are adorned in traditional garments that signify their status and identity, while the setting suggests a backdrop typical of their environment, providing a glimpse into the life of the Tartar people at the turn of the 19th century. The Nagai or Nogai Tartars were part of the Nogai Horde, a confederation that occupied the Pontic–Caspian steppe from about 1500 until they were displaced in the 17th century by the Kalmyks and Russians. They were named after Nogai Khan, a Mongol ruler, and were divided into groups such as the Budjak and Yedisan in the area north of the Black Sea. The Nogais were known to be pastoral nomads who grazed sheep, horses, and camels and were also involved in trade, raiding, and tribute. They spoke a form of Kypchak Turkic and were Muslim, although their religious institutions were not strongly developed. The societal structure of the Nogais was quite fluid, with personal prestige playing a significant role in their political organization. They were historically known for their slave raids across Eastern Europe, which were an important part of their economy. The term "Tatar" broadly refers to Turkic-speaking peoples, mainly found in west-central Russia and other former Soviet Republics. It was originally used to refer to various nomadic groups from the vast Central and Northern Asian region then known as Tartary. The largest Tatar group is the Volga Tatar from the Volga region in Russia. There are several Tatar groups, including the Volga Tatars and the Crimean Tatars, with the latter being subdivided into groups such as the Tats and the Nogai. The Tatars have a rich history that dates back to the 5th century when nomadic tribes in northeastern Mongolia around Lake Baikal were first recognized. They became part of Genghis Khan's army in the 13th century and were known to Europeans as Tatars. Following the disintegration of the Mongol Empire, the Tatars were particularly associated with the western part of the empire, the Golden Horde...

Description: Antique print titled 'Vrouw van Van Diemens Land'. Antique print depicting a woman of Van Diemen's Land, Tasmania, Australia. Originates fr...

The print by Anthony Oberman features a detailed study of four cow heads. Here’s a thorough description of the etching: Composition: 1. Cow Heads: - The print showcases the head...

This image is a detailed illustration from an old scientific or natural history text, featuring various animals. Here's a description of the image: 1. Butterflies: At the top, there...

Two prints on one plate. The Times contains some of Hogarth's most pessimistic imagery upon the political machinations and corruptions of the day. A Country Inn Yard is one of Hogarth's notable engravings of the 1740s. Two copper engravings on a single leaf, created by T. Cook and published in London by G.G. and J. Robinson in 1800. Top Engraving: "The Times" 1. Urban scene depicting a chaotic and tumultuous environment. 2. - **Firefighting**: Several figures are engaged in firefighting activities. They are using ladders...

The title for the provided engraving could be "Ceremonial Rites: A Human Sacrifice in Otaheite," capturing the gravity of the depicted event. This print likely illustrates a solemn a...

The engraving shows the majestic ruins of the Palace of Luxor, located in the village of Luxor near the site of ancient Thebes in Upper Egypt. Luxor was once a flourishing city and t...

This engraving is part of a collection showcasing the beauty of England and Wales, a series that was common in the 18th and 19th centuries to celebrate and document the picturesque landscapes and significant towns of Britain. The text provided in the last image offers several details: 1. The title of the engraving is "BRIDGENORTH. Shropshire." 2. It was engraved by J. Greig from a drawing by the late E. Dayes. 3. The engraving was published in London by Vernor, Hood & Sharpe Poultry, February 1st, 1807. 4. It was created for "The Beauties of England and Wales." The artwork depicts Bridgnorth, a town in Shropshire, England. The engraving would have been intended to capture the charm and appeal of Bridgnorth, with its notable bridge and surrounding architecture. Engravings like this one were often collected by those who appreciated the artistry of such views and by those who were interested in the topographical and historical significance of the location. E. Dayes (the late Edward Dayes) was a well-known artist of the period, and J. Greig was the engraver who transferred Dayes' artwork into the medium of engraving. The publication date of February 1st, 1807, places this work in the early 19th century, a time when such engravings were a popular form of mass media, providing a visual understanding of places that many people might not have the opportunity to visit themselves. The engraving serves as both an artistic and historical record, capturing Bridgnorth in the early 19th century with a level of detail and craftsmanship that is characteristic of the period's topographical art...