Victorian Prints

Antique map of Long Island, Southold, Shelter Island, Orient, Great details, Names of homes, Roads and Businesses in 1870. Unframed. This is...

"Z for Zoologist" from "An Alphabet" by William Nicholson from the first edition published by William Heinemann, London, 1898. Original lithograph from the colored woodblock. Nichols...

A large folio hand colored lithograph by Nathaniel Currier (1813-1888) and James Merritt Ives (1824-1895) titled "Camping Out Some of the Right Sort" published by Currier and Ives, New York, 1856. A charming and evocative composition depicting a group of mid-19th century men...

19th Century Botanical Engravings: A Timeless Art Form The Legacy of John Curtis and 19th-Century Botanical Engravings 🖋 Provenance Story – 19th Century Botanical Engravings with ...

Presenting a fabulous and very rare set of original mid-19th century Chromolithograph Engravings by John Frederick Herring Snr from circa 1850. The exci...

Late 19th century black and white etching of "Portrait de Lhéritier (Romain Thomas, dit), acteur (1809-1885) dans le rôle de Cordenbois de "la Cagnotte" de Labiche (Portrait of Lhéri...

This is an antique hospital engraving. A Scottish, framed lithograph of medical interest, dating to the Victorian period and later, circa 1900. A fi...

This is an antique hospital engraving. An English, framed lithograph of medical interest, dating to the Victorian period and later, circa 1900. A fi...

Hangman's Bridge (Henkersteg), Nuremberg, Bavaria, Germany - Antique fine art hand colored engraving on heavy cream paper - architectural view - indistinctly signed by the artist low...

A Vanity Fair chromolithograph of "Ossie" by Sir Leslie Ward, English. Ossie was Captain Oswald Henry Ames. Signed in plate Spy (Ward's pseudonym). A hilarious description, taped to ...

French (1899) colored lithograph illustration of a circus scene showing a clown having a dog and elephant doing tricks from the \"At The Circus\" series (TOULOUSE LAUTREC mark) (Publ...

This is an antique hospital engraving. An English, framed lithograph of medical interest, dating to the Victorian period and later, circa 1900. A fi...

Antique set of six pairs of framed Ornithological hand colored steel engravings on paper (twelve engravings in total) - each print titled - each signed in the print - each pair conta...

French Victorian watercolor abstract print of a Iris Pallida Flower

French Victorian colored lithograph illustration of a man seated at a table and eating next to a woman standing in an ice skating rink, in a teak frame (titled: \"Skating\" from the ...

1865 lithograph by Eduard Mandel of Raphael's Madonna della Seggiola. Beside the seated Madonna & Child is the young John the Baptist. Johann Au...

One of a set of three. This is a hand-colored aquatint print titled The Hunter by Henry Alken, originally published in 1821 as part of a series of six plates called The High Mettled ...

An evocative hand colored lithograph by N. Currier (American 1813-1888), after a painting by A.F.Tait, titled "Arguing the Point", depicting a group of rural men engaged in an appare...

Gouache artwork in gilt frame with antique glass, depicting General Abercrombie. Wonderful addition to a gallery wall.

Amazing set of four equestrian mid 19th century aquatint plates that have been hand-colored. Fores' national sports series after John Frederick Herring who did commissions from Queen...

"Pleasures of Winter" Maintains the appropriate markings along with "New York, Published by N. Currier 152 Nassau Street. (The firm was located here in lower Manhattan from 1837-1872) The lithograph portrays a woman leaving her stately home with her two children, being escorted by two drivers to ride in a double seated horse drawn sleigh. In the background is a snowy field with other houses and a loaded horse drawn timber sleigh. In addition to the Amon Carter Museum in Dallas, an example of "Pleasures of Winter" is in: The Library of Congress The Springfield Museum (Massachusetts) Gift of Lenore and Sydney Alpert) Metropolitan Museum of Art (Gift of Colgate 1962) Museum of Fine Arts Boston (Donated by Lee M. Friedman) Dimensions: actual= 16 1/2" h x 23 13/16" w matte= 19 1/2" h x 25 1/4" w folio= 21 9/16" h x 27 1/2" w with frame= 26 1/4" h x 32 1/4" w frame= 1 1/4" burl bird's eye maple It is in very good all original condition; and housed and professionally mounted in a fine quality and attractive bird's eye maple wooden frame with preservation backing and frontal protective glass (important when dealing with 170 year old lithographs); it is the rare and desirable Currier large folio sheet example in fine original color. There is minor foxing and a tideline upper center (see images). The larger folios are more rare because they appealed to the wealthier sector of the population and were more expensive, thus fewer were made, albeit, knowing their more discerning customer base, there was more attention given to detail; hand coloring, and quality for example. This example has been framed and housed in museum quality conservation backing for over 80 years. I have had it professionally taken apart and I inspected the folio visually, and examined it with a black light and loop; as a result, I guarantee and can attest to the accuracy of my description of the lithograph. I then had the folio professionally remounted in it's original frame with an upgraded preservation backing (see images of original folios out of frame and for confirmation of inspection). This lithograph has no tears, no touch up paint, and no glued or taped repairs. This is one of the four iconic and highly desirable set of lithographs made by Nathaniel Currier (1813-1888) dated 1855 from the American Country Life series. They are named; Spring "May Morning"; Summer "Summer Evening"; Fall ""October Afternoon"; and Winter "Pleasures of Winter". The lithograph was produced from the painting of well known artist Frances (Fanny) Flora (Bond Palmer (1812-1876). She painted typical American scenes of daily American life that were used by Currier for years to come. She was an accomplished artist by the time she migrated to the United States from England, and Currier commissioned her to do the country scenes for this series. Each of the original images are toned lithographs with applied hand painted watercolor. The lithograph reflects an affluent life style, showcasing grandiose homes and glamorizing the rural way of living as urban areas became more densely populated with the tidal wave and arrival of immigrants. Nathaniel Currier began his lithograph business in 1835 with hand colored images portraying outdoor panoramic, historical, pastoral, and landmark scenes and events, with which the middle class and the wealthy sought to decorate their houses. James Ives (1824-1895) was his accountant) and would join him later in 1857 to help run the business. The hand painted lithograph is embellished with script text in the bottom margin of the folio "Entered according to art of congress in the year 1855 by N. Currier in the clerk's office of the southern district of N.Y." "F.F Palmer...

English Victorian lithograph print of a fox hunt depicting a hunter holding a captured fox aloft above a pack of hunting dogs while other huntsmen look on in a rectangular wooden fra...

PAIR of French Victorian (19th Century) prints of engravings titled \"Vestale\" (a reference to Gaspare Spontini\'s 1807 opera \"La vestale\") and \"Euterpe\" (Greek mythology\'s mus...

DOURAT - 'Notre-Dame No. 1' - Antique fine art colored sepia tone engraving on heavy cream paper - Notre Dame Cathedral in Paris - signed and titled -...

A finely detailed 19th-century hand-colored lithograph depicting the famed English racehorse George Frederick (foaled 1871) — winner of the 1874 Epsom Derby. Drawn and lithographed b...

19th English Victorian color lithograph print titled 'Eminent Women' with the faces of prominent women crowded together in a large oval, in the original giltwood frame. Unusual and v...

English Victorian style print of an engraved 1888 Punch magazine figural illustration entitlled \"The Wassail Bowl\". Green and red double-matted within a patterned giltwood frame. (...

English Victorian lithograph of a monkey with black fur sitting on a branch in a black and gold frame with a french mat (Companion piece: NWL6068)

Lot of 6 late 19th century black and white engravings, plates extracted from the book The Works of Sir Edwin Landseer published by Virtue & Company, London. Includes several hunting ...

Émile Deyrolle Anatomical poster A wonderfully rare and decorative curio medical French (Paris) original lithograph on board anatomical poster in ...

A Vanity Fair chromolithograph of Colonel George Malcom Fox by Sir Leslie Ward, English. Titled "Swordsmanship". Signed in plate Spy (Ward's pseudonym). Descriptive page attached to ...

Enhance your living space with these captivating framed prints showcasing cartoon character Golfers. Created with meticulous attention to detail, these prints effortlessly bring life...

"Summer's Evening" folio has the appropriate Currier and Ives' markings along with "New York, Published by N. Currier 152 Nassau Street. (The firm was located here in lower Manhattan from 1837-1872) The lithograph depicts a young well dressed and well to do family overlooking their property as workers tend to the farmland and harvest hay. Note the haystacks and a horse drawn hay wagon. The large and well built farm house stands proudly over the scene with the village in the background. In addition to the Amon Carter Museum in Dallas, an example of "Summer's Evening" is in The Springfield Museum (Massachusetts) Gift of Lenore and Sydney Alpert). Dimensions: actual= 16 1/2" h x 23 13/16" w matte= 19 1/2" h x 25 1/4" w folio= 19 7/8" h x 26" w with frame= 26 1/4" h x 32 1/4" w frame= 1 1/4" burl bird's eye maple It is in very good all original condition; and housed and professionally mounted in a fine quality and attractive bird's eye maple wooden frame with preservation backing and frontal protective glass (important when dealing with 170 year old lithographs); it is the rare and desirable Currier large folio sheet example in fine original color. There is some toning and foxing (see images). The larger folios are more rare because they appealed to the wealthier sector of the population and were more expensive, thus fewer were made, albeit, knowing their more discerning customer base, there was more attention given to detail; hand coloring, and quality for example. This example has been framed and housed in museum quality conservation backing for over 80 years. I have had it professionally taken apart and I inspected the folio visually, and examined it with a black light and loop; as a result, I guarantee and can attest to the accuracy of my description of the lithograph. I then had the folio professionally remounted in it's original frame with an upgraded preservation backing (see images of original folios out of frame and for confirmation of inspection). This lithograph has no tears, no touch up paint, and no glued or taped repairs. This is one of the four iconic and highly desirable set of lithographs made by Nathaniel Currier (1813-1888) dated 1855 from the American Country Life series. They are named; Spring "May Morning"; Summer "Summer Evening"; Fall ""October Afternoon"; and Winter "Pleasures of Winter". The lithograph was produced from the painting of well known artist Frances (Fanny) Flora (Bond Palmer (1812-1876). She painted typical American scenes of daily American life that were used by Currier for years to come. She was an accomplished artist by the time she migrated to the United States from England, and Currier commissioned her to do the country scenes for this series. Each of the original images are toned lithographs with applied hand painted watercolor. The lithograph reflects an affluent life style, showcasing grandiose homes and glamorizing the rural way of living as urban areas became more densely populated with the tidal wave and arrival of immigrants. Nathaniel Currier began his lithograph business in 1835 with hand colored images portraying outdoor panoramic, historical, pastoral, and landmark scenes and events, with which the middle class and the wealthy sought to decorate their houses. James Ives (1824-1895) was his accountant) and would join him later in 1857 to help run the business. The hand painted lithograph is embellished with script text in the bottom margin of the folio "Entered according to art of congress in the year 1855 by N. Currier in the clerk's office of the southern district of N.Y." "F.F Palmer...

Great image of apples Chromo-lithograph Published by Edward Arnold. circa 1860 Unframed. It gives you the option of perhaps making a set up using your own choice of frames. ...

This handsome pair of 19th century hand-colored Lithographs of ducks is by John Gould and HC Richter and are titled "Casarca Tadornoides: Eyton" and "Nyroca Ferina." Site line 14 inc...

This lithograph portrays a pleasant scene of a man in a top hat atop a handsome dark horse, with a boy riding a white horse (presumably father and son) in front of a country estate, while women gather as they water flowers, and children play with a lamb in the foreground. A man plows a field; while a horse is being groomed near the stable in the background. Afar and to the right is the sea dotted with ships here and there. The folio is mounted on cardboard and set in the matte. It is in very good all original condition; and housed and professionally mounted in a fine quality and attractive bird's eye maple wooden frame with preservation backing and frontal protective glass (important when dealing with 170 year old lithographs); it is the rare and desirable Currier large folio sheet example in fine original color. There is some toning and slight fading, The larger folios are more rare because they appealed to the wealthier sector of the population and were more expensive, thus fewer were made, albeit, knowing their more discerning customer base, there was more attention given to detail; hand coloring, and quality for example. This example has been framed and housed in museum quality conservation backing for over 80 years. I have had it professionally taken apart and I inspected the folio visually, and examined it with a black light and loop; as a result, I guarantee and can attest to the accuracy of my description of the lithograph. I then had the folio professionally remounted in their original frame with an upgraded preservation backing (see images of original folios out of frame and for confirmation of inspection). This lithograph has no tears, no touch up paint, and no glued or taped repairs. This is one of the four iconic and highly desirable set of lithographs made by Nathaniel Currier (1813-1888) dated 1855 from the American Country Life series. They are named; Spring "May Morning"; Summer "Summer Evening"; Fall ""October Afternoon"; and Winter "Pleasures of Winter". The lithograph was produced from the painting of well known artist Frances (Fanny) Flora (Bond Palmer (1812-1876). She painted typical American scenes of daily American life that were used by Currier for years to come. She was an accomplished artist by the time she migrated to the United States from England, and Currier commissioned her to do the country scenes for this series. Each of the original images are toned lithographs with applied hand painted watercolor. The lithograph reflects an affluent life style, showcasing grandiose homes and glamorizing the rural way of living as urban areas became more densely populated with the tidal wave and arrival of immigrants. Nathaniel Currier began his lithograph business in 1835 with hand colored images portraying outdoor panoramic, historical, pastoral, and landmark scenes and events, with which the middle class and the wealthy sought to decorate their houses. James Ives (1824-1895) was his accountant) and would join him later in 1857 to help run the business. The hand painted lithograph is embellished with script text in the bottom margin of the folio "Entered according to art of congress in the year 1855 by N. Currier in the clerk's office of the southern district of N.Y." "F.F Palmer...

It is rare to have the opportunity to acquire all four of these scenes at once, especially in this very good all original condition; and housed and professionally framed in fine quality and attractive bird's eye maple wooden frames with preservation backing and frontal protective glass (important when dealing with 170 year old lithographs); all are the more rare and desirable large folio sheet examples in fine original color. The larger folios are more rare because they appealed to the wealthier sector of the population and were more expensive, thus fewer were made, albeit, knowing their more discerning customer base, there was more attention given to detail; hand coloring, and quality for example. All examples had been framed and housed in museum quality conservation backing for over 80 years. I have had each one professionally taken apart and inspected visually and examined with a black light and loop; as a result, I guarantee and can attest to the accuracy of my descriptions of each folio. I then had the folios professionally remounted in their original frames with an upgraded preservation backing (see images for viewing original folios out of frame and for confirmation of inspection). When available these lithographs are typically acquired individually, in varying condition, and often unframed. Other examples are often reproductions or "tear out sheets" from coffee table type books. These lithographs have no tears, no touch up paint, and no glued or taped repairs. This iconic and highly desirable set of four lithographs by Nathaniel Currier (1813-1888) dated 1855 from the American Country Life series depicts; Spring "May Morning"; Summer "Summer Evening"; Fall ""October Afternoon"; and Winter "Pleasures of Winter". All four images are produced from the paintings of well known artist Frances (Fanny) Flora (Bond Palmer (1812-1876). She painted typical American scenes of daily American life that were used by Currier for years to come. She was an accomplished artist by the time she migrated to the United States from England, and Currier commissioned her to do the country scenes for this series. Each of the original images are toned lithographs with applied hand painted watercolor. The series of four reflects affluent life styles in each of the four seasons by showcasing grandiose homes and glamorizing the rural way of living as urban areas became more densely populated with the tidal wave and arrival of immigrants. Nathaniel Currier began his lithograph business in 1835 with hand colored images portraying outdoor panoramic, historical, pastoral, and landmark scenes and events, with which the middle class and the wealthy sought to decorate their houses. James Ives (1824-1895) was his accountant) and would join him later in 1857 to help run the business. Each of the hand painted lithographs is embellished with script text in the bottom margin of the folio "Entered according to art of congress in the year 1855 by N. Currier in the clerk's office of the southern district of N.Y." "F.F Palmer...

We kindly suggest reading the full description, as we aim to provide you with detailed technical and historical information to ensure the authenticity of our items. The frame enclosi...

Mr John Gould's tropical framed Bird prints 1955 taken from his limited edition of 1000. The most celebrated British ornithologist of the nineteen...

Mr John Gould's tropical framed Bird prints 1955 taken from his limited edition of 1000. The most celebrated British ornithologist of the nineteen...

Framed print titled "Breaking Cover", a well-known fox hunting scene originally designed by the British artist Henry Thomas Alken. The original work was typically a hand-co...

One of a set of three. This is a hand-colored aquatint print titled Gone away by Henry Alken, originally published in 1821 as part of a series of six plates called The High Mettled R...

One of a set of three. This is a hand-colored aquatint print titled A Hunting Morning by Henry Alken, originally published in 1821 as part of a series of six plates called The High M...

ABOUT Jan Sirks Rotterdam Port etching on wove paper, signed in pencil. Etchings became the main medium for Sirks between 1912-1915. His choice of subject matter was focused on the...

An interesting depiction of the Korean Embassy as published in The Wasp, a weekly San Francisco newspaper started in 1876 by Francis Korbel. The Wasp had a very political and anti-im...

This beautiful, original hand-colored orchid lithograph entitled "Trichosma Suavis" Orchids by John Nugent Fitch is plate 114 in Robert Warner's publication 'The Orchid Album, Compri...

French 19th-century framed lithograph of a young elegant Parisian man in Renaissance attire holding a gestural pose in a wooden black and silver frame (Similar group of prints NWL615...

English Victorian print featuring four styles of English noble attires from historical periods in a carved silver/gilt frame with a mat (Similar items: NWL6149A-F) Good condition co...

English Victorian prints featuring four styles of French noble attires from historical periods in a carved silver/gilt frame with a mat (Similar items: NWL6149A-F) Good condition co...

English Victorian prints featuring four styles of Italian noble attires from historical periods in a carved silver/gilt frame with a mat (Similar items: NWL6149A-F) Good condition c...

English Victorian prints featuring four styles of Danish noble attires from historical periods in a carved silver/gilt frame with a mat (Similar items: NWL6149A-F) Good condition co...

English Victorian prints featuring four styles of Scottish noble attires from historical periods in a carved silver/gilt frame with a mat (Similar items: NWL6149A-F) Good condition...

English Victorian prints featuring four styles of Spanish noble attires from historical periods in a carved frame with a mat (Similar items: NWL6149A-F) Good condition consistent wi...

French Victorian watercolor abstract print of a iris xyphium flower

French Victorian watercolor abstract print of a Iris Pseudacorus Flower

French Victorian gilt floral carved framed poster for 1893 opera \"Werther\" by Jules Massenet

These are a set of FOUR digitally remastered prints of Macaws, hand coloured framed prints, originally from Circa 1864. Prints of this style were...

Antique Foldable Anatomical Wall Chart Depicting Human Musculature The rare 19th century anatomical wall chart depicts the human musculature and inter...

John Skinner Prout (1805-1876) - 'the upper Goulburn, Victoria' - antique steel plate engraving after a painting by J. S. Prout - from 'Australia' by Edwin Carton Booth - hand colore...

JAMES CHARLES ARMYTAGE (1820-1897) - 'Concordia Gold Mines' - Antique steel plate engraving from 'Australia' by Edwin Carton Booth - hand colored - titled lower center - signed lower...