Renaissance Wall Decorations

Italian school 17th / 18th century: oil on framed panel, representing The Virgin and Child Jesus, accompanied by Saint Elizabeth and John the Baptist as a child, in the foreground A...

Flemish school of the 16th century Allegory of Africa
After The Allegories of the Continents by Maerten de Vos (engraving by Adriaen Collaert)
 Oil on copper
 Inscription: "Giulio Ro...

Impressive Hand-Tinted Albumen Mammoth Plate Print of Basilica San Marco in Venice, circa 1880. Attributed to Paolo Salviati (1818-1894). Possibly the largest photographic image ...

Max Finné (German, c.1880-c.1960) A Portrait of the Hanseatic merchant Georg Giese, copied from the original of Hans Holbein the Younger by Max Finné, 1922-23. signed lower left: M...

Renaissance relief depicting two female figures dressed in a chiton Italy, probably Rome, 16th century Marble, wooden frame (provenance label on the back) 28 x 20 x 5 cm This beau...

Pair of reliefs; grutescos or candelieri. Carved, polychrome and golden wood. 16th century, and later Pair of reliefs made of hand carved wood, gilded ...

The Madonna and Child Oil Painting in a Rose Garden – Flemish (Ambrosius Benson School) Late 16th Century/ Early 17th Century Flemish Oil Painting on Oak Panel Artist & Background This exquisite Flemish Renaissance Madonna and Child oil painting, titled Madonna and Child in a Rose Garden, is attributed to a follower of Ambrosius Benson (circa late 16th - early 17th century). Benson, originally from Lombardy, Italy, became a renowned master painter in Bruges, Flanders, in the early 1500s.. Key Features of This Madonna and Child Painting: Period & Style – Late 16th-century Flemish School, influenced by Gerard David and Leonardo da Vinci. Medium – Oil on oak panel, a signature technique of Flemish masters. Composition – The Virgin Mary and Christ Child are set in a serene rose garden, symbolising purity and divine love. Influence – This artwork reflects both Netherlandish precision and Lombard artistic traditions. Provenance & Demand: Benson’s followers were widely sought after, and his compositions commanded high market value among collectors. Antique Hand-Carved Frame Old Master Madonna and Child Artwork This painting is housed in an original 17th-century hand-carved wooden frame featuring a classic egg-and-dart motif. Condition Report Conservation Status: Professionally cleaned. Historical Cracking: Some age-related panel cracks are common in antique oil paintings. Restoration: Minor retouching to the Madonna’s face, enhancing original details. Why Invest in Flemish Renaissance Art? Historical Significance – Works by Ambrosius Benson’s followers remain highly collectable in the art market. Museum-Quality Piece – Suitable for private collectors, investors, and art connoisseurs. European Heritage – A fine example of an Old Master religious painting...

Ludovico Trevisan (November 1401 Venice, Italy - 22nd of March 1465) was an Italian Catholic prelate, who was the Camerlengo of the Holy Roman Church, Patriarch of Aquileia and Capta...

Sst of 20 Renaissance (17th century) engraved, hand-colored etchings for Johann Bayer's book 'Uranometria', a star atlas, in wooden frames with white mat....

Beautifully painted, probably in the 19th or early 20th centuries, this copy of the famed "Le Transport du Christ au Tombeau" painting by Titian (Tiziano) in the collection of the Louvre in Paris, was recently found in the attic of a Hudson Valley monastery. The Louvre original, considered an early painting by the master, dates to the same period as his famous "Pastoral Concert" and shows the strong influence of Gorgione. This scene depicts the collaborative efforts of Joseph of Arimathea, Saint John and Nicodemus as they moved Christ's body from the cross to his tomb, watched by the two grieving Marys -- his mother and Mary Magdalene. It is not known who painted this copy, though of course artists over the years have copied the great Master paintings...

A 19th C three quarter length portrait of an aristocratic gentleman with his personal valet shown behind him. The young man with flowing long hair is portrayed from the waist up and ...

Italian Renaissance style (20th Century) acrylic painting of two birds perched on a flowering tree on a beige background, painted on wood in a rectangular, black wooden frame.

Bolognese School of the 16th Century Mummy of Saint Catherine of Bologna
Oil on Panel 20,5 x 7 x 0,8 cm This rare painting depicts Saint Catherine of Bologna as a mummy, housed in a ...

Italianate style (19th Century) capriccio on an architectural oil on canvas painting with figures among classical ruins in an ebonized frame.

Manner of Titian (Tiziano Vecelli - Italian, 1485-1576) An Oil on Canvas "Sleeping Cupid" within a gilt and black decorated gesso frame. A label on reve...

The antique wrought iron bracket is decorated with curls and a spear-like tip. Holes on the side bar can be used to secure to the side of...

A beautiful pair of tapestry fragments, hand-woven in Brussels during the 1500s. At roughly 99 inches (over 8 feet) long, the fragments were, originally, vertical borders to a large ...

Italian Renaissance style (20th Cent) shield form wall plaque with a white cross on a red background.

3 Italian Renaissance style (19/20th Century) small oak carved wall plaques with Renaissance figures. (PRICED EACH).  

This enamelled porcelain painting, inspired by Raphael’s iconic Madonna of the Chair (c. 1513), beautifully portrays the Christ Child embraced by Mary, with John the Baptist gazing r...

An extraordinary azure maiolica dish in the Farnese service, made by Castelli d'Abuzzo between 1580 and 1589. In the peak of the High Renaissance, Cardinal Alessandro Farnese commissioned a dinner service from the Castelli maiolica...

Marvelous Antique Belgian Tapestry, Country of Origin / Rug Type: Belgium, Circa date: 16th century. Size: 8 ft x 9 ft 6 in (2.44 m ...

Italian 17th Century Oil on Canvas of Saint Matthew of Agrigento This striking oil on canvas, executed in Italy in the 17th century, depicts San Matteo di Agrigento (St. Matthew of A...

Fleurdetroit presents for your consideration: E. Patttarino created these world-famous masks for many dignitaries and private collectors. From Florence Italy, this mid-century artis...

Albrecht Dürer, Saint Eustace. Wood engraving, 1501. Signed with the monogram A.D (Albrecht Dürer) Why not having on a wall a Masterpiece which is also ...

Italian Renaissance style framed print of a celestial map depicting the beliefs of the Earth is stationary at the center of the planetary system with the Sun and Moon revolving the E...

Pair of Italian Renaissance style (19th century) square black framed brass embossed wall plaques with scene of 17th Century men & women.  

Copy of a painting titled "Portrait with Hat" Showing a man in a cape with feathered plume in his hat

Small 17th Century Antique German Biblical Tapestry Depicting David And Abigail, Country Of Origin: Germany, Circa Date: 17th Century. Size: 1 ft 8 in x 1 ft 8 in (0.51 m x 0.51 m)

This is a beautiful 19th century Tuscan Renaissance fragment. Perfect for placement above your mantle, stove, a bed, or use it to dress up a wall b...

This vintage French wall tapestry beautifully merges Renaissance-inspired imagery with the refined graphic style of the 1960s. Printed on thick woven cotton, it portrays a lively win...

English Renaissance style (19th cent) ebonized framed oil painting portrait of 17th century lady in brown dress with scroll design.

Italian Renaissance gold framed brown and gold embroidery with a green background having a crown like design with a vague print of a women (Simi...

Allegory of Time. Oil on panel. Circle of Jacob de Backer (act. Antwerp, 1571-1585). Exhibition: “Reality, time and artifice. Still life and vanitas in baro...

English Renaissance style carved stripped wood wall shelf with head of bearded man wearing crown (19/20th Cent.)

Italian Renaissance style (20th Century) shield form wall plaque with a bird and egg having a red background.

Wonderful image after Correggio Fine Steel engraving. Published Fisher, London, circa 1850 Unframed.

Great image after Guercino Fine steel engraving Published by Fisher circa 1850 Unframed. Free shipping

Wonderful image after Rubens Fine steel engraving. Published C.1850 Unframed.

Italian Renaissance style framed print of a celestial map depicting the beliefs of the Earth is the center of the universe with the Sun and planet rotating around

The crucifix painted in the Renaissance style. Tempera on wood Inscription: INBI In the Eastern Church where Greek is the main liturgical language, one would find “INBI” for Ἰησοῦς ὁ...

The Martyrdom of Santa Barbara Wool and silk tapestry Bruges, 1530-50 270 x 198 cm Expertise by Professor Guy Delmarcel This Flemish tapestry is a remarkable example of 16th-century craftsmanship, distinguished by its exceptionally well-preserved color palette. The medaillon-shaped center stands out against a background of dark blue roses and acanthus leaves. It depicts the martyrdom of Saint Barbara, identified by the tower where she was imprisoned. According to legend, her father, Dioscorus, is about to behead her with a scimitar, while an angel descends from the heavens to strike him with lightning. At the bottom, beneath Saint Barbara, two fantastical creatures. On the left is a griffon depicted with the body of a lion and the head and wings of an eagle. On the right is a creature with the body of a leopard, the head of an elephant adorned in a fancy blue cloak. Both animals face each other standing either side of a green hill top in the middle of the tapestry. The lavish scene of the tapestry is framed by a border which is embellished with foliage, flowers and fantastical elephant heads in blue and white on a red background. The corners and center of the edges display goldsmith-objects. The vibrant brick-red colour and striking bluish-green leaves create a stunning visual impact, showcasing the outstanding state of conservation. Professor Guy Delmarcel connects this tapestry to a series of textiles produced in Bruges after 1530, characterized by their fantastical nature scenes populated with imaginative creatures. Most feature similar roses and acanthus-leaves as well as other vegetation, with wild animals appearing ready to attack. Two almost identical pieces preserved at the Art Institute of Chicago (Bruges, 336 x 599 cm) and the Rijksmuseum in Amsterdam ("Tournai," 285 x 490 cm) serve as prime examples. The entire surface is filled with greenery, along with birds and fantastic animals. This tapestry exemplifies the rich decorative style of the time, merging naturalistic and poetic elements with exotic animals that spark the imagination. Other works of this type follow the theme of the "Closed Garden." In the lower register, fantastical creatures occasionally appear, as seen in the exquisite Bruges Tapestry displayed at the Museum of Decorative Arts in Paris, and in the example from the Burrell Collection in Glasgow. The Parisian tapestry from Bruges features a mythical animal in the lower register, dressed in blue fabric, which closely resembles the animal in our tapestry. If Enghien or other centers produced similar pieces, several elements suggest a stronger connection to Bruges for two formal reasons: The overall colour-palette of our tapestry fabric characterized by pronounced brick-red colours and bluish-green leaves, aligns more closely with Bruges than with Tournai or Enghien. The intricate border design with the warm brick-red background, adorned with floral motifs, goldsmith-inspired elements such as incense burners and small bells, can be traced back to Bruges around 1530. This style, often associated with heraldic imagery, underscores the tapestry's connection to the city's rich artistic heritage. A comparable example is the tapestry featuring the Arms of Paolo Giovio, now part of the Prince of Liechtenstein's collection in Vaduz. This piece, set against a brick-red background, depicts arms and armors, cornucopias, boys riding grotesque dolphins, as well as various flowers and leaves. All available literature dates this group of tapestries to the second quarter of the sixteenth century. A key formal element further supports this dating: the executioner, depicted preparing to behead Barbara, wields a Turkish scimitar, a reference to the frequent Ottoman incursions into Central Europe beginning with the 1529 siege of Vienna...

English Renaissance style (dated 1903) framed incised wood and oil paint portrait of Queen Elizabeth against a black background in a rectangular w...

Pair of decorative Renaissance oak wooden reliefs depicting two man with curly hair and a moustache. The reliefs were probably part of a piece of furniture or architectural element. ...

Italian Renaissance style (19th Cent) oil painting of 2 boys and dog with basket of fruit in a gold carved frame (AFTER Bartolome Esteban Murillo)

19th Century copy of High Renaissance painting \"Madonna of the Harpies\" by Andrea del Sarto, showing Virgin and child flanked by putti, St. Francis, and St. John the Evangelist wit...

Label on verso. From Grosser Atlas. The name Belgium comes from the ancient designation "Gallis Belgica". Figural decoration upper left. M. Seutter was a famed German mapmaker in the...

renaissance fireplace, carved fireplace, travertine fireplace, stone fireplace, stone fireplace facing, marble fireplace, carved frieze fireplace Fireplace cladding carved on antique...

Pair of small carved walnut doors, 16th century, central Italy This pair of small doors was made in the sixteenth century, in central Italy, in carved walnut. The decoration provides...

Great image after Carlo Dolci Fine steel engraving Published circa 1850 Unframed. Free shipping

A fine pair of Continental Tapestry Panels in shaped frames in deep tones of Brown, Olive, Tan, Black and Mustard. One of the panels depicts two young ladies and a child in a park li...

19th C. bas-relief panel which is a type of sculpture where the design in only slightly raised from the background surface, creating a shallow, low-relief effect. The relief depicts...

This layered, mystically-inflected toile based on Renaissance drawings feels of-the-moment, thanks to a head-turning scale and a room-enveloping repeat. Since Schumacher was founded in 1889, our family-owned company has been synonymous with style, taste, and innovation. A passion for luxury and an unwavering commitment to beauty are woven into everything we do. Wallcoverings Product details Schumacher Collection: Johnson Hartig...

After Raphael's Grand Duke's Madonna Grand Duke's Madonna after Raphael, a stunning 19th-century oil painting from the renowned Berkley Collection. This remarkable artwork, inspire...

Gold Background, Coronation of the Virgin. 14th century. Venetian work, point of polyptych, tempera and gold on reinforced poplar panel,.Surroundings of Lorenzo Veneziano (1336_1379)...

Painted canvas figuring a side view of a woman portrait in the Renaissance style. She wears a black dress with a gilt collar, belt with gilt flower motifs, grey sleeves adorned with...

Very large Royal Vienna painted porcelain plaque after Correggio Austrian, 19th century Measures: Frame: height 77cm, width 74cm, depth 7.5cm Plaque: height 58cm, width 48.5cm, depth 0.5cm. This beautiful and very large painted porcelain plaque was made by the Royal Vienna Porcelain Manufactory, in the 19th century, and shows the Sacred Family...

Attributed to Domenico di Paris, also called Domenico del Cavallo ( Monselice, documented in Ferrara between 1442 and 1501) Madonna and The Child Polychromed and gilded Stucco 47,5 ...

Decorate a study or a man's office with this elegant antique plaque. Crafted in France circa 1880, the wall decor features a coat of arms with a medieval royal knight...

Oil on copper representing the martyrdom of an unidentified saint (the angels passing over the scene) and bringing him the palm and the crown of martyrs, without any specific attribu...