English Brooches

An exceptional, fine and impressive vintage 3.50 carat onyx, 0.13 carat emerald and 0.08 carat diamond, 18 karat yellow gold and platinum set cat brooch; part of our diverse vintage ...

Victorian Swan Brooch Gorgeous Diamonds & Seed Pearls set in Silver & Gold Check Out Her Beautiful Little Ruby Eye Victorian Circa 1880 Measures 4.5cm x 2cm All of our items a...

An Antique Victorian Finely Carved Shell Cameo Brooch with a bail - provision to wear a piece as a pendant within a 9K Yellow Gold decorative rope border featuring safety chain be...

A romantic celestial brooch from the Victorian era, crafted in 18K yellow gold with a platinum top. The crescent moon is set with approximately 2.00 carats of rose-cut diamonds, acce...

This Victorian novelty brooch is designed in the shape of a violin. It is created out of sterling silver. The body of the violin is decorated with engraved flowers an leaves. On the ...

Pendant brooch by Child & Child. A pendant/brooch in three detachable sections, the uppermost composed of an elongated octagon with inward bowed sides set with one central diamond in a collet setting with a weight of 2.50 carats, flanked by trefoil forms set with six diamonds in bead settings with a combined weight of 1.20 carats, on a ground of pierced millegrain vertical bars, and encircled by a single scalloped border of twenty six diamonds in bead settings with a combined weight of 13.00 carats; the middle section composed of one central diamond in a collet setting with a weight of 1.20 carats, on a ground of pierced millegrain horizontal bars, and encircled by a stylized laurel wreath set with eighteen diamonds in bead settings with a combined weight of 2.16 carats, surmounted with two diamonds in collet settings with a combined weight of 0.15 carats, and encircled by a further five diamonds in collet settings with a combined weight of 1.50 carats; the bottom section in the same format and settings as the middle with one central diamond at a weight of 0.45 carats, eighteen diamonds weighing 0.90 total carats, two diamonds at 0.10 total carats, and five diamonds at 0.50 total carats, and also with a lower pendant composed of one diamond in a collet setting with a weight of 0.40 carats, above a bell form set with two diamonds in bead settings with a combined weight of 0.60 carats and with three diamonds in bead settings with a combined weight of 0.15 carats, above two more articulated links one composed of a diamond in a collet setting with a weight of 0.25 carats, above one mounted in the same fashion with a weight of 0.15 carats, all above an inverted tear shape link set with two rose cut diamonds in bead settings with a combined weight of 0.03 carats; all set with cushion shape old cut diamonds unless specified, millegrained throughout, and with a grand total of ninety three cushion shape old cut diamonds with an approximate total weight of 25.20 carats, and two round rose cut diamonds with an approximate total weight of 0.03 carats. The upper section is set to reverse with an entirely removable brooch bar with secure C spring clasp, and further set with two loops for a necklace to be attached. Each of the three sections are set with thread bars to attach or remove accordingly, with two threads set to the upper to form a choice of brooch or pendant as desired. Tested platinum, with makers mark for Child and...

Antique Gold Brooch 15ct Gold Stamped Circa 1880 Fabulous Victorian Brooch with the Most Beautiful Etruscan Detailing. Measures Approx Length 40.5mm & Width 9.6mm with a Little...

A Whimsical Nod to the Jazz Age Embrace the elegance and playful spirit of the Art Deco era with this charming platinum stick pin, intricately designed in the form of a duck. Lovingly adorned with small round diamonds and set with a ruby eye, this piece blends humor, artistry, and timeless sophistication. Whether worn on a lapel, hat, or scarf, it will make an eye-catching statement that sparks conversation. Exquisite Details & Design Duck Motif Sculpted to depict a duck in graceful profile, the stick pin’s bird figure showcases the streamlined geometry and refined artistry characteristic of Art Deco design. Diamond Accents Small round diamonds accent the duck’s body, creating a captivating interplay of light along the polished platinum. These gems not only add sparkle but also underscore the piece’s fine craftsmanship. Ruby Eye For a touch of warmth and color, a small ruby is set to form the duck’s eye, providing a subtle yet striking contrast to the duck’s diamond-clad body. Premium Platinum Setting Renowned for its strength, durability, and white luster, platinum was a hallmark of luxurious Art Deco jewelry. The metal’s cool tone highlights the brilliance of both diamonds and ruby, ensuring a refined, classic finish. Dimensions & Origin Length: Approximately 2.25 inches Width: Approximately 0.90 inches at the widest point (duck motif) Circa: Early 20th Century Origin: Continental (European) Its compact size offers versatility—easily pinned to lapels, hats, or scarves—while maintaining a clear and eye-catching presence. Why Choose This Art Deco Stick Pin? Historic Allure: Authentic Art Deco pieces carry the distinctive design echoes of the 1920s–1930s, offering collectors and enthusiasts a true glimpse into the era’s aesthetic brilliance. Rare & Whimsical Design: The duck motif, complete with diamond feathers and a ruby eye, presents a conversation-worthy twist on classic Art Deco geometry. Versatile Styling: Stick pins add a polished accent to both casual and formal ensembles, reflecting individual personality while remaining tasteful and chic. Care & Maintenance Cleaning: Gently wipe the platinum and gemstones with a soft, lint-free cloth after each wear. Avoid harsh chemicals; if deeper cleaning is needed, a mild jewelry solution safe for platinum and precious gems is recommended. Storage: Store in a padded jewelry box or soft pouch, ensuring the pin remains separated from other pieces to prevent scratches or tangling. Delight in the playful charm and refined elegance of this Art Deco Platinum Duck...

We are thrilled to present this amazing Victorian Cameo Brooch, dating back to the 1830s-1850s. The beautiful portrait of a young Greek lady is expertly carved into the shell with ex...

Antique Bow Brooch Platinum Circa 1910 Fabulous Bow Shaped Brooch, Set with Calibrated Sapphires & Old Cut Diamond High Quality Safety Clasp, with Gold Pin Measures Approx 81....

A Victorian old cut diamond 'Starburst' pendant with detachable brooch fitting, circa 1880. The pendant is set with an estimated total of 11.15ct old cut diamonds, old mine cushion c...

This piece carved in the 1890's is truly lovely. This Cameo depicts a lady with long flowing hair and a provocative pose with head over her bare shoulder. The face is lovely and s...

Theo Fennell Vintage Articulated Polo Player Brooch, England, 1987. A playful yet masterfully crafted brooch by British designer Theo Fennell, dating to the 1980s. Finely modelled in...

This Cut Steel brooch has telltale Georgian characteristics. Georgian era cut steel has a variety of cut steel bits held in place by rivets to the back brass...

An antique old cut diamond heart brooch, circa 1820. The Georgian brooch is designed as an open heart shape, set with twenty-two old European cut diamonds all mounted in silver and gold with a single pin fitting to the reverse. Period Georgian circa 1820 Origin English Gemstones 22 x Old mine cut diamonds estimated 7.50cts Setting Silver and gold Weight 13.4 grams Dimensions Length: 3.4cm/1.3" Width (at widest point): 3.4cm/1.3" Condition Very good Directors Notes Tokens of love and sentiment feature prominently in jewellery dating back to the medieval period, but it was during the 19th century that the heart motif became highly prominent. The Victorian’s were hugely fond of heart shaped jewels...

This exceptionally beautiful 'bow' brooch was made during the Art Deco period and has been set with diamonds and black onyx. The handmade platinum frame takes the form of a delicate ...

Magnificent hand-carved shell antique cameo brooch pendant featuring a the artist's depiction of the Three Graces framed in an elaborate 9 karat yellow gold frame. Victorian period...

Convertible pendant brooch designed by Elizabeth Gage. Magnificent and substantial pendant-brooch, created in London by the British jewelry designer Elizabeth Gage, back in the 1993...

The British house of E. Wolfe & Co. has a very long history of creating wonderful and whimsical animal brooches and, this adorable little Teddy Bear is certainly no exception. With a...

Victorian 14 Karat Yellow Gold Ring of Pearls Pin. Delicate and dainty 3mm pearls set in a circle for a simple yet elegant design. The size of pin pendant is...

Antique shell cameo brooch and earrings by John Brogden, English, circa 1870. A yellow gold suite of jewellery, the brooch composed of a horizontally situated oval Bull’s Mouth shell cameo of the Greek goddess Selene riding a serpentine dragon in a rubover collet setting, encircled by a conforming frame of gold beading and twisted gold wire punctuated with four gold palmette form plaques engraved and decorated with dark blue enamel and placed at the cardinal points, the reverse mounted with a hinged pin and scroll clasp, the earrings each composed of a vertical oval Bull’s Mouth shell cameo engraved with a bust length portrait of Selene with crescent-set headdress, encircled by a conforming frame matching that of the brooch with the addition of a pendant decoration composed of a horizontal bar of gold beading and twisted gold wires suspending gold link chains graduated from centre and ending in conical gold elements, the reverses mounted with French wire fittings, all in a fitted red leather case, the interior marked ‘FIRST CLASS PARIS MEDAL/ 1855.1867.1851/ PARIS FIRST CLASS & LONDON PRIZE MEDALS/ JOHN BROGDON/ Goldsmith/ MANUFACTORY/ 16, Henrietta St. Covent Garden/ London’. The cameo—defined as a gem, usually either a mineral or a shell, upon which a design has been carved in relief—is believed to have originated in Hellenistic Greece, during the third century BC. These miniature sculptures, at that time confined to the medium of hardstone, are thought to have been made with the primary purpose of personal adornment. The same practice of mounting cameos in jewellery was then continued by the Ancient Romans, and they are known to have been worn by many a Roman emperor. After the fall of Rome the fashion for cameos went into a decline, until it was again revived during the Renaissance period, brought about by a keen interest in the ancient world. At this time both antique and contemporary cameos were mounted in jewellery, as well as collected as objet d’art. The art of cameo cutting was revived in Italy, where it would remain a centre for the coming centuries. Again there was a lull in interest in carved gemstones, until the Neoclassical revival of the eighteenth century, largely stimulated by the discoveries of the ancient Roman cities of Pompeii and Herculaneum. As with the Renaissance, antique specimens were generally prized over modern cameos, and the worldliest men in Europe held them among their collections of art and antiques. That said, carving centres in Rome and Torre del Greco (near Naples) in Italy were established in response to the demand of the Grand Tourists, who travelled to Italy and Greece to become educated in the wonders of the ancient world. It was at this time that shell cameos, mostly made in Torre del Greco due to its proximity to the sea, became more popular, owing to the relative ease in carving shell over hardstone. In addition to Rome, hardstone cameos also became a specialty of Idar Oberstein, Germany, which had a long history with both the gem mining and cutting trade. In a shift away from the collector’s cases of the previous century, the nineteenth century saw a strengthening in the fashion for wearable cameos. After the Empress Josephine donned a cameo-set suite of jewellery at the coronation of Napoleon in 1804, cameo jewellery became all the rage. Napoleon played a further hand in promoting the art by establishing a gemstone carving school in Paris, inspired by his appreciation for the arts of the ancient world. By the mid-nineteenth century shell cameos, in part due to their lightness compared with hardstone cameos, were the height of fashion. Large shell cameos as well as hardstone cameos were set into contemporary mounts, often as suites of jewellery. Some of the best cameos of the nineteenth century—carved by a select group of recognized carvers—were set into revivalist mounts, corresponding to the subject matter. In Victorian England cameo jewellery was particularly prized, due in part to the fact that the Queen owned and wore a number of cameo jewels. One example which can often be seen in official portraits is the Badge of the Order of Victoria and Albert, carved by Tommaso Saulini of Rome, who also produced cameos for the maker of the present suite, John Brogden. To meet demand some carvers set themselves up in London, including William Schmidt, a German carver from Idar Oberstein, who produced cameos for top London jewellers, including Brogden, Carlo Giuliano and Child & Child. In fact, Schmidt purports to have been the first to carve cameos out of opal, which Brogden reportedly displayed in the Paris Exhibition of 1878. An extant example, now in the collection of the British Museum, was set by the Giuliano firm. Regarding subject matter, cameos throughout time have been largely figural, from bust length profile portraits to scenes with multiple full-length figures, and sometimes animals. Ancient Greek and Roman cameos often depicted mythological scenes as well as contemporary figures. During the Renaissance, mythological scenes were popular, often taken directly from ancient sculpture, as well as portraits of notable contemporary figures. During the eighteenth and nineteenth centuries, due to the revivalist styles, both Renaissance and Classical subjects were copied and set into matching (and sometimes unmatching) revivalist mounts. From the Renaissance through the Victorian era, being able to recognize the source of the carving in a cameo was a mark of erudition, revealing in the wearer knowledge of Classical art. As mentioned, the present cameo parure...

An incredibly detailed piece by Edward Wolfe & Co. done in 18K white and yellow gold as well as incredibly detailed black enamel and set with approximatel...

Rare Pair of Georgian REGARD Turtle Dove Brooches, ca. 1820s A symbolic and museum-collectable example of acrostic jewels, featuring two doves, mounted with various gemstones, where the gems spell out "regard" - (R)uby (E)merald (G)arnet (A)methyst (R)uby (D)iamond. The pieces are further accentuated with fine cannetille gold work throughout. About Acrostic Jewellery and Turtle Doves In acrostic jewels the first letter of each gemstone spells out a word. Typical examples are words of endearment like "adore", "dearest" and "regard". The utterly romantic trend of acrostic jewels began in the Georgian era and flourished throughout the Victorian period. It is believed that acrostic jewelry was first created by Jean-Baptiste Mellerio of the House of Mellerio, who started designing jewels with gems that spelled out “j’adore.” Napoleon Bonaparte admired Mellario’s acrostic designs and commissioned acrostic jewels for both Empress Josephine and his second wife, Empress Marie Louise. Secret messages of love encoded in gems went perfectly with the Georgian and Victorian love of romance and symbolic meanings. These sentimental jewels would have been gifted to lovers, family members, or even treasured friends. Further to being acrostic jewels, these doves also represent love and faithfulness, because they mate for life, work together to build nests and raise their young together. They are immortalized in literary and poetic works, such as the Old Testament, and artists like Shakespeare, Edmund Spenser...

This fabulous antique brooch, masterfully designed with elegant Art Nouveau accents, features a wonderful black opal cabouchon measuring 20 x 17mm, rub-over set in the centre in an 1...

A Victorian hardstone cameo brooch pendant with blue enamel and pearl surround, the hardstone cameo depicting a female face in the Roman style s...

Crafted in rich 15 carat rose gold and dating back to the 1930s, this bug brooch showcases the beauty of Art Deco design with intricate detailing and fine artistry. The piece is bro...

A Victorian citrine and gold brooch, with a large oval mixed cut citrine, with an estimated weight of 182 carats, with a three dimensional surround of entwined fern leaves, mounted i...

While the craze for Lover’s Eye miniatures flourished from the 1790s through the 1820s—spurred on by the Prince of Wales’ famously illicit romance with Maria Fitzherbert—this brooc...

Rare Authentic 1890s-1900s Antique Victorian English Rose Cut Diamonds Crescent Moon Yellow Gold Silver Brooch Pin Bar This slim smile of a moon--a waxing crescent--is aglitter with ...

A wonderful late Victorian demantoid and diamond frog brooch/ pendant, circa 1890, the frog formed in silver on gold with gold feet and pavé set throughout with bright and lively old...

A Victorian diamond and pearl scroll brooch, the central pearl surrounded by a cluster formed of eight old brilliant-cut diamonds, set between four pear-shape pearl and diamond clust...

An Edwardian star ruby and diamond cluster stick pin, the oval shaped cabochon-cut ruby estimated to weigh 0.5 carats, surrounded by eighteen rose-cut d...

Georgian Dated 1750-1800 silver and gold rose-cut diamond brooch. Approx. 4 1/2 cts of diamonds. Very fine workmanship. Weight is ap 17.2 dwts, Size is ap 3 .14 x 1.64 inches.

This wonderful Georgian gold lyre brooch is set with amethysts and has a little locket with a hinged lid. The lyre is the instrument of Apollo. In Greek an...

A British liberty art-nouveau style pendant brooch. This is a superb pendant-brooch created in England in the beginnings of the Liberty style period, back in 1890. The piece has be...

An absolutely stunning English Art Deco diamond brooch set in 18k yellow gold and topped with platinum, circa 1930's. The brooch of classic Art Deco design with an overall rectangular shape, the shorter ends rounded, and formed as concentric crescents - a beautiful blend of straight and curved lines. The brooch is centered on a line of large European cut diamonds...

This exquisite, one-of-a-kind antique love token brooch is a stunning example of 19th-century romantic jewelry. This is a wonderful piece dating to ...

Many items crafted in the London workshop of E. Wolfe & Co. are exemplary in their great workmanship and attention to detail. This particular bird on a branch is lifelike and dimensi...

A Victorian natural pearl and diamond ivy spray brooch, consisting of five leaves encrusted with small old-mine cut diamonds and flanked with five natural...

This brooch has been handcrafted out of 15 karat gold around 1830. This exquisite piece of jewellery has been hand painted with enamel. The flower garland and the foliage are set aga...

This is a Victorian Etruscan Revival locket pin brooch crafted in 15K gold. The piece has an eight pointed royal blue enamel work star. Bead set in the center is a round natural pe...

Cartier 18K White and Yellow Gold Double Leaf Brooch, set with a Vein of Baguette Diamonds and Rubies on each leaf. Signed and Numbered Cartier London, with original Box.

14 k yellow gold shell cameo 19. century Germany 13 gram size 50 x 42 mm

Group of five antique sticks pins. This is a very nice group of five antique stick-pins created during different periods, between the 1880 and 1915. They were made in different styl...

Antique Chick Brooch 15ct Gold Stamped Circa 1900 Step back in time with this exquisite 15ct yellow gold Edwardian bar brooch, beautifully designed to capture the essence of timel...

A fine and impressive antique Victorian pearl and blue colored glass, 9 karat yellow gold bar brooch in the form of a spider; part of our antique jewelry collections. This impressive antique bar brooch has been crafted in 9k yellow gold in the form of a spider. The cephalothorax of this fine representation of an arachnid is ornamented with a 2.5mm pearl, and the abdomen embellished with a mixed oval cut blue colored glass stone which resembles a sapphire. The stones are both displayed in millgrain decorated bezel settings. Completing the spider, are eight realistically modelled legs. This piece of Victorian jewelry secures to the reverse with a hallmarked hinged pin and hook fastening. The hallmarks to the pin and hook fastening include the 9k fineness hallmark 375 and the Sheffield Assay Office mark (Sheffield rose). The Victorian spider...

This romantic Victorian crescent moon brooch is beautifully crafted in warm 15K yellow gold and set with fourteen softly lustrous cultured pearls, graduating gracefully in size along...

A beautifully preserved Victorian cameo brooch, finely crafted in 9-karat gold and set with a hand-carved agate cameo depicting a classical lady in profile. The carving shows remarka...

An Edwardian natural pearl and demantoid garnet acorn stick pin, the cupule encrusted with seventeen small faceted demantoid garnets, the pericarp formed by a button-shaped white co...

A Victorian oval diamond openwork brooch, with a centre cluster, set with a cushion shaped old-cut diamond, surrounded by old-mine cut diamonds, in claw settings, enclosed by four tr...

Stylish gold plated leopard brooch, featuring faceted black and clear rhinestones. The brooch is in very good condition. Measuring length 6.8cm / 2.67 inches by width 3.3cm / 1.3 in...

Shakudo were from Samurai’s ceremonial swords and sheaths. The last time these unique and works of art were used in the Japanese Samurai culture was in the late 1800’s, when the Samu...

A platinum (with gold backing) pendant or brooch in the shape of a heart set with pretty cushion cut diamonds (app. 4 carats in total), with a platinum chain, the top of the pendant ...

Diamonds symbolise innocence and love, they are the birthstone of April. Our 1920/30s Art Deco ring is set in 9ct yellow gold and platinum. The ring features three diamonds set in a ...

Kings Royal Rifle Sweetheart Brooch rhodium plated set with imitation paste diamond stones.

A Victorian neo-gothic stick with a Griffin. Beautiful stick tie-pin created in England in the late 19th century, back in the 1890. The piece was designed during the late Victorian ...

A fine and impressive vintage 9 karat bi-color gold shotgun brooch - boxed; part of our sporting jewelry collection. This fine and impressive vintage brooch has been crafted in 9k r...

A vintage diamond flower brooch, in the form of a bunch of lilac, tied with a bow, set with round brilliant-cut diamonds in the blossoms and upper bow and baguette-cut diamonds in th...

A Victorian diamond crescent brooch, with two rows of old-cut diamonds, graduating from the centre, spaced with tiny diamonds, in grain settings, with rose-cut diamonds at the ends, ...

Georgian-Victorian 1840 era jeweled pendant-brooch An antique early transitional convertible piece, made in England around the 1840's. It was designed...