1980s Dangle Earrings

Unusual gilt swagged chain earrings with pave ball and teardrop accents. They travel up the ear. Excellent condition. 1980's USA. 2.5" x 1".

Unusual black enamelled concaved hoop earrings with clip back fittings. Very striking large scale.
2.25 high by 1 7/8 wide, Signed St. Johns
Excellent condition

Christian Dior Vintage 1980s Unisex Large Double Glow Triangle Hoop Chunky Statement Modernist Drop Dangle Clip Earrings, Gold Plated Very good condition. Very light scratches, bare...

These vintage 1980s Valentino Garavani clip earrings exude timeless elegance and luxurious design. Measuring 1.13 inches in width and 2.5 inches in length, they feature a striking co...

Christian Lacroix Vintage 1980s Large Heart Love White Round Pearl Flower Chunky Statement Clip Earrings, Gold Tone Very good condition. Light scratches or colour loss, very light p...

DETAILS • unsigned • resin • vintage designer earrings MEASUREMENTS • CONDITION • very good vintage condition with minimal signs of wear Sku 41 ❤️❤️ VINTAGE DESIGNER...

DETAILS • unsigned • gold tone with faux pearls • vintage designer earrings MEASUREMENTS • 2.5" by 1" CONDITION • excellent vintage condition with minimal signs of wear ...

SHOULDER - DUSTER EARRINGS ARE TRENDING - here's why.... Whether you're a minimalist or maximalist drop earring are the ultimativ one and - done Jewel as seen on the red carpet. V...

New, Never Worn 1980s massive Gold Tone Coin earrings. Measuring 2.26 inches top to bottom x 1.90 inches wide. This is out of a massive collection of Contemporary designer clothing...

Disco ball diamond earrings Rose-cut diamonds Size: width 1.5 cm, length 1.5 cm Total weight: 10.4 grams

These charming Italian designer studio Lucite dangling clip-on earrings feature an oversized teardrop shape in custard beige color with black stripes design. The earrings are also or...

Magnificent pair of 18ct gold articulated earrings (for pierced ears) by Italian artist and goldsmith Giampaolo Babetto. A Limited edition originally designed in 1988. Babetto (bo...

Elegant dangle earrings in 18 karat white gold structure mounted with diamonds and emeralds, alternated between the two earrings. These earrings were totally handmade by Italian mast...

Christian Dior Vintage 1980s Double White Round Ball Pearls Drop Dangle Elegant Clip Earrings, Gold Tone Good condition. One earring has been peeled off at pearl. Still very good to...

Yves Saint Laurent YSL Robert Goossens Vintage Arty Long Asymmetric Circles Sparkling Whole White Crystals Eye Tear Drop Dangle Elegant Clip Earrings, Silver Tone Very good conditio...

Pomellato Sphere Dangle Earrings in 18K Yellow Gold. The earrings approximately measure 2 inches long and weighs 15 grams.

A remarkable pair of 18k rose gold earrings featuring fancy cut amethyst, rubies, and diamonds by designer Richard Krementz. Krementz founded his jewelry business in 1866 after immig...

- Vintage item - Each earring measures 2" tall - Gold plated - Post earring backs for pierced ears - Attributed to Anne Klein (unsigned) - Circa 1980s - Estate acquired - Exce...

Pearl & Diamond Day And Night Earrings A pair of earrings featuring heart shape tops adorned with round cut diamonds suspending a removable pearl and diamond drop Measurements: 2.2...

Very elegant dangle earring in 14k white gold structure, set with two pink coral secundum drops in the centre, framed by diamonds and blue sapphires. They were totally handmade by I...

These unusual vintage pair of clip on earrings have a number of great components going on. They are signed Varga. Gilt toned metal meets turquoise colored glass in the cage like form...

Vintage Carolee Gold and Faux Pearl Dangling Birdcage Earrings Circa 1980s. The earrings feature a gold bird with a pink cabochon and diamante face s...

These stud earrings are crafted in silver, featuring a silver sphere from which a textured, organic form extends downward. The sphere sits close to the earlobe, anchoring the design,...

For any problems related to some materials contained in the items that do not allow shipping and require specific documents that require a particular period, please contact the seller with a private message to solve the problem. Retro style earring...

This wonderfully exquisite collection of detailed carved floral in 925 Silver accenting the center "Mother-of-Pearl" consisting of a pendant, earrings and ring set. The pendan...

Classic 18 karat yellow gold hanging earrings. The earrings are designed with 8mm cultured pearls .Five round brilliant diamonds hang gradually from each pearl and are finished with ...

Fantastic dangle earrings in 14 karat rose gold structure mounted with amethysts,emeralds and pearls in alternated way. They were totally handmade by Italian master goldsmiths and th...

This is a fantastic pair of dop earrings made in 18k yellow gold with both peridot and blue sapphire. The unique square geometric frame is lined with bright blue sapphires and displa...

These stylish 18K gold long drop earrings are designed with an elegant linear drop that alternates between baguette and square-cut diamonds, culminating in a beautiful pear-cut diamo...

Gorgeous dangle earrings in 14 karat white gold structure mounted with an onyx with a diamond in the upper part. In the middle part,an aquamarine between two gold structure studded w...

Offered in good condition, white gold 18 KT heart earrings set with 2 pieces of heart cut amethyst in total approx. 2.00 ct and 24 pieces of brilliant cut diamonds in total estimated...

Dangle earrings in 14kt rose gold and silver structure mounted with diamonds, onyx and coral buttons. These earrings were totally handmade by Italian master goldsmiths and they are ...

Cool (and large) Celine Silver Chain Door Knocker Earrings with pave rhinestones from the late 1980's with curb chain fringe. Imposing scale and beautifully crafted for Celine in Ita...

Cool (and large) Celine Gold Chain Door Knocker Earrings with pave rhinestones from the late 1980's with curb chain fringe. Imposing scale and beautifully crafted for Celine in Italy...

In very good condition. Total weight is 6.6 grams. Totally is diamond1 ct. The diamond is has brown color and s2-s3-Pique 1-2 clarity. Box is not included. Please contact for any que...

Vintage Ungaro Gold Dangling Butterfly Earrings Circa 1980s. These are double earrings of a smaller and then larger butterfly. They are so chic and will make any outfit look polishe...

These gorgeous vintage Stephen Dweck runway earrings feature a brilliant combination of sterling silver, carved turquoise, jade, and amethyst in a dramatic dangle style. These clip-on earrings have a dramatic, long large to small graduated center dangle suspended from the sterling silver top. The bold sterling silver top has a shell and scroll look to it and holds a soft pink coral bead that is capped on the top and bottom by a sterling silver pierced accent that echoes the design of the earring’s top. Beneath it hangs a Chinoiserie influenced carved blue-green turquoise bead...

These authentic Chanel Bird Cage Pearl LA PAUSA CC Earrings are in excellent condition from the 1980’s. Pouch or box included. PBF 12552

Maison Gripoix Vintage Red and Green Flower Dangling Earrings Set in Gold Tone. These are some of the most stunning earrings in my collection. The colors, of course, and the way they are made. They are just exceptional. They will always be relevant. They are well-made and make a statement. They are just classy and chic. Clip On. Always In Style. Clip on. I also have them in blue. Acquired in Paris. Guy de Maupassant wrote a famous story about a necklace. The story is about a young, pretty, intelligent, well-educated, but poorly endowed bride who has to marry a petty official; thus, suffering from the limitations of living a life with a husband who lacks any exquisite qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success, and she is the centre of attention. However, when the woman returns home, she discovers that she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman becomes mired in massive debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs-Élysées, who still looks young, beautiful, and rich. The protagonist reveals to her friend the entire story about the necklace, but her friend replies in amazement that the diamonds were fake and would “cost 500 francs at most.” Maison Gripoix starts with a dramatic story. In 1869 (or a year earlier, according to other sources), Paris master glassmaker Augustina Gripoix began creating replicas of pearls and crystals, casting glass into various shapes and colors and setting them in the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-colour piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press moulds, skipping the furnace step, allowing her to achieve the purity of colour, transparency, and shine. She found a simple method to create beautiful jewelry, and thus, Marquises, Duchesses, and Princesses queued up. Madame Gripoix would then create replicas of their jewelry in case of robbery, loss, or for unusual pieces to be used in their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for the first high-fashion house, founded by Charles Frederick Worth. Later, Paul Poiret, the leading couturier of 1910, contacted her, and she created sophisticated Oriental-style jewelry for him to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in the 1920s, when Augustina’s daughter Susan became the head of the House, Gripoix prospects became even more exciting. Girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet; however, the best relationship Gripoix had was with Gabrielle Chanel. It is well-known that Chanel, a fan of large jewelry with large stones, made bijouterie super fashionable. Chanel brought copies of Byzantine jewelry to Susanne Gripoix. She asked her to create the pieces in that same style, requesting, “Let everyone think that this jewelry is not new, but found somewhere on an excavation site nearby Rue Camborne.” She was so satisfied with the result of her order that she remained a faithful client of Gripoix for several decades. This was how the famous Byzantine style of Chanel jewelry was brought to life, featuring golden Maltese crosses with large multicolor stones and matching bracelets, cabochons, and massive brooches, all of which have become a part of the Gripoix . Chanel liked to combine both natural and imitation stones in a single item; for example, she would pair natural and imitation pearls in a single necklace. Gripoix made them in such a way that it was impossible to distinguish between them. Susanne Gripoix created exceptional, irregularly shaped pearls from glass for Chanel, imitating the baroque pearls. They were enameled in her workshops with mother-of-pearl to obtain some of the soft shine characteristic of natural pearls .. As the leading supplier to the couturier houses in Paris, Gripoix collaborated with many renowned designers, including Cristóbal Balenciaga, Pierre Balmain, and Christian Dior, as well as Yves Saint Laurent and, later, Christian Lacroix and Marc Jacobs. However, it was the cooperation with Chanel that was the most significant, both for Chanel and for Gripoix. Today, Gripoix is no longer a family-owned company, but the House continues to craft jewelry, although the style has undergone considerable changes over the last few years. The jewelry has become more straightforward, more graphical, and even minimalistic. In 2011, however, Gripoix and Catherine Baba...

Vintage sterling silver geometric dangle earrings. Solid silver circles accompanied by large triangles with circular cut out motifs are complimented by the tear drops dangling as the...

This wonderful whimsical combination of gilded gold vermeil hardware accented with tangerine enamel earrings measures 1 5/8 inches in height, width measures 1 inch, depth is 6/...

These large teardrop-shaped earrings are crafted from sterling silver, each featuring a smooth horn plaque that forms the central element, flanked by two vibrant chrysoprase beads on...

Vintage Claire Deve Long Gold Tone Earrings. Baroque Looking Dangling Clip-on Earrings Circa 1980s Unsigned but confirmed to be Claire Deve! When you ...

Maison Gripoix Vintage Faux Pearl and Red Dangling Earrings. Wrapped in woven gold around the Pearl in the typical 1980s style of Chanel. Clip on. So classic, and you always look good no matter what you are wearing when you have these on. Clip on. Very much the colors of Chanel. Guy de Maupassant wrote a famous story about a necklace. The story is about a young, pretty, intelligent, well-educated but poorly endowed bride who has to marry a petty official; thus, suffering from the limitations of living a life with a husband that lacked any exquisite qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success, and she is the centre of attention. However, when the woman returns home, she discovers that she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman gets into a huge debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs Elysees, who still looks young, beautiful, and rich. The protagonist reveals to her friend the entire story about the necklace, but her friend replies in amazement that the diamonds were fake and would “cost 500 francs at most.” Maison Gripoix starts out with a dramatic story. In 1869 (or a year earlier, according to other sources), Paris master glassmaker Augustina Gripoix began creating replicas of pearls and crystals, casting glass into various shapes and colors and inserting them into the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-colour piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press moulds, skipping the furnace step, allowing her to achieve the purity of colour, transparency, and shine. She found a simple method to create beautiful jewelry, and thus, Marquises, Duchesses, and Princesses queued up. Madame Gripoix would then create replicas of their jewelry in case of robbery or loss or unusual pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for the first high fashion house of Charles Frederick Worth. Later, Paul Poiret, the leading couturier of 1910, contacted her, and she created sophisticated Oriental-style jewelry for him to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in the 1920s, when Augustina’s daughter Susan became the head of the House, Gripoix prospects became even more exciting. Girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet...

Vintage Alexis Lahellec Gold Honeycomb Faux Pearl Dangling Earrings Circa 1980s. Each little piece of the honeycomb is at a different level ...

Vintage Gripoix Translucent Earrings with Pieces Of Gold. Dangling Earrings With Pieces of Gold and Stones. Long Necklace/Sautoir on Site to Match. So Gorgeous! Clip On. Guy de Maupassant wrote a famous story about a necklace. The story revolves around a young, attractive, and intelligent woman who struggles with the limitations of living with a husband who lacks exceptional qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success, and she is the centre of attention. However, when the woman returns home, she discovers that she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman becomes mired in massive debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs-Élysées, who still looks young, beautiful, and rich. The protagonist reveals to her friend the entire story about the necklace, but her friend replies in amazement that the diamonds were fake and would “cost 500 francs at most.” Maison Gripoix starts with a dramatic story. In 1869 (or a year earlier, according to other sources), Paris master glassmaker Augustina Gripoix began making replicas of pearls and crystals, casting glass into various shapes and colors and inserting them into the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-colour piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press moulds, skipping the furnace step, allowing her to achieve the purity of colour, transparency, and shine. She found a simple method to make beautiful jewelry and thus Marquises, Duchesses, and Princesses queued up ... so Madame Gripoix would make them replicas of their jewelry in case of robbery or loss, or some unusual jewelry pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for the first high-fashion house, founded by Charles Frederick Worth. Later, Paul Poiret, the leading couturier of 1910, contacted her, and she created sophisticated Oriental-style jewelry for him to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in the 1920s, when Augustina’s daughter Susan became the head of the House, Gripoix prospects became even more exciting. Girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet...

Fashion snowman earrings in 9 kt rose gold and silver structure mounted with a pearl as head and body, two rubies as eyes and a scarf studded with diamonds. These earrings were total...

Vintage Vendome Dangling Coin Earrings, circa 1980s. These have a chandelier look but in gold tones. They look very substantial but are light and easy to wear. Clip on. These look ...

Vintage Diamante Fringe Dangling Waterfall Earrings. Looks great with a t-shirt or for a night out. Clip On. These look so fun and so chic for the holidays or even for lunch out during the next few months. Throw on a white shirt, jeans, and a black jacket, and you're ready to go. Dazzle them. Easy and comfortable to wear. I can send you some Velcro dots to wear, and they will stay on comfortably for hours. You can go to the gym...

Vintage Atalante Gold Tone with Red Crystal Fan Earrings Circa 1980s. These are so special. Truly very different. Clip On. Atalante used to manufacture jewelry for Yves Saint Laur...

Vintage Graziano Dangling Gold and Crystal Multicolor Earrings. These are front-facing, dangling gold hoops featuring crystals of pink, blue, green, l...

Maison Gripoix Vintage Faux Turquoise and White Layered Dangling Earrings. There are three layers to this, all wrapped in an offset gold tone and then a long, dangling piece. These are so stunning and look good with many colors. Clip On. These are proper statement earrings in that they are so well-made. These can also be worn in the winter against dark colors. Guy de Maupassant wrote a famous story about a necklace. The story is about a young, attractive, intelligent, well-educated, but under-endowed bride who must marry a petty official and thus suffers from the limitations of living with a husband who lacks refined qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success; she is the center of attention. However, when the woman returns home, she discovers she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman gets into a huge debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs Elysees, who still looks young, beautiful, and rich. The protagonist reveals the entire story about the necklace to her friend, but her friend replies in amazement that the diamonds are fake and would “cost 500 francs at most.” Maison Gripoix starts with a dramatic story. According to other sources, in 1869 (or a year earlier), Paris master glass-maker Augustina Gripoix began making replicas of pearls and crystals, casting glass into different shapes and colors and inserting them into the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-color piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press molds, skipping the furnace step, allowing her to achieve purity of color, transparency, and shine. She found a simple method to make beautiful jewelry, and thus Marquises, Duchesses, and Princesses qued up ... so Madame Gripoix would make them replicas of their jewelry in case of robbery or loss, or some unusual jewelry pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for Charles Frederick Worth's first high-fashion house. Later, Paul Poiret, the leading couturier of the 1910s, contacted her, and she created sophisticated, Oriental-style jewelry to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in 1920, when Augustina’s daughter Susan became the head of the House, Gripoix's prospects became even more exciting—girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet...

A lovely pair of large Chanel rose window style clip earrings with faux pearl pendants. The open work spiral design in a round framework references the rose windows characteristic of...

These are a large clip on earrings by Ugo Correani. New old stock, still in the package they came in, Measuring 3.30 long x 2.13 inches wide. Ugo Correani established own label in the 1970's; very closely collaborated with Giani Versace...

Chanel Rare Vintage Gold Plated CC 3 Red Enamel Flower Clip on Earrings *Marked 2261 and 4077 *Made in France -It is approximately 1.4" x 0.55". -Super cute and rare -In an excell...

Elevate your style with the Christian Dior 1980s Rhinestone Dangle Earrings, a delightful vintage pair that adds a perfect touch of glamour to any look. The...

Vintage Heart Statement Earrings. An unsigned beauty. A rare treasure. Just because a jewel doesn’t carry a designer name, doesn’t mean it isn...

Pair of modernist studio dangle drops earrings. This is an amazing pair of modernist studio dangle drops earrings created in America, back in 1980. They were crafted as a left and r...

An ultra pretty pair of Vintage Cosmic Glass Earrings. Featuring elaborate golden mounts set with large and captivating glass cabochon stones radiating a cosmic feel. Vintage Condit...

Vintage 14.00 Carat Total Weight Amethyst and Citrine Gemstones Dangling Clip Earrings 14k gold. The earrings feature 2 oval cut faceted amethyst and 2 oval cut faceted citrine gemst...