Revival Necklaces

MIRIAM HASKELL Opulent pastel crystal pendant necklace & matching dangle clip on earrings c 1960 Suspended from the brass meta chain hangs an oval pendant with a large lavender cryst...

A superb Portuguese necklace with incredible cannetille gold work in 19.2 karats. The necklace has a luxurious design of heavy woven gold that glow...

A Vintage 1980s Jewelled Egg Charm Necklace A perfectly playful Vintage Egg Charm Necklace, inspired by the exquisite House of Fabergé eggs. Each miniature egg is beautifully detail...

Antique Danish Pendant / Locket made of solid 18K Yellow Gold. Detailed hand hammered and engraved ornament of Eternity Knot in miniature proportions on ...

Ornate, exuberant goldsmithing showcases about 1.20 carats of 42 glittering antique rose-cut diamonds and approximately .85 carats of Old European cut stones in this magnificent, bar...

This beautiful 19th-century micromosaic locket is a fine example of Italian craftsmanship, originating from the renowned Vatican workshop in Rome. Crafted in 14 karat gold, the locke...

Period: Mid 19th century  Length: 5,5 cm Weight: 23 gr This magnificent mid-19th-century Neo-Renaissance style jewel can be worn as either a brooch or a pendant and features a centr...

Antique,ca late 18th - early 19th century hand-made necklace, Egyptian revival styled or could be used for ceremonial or religious purposes. A linked chain with repeating floral pat...

This fine early roll seal is carved is carved from a translucent sardonyx with narrow stripes in a great variety of colours. The bead is engraved with a scorpio on the reverse. The ...

Circa 1880s, 18k. This mysterious antique locket features an elaborate Gothic hinge, a stunning functional decoration. It is as though a secret or a precious is locked inside. The ideal place for pictures, the interior folds outward to hold five. The visual contrast of the warmer pink gold hinge against the yellow 18k body completes the look. One more secret … the hinge is a hidden Fleur-de-Lis so it is most likely French with the hallmarks lost to time! Excellent condition. Noted: The chain shown is a separate item. Remark: “Always in style, lockets are perfect for today's gamine Victorian revival styles; think "The Vampires Wife...

Stunning example of Etruscan Revival craftsmanship, this 15k antique Victorian locket is substantial in size with exquisite details. The center boasts a beautiful rose gold locket door with etched floral motifs. The detail continues on to the ail and the raised gold ball design that surrounds the outside border of the piece. We love this one on an antique guard chain...

Antique Cross in guilt Silver decorated with natural blue Turquoises, one Garnets , pearls and remnants of black enamel. Late period of Austrian-Hungarian Empire, bail has hallmarks ...

THIS IS A STUNNING EGYPTIAN REVIVAL LARIAT DESIGN 24 INCH LONG LAPIS LAZULI AND 14 KARAT GOLD BEAD NECKLACE. THE VIVID BLUE LAPIS LAZULI BEADS ARE BEAUTIFULLY FLECKED WITH GOLD. TH...

This large 1860's Austro-Hungarian antique cross pendant is set with many turquoise and garnet gemstones. The four cabochon cut garnet stones on front of the cross are all set in rai...

Italian Etruscan revival locked. This is a gorgeous antique medallion-locket created in Italy in the 19th century, circa 1870. The locket has been made up in an oval shape in the Etruscan revival style and carefully crafted in 18kt gilded brass with high polished finish. The medallion locket is decorated with the inlaid portrait of an ancient Etruscan queen, which is dressed with colorful robes, crowned with a diadem and wearing earrings accented with two rose cut diamonds. The profile of the queen is fully decorated with the difficult polychrome enamel technique, called Peinture sur émail. It is fitted with a three-barrels hinge with a snap lock to open and close and a ring bale to wear in a chain. The craftsmanship of this one-of-a-kind piece of jewelry, is exceptional and well done, and surely this will be a great conversation piece. Country: Europe, Italy. Period & Style: Etruscan Revival 1870. Diamonds: Mount in inlaid settings, with 2 European rose cut diamond, 0.07 carat, white colorless F/G color, VS/SI clarity. Weight: 26.95 Grams, (17.30 Dwt). Measurements: 31 mm by 52 mm by 6 mm (1.22 x 2.05 x 0.24 Inches). Hallmarks: Unmarked as usual. Peinture sur émail technique Peinture sur émail is a French type of painting with enamels. It was developed at the end of the 15th century in Limoges, France. In this technique, a slightly convex, metal plate is covered with a fondant of uniform color which was fired to produce a vitreous base for the drawing. On this, the artist starts applying color after color in thin layers onto the base color with a paintbrush. It is vital that one starts with the colors of the highest flowing temperature to avoid the diffusing of colors at a later stage. Between every step, the intermediate depiction needed to be fired in the oven to fixate the colors, sometimes up to 20 rounds of heating are needed for the final result. In this manner, one was able to rival the oil painters of the day and artists such as Leonard Limousin were in high regard, often even employed by the patrons of the arts. Needless to say, that this type of enameling was no longer in the realm of goldsmiths but belonged to those with exceptional drawing skills. At the end of the 16th century the abundance of workshops that produced these artifacts – these could be a meter high – created a decline in craftsmanship which is usually associated with popular cultures. Like Castellani rescued the micro mosaics from general decline by giving it a new impulse so did Jean Toutin from Blois, France give a new incentive to painted enamel in the early 17th century by introducing miniature paintings on enamel of high quality. In Geneva, Switzerland, there was a culture of painting enamels from the late 15th century as well, but the industry only really started to flourish mid-17th century. They specialized in portraits as in scenery images which soon attracted the attention of customers from all over Europe and beyond. Famous Genevan names of the day were Jean Petitot, Jean Etienne Liotard...

Garnet and Diamond Cross Pendant with eleven square 5mm reddish garnets. There are 12 round diamonds weighing 1/3ct H color and VS1 clarity. The garnets are set individulally into ...

This is a magnificent Austro-Hungarian Sapphire and Pearl Pendant Necklace with animal, bird, horse, deer and flower and leaf motifs. It is in th...

The beautiful little Evil Eye pendant is made from 14k solid gold adorned with natural white round cut diamonds. This necklace is designed to protect the wearer from the negativity a...

Venetian intaglio pendant-brooch designed by Judith Ripka. This is a colorful convertible pendant-brooch created by Judith Ripka, back in the late 1980's. The piece has been crafted...

Choker with a semi-rigid mesh in 18kt – 750‰ yellow gold, featuring a scarab pendant adorned with three deep and intense blue lapis lazuli stones. The scarab, inspired by the symboli...

Robert Goosens, the French haute-couture Chanel-favorite parurier who enjoyed reinterpreting ancient and antique styles of jewelry with rock crystal and faux stones, also collaborated with Madame Alix Gres. Relevant to this statement necklace, the Parisian theatrical-costume designer, who founded the French fashion-house Maison Gres, commissioned Goosens to make spiral-wire adornments for her couture gowns. This handmade hammered brass wire choker necklace with five dropped en-tremblant pendants is decorated with unique colorful beads and wrapped wire. The piece dates between 1969-1971 based on similar unsigned spiraled-wire metal jewelry without goldsmithing marks in the museum collection of TheMet (see our photo), which acquired it from Maison Givenchy founder Hubert de Givenchy, who was one of most supportive fans of Gres. Like the legendary sculptural clothing designs of Madame Gres, this necklace was inspired by Greco-Roman costumes, while its sculpted shapes by Goosens reference her signature curvilinear fabric techniques that earned her the sobriquet of "the master of the wrapped and draped dress". Goosens (1927-2016), nicknamed Monsieur Bijou, also made jewelry inspired by other periods of antiquity to compliment the couture clothing of Coco Chanel, Cristobal Balenciaga, Elsa Schiaparelli, Christian Dior, and Yves Saint Laurent. After Goosens collaborated with Gres, he revisited golden spiral designs with Saint Laurent. Similar to the free-flowing fabric manipulated in Gres gowns, this hand-shaped necklace that we photographed in sunlight is a study in motion that drapes across a curvy cleavage. Adding drama to this necklace below its wire choker, the top teetering-wire pendant is a twisted and hammered horizontal double spiral, which is a Hellenistic symbol of life and transformation suggesting the breasts of a goddess of fertility and motherhood. Yet distinctly Goosens, 18 hand-cut and hand-dyed "ancient-Roman-blue" rock-crystal beads are wire-strung to weight a second tier of two separate vertical double-spiral pendants. On each, a wrapped-wire tube divides the blue beads. Between these vertical pendants in two tiers, the central vertical pendants each feature a one-of-a-kind multicolor bead (yellow/blue/red/black/white) in two lengths with abstract organic patterns recalling ancient Italian glasswork. Four more blue beads bracket these larger colorful beads. An additional 10 blue beads and 5 wire tubes decorate the bottom looped wire pendant, as well as the bottom of the wire choker. Like the hammered-wire jewelry designs of modern artist Alexander Calder, the creative complex construction of this necklace surprisingly required no metalsmith techniques, such as soldering or casting, just great skill with a jewelry pliers and hammer. For a bigger picture of couture clothing by Madame Gres during the decade beginning in 1969, she notably designed many museum-collected one-color silk-taffeta draped long gowns with empire waists and simple high collars or geometric cut-outs. Remarkably, the focal points for some of these unique dresses were at the wrists, from where long pouf sleeves voluminously droop around the hands to nearly the floor like two enormous long-petaled flowers. If paired with this equally downward-focused and balanced necklace from this same period, its bold Greco-Roman elements would have pulled a viewer's gaze of the dress from floor to face. Although there is no significant provenance for this necklace, hammered brass and tinted rock crystal were among the few materials repeatedly associated with Goosens from 1969-71. For example, in his overlapping interior-decor collections based on themes of waterlilies or foliage, Goosens hammered gilt brass wire and sheets (see our closeup photo) to represent plant parts or he wired rock-crystal beads to appear as tiny fruits. While the two multicolor glass or resin beads in this necklace are atypical, the combination of blue, yellow and red is a palette that the designer used for other pieces of rock-crystal jewelry and he created many kinds of multicolor faux stones with glass or resin paste, such as faux Tibetan turquoise including black and white. According to journalism based on interviews with Goosens, he often acquired unusual stones and glass for inspiration during his extensive travels exploring museum-collected antiquities. Since Maison Goosens was acquired in 2005 by Maison Chanel, it opened the Parisian showroom Galerie Goosens and associated shops to sell many kinds of reproductions and reimagined works by the founder, which fortunately does not suit the completely handmade elements of this necklace. So this couture piece remains one-of-a-kind. If desiring a vintage haute-couture original by Robert Goosens, we recommend perusing the Maison Goosens website so that a reproduction with a contemporary signature is not mistakenly purchased. Madame Gres (1903-1993) was born Germaine Emelie Krebs, but initially identified her fashion designs with the pseudonym Alix and later Alix Barton...

A charming and whimsical platinum, white gold, and diamond necklace in the form of a latticework bow, composed of numerous segments linked together. The necklace features fine milgra...

The beautiful little Evil Eye pendant is made from 18k solid gold adorned with natural white round cut diamonds. This necklace is designed to protect the wearer from the negativity a...

Indulge in a rare museum quality Ancient Egyptian Faience Amulet Pendant depicting the God Shu. Shu was the god of light, peace, lions, air, and wind. As the air, Shu was considere...

Holbeinesque enameled pendant with natural pearls and fire-opal. This is a fabulous Victorian Holbeinesque pendant attributed to Russell and created in England back in 1860. The rare and important pendant has been crafted in solid yellow gold of 19 karats and is embellished on both sides, with applications of green, blue and red glass enamel floral motifs. The piece is centered by a gorgeous precious fire opal, which is surrounded by squared stations mounted with six natural white pearls and suspended with one pear shaped dangling white pearl. The top of the pendant has a pretty surmount and bale ring (loop) decorated to match the rest of the locket, in the same enamel work. Holbeinesque jewelry...

An Etruscan revival pendant with Neapolitan coral. This is a beautiful antique pendant with vivid red coral created in Naples Italy during the Victorian and the Etruscan revival per...

Antique Renaissance Revival gem set 18K yellow gold Latin cross pendant with 16 rare semi black jelly opals (each cabochon cut stone approximately 3 to 4 m...

A fine handcrafted 22KT Gold 'Jaisalmeri' Necklace inspired by ancient Indian traditions. 3-4 weeks handling time.

Antique 18K Yellow Gold Swedish necklace with chained links, hallmarked 18K, unknown maker marks, city of Stockholm. Date hallmarks: L4 / made in 1841. Finest Used condition. All pa...

A prime example of Holbeinesque Jewelry, this incredible piece of history features matching necklace and earrings highlighting over 32 carats of...

A highly unusual and rare 22 karat yellow gold integrated pendant necklace prominently featuring a large dark blue cabochon stone in a bezel setting. The pendant is extremely detaile...

14 karat yellow gold enameled Faberge style charm necklace. This modern take on the classic Faberge features hanging eggs in blues, greens, reds and whit...

Antique Austro Hungarian Renaissance revival gold gilded silver enamel pendant with fabulous details . You can see a mermaid at bottom with two enamel angels on sides. There are two cherub and extreme bottom end and a detailed boy face on top . Austro Hungarian jewelry...

This gorgeous sterling silver pendant is a creation of Charles Albert. It features a hand-carved howlite skull. Measurements: 13/16 by 1 7/8 inches, in...

Indulge in the allure of nostalgic glamour with the Vintage KENZO Gerbera Flower Choker, a statement piece that seamlessly marries the romance of yesteryear with the bold elegance of...

Period: 1865 Provenance: United Kingdom Dimensions: 7,5 x 3,8 cm Weight: 15,93 gr This yellow gold Holbeinesque pendant is characterized by a central Siberian amethyst of approximately 10 carats, surrounded by rose cut diamonds and polychrome cloisonné enamels, embellished with further rose cut diamonds, while the external profiling of the pendant is characterized by minute natural pearls; the lower part, however, is completed by a square-shaped pendant in which the diamonds and cloisonné enamels return. The back of the pendant, however, still deserves attention as it is finely engraved with an arabesque motif which gives further preciousness to the object. The Holbein style, of which this pendant is an example, is inspired by the original jewellery designs of the German painter Hans Holbein the Younger (1497 – 1543), court painter to King Henry VII...

Massive and Extraordinary Hubert de Givenchy Haute Couture Bezel Set Jet Paste Collar, necklace provenance of Bunny Mellon. Created by Roger Jean Pierre the large Egyptian revival styled collar composed of round and oval collet set and faceted paste jets. Hubert de Givenchy' s penchant for the dramatic oversized necklace...

The image shows an intricate carp fish pendant. The pendant features a large, carved opal-like gemstone at its center, depicting a carp or koi fish. The stone is set in a metal frame...

A Victorian gem-set Holbeinesque pendant, to the centre a cabochon emerald set between four octagonal-cut garnets surrounded by an oval yellow gold moun...

This unusual necklace was created in 1975 ca. It features two round discs suspended from gold chains attached to a grooved barrel clasp. Each disk is decorated with twisted gold wire ornaments, gold balls and a star with five points...

Antique / Gothic Style Pendant Large Natural Pink Opal Sterling Silver 925, 38 Grams, with small natural Amethyst Peridot stones, set with real 18K Yellow Gold Ornaments Pend...

Large oval shape archaeological-revival in high karat gold with five roman intaglio 1st century depicting two roman profile, wolf, lion and philosopher. Size 56mm x 49mm Weight: 21.5gr.

This is one of the most stunning antique 19th Century Garnet Enamel jewels we have seen. The Etruscan Archeological Revival pendant features a magnificent blood red Bohemian Garnet cabochon of gorgeous color and size set in a 14 Karat Gold Enamel beaded design. The garnet is surrounded by magnificent gold and enamel work of the highest quality. The pendant is very characteristic of the work of the master Italian jeweler Castellani, who created Etruscan Revival jewels...

An Important Victorian hardstone intaglio necklace, composed of eight Roman intaglios depicting seven of the Olympian gods, with a central drop depi...

Antique Renaissance Revival 14K yellow gold cross pendant - featuring an embossed laurel leaf pattern over the convex arms of the cross - flat back - unsigned - acid tested for gold ...

Antique French Pendant / Locket in solid 18K White Gold inlaid with a hand-carved cameo of Maenad carved on banded Red Onyx with great accuracy and precision. The color of the stone is dark Red with upper layers of creamy beige color. Made in France ca 1920s - 1930s. Hallmarked with French 18K Gold standard hallmark/head of an Eagle. Measures 52 mm x 32mm x 17 mm deep. Weight: 18.2 grams Fine used condition. Very minor dents on the back side. Secure/tight hinges and closure that close with a click.. A small ring attached to the bail is an adapter that can be used to hang this locket on the wall. Note: You buy just one pendant without a chain. The second pendant of Sapho on the last image will not be included. In Greek mythology, Maenads (/ˈmiːnædz/; Ancient Greek: μαινάδες [maiˈnades]) were the female followers of Dionysus and the most significant members of the Thiasus, the god's retinue. Their name translates as "raving ones". Maenads were known as Bassarids, Bacchae /ˈbækiː/, or Bacchantes /ˈbækənts, bəˈkænts, -ˈkɑːnts/ in Roman mythology after the penchant of the equivalent Roman god, Bacchus, to wear a bassaris or fox skin...

A stunning Etruscan revival style necklace, featuring a pendant adorned with a beautiful enamel work that is complemented by a milgrain finish. Accented by a dangling fringe found al...

A Victorian neo-gothic pendant Brooch with a winged Griffin. Fabulous pendant-brooch, created in England during the Victorian era in the late 19th century, circa 1870. This piece was crafted in three dimensions with great details in solid yellow gold of 18 karats with textured finish. Designed with neo-gothic revival...

A beautiful vintage figa hand charm made of coral and set with a 14 karat gold bail. The hand is nicely detailed. The charm is great worn alone or layered with your other favorites. ...

A very fine gold Etruscan Revival pendant charm. In 18k yellow gold. In the form of a hollow sphere with filigree flower petal sections and smooth round turquoise cabochons set around a center sphere that is supported by a gold coil pedestal...

The Thebes Scarab Pendant: an archaeological revival gold and enamel scarab brooch/pendant, by Robert Phillips, set to the centre with a raised scarab ...

This beautiful necklace is emblematic of the evocative 1920s Egyptian Revival aesthetic and was made in France. Condition Report: Very Good - A slight kink in the chain and a tiny bend at the base of one of the charms. This is consistent with age and use and does not detract from the appeal of the piece. The Details... Although un-hallmarked, this necklace is most likely constructed from silver gilt. It features a delicate herringbone chain. Suspended from the chain is a selection of Egyptian inspired charms. There are Ankhs, Lotus flowers and Hamsa hand symbols. There are also three postage stamp charms detailed with skiff boats on the Nile and the goddess, Hathor. The necklace fastens with a bolt ring and measures 38cm in length. A Short History... In 1922, Howard Carter discovered the tomb of Tutankhamun and, thereby, ignited a Western fascination with Ancient Egypt which permeated the Arts. Jewellery designers created heavily stylised profiles of people and hieroglyphs taken from tomb walls, as can be seen in this necklace. Reviving Egyptian...

18 kt gold micro mosaic-pendant, approx. 1860, circumferential wine leaves, centered oval micro mosaic on black ground, floral presentation, also wearable as a brooch, lug removable....

Add a touch of luxuriousness to your look with the Egyptian necklace. This ornate choker features an exquisite handmade design, delicately crafted using color to create a truly uniq...

Large 1950's Renaissance revival enamel ship brooch constructed with silver on 14k yellow gold. The boat is decorated with cultured pearls, rubies...

Rare ca. 1900 -1920s Renaissance Revival Swedish Jewellery Set comprised of matching Necklace and a removable Pendant in original period box with marks of C.G. Hallberg - one of the ...

A beautiful preloved 18 karat gold Venetian Etruscan Revival fob charm pendant. The charm is set with a cabochon cut moonstone at the bottom of th...

An important Holbeinesque garnet and enamel pendant, the large oval carbuncle garnet surrounded by a border of round faceted chrysolite and a...

Venetian Purple Murano Glass Antique / Gothic Style Pendant Vintage - made 20+ years ago Carved Image of Crucified Cross - associated with Greek mythology of Faith Sterling Silver 92...

This is a rare museum quality Ancient Egyptian Faience Amulet Pendant depicting a Baboon Monkey, the God Thoth in Ancient Egypt. Thoth was the god of wisdom. The fabulous faience B...