18th Century Jewelry

A beautiful, rare solid silver Anglo-French octagonal pocket sundial with compass by Michael Butterfield, circa 1700. The sundial is made for a latitude of 44° and could be used in ...

Flat, rectangular case for holding writing utensils in colored gold and vernis Martin (a type of imitation lacquer). A button serves to open the hinged lid. Four panels made of verni...

Rectangular enamelled gold box. The hinged lid is decorated with a scene of young people dressed in neoclassical clothing and approaching near an altar where officiates a person dres...

Material: Solid 14k Yellow Gold Weight: 6.78 Grams Clasp: Pin Backing w/ Rotating Closure Height: 38.1mm (1.5") (when pin is running vertically, including bail) Width: 17.4mm (0.68"...

A hunter pocket watch made by Rich Evans Shrewsbury and Robert Causer. Very fine half hunter pair cased pocket clock, made in Birmingham England by the sil...

Past Treasure This surprisingly beautiful antique pendant is Georgian period, 1790 ca The large circular body is set with a rich Royal Cobalt Blue Bristol glass, encircled in gold wi...

Yellow agate necklace with amazing antique Chinese jade pendant fish shape, 18 k gold gr 8,60 Labradorite faced drop. Total length 80 cm. ...

This delicate engraving shows cupid holding a banner storming up to the temple of love

This Georgain era brooch pendant is 1790 ca 18 Kt solid gold topped by silver Typical flower and leaf design so loved by the Georgians artful modelled in a tri-dimensional manner r...

This historic gold brooch hails from the illustrious Mughal Empire and showcases the beauty of traditional jadau jewelry. Using the jadau technique, arti...

14 kt Flower Brooch With 6 Carat Rose Cut Diamonds, Colombian Emerald,Enamel Stunning brooch in the shape of a flower the pestle is a beautiful Natural Colombian Emerald and the pet...

Agate Mouse Snuff Box. Made Circa 1760. Crafted from grey agate carved in the form of a mouse. This snuff-box features a rose gold mount. With a thu...

Portuguese Silver Plate associated with Cardinal D. João Cosme da Cunha (1715–1783) A fine Portuguese silver plate measuring 26 cm in diameter ...

This is an unusual large Georgian diamond cluster ring. The ring is in a triangular shape and features a negative space in the centre and is surrounded by nine rose cut diamonds vary...

Georgian hair, diamond and pearl mourning ring. Set with twenty eight round rose cut diamonds in closed back grain settings with a combined approximate w...

Oval clasp for a bracelet or a necklace with a miniature showing two little girls. The girls have short hair, typical for the post revolutionary fashion. The bigger child is holding ...

Gold posy ring, 'Rather die then faith deny'. A smoothly conforming yellow gold D-shape band engraved to the interior 'Rather die then faith deny' in elegant script, approximately 6....

Portuguese Silver Hammered Salver, Reign of King José I (1750–1777) An exceptional Portuguese silver salver from the reign of King José I, crafted in the 18th century and showcasing ...

This is a charming antique mourning brooch from the Georgian era. The brooch showcases exceptional enamel work for a period piece and depicts a lady visiting a companion's gravestone...

Georgian diamond and enamel memorial ring. Centrally composed of an oval plaque of dark blue engine turned enamel, the centre set with three cushi...

This is a rare antique diamond ring from the Georgian era. The focal high chunky rose cut diamond is encompassed by an array of silver set domed rose cut diamonds; the foiled backing...

Portuguese Silver Plate associated with Cardinal D. João Cosme da Cunha (1715–1783) A fine Portuguese silver plate measuring 26 cm in diameter ...

Bottle of conical shape in faceted crystal and gold frame which opens by a hinge. Inside, the stopper has a bird-shaped grip. Once closed, the stopper forms a "cage" for the latter. ...

A large carved agate cameo ring depicting the Roman emperor Vespasian (9 - 79 AD). The high carat gold mounting is late 19th Century. The cameo is Italian, early 18th century. The...

This rather elegant coffee pot was likely made in the United States during the second half of the 18th Century. Prior to restoration work in 2022 the underside of the pot had remnants of a hallmark 'NH', allowing us to attribute the piece to early American silversmith Nathaniel Helme who was working in South Kingston, Rhode Island between 1761 and 1789. The piece stands on a square footing and has a timber handle...

Pieces like these transcend being a piece of jewelry alone; this is history. Made some time between the early 1700’s and the early 1800’s, this brooch has been hand made in silver and 18K yellow gold. It is centered by a partially faceted and carved, high-relief amethyst cameo...

Introducing a breathtaking AAAA+ South Sea Pearl and Diamond Pendant in Platinum, featuring an Art Deco inspired style. Crafted by renowned brand LaFrancee, this pendant is a true ma...

Antique George III era sterling silver tea caddy by renowned London silversmith, Hester Bateman, circa 1782. Simple but elegant tea caddy by Hester Bateman, known as the "Queen of S...

Beautiful Antique Victorian 18K Yellow Gold Diamond Ruby Sapphire Three Stone Ring. This incredible ring features an old mine cut diamond, natural ruby, and natural sapphire surround...

This is an exquisite pair of antique diamond drop earrings from the Georgian period. Each earring features an array of old cut diamonds set in silver and backed in gold which is typi...

This exquisite and rare black jade tablet dates to the Qing period. The Qing Dynasty period spanned the years 1636 -1912. Precisely dating jade artifacts...

Vintage Parrot ring in silver 925 (stamped) in size 6 but can fit most as it has opening on the back *Item will come with a beautiful packaging and certificate of authenticity from ...

18th Century Giacomo Raffaelli Micro Mosaic Rabbit Plaque A micro mosaic depicting a fat rabbit eating leaves set in a wooden frame. Made by the late 18th century mosaicist Giacomo Raffaelli. Signed on the reverse Giacomo Raffaelli, Roma 1794 Diameter of the micro mosaic: 2.25" Measurements of the frame: 4.63" x 4.63" Provenance: "Micromosaics Private Collections" by Janette Hanisee Gabriel, published by Brian McCarthy...

This exquisite 14-karat yellow gold collier is a true masterpiece, combining timeless elegance with a touch of warmth. Weighing 41.45 g, it conveys a pleasant solidity that underline...

Diamond ring made in 14KT yellow gold with hearts design and wide top. GRAM WEIGHT: 10.29gr METAL: 14KT yellow gold NATURAL DIAMOND(S) Cut: Round Brilliant Color: G (average) Clari...

This fine solitaire ring is made in 18 kt yellow gold ( gr 6.00 ). The central diamond has an hexagonal setting and weighs Ct 1.05. The ring is embellished with mother-of-pearl inser...

An oval micro mosaic of a dog with a blue background in an 18 carat gold border, with a silver setting which can be either a brooch or a stand, Rome, circa 1800. weight: 9.4 g dimen...

A rare and striking Georgian-era navette ring, crafted in 18k yellow gold with ornate openwork shoulders. At its center rests a marquise-shaped jade, its vivid green hue radiating a ...

A breathtaking ring from the Georgian (ca1790s) era! Crafted in 18k yellow gold, this ring features an incredible navette centerpiece. The centerpiece features a central, large old m...

Presenting a highly detailed and rare cluster ring from the early stages of the 18th century. This antique piece showcases a centralised crystal with an embedded floral motif encircl...

An authentic 14K yellow gold Victorian enamel tassle bracelet. The gold-mesh bracelet ends off with multi-fringed tassel and is mounted with a crescent...

Crafted in France during the 1970s, this striking statement ring showcases a superb emerald-cut aquamarine of icy-blue transparency, set in a streamlined 18K white gold mounting. Its...

Very rare 18th century Micro Mosaic Depicting a Goldfinch Bird. Measurements: Without frame approximately 5.5 in x 6.5 inches With frame approximately 8.44 x 9.63 inches.

Berlin iron jewelry was produced in Germany by the Berlin Royal Foundry beginning in 1804. Previously, iron jewelry had primarily been worn in periods of mourning due to its dark col...

Here we have a striking cluster ring originally dating back to the Georgian period. At the centre of the face we find a captivating round faceted old mine cut diamond. This principal...

A silver bracelet made of antique bible closure created in1700s/1800s. The free links of the bracelet depict different biblical figures on a floral background and are connected with each other by means of three row chain...

18th Century micromosaic plaque of a Goldfinch, Rome, c. 1785, attributed to Giacomo Raffaelli (1753-1836). A micromosaic plaque of a goldfinch, looking left, perched on a red flowering tree branch, two inches in diameter. The ground line is parallel and low. The foreground is of different colors of grass and fallen berries and leaves. The background is a light blue with parallel lines of square tesserae. The goldfinch has both square and oblong tesserae as does the foreground. The border of a decorative pattern in white in black circles and further with a rim of yellow oblong tesserae create a colorful frame for this well executed micromosaic which is backed with copper. There is a pinstem and "c" clasp (this type of clasp is seen both in the 18th and 19th centuries), both are not gold. This assembly could have been put on at the time of purchase or slightly later so the plaque could be worn as a brooch. We have dated this piece as being at the end of the 18th century and attributed to Giacomo Raffaelli. This micromosaic has all of the established 18th century characteristics of micromosaics executed by Giacomo Raffaelli: 1. Each tesserae possesses one color. 2. The tesserae are either oblong or square. 3. The background is parallel horizontal rows of square tesserae, and 4. The addition of an identical border or millefiori around the edge. See page 32 of "The Gilbert Collection Micromosaics by Jeanette H. Gabriel. Philip Wilson Publishers. Giacomo Raffaelli (1753-1836) is one the most important artists of micromosaics, his signed pieces are almost nowhere to be found - unless in museums and important collections of the world. We know of nine that exist in the world. Two in the Hermitage, two in the renowned Gilbert Collection, one in the British Museum, three held by different companies in the trade, and one held by Pierre/Famille ( for sale on this platform). Raffaelli was considered the finest mosaicist in Rome. Indeed, when Napoleon I wanted to sponsor a mosaic version of The Last Supper, in roughly 1810, he chose Raffaelli, this too added much to his fame. A very similar plaque, also attributed to Raffaelli, can be seen in the above referenced book on page 56. This plaque is part of The Gilbert Collection. The permanent collection is on view at the Victoria & Albert Museum in London. Raffaelli is known for his very realistic depictions of birds - especially the Goldfinch. While his naturalism is among the finest of mosaicists at this time, Raffaelli chose to display his extraordinary talent featuring the goldfinch in many of his works. Raffaelli was probably aware of the significance of the goldfinch to the Catholic Church. Afterall, it is one of the most poignant stories in the Passion of Christ. On the road to Golgotha, Christ was forced to carry the cross upon which he would be crucified. He was also made to wear a brutal crown of thorns. It was said that a simple Goldfinch, having alighted on the Savior's shoulder, flew to his head and plucked a thorn that had been making Christ bleed; whereupon this blood was transferred to the finch, which to this day, still wears it. This is but one example as to how mosaics permitted the Church to teach important lessons or parables. Why was this not done by traditional art forms such as paintings? Why was this done instead by mosaics? From its initial conception at approximately 319 AD, the Church sought to locate St. Peter's Basilica at the site of the apostle's martyrdom. On its face such a decision would seem rational, if not appropriate. St. Peter however was executed in a marshy area on a side of the Tiber in the already quite humid city of Rome. Housed in the early St. Peters with its exposure for so many centuries of very high humidity most of the Basilica's artwork was beyond the help of the rudimentary preservation and restoration of the period. By about 1750 to which the "new" St. Peters dates it had therefore lost many oil and watercolor paintings as well as wood, bone, and tortoise sculptures, frames and other artifacts. What could the Church do? Enter the "new" age of Roman micromosaics in which tiny pieces of colored stone or glass when set with grout would prove to be impervious to the debilitating effects of humidity. By the early 1700's the Church would begin the process of establishing a school of instruction in mosaics. It would sponsor research and experimentation in developing especially glass tesserae and would encourage students to select damaged oils, paintings or watercolors as appropriate subjects for duplicative efforts in micromosaics. Gifted instructors and successful students both frequently had their work promulgated by the Church. And it was from this pool of recently praised practitioners that fame, and special commissions paralleled each other. By about 1780 one mosaicist in particular separated himself from most all the others. Giacomo Raffaelli became one of the most feted mosaicists in all of Rome. Indeed when Napoleon I wanted to sponsor a mosaic version of the Last Supper in roughly 1810 he chose Raffaelli. This selection itself added to the already high reputation of Raffaelli. This micromosaic is in very good condition and probably executed by one of the greatest of mosaicists of all time, and done on a work of art symbolically significant to the early Catholic Church. We have one of the largest collections of micromosaics offered for sale. If our reader is searching for a particular motif, we would be happy to list it here for your consideration. From very large wall hangings...

FACTORY / HOUSE: Rob Crook STYLE / REFERENCE: Open Face / Pocket Watch Keywind METAL / MATERIAL: 18kt Yellow Gold CIRCA: 1845 DIMENSIONS: Diameter 47mm MOVEMENT / CALIBER: Key Winding / 13 Jewels DIAL / HANDS: Original Enamel with Roman Numerals / Blued Steel Hands WARRANTY: 18 months on the movement. LIFETIME SERVICE COMMITMENT This high grade English chain driven watch...

This rare antique late 18th century gold ring was made in France and features a painted enamel miniature of a shepherd boy holding a crook. This pastoral scene probably depicts David...

Georgian-Victorian 1840 era jeweled pendant-brooch An antique early transitional convertible piece, made in England around the 1840's. It was designed...

Pair of antique hand-embossed gold earrings, Italy 1700s Length 7.5cm

FACTORY / HOUSE: Rolex Watch Company STYLE / REFERENCE: Datejust / Reference 1601 METAL / MATERIAL: Stainless Steel CIRCA / YEAR: Early 1970's DIMENSIONS / SIZE: Length 43mm x Diamet...

Chalice Russia or the Baltics, or a country formerly under Russian control. I'm not an expert on these Church objects, maybe someone knows more? Probably 18th century. Could be older...

Elegance takes flight with the Zorab Creation Blue Sapphire and Diamond Glide Butterfly Ring, a stunning testament to craftsmanship and nature's beauty. Designed for those who admire...

This is a beautiful Georgian 15ct gold pearl and ruby cluster ring. The central ruby is surrounded by four large natural half pearls which themselves ar...

A superb and rare ancient Indus Valley etched carnelian bead ring. The conical shaped carnelian gemstone in the centre dates from the middle of the third millennium BC. Deep orange in colour with white patterned etchings, these beads originate from the Indus Valley civilisation (parts of modern day Pakistan and India). These carnelian beads were alkaline-bleached to develop the geometric white patterns visible on the exterior. The technique was first developed by the Harappans of the Indus Valley civilisation, and vast quantities have been found in archaeological sites all across the Indus Valley. The conical stone has been set in a later high-karat gold ring mount, the hoop is hollow and of circular cross section which widens towards the bezel. This design and shape is typical of ancient gold rings...

Material: Solid 18k Yellow Gold w/ 12k Gold Grate Inside Total Weight: 25.02 Grams Overall Height: 37.8mm (1.4") Overall Width & Thickness: 26.5mm (1") Condition: Antique. Circa 197...

Here we have a charming eternity ring originally dating back to the Georgian period. A 15ct yellow gold mount plays host to 35 square calibrated garnets; all of which possess a rich ...

Georgian diamond brooch. Set with one hundred and ten rose and table cut diamonds of varying shapes and sizes, in closed back cut down settings ...

A wonderful George II baluster form sterling silver 1/2 pint mug. By Richard Gurney & Thomas Cook in 1733. With an engraved family crest to the front & t...