Argentina - Desk Accessories

Art Déco english square shapped cut crystal inkwell with brass/bronze spherical top By: unknown Material: brass, bronze, cut glass, glass, metal, crystal, copper, zinc Technique: ca...

Empire style table clock and inkwell Origin France Circa 1900 The watch has a Paris machine and it works Golden bronze and Onix materials Very good general condition the marble ...

Napoleon Bonaparte bronze desk inkwell, signed Pinedo with foundry mark. Mounted over a Green Alps marble. Antique signed 19th large bronze ...

WWI British Military MkIV tank, circa 1918 Marble and bronze desk inkstand. High details. Pen not included. We have specialized in the sale of Art Deco and Art Nouveau and Vintage...

Art Deco silvered bronze sculpture standing woman by S. Rueff, France, 1925. Stylized Art Deco woman. Rare car mascot hood ornament. Ca...

French Art Deco Silver Paperweight Origin France Circa 1920 Materials glass and solid silver Frosted artistic glass Artist: Jean Henri Orliac has an artist's punch with the letter H ...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

Inkwell WMF Germany (Juatice) silver plate, crica 1920 Art nuveau. Art nouveau, modernist art or modernism was an international artistic and decorative movement, developed between ap...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Salviati & C Measures: Violet : 33 long x 10 high x 5.5 depth Green: 30 long x 9 high x 5.5 depth The lawyer Antonio Salviati and his dream In 1859 in his premises at Number 731 of Dorsoduro, Venice the “Salviati Dott. Antonio fu Bartolomeo” company was established. This is when, Vicenza-born lawyer Antonio Salviati started the entrepreneurial career, moved by a passion for the precious mosaics of the Basilica of San Marco and fascinated by Murano glass art, he decided to start-up his own production of mosaics and objects in Murano glass. An ambitious and far-sighted goal pushed him along this path: to revive the fate of Murano glass production that has been fallen for decades. A challenge which finds the maximum support from two fundamental figures in the history of Murano glass: the mayor of the island, Antonio Colleoni, and the Abbot Vincenzo Zanetti, founder of the glass museum and of the first art school for glass masters. The first successes and international investments The launchpad was the “First Glassmakers’ Exhibition” in 1864 in which Salviati participated with a monumental mosaic that earns him a prize superior to the Gold Medal. The success achieved affirmed the credibility of the Company which thus started its glass production in Palazzo da Mula. The new corporate and productive reality needed investors and the lawyer started to internationalise the company by addressing the economic and financial market across the Channel. The UK immediately showed huge interest in Salviati’s mosaics – as testified by the mosaic that can be seen on the façade of the current Apple Store in Regent Street, London. It was also in London, on 21st December 1866, that the “Società Anonima per Azioni Salviati & C.” was established with the support of diplomat Sir Austen Henry Layard and historian William Drake. The new corporate set-up was further established with the purchase of a new headquarter, this time on the Riva dei Vetrai in Murano. The universal show of Paris in 1867 celebrated the relaunch project of Antonio Salviati “Venice owes a debt of gratitude to the knight Salviati in the resurgence for one of the most legitimately famous of its industries”. From Esposizione Illustrata di Parigi, 1867 pg. 275. “Venice and Italy have gain huge success in the Universal Exhibition. The resurgence of one of the city’s most famous industries is consecrated in this very occasion by the gold medal awarded by the jury to Mr Salviati […] the crowd […] is gathering around the display cases that hold those pieces of glass that are so transparent and so light as to appear like woven air, impregnated, when in their elegant forms that become rainbows of those iridescent reflections that cover them at the artist’s whim – the author of a real ray of sunshine from the beautiful and splendid Venice”. From Esposizione Illustrata di Parigi, 1867 pg. 311 The fundamental role of training in murano glass Training plays a fundamental role for the Company; attendance at the Art School was made compulsory for “[…] all the young workers of the Factory who don’t only tire themselves in manual work. This was established with the idea not only to lift their dignity and their initially limited aspirations, […] but also to improve their artistic education and thereby facilitate an improvement also in their economic situation”. Together with the art school, a free school was also set up to teach all employees to read and write. Diversification in production and made-to-measure projects In a short time, Salviati & C. diversified its production to include glasses, cups, amphoras, and vials which guaranteed the first prize in the universal exhibition for three consecutive years. Its mosaic production also flourished, being used in world-class projects: from the Houses of Parliament in London, to the Viceroy’s palace in Alessandria in Egypt, to the Opera House of Paris, including the private homes of wealthy New York personality. The entire 19th century for Salviati & C. was represented by development, success and fame in the national and international markets, and the Company became a symbol and reference point of Murano glass art throughout the world. The Salviati legacy at the turn of the century On the death of Antonio Salviati in 1890, first his three children followed one another at the helm of the company and then Maurizio Camerino, previously general manager. It was thanks to him that the decorative mosaic project of the Stanford Memorial Church in Palo Alto (California, USA) took place after 12 years of work. As well as the opening of a sales point in Via Montenapoleone in Milan and the institution of a museum collection of Murano glass from the 19th and 20th centuries. The post-war years, biennials and lighting After Maurizio Camerino’s death in 1931, his three children took over the helm of the company: its solid foundations allowed them to strive for new important goals in the art world, participating in the Biennials of 1932 and 1934. Not even the Second World War could tarnish the strength of the Salviati brand: in the post-war years Renzo Camerino renewed the ruined production headquarter and enthusiastically restored all his commercial contacts. Thanks to his grandson Renzo Tedeschi (newly graduated in Engineering at the Polytechnic of Turin and upon his return from an apprenticeship in the United States), Salviati launched its production in lighting appliances. The following years saw intense growth in the number of collaborations with renowned artists and designers. In 1959, the production site was moved to Fondamenta Radi 16, where it still stands today. The great lighting projects The larger production area allowed the company to further expand the international market in the field of architectural lighting. A number of projects were undertaken, such as the 9-tonne, 22-metres high chandelier in the Chamber of Commerce in Parma, the ceiling illumination in the premises of the World Intellectual Property Organisation in Geneva and the Kowloon Hotel in Hong Kong; not to mention the sound-absorbing windows of the Aula Nervi in the Vatican and the lighting system of the great honour hall of the Philippine Plaza Hotel in Manila in collaboration with architect John Marsteller. The reputation of Salviati & C. was further affirmed by the commission – after an international call for bids – for twelve 11-metre high chandeliers for the Tonhalle concert hall in Dusseldorf, made using an innovative system of modular glass elements – “LS- System” – one of the today company’s cornerstones. Salviati from the modern age to the present The story of Salviati continues in the modern era, keeping the focus on creating an innovative style that had distinguished it since its inception. Participation in international exhibitions increased, such as the Venice Biennials from 1958 to 1972 (the final year in which Murano glass was allowed) thanks to projects by designers of the calibre of Betha and Teff Sarasin, Claire Falkestein, and Luciano Gaspari. In 1962 Salviati was awarded with the highest recognition in the Design world, the “Compasso d’Oro” prize assigned by A.D.I. for the Marco vase designed by architect Sergio Asti. In 1965 the company changed its name to Salviati & C. s.p.a.; then it was purchased by the Gruppo Ferruzzi in 1987 which later on it was transferred to a French company. Since 2015 the company returned to be Venetian with the acquisition by the Umana group. Salviati and its designers Salviati’s designers: Luciano Gaspari, Sergio Asti (Compasso d’Oro 1962), Claire Falkenstein, Ward Bennet, Teff and Betha Sarasin, Ingo Maurer, Ross Lovegrove, Amanda Levete, Tom Dixon, Nigel Coates, Thomas Heatherwick, Luca Nichetto, Ben Gorham...

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All ...

Art Deco letter opener Bronze material with brown patina Circa 1928 Origin France Reason: female figure Signed and dated LUCIEN BAZOR.

Fantastic polo or equestrian paperweight, car mascot, hood ornament, by French artist Becquerel. Signed. With foundry marks. With original Art Deco patina. Mounted over a marble base...

Art Deco Dancer Werkstatte Hagenauer Vienna Brass Polished Wood, Designed 1930s In the beginning the Werkstatte Hagenauer produced everyday life items li...

Art Deco bust of a woman. Silvered bronze sculpture of a lady. Mounted over a Italian marble base. France 1930's. Perfect desk piece or paperweight. We have specialized in the sale ...

Original North American Aviation, Inc. desktop display model from the 1950s, in good condition with some paint detail, marble base, and articulated.

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

Gilt bronze bookens J. Dasilva onyx base Origin Portugal perfect condition.

Lovely Art Deco shy naked women made of bronze and mounted over a green marble base. It is signed L. Betti and foundry Etling Paris. Perfect piece of Autom...

Mid Century / Modern - Acrylic / Lucite Sculpture Abstract, 1960s We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1995. If you have any questio...

Very elegant mother of pearl English desk inkwell. In very good conditions. Perfect for a lady's desk. It´s a perfect chic object. We have specialized in the sale of Art Deco and A...

Bronze inkwell Georg Josef BURGSTALLER (German/Austrian) Neo classical woman signed Burgstaller ruge marble.

Young bear bronze figure / Sculpture. Probably paperweight or car mascot - hood ornament. Very nice details. Very good foundry quality, with original brown patina. We have specializ...

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All ...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

Pair of polychrome bronze Art Deco bookends depicting squirrels by Louis Fontinelle (1886-1964). Fontinelle signature. France, CIRCA 1930.

Italian Murano paperweight with microscopic view theme Eye-catching Italian glass stonebath, Murano, intense red color with transparency that allows you to see inside, giving you the...

Gilt bronze inkwell lamp signed A. Féry. Art Nouveau period. France, circa 1890. Dimensions with shade: 62 cm height. Bronze signed A. Féry.  

Bronze sculpture with marble base. Signed Comolera. France, late 19th century.

Enamel cloissoné and gilt bronze inkwell. France, late 19th century.

Enamel cloissoné and gilt bronze inkwell. France, late 19th century.

Pair of W.M.F. silver plate dishes, Jugendstil Period, circa 1900. With hunting dogs.

Set of five crystal Querandi glasses and two bottles. Argentina, circa 1970. Bottles dimensions: 35,5 cm height, 10 cm width, 10 cm depth. Glasses d...

Pair of bronze and marble bookends, signed H.M. White. England, circa 1920. With Chinese children studying.      

Pair of gilt metal candlesticks W.M.F. Germany, Mid-20th Century.

Enamel and crystal six part jardinière, France, late 19th century.

Pair of ceramic bears bookends, signed Vienna. By Leopold Anzengruber, 1955. They appear in the book of Leopold Anzengruber, "Anzengruber Keramik Wien". Leopold Anzengruber (1912-1...

Desk paper holder made of gilded bronze (Ormolu), “Tree of Life” model, made by TIFFANY Studios. Signed TIFFANY STUDIOS, NEW YORK, 1021 United States, CIRCA 1900.

Las vegas showgirl mid-century bronze sculpture. 1950´s Show girl / can can dancer mid-century dancer sculpture. Las Vegas / Mouline Rouge style. Made of silvered bronze mounted over a black base. The first casino on the Las Vegas Strip to employ dancing girls as a diversion between acts was the El...

Oak wastebasket, lined with red leather, made by Casa COMTE (1932-1960). Bibliography Mo Amelia Teitelbaum (2010), “Los Creadores de un Estilo, Minimalis...

Oak magazine rack, lined with red leather, made by Casa COMTE (1932-1960). Bibliography Mo Amelia Teitelbaum (2010), “Los Creadores de un Estilo, Minimal...