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Item Ships From: Australia
Quadrangle of Corpus Christi College. Oxford University. Antique C19th engraving
Located in Melbourne, Victoria
'Quadrangle of Corpus Christi College'
Engraving by John Le Keux after Frederick Mackenzie, 1837. From James Ingram's 'Memorials of Oxford'.
135mm by 17...
Category
19th Century Naturalistic Australia - Landscape Prints
Materials
Engraving
Medinet Abou, Thebes, Egypt. David Roberts Oriental lithograph, 1847.
By David Roberts
Located in Melbourne, Victoria
'Medinet Abou, Thebes', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA.
David Roberts (1796-1864) traveled throughout Egypt and the Holy Land in the late 1830s ...
Category
Mid-19th Century Victorian Australia - Landscape Prints
Materials
Lithograph
St Alban Hall. Oxford University. Antique C19th engraving
Located in Melbourne, Victoria
'St Alban Hall'
Engraving by John Le Keux after Frederick Mackenzie, 1837. From James Ingram's 'Memorials of Oxford'.
135mm by 175mm (platemark)
200mm ...
Category
19th Century Naturalistic Australia - Landscape Prints
Materials
Engraving
Loggia of Raphael, Vatican, Rome, Italy. Tinted lithograph by Philippe Benoist
By Philippe Benoist
Located in Melbourne, Victoria
'Loggia di Raffaello, in Vaticano'
Tinted lithograph by Philippe Benoist (1813-1881). From a French series titled 'Rome dans Sa Grandeur', circa 1870.
Benoist was one of France's...
Category
Late 19th Century Victorian Australia - Landscape Prints
Materials
Lithograph
The Old Road: Elegy for the English Elm I, Robin Tanner signed artist etching
By Robin Tanner
Located in Melbourne, Victoria
The Old Road: Elegy for the English Elm I
Etching by Robin Tanner (1904-1988), signed by the artist in pencil.
Very good, strong impression with excellent contrast. From the editio...
Category
1970s English School Australia - Landscape Prints
Materials
Etching
Campi Phlegraei - View of a section of a part of the cone of Astruni, Italy
By Pietro Fabris
Located in Melbourne, Victoria
Campi Phlegraei - View of a section of a part of the cone of Astruni taken at the entrance of this volcano
Copper-line engraving with gouache. 1776.
...
Category
Late 18th Century Naturalistic Australia - Landscape Prints
Materials
Engraving
Convent of the Terra Santa, Nazareth. David Roberts Holy Land lithograph, 1844.
By David Roberts
Located in Melbourne, Victoria
'Convent of the Terra Santa, Nazareth', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA.
David Roberts (1796-1864) traveled throughout Egypt and the Holy Land in...
Category
Mid-19th Century Victorian Australia - Landscape Prints
Materials
Lithograph
Duff House, Bamffshire, Scotland. Cordinier C18th landscape engraving
Located in Melbourne, Victoria
‘Duff House, the Seat of the Earl of Fife, in Bamffshire’
Engraving by P Mazell After C Cordiner,
From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views in England, Sco...
Category
18th Century Naturalistic Australia - Landscape Prints
Materials
Engraving
(after) Marc Chagall -- La Tribu de Gad (The Tribe of Gad)
By (after) Marc Chagall
Located in BRUCE, ACT
After Marc Chagall
La Tribu de Gad, from Douze Maquettes de vitraux pour Jérusalem
(The Tribe of Gad, from Twelve Maquettes of Stained Glass Windows for Jerusalem) by Charles Sorlie...
Category
1960s Australia - Landscape Prints
Materials
Lithograph
Upper Fountain of Siloam. Jerusalem.Tinted lithograph after David Roberts, 1855.
By David Roberts
Located in Melbourne, Victoria
'Upper Fountain of Siloam', tinted lithograph after David Roberts RA.
Signed in stone lower right. Printed title below the image. Roberts travelled t...
Category
Mid-19th Century Victorian Australia - Landscape Prints
Materials
Lithograph
Nazareth. David Roberts Holy Land lithograph, 1844.
By David Roberts
Located in Melbourne, Victoria
'Nazareth', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA.
David Roberts (1796-1864) traveled throughout Egypt and the Holy Land in the late 1830s producing wa...
Category
Mid-19th Century Victorian Australia - Landscape Prints
Materials
Lithograph
West Side of the Chapel of St Paul, Westminster Abbey, architecture aquatint
By John Bluck (active 1791-1819) after Frederick Mackenzie (1788-1854)
Located in Melbourne, Victoria
Colour aquatint by John Bluck (active 1791-1819) after Frederick Mackenzie (1788-1854).
Architectural interior with superb original colour. From 'Westminster Abbey', published by Ru...
Category
Early 19th Century Naturalistic Australia - Landscape Prints
Materials
Engraving, Etching, Aquatint
Jaffra Looking South. David Roberts Holy Land lithograph, 1843.
By David Roberts
Located in Melbourne, Victoria
'Jaffra', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA.
David Roberts (1796-1864) traveled throughout Egypt and the Holy Land in the late 1830s producing wate...
Category
Mid-19th Century Victorian Australia - Landscape Prints
Materials
Lithograph
Hertfordshire, English County Antique map, 1847
By Isaac Slater
Located in Melbourne, Victoria
Steel-engraved map with original outline colouring by Isaac Slater. A detailed engraved map of the English county with title, scale, and key. Decorated with an uncoloured engraved v...
Category
19th Century Naturalistic Australia - Landscape Prints
Materials
Engraving
HMS Warspite 50 Guns, English antique naval sailing ship aquatint print
Located in Melbourne, Victoria
'HMS Warspite 50 Guns', English English naval aquatint, with gum arabic highlights, by Edward Duncan after Nicholas Condy. Published by Ackermann & Co.
'Warspite' was built and lau...
Category
Early 1900s English School Australia - Landscape Prints
Materials
Lithograph
Palace of the Caesars, Palatine Hill, Rome, Italy. Late C19th tinted lithograph
By Felix Benoist
Located in Melbourne, Victoria
'Veduta Generale del Palazzo de Cesari sul Palatino, presa del Monte Aventino'
Tinted lithograph by Eugene Ciceri after Felix Benoist. Figures by Bayot. From a French series titled...
Category
Late 19th Century Victorian Australia - Landscape Prints
Materials
Lithograph
The Sea of Tiberias. David Roberts Holy Land lithograph, 1844.
By David Roberts
Located in Melbourne, Victoria
'The Sea of Tiberias', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA.
David Roberts (1796-1864) traveled throughout Egypt and the Holy Land in the late 1830s p...
Category
Mid-19th Century Victorian Australia - Landscape Prints
Materials
Lithograph
Remains of a Triumphal Arch, Petra, Jordan. David Roberts lithograph, 1849.
By David Roberts
Located in Melbourne, Victoria
'Remains of a Triumphal Arch, Petra', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA.
David Roberts (1796-1864) traveled throughout Egypt and the Holy Land in t...
Category
Mid-19th Century Victorian Australia - Landscape Prints
Materials
Lithograph
Entrance to the Temple of Amun, Egypt. David Roberts Oriental lithograph, 1841.
By David Roberts
Located in Melbourne, Victoria
'Entrance to the Temple of Amun, Thebes', tinted lithograph by Louis Haghe (1806-1885) after David Roberts RA.
David Roberts (1796-1864) traveled throughout Egypt and the Holy Land ...
Category
Mid-19th Century Victorian Australia - Landscape Prints
Materials
Lithograph
Les Bergers Romains, landscape with Roman ruins, 18th century engraving
Located in Melbourne, Victoria
Les Bergers Romains
Copper-line engraving by Jean Jacques Leveau (1729-1786) after Pierre Mettay (1728-1759). C1755.
Proof, before lettering. Laid, watermarked paper.
A landscap...
Category
18th Century French School Australia - Landscape Prints
Materials
Engraving
Remains of Henry II
s Palace, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Remains of Henry II's Palace, as it stood in Woodstock Park in 1714'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author a...
Category
Late 18th Century Naturalistic Australia - Landscape Prints
Materials
Engraving, Etching, Aquatint
Westminster Abbey, London. Rowland Langmaid signed artist etching print
By Rowland Langmaid
Located in Melbourne, Victoria
Westminster Abbey.
Signed in pencil by the artist below the image.
Rowland Langmaid was a marine painter and etcher who studied under William Lione...
Category
1930s English School Australia - Landscape Prints
Materials
Etching
Viliers Costret, French chateau, architectural plan, mid 17th century engraving
By Matthaeus Merian
Located in Melbourne, Victoria
'Viliers Costret'
Copper-line engraving by Matthaeus Merian.
From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, gardens, buildings and citi...
Category
Mid-18th Century Rococo Australia - Landscape Prints
Materials
Engraving
French pipe organ design, late 18th century engraving
Located in Melbourne, Victoria
'Elevation Geometralle d'Un Buffet D'Orgue d'Une Nouvelle Decoration'
Copper-line engraving. C1770.
380mm by 420mm (platemark) 460mm by 560mm (sheet)
From Roubo's 'L'Art du Menui...
Category
Late 18th Century Rococo Australia - Landscape Prints
Materials
Engraving
New Staines Bridge, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'New Staines Bridge'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aquat...
Category
Late 18th Century Naturalistic Australia - Landscape Prints
Materials
Engraving, Etching, Aquatint
St Paul
s Cathedral, Thames, London, etching by Frederick Farrell, circa 1920
Located in Melbourne, Victoria
Signed in pencil below the image by the artist. Blind stamps of etching societies lower left just under the image.
Frederick Farrell was a Scottish etcher specializing in architectu...
Category
1920s Other Art Style Australia - Landscape Prints
Materials
Drypoint, Etching
View at Ifley, near Oxford, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'View at Ifley, near Oxford'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series ...
Category
Late 18th Century Naturalistic Australia - Landscape Prints
Materials
Engraving, Etching, Aquatint
Portico D
Ottavia e Pescheria, Rome Italy. Tinted lithograph, Felix Benoist
By Felix Benoist
Located in Melbourne, Victoria
'Portico D' Ottavia e Pescheria'
Tinted lithograph by Eugene Ciceri after Felix Benoist (1813-1881), with figures by Bayot. From a French series titled 'Rome dans Sa Grandeur', cir...
Category
Late 19th Century Victorian Australia - Landscape Prints
Materials
Lithograph
St Michael’s Mount, Cornwall, sepia aquatint, Charles Dibdin, 1801
By Charles Dibdin
Located in Melbourne, Victoria
From Dibdin's 'Observations on a tour'. Charles Dibdin the elder was a famed singer, songwriter, and actor who spent a significant amount of time touring the countryside. During this...
Category
Early 19th Century Naturalistic Australia - Landscape Prints
Materials
Aquatint
Michel Grove, Sussex English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
'Michel Grove, Seat of Thomas Walker Esq'.
Michel Grove was a house in Sussex which Humphrey Repton was commissioned to landscape.
Published by Rudo...
Category
Early 19th Century Victorian Australia - Landscape Prints
Materials
Engraving, Etching, Aquatint
French architecture house design lithograph, late 19th century, 1878
By Spiegel
Located in Melbourne, Victoria
'Petits Hotels. Boulevard Berthier 45 et 47, a Paris. Elevations, Coupe et Plans, par Mr Boland, Archte.'
French architectural chromolithograph. From 'La Brique Ordinaire', by J Lac...
Category
Late 19th Century Art Nouveau Australia - Landscape Prints
Materials
Lithograph
Sir Richard Steele
s Cottage, Hampstead Rd Mezzotint after John Constable, 1855
By David Lucas
Located in Melbourne, Victoria
'Sir Richard Steele's Cottage, Hampstead Road'
Mezzotint on steel by David Lucas (1802-1881) after John Constable (1776–1836).
From 'English Landscape Scenery', 1855. John Constable RA was an English Romantic landscape...
Category
Mid-19th Century Victorian Australia - Landscape Prints
Materials
Mezzotint
Alexandria, Egypt, copper-line engraving by Cornelius de Bruyn , 1690
By Cornelius de Bruyn
Located in Melbourne, Victoria
'Alexandria'
A view of the great harbour from a little behind the shoreline.
Cornelis de Bruijn was a Dutch artist and traveler. He is best known for his drawings of the ruins of ...
Category
Late 17th Century Naturalistic Australia - Landscape Prints
Materials
Engraving, Etching
Coupang : Ile Timor. Vue d
un chantier de construction. Early C19th engraving
Located in Melbourne, Victoria
'Coupang : Ile Timor. Vue d'un chantier de construction'
Depicts Timorese people and Europeans building a rowboat under a tree, with other boats in the distance. The work is being overseen by a senior naval man, possibly intended to be Captain Freycinet.
Steel-engraving by Friedrich Schroeder (1768-1839) after F Garnier after Alphonse Pellion. Alphonse Pellion, artist and naval draughtsman, was a midshipman aboard l'Uranie on Louis de Freycinet's three-year scientific and ethnographic expedition around the world in 1817-1820.
From Louis Freycinet's 'Voyage Autour du Monde, Entrepris par Ordre du Roi ... Execue sur les Corvettes de S. M. l'Uranie et la Physicienne Pendant les Annees 1817, 1818, 1819 et 1820', published in Paris in 1825.
Louis Claude de Saulces de Freycinet (1779-1842) joined the French Navy in 1793 and was a veteran of the Baudin's voyage of discovery (1801-1803). He also completed the narrative of the expedition which appeared under the title of 'Voyage de Decouvertes aux Terres Australes'. In 1817 de Freycinet successfully lobbied the Government and King Louis XVIII agreed to support a new global campaign. Its mission was to finally determine the shape of the earth and return with detailed reports on geography, people, government, commerce and art of this new world. The 350-ton corvette Uranie had a complement of 120 men and 23 officers including the artist Jacques Arago and a priest. Over the next three years Uranie visited Australia, East Timor...
Category
Early 19th Century Victorian Australia - Landscape Prints
Materials
Engraving
L
Hostel de Chevreuse, French town house in Paris, mid 17th century engraving
By Matthaeus Merian
Located in Melbourne, Victoria
'L'Hostel de Chevreuse'
Copper-line engraving by Matthaeus Merian.
From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, gardens, buildings an...
Category
Mid-18th Century Rococo Australia - Landscape Prints
Materials
Engraving
1.ere Vue d
un passage du Mont St Gothard, Switzerland, engraving, 1780
Located in Melbourne, Victoria
'1.ere Vue d'un passage du Mont St Gothard'
French copper-line engraving by Nee after Claude Louis Chatelet (1753-1794).
From 'The Scenery and Science of Switzerland illustrated', ...
Category
1780s Naturalistic Australia - Landscape Prints
Materials
Engraving
Hermes Oak, Windsor Park, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Hermes Oak, Windsor Park'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who p...
Category
Late 18th Century Naturalistic Australia - Landscape Prints
Materials
Engraving, Etching, Aquatint
St James
s House, London, engraving, Johannes Kip after Leonard Knyff, 1708
By Johannes Kip after Leonard Knyff
Located in Melbourne, Victoria
'St James's House - Le Palais Royal de St James'
Engraving by Johannes Kip after Leonard Knyff.
Kip was a Dutch engraver who moved to London circa 16...
Category
18th Century Naturalistic Australia - Landscape Prints
Materials
Engraving
Cortile del Palazzo di Venezia, Rome, Italy. Lithograph
By Philippe Benoist
Located in Melbourne, Victoria
'Cortile del Palazzo di Venezia, Colla Chiesa di San Marco'
Tinted lithograph by Eugene Ciceri after Felix Benoist. Figures by Bayot. From a French series titled 'Rome dans Sa Gran...
Category
Late 19th Century Victorian Australia - Landscape Prints
Materials
Lithograph
Chertsey Bridge, Surrey, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Chertsey Bridge, Surrey'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of ...
Category
Late 18th Century Naturalistic Australia - Landscape Prints
Materials
Engraving, Etching, Aquatint
Haut Rhin, France. Antique map of a French department, 1856
By Victor Levasseur
Located in Melbourne, Victoria
'Dept. du Bas Rhin', steel engraving with original outline hand-colouring., 1856, from Levasseur's Atlas National Illustre.
This mountainous area is part of the Alsace wine region ...
Category
19th Century Naturalistic Australia - Landscape Prints
Materials
Engraving
View of Greenwich from Deptford Yard, Thames, London, C18th English aquatint
Located in Melbourne, Victoria
'View of Greenwich from Deptford Yard, Thames, London'
Aquatint by JC Stadler after J Farmington.
Published c1795 for Boydell's 'History of the River Thames'. Joseph Constantine St...
Category
Late 18th Century Naturalistic Australia - Landscape Prints
Materials
Engraving
A Mill. Mezzotint by David Lucas after John Constable, 1855
By David Lucas
Located in Melbourne, Victoria
'A Mill'
Mezzotint on steel by David Lucas (1802-1881) after John Constable (1776–1836).
From 'English Landscape Scenery', 1855. John Constable RA was an English Romantic landscape...
Category
Mid-19th Century Victorian Australia - Landscape Prints
Materials
Mezzotint
Westminster School, London, signed etching by Mabel Oliver Rae, circa 1920
Located in Melbourne, Victoria
'Westminster School'
Signed and titled by the artist in pencil lower edge. Monogrammed inside the plate lower left corner. Mabel Oliver Rae was an ea...
Category
Early 20th Century Naturalistic Australia - Landscape Prints
Materials
Etching
St Margarets, Isleworth, English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
'St Margarets (Entrance Front) Seat of the Earl of Cassillis'.
St Margarets was a Regency house in Isleworth, Middlesex.
Published by Rudolf Ackermann ...
Category
Early 19th Century Victorian Australia - Landscape Prints
Materials
Engraving, Etching, Aquatint
Gardens of the Chateau Rueil, Paris, France, mid 17th century engraving
By Matthaeus Merian
Located in Melbourne, Victoria
'Prosp. horti Auraicorum Pomorum a Ruel'
Copper-line engraving by Matthaeus Merian.
From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, gard...
Category
Mid-18th Century Rococo Australia - Landscape Prints
Materials
Engraving
The Kirekin in Shropshire, sepia aquatint, Charles Dibdin, 1801
By Charles Dibdin
Located in Melbourne, Victoria
From Dibdin's 'Observations on a tour'. Charles Dibdin the elder was a famed singer, songwriter, and actor who spent a significant amount of time touring the countryside. During this...
Category
Early 19th Century Naturalistic Australia - Landscape Prints
Materials
Aquatint
Brother Water, Lake District scenery C19th English aquatint
Located in Melbourne, Victoria
'Brother Water descending from Kirkstone'
Aquatint by William Green, 1804
William Green of Ambleside was a Lake District draughtsman, soft ground etch...
Category
Early 19th Century Naturalistic Australia - Landscape Prints
Materials
Engraving, Aquatint
Durham Cathedral, C19th English topographical engraving, by Samuel Read, 1873
By Samuel Read
Located in Melbourne, Victoria
'Durham Cathedral'
Wood-engraving after Samuel Read. From 'The Illustrated London News'.
Samuel Read was an English illustrator who provided many illust...
Category
Late 19th Century Naturalistic Australia - Landscape Prints
Materials
Engraving
Queen
s Gate, at Caernarfon, Wales. Paul Sandby C18th landscape engraving
By Paul Sandby
Located in Melbourne, Victoria
'Queen's Gate, at Caernarvon'
Engraving by William Watts (1752-1851) and William Angus after Paul Sandby (1731-1809).
From Paul Sandby's 'The Virtuosi's Museum, Containing Select ...
Category
18th Century Naturalistic Australia - Landscape Prints
Materials
Engraving
Brooklyn Bridge, New York, signed etching by William Walcot, c1925
By William Walcot R. E. Hon. R. I. B. A.
Located in Melbourne, Victoria
Signed in pencil by the artist lower right. William Walcot was born in Russia and moved to London in 1907. He trained and practiced as an architect before devoting himself to archite...
Category
1920s Art Deco Australia - Landscape Prints
Materials
Drypoint, Etching
Rockbear House, Devon, English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
'Rockbear House, Seat of Thos Porter Esq'.
Rockbear House was originally built c. 1760-70 and owned by Sir John Duntze, the wealthy Exeter woollen merchant and banker. About 1820 t...
Category
Early 19th Century Victorian Australia - Landscape Prints
Materials
Engraving, Etching, Aquatint
Arundel Mill and Castle. Mezzotint by David Lucas after John Constable, 1855
By David Lucas
Located in Melbourne, Victoria
'Arundel Mill and Castle'
Mezzotint on steel by David Lucas (1802-1881) after John Constable (1776–1836).
From 'English Landscape Scenery', 1855. John Constable RA was an English Romantic landscape...
Category
Mid-19th Century Victorian Australia - Landscape Prints
Materials
Mezzotint
Flatford Mill. Mezzotint by David Lucas after John Constable, 1855
By David Lucas
Located in Melbourne, Victoria
'Flatford Mill'
Mezzotint on steel by David Lucas (1802-1881) after John Constable (1776–1836).
From 'English Landscape Scenery', 1855. John Constable RA was an English Romantic landscape...
Category
Mid-19th Century Victorian Australia - Landscape Prints
Materials
Mezzotint
Nablous, The Ancient Shechem. tinted lithograph after David Roberts, 1855.
By David Roberts
Located in Melbourne, Victoria
'Nablous, The Ancient Shechem', tinted lithograph after David Roberts RA.
Signed in stone lower right. Printed title below the image. Roberts travell...
Category
Mid-19th Century Victorian Australia - Landscape Prints
Materials
Lithograph
French architecture house design lithograph, late 19th century, c1870
Located in Melbourne, Victoria
Chromolithograph from 'Constructions Modernes & Economiques', a French folio of architectural designs, published by Monrocq in Paris.
250mm by 320mm (sheet)
Category
Early 19th Century Renaissance Australia - Landscape Prints
Materials
Lithograph
William Chambers Georgian Architecture - Chimney Pieces
Located in Melbourne, Victoria
Copper-line engraving by Pierre Foudrinier (1698-1758) after Sir William Chambers (1723-1796), 1794.
Sir William Chambers (1723-1796) was a renown 18th century British architect. He traveled to China, France and Italy before establishing an architectural practice in London. He became Architect of the King's Works and worked for Augusta, Dowager Princess of Wales, making fanciful garden buildings...
Category
Late 18th Century Victorian Australia - Landscape Prints
Materials
Engraving
Italianate Landscape, mezzotint by Richard Earlom after Claude le Lorrain
By (after) Claude Lorrain (Claude Gellée)
Located in Melbourne, Victoria
Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82).
From 'Liber Veritatis; or A Collection of Prints after the original designs of Claude le Lorrain...
Category
Late 18th Century Italian School Australia - Landscape Prints
Materials
Engraving, Mezzotint, Etching
The Fountain of Job. Tinted lithograph after David Roberts, 1855.
By David Roberts
Located in Melbourne, Victoria
'The Fountain of Job', tinted lithograph after David Roberts RA.
Signed in stone lower right. Printed title below the image. Roberts travelled throug...
Category
Mid-19th Century Victorian Australia - Landscape Prints
Materials
Lithograph
Baroque 17th century German fountain design engraving print by Boeckler
By Georg Andreas Böckler
Located in Melbourne, Victoria
Baroque 17th century German fountain design
Copper-line engraving, published in 1664 in Nuremberg. From 'Architectura Curiosa Nova' by George Andreas B...
Category
Mid-17th Century Baroque Australia - Landscape Prints
Materials
Engraving, Etching
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