Austria - Vases and Vessels

Very decorative mid century Murano Glass Vase out of the renown workshops on the small island of Murnano. this Vetro Artistico Veneziano glass vase was crafted in Italy in the period...

Cylindrical vase, colourless glass with flaky white, with cobalt blue powder inclusions in the lower section, highly etched exterior and delicately painted with coloured enamel, fuch...

Impressive set of two vases, so-called Imari, made in the Meiji period - late 19th century, originals from Japan. These vases are in impressive original condition. They have the typ...

Baluster-shaped vase, on a round base set off by a nodus, widening in a trumpet shape and narrowing to a drawn-in rim, colorless glass with flaky yellow, orange-reddish, and violet p...

Lovely mid century modern red/ amber colored Murano glass vase out of the renowned glass workshops of Sommerso on the little island of Murano/ Italy. Artfully made around the late 19...

Modern Italian opalescent Murano glass vase signed Pino Signoretto on the bottom. Straight lined transparent glass object with 8 round (Diameter 12cm) glass applications. Size and weight: Diameter 24cm x Height 42cm x Weight: 11.5kg Biography Pino Signoretto Born September 28, 1944 in Favaro Veneto. 1954 He worked for a muranese glass chandelier souvenir manufacturer. 1959 Apprenticeship with master glassblower Alfredo Barbini and works with the master Livio Seguso, Ermanno Nason, and Angelo Seguso. 1960 He got the title of master glassblower. 1961-77 he worked in different factories, to get full technical knowledge of glass. 1978 Signoretto opens his own furnace showroom in Murano. 1978 – 84 He collaborates with artists and architects, Dalì, Licata, Dal Pezzo, Vitali, Pomodoro, Willson. 1985 Signoretto undertakes the first of a long series of trips to Japan. 1989 He participates in a demostration for the japanese imperial family. Exhibition at Museo dell'Arte Veneziana in Otaru Japan. Works for Dale Chihuly - Seattle U.S.A. Teaches at the Pilchuch School of Glass - Seattle U.S.A. 1990 Signoretto executes the trophies for various international sporting events, including the European Basketball - Paris France and for N.B.A. - U.S.A. Teaches at Tulane University - U.S.A. Teaches at Aomori Otaru - Giappone. Teaches at Toyama School of Glass - U.S.A. Teaches at Pilchuck School of Glass Seattle - U.S.A. 1991 Excutes a series of pieces for Jeff Koons exhibition at Sonnabend Gallery New York - U.S.A. Teaches at Rochester Institute of Technology, Massachussetts College of Art - U.S.A Demonstration, G.A.S. Conference in Corning New York - U.S.A. Teaches at Pilchuck School of Glass Seattle - U.S.A. 1992 Signoretto Executes a series of sculptures for Jan Vercruysse - exhibition at Castello di Rivoli Museo d'Arte Contemporanea Rivoli - Torino Italy. Works with Elisabeth Murray, Kiki Smih and Raimund Kummer. Teaches at Pilchuck School of Seattle U.S.A. 1993 He designs and executes a series of 12 fountains for Hotel American Gei Ken - Japan. Teaches at Experimental Glass Workshop - U.S.A. Demostrations Massachusetts College of Art - U.S.A. Teaches at Pilchuck School of Glass Seattle - U.S.A. 1994 Conference at G.A.S. Conference Oakland - U.S.A. Teaches at New Orleans School of Glasswork - U.S.A. Exhibition at Gallerie Differences Parigi - Francia. Teaches at Pilchuck School of Glass Seattle - U.S.A. He exhibits at Sandra Ainsley Gallery Toronto - Canada. 1995 Signoretto exhibits at Chiristy Taylor Galleries Florida - U.S.A. He exhibits at Galleria San Nicolò - Venice - Italy. He participates at C.C.I.A.A. of Venice exhibition l'Art de verre a Murano au XXemme siecle Paris Passage de Retz - Francia. He partecipates in exhibition Maestri Maestri vetrai creatori di Murano del '900 Comacchio - Ferrara - Italy. He partecipates in exhibition for United Foundation for AIDS Godparent House Florida - U.S.A. Pino, during his teaching stage at Pilchuck School of Glass partecipates to built a house in glass. 1996 He designs and executes some door-handle, exhibitis at Pull of Beauty - Storefront for Art and Architecture New York - U.S.A. Signoretto works with Martin Bradley at the glass chess-set. He executes The boodygarden series of sculptures for Mariagrazia Rosin - Kunstmuseum Dùsseldorf im Ehrenhof - Germania. He Designs and executes some animal objects, exhibits at Portia Gallery di Chicago - U.S.A. Works with painter Eulisse and professor Gaspari. He designs and executes some insects exhibition at Korpus II nel Kremlino di Mosca - Russia. He works with Raimund Kummer e G. Kruft. He executes some sculpures for Jan Vercruysse exhibition at: - Brooke Alexander - New York - U.S.A. - Kunsthalle Bern - Berna - Svizzera. - Castello di Rivoli Museo d'Arte Contemporanea - Rivoli (TO). - Studio per l'Arte Contemporanea E. Di Grazia - Torre Pellice (TO). He executes a large chandelier with Dale Chihuly and Lino Tagliapietra. He executes some clear animals for Kiki Smith exhibition at La Pace Gallery - New York. He executes some sculptures with Marc Quinn, exhibition at Withe Cube - Londra. 1996 He designs and executes some animals with Portia Gallery - Chicago U.S.A., exhibition at Sofa- Miami 1997 He executes some sculptures with Marc Quinn. He works with Martin Bradley. He executes some fish in glass for Dale Chichuly. He works for Timo Sarpaneva. 1997 He designs and executes some animals with Portia Gallery Chicago - U.S.A.; exhibition at Sofa-Miami 1 Pino makes a Pantheon in glass done by eight pillars, two meters high, and fountain in the middle. Il Legno in Vetro (Wood in glass) with the collaboration of LIVIO DE MARCHI - Venice. Teaches at the Penland School of Crafts, Penland North Carolina - U.S.A. Completes the sculpture "OHM" for the Hindu Temple, Cincinnati - U.S.A. Creates a house completely in glass located amongst the woods of the Swiss Alps. Exhibits some sculptures at the exhibition Dalì & Murano Artists at the San Marco Museum - Venice. Continues the collaboration with the Portia Gallery Chicago - U.S.A. and with the artists CHIHULY, KUMMER and VERCRUYSSE. 2001 - Pino teaches at the Venice "Accademia delle Belle Arti". Creates 700 snowballs exhibited at the De Pury & Luxembourg Gallery, Zürich - Switzerland. Teaches at the Esashi Glass Work Shop - Japan. Teaches at the San Servolo International Glass Workshops on l'isola di S. Servolo Venice - Italy. Pino opens his new workshop in F.ta Serenella 3 Murano Venice - Italy. Creates some sculptures, for the furnishings industry OAK di Cantù - Italy, destined for a Saudi Palace. Continues collaborations with CHIHULY AND KUMMER. 2002 - two sculptures at the Habitat Gallery - U.S.A. Teaches for the second consecutive year at the Venice "Accademia delle Belle Arti". Participates at the Amsterdam GAS Conference - Netherlands. Teaches at the Esashi San Servolo International Glass Workshops - Japan. Receives the award "Gallo d'oro di Murano" as Muranese personality of the year. 2003 - Creates a clothes rack, inclusive of several items of clothing made entirely out of glass, displayed at the Housang Rachtian Gallery in Venice. Makes a pig out of glass and gold leaf, as the fourth place award at the 2003 Regata Storica di Venezia. Participates as a lecturer at the GAS Conference - Seattle U.S.A. Creates a series of chandeliers based on marine life, shown at the Caffè Florian in Venice, in collaboration with MARIA GRAZIA ROSIN. Creates a series of 100 "fantastic" shoes for the Japanese designer HIROKO UEKI, that were the subject of an exhibition tour throughout Japan. Continues to be the primary glass master and maker for the ideas of many artists including: DALE CHIHULY, ALDO MONDINO...

One of a kind, absolutely amazing looking Murano glass vase from the late mid 20th century around 1960/70 in Italy. This superb Murano glass vase shows a unique designed, amber-color...

A museum piece of French Art Nouveau glass art: Lamp with baluster-shaped foot on a stepped, flat, round stand raised in the centre, hemispherical shade, slightly heat-stretched and pressed upwards on four sides, made of multi-layered glass with coloured powder fusions, predominantly in yellow-orange, red, brown, green and blue-violet tones, with highly etched vine leaves and grapevine decoration, two fully sculpted snails on the foot as a special accent, Cameo signature ‘DAUM NANCY’ with Lorraine cross on the foot in the lower area, and on the shade, which rests on a patinated metal mount, which also carries the threads for the light sources, one at the top and one inside the foot. Technique: Handmade cameo glass Glass overlaid with several layers, with high-cut worked out motifs. Since the middle of the 19th century, the design has also been done by etching. Cameo glass vessels were already being made in antiquity; cameo glass vessels were already being made in ancient times, and at the end of the 19th century this glass art was further developed, especially in Nancy. Manufactory: Daum Frères / Nancy, Lorraine, France Dating: Circa 1905 Dimensions: Height: 53,5 cm / 21.06 in Diameter: 32,0 cm / 12.59 in Bibliography: Carolus Hartmann, Glasmarken-Lexikon / Encyclopedia of Glass Marks, Stuttgart / Germany 1997, Signature number 2984 on page 148, and page 561: Daum Frères Cie, Verreries de Nancy Condition: Very good The electrification is functional, but should be renewed for safety reasons. About the design: The development of Art Nouveau glass art coincides with a revolution in lighting, the significance of which we can no longer fully appreciate today in the 21st century. Around 1880-1890, oil lamps and paraffin lamps were still almost unrivalled in every household. It was not until the beginning of the 20th century that the ‘electricity fairy’ emerged as a remarkable advance and gradually found its way into the daily lives of all social classes. The glassmakers at the Ecole de Nancy were true pioneers and eagerly seized the opportunity to use electricity to illuminate the colours applied to the glass. Colour was one of the main concerns of the master glassmakers at the Ecole de Nancy. Emile and Antonin Daum returned to the colours that had made the stained glass of the Middle Ages so splendid and extended the palette of colours in the glass mass as they needed it for the floral motifs and exact representations of nature. But the modulation of the colours, their arrangement in juxtaposed patches, the technique that the Impressionist painters practised on their canvases at the same time, was difficult to achieve due to the nature of the glass melted in a large mass. To achieve this richness of expression, around 1900 Daum developed ‘the process of applying glass powder and enamel to the outside of the vases to create coloured backgrounds or decorative spots’, according to the report of the jury of the 1900 World Exhibition. The field of naturalistic, contrasting and shimmering colours was one in which Antonin Daum excelled. This new technical process made it possible to create the symphonies of colour that we find on the ‘Vignes et escargots’ lamp...

Bulbous shoulder vase on a flush stand, short neck piece of colourless glass with white powder meltings, overlay in blue-violet and green, meadow flower decoration etched in various stages, matt etched inside and outside, Cameo signature 'Gallé' with star on the wall between the plants.. Mounted with later silver mouth in a smooth, slightly flared design, decorated on the outside with two sculptural branch and cone bundles. Silver mount hallmarked 'Minerve casquée' for 950 silver, France, and master's mark. Hand-made Cameo Glass: Glass overlaid with several layers, with high-cut worked out motifs. Since the middle of the 19th century, the design has also been done by etching. Cameo glass vessels were already being made in antiquity; at the end of the 19th century, Émile Gallé further developed this glass art, created Art Nouveau designs and employed a large factory in Nancy...

Austrian Jugendstil glass vase "Cytisus Lemon Yellow" decoration Johann Loetz Witwe yellow green blue circa 1902 The “Cytisus” decoration is certainly one of the most exquisite decor variations created by the Loetz glassworks. With its shimmering gold particles, it reflects the secessionist ornamentation of turn-of-the-century Vienna. In this way, Max Ritter von Spaun and his collaborators proved that they had their finger on the artistic and aesthetic pulse of the times. Executed in the form of a reduced flower calyx with five indentations in the wall and a five-pass distorted mouth, this vase fits into the style of production around 1902. The fused crumbled dots seem to float on the vase like lightweight gold particles. The complex decoration as well as the technically elaborate glass body are evidence of the great mastery of the glassblowers in Klostermühle and show why the Johann Loetz Witwe glass manufactory was one of the leading producers of precious luxury glass in Vienna 1900. Bib.: J. Lnenickova, “Loetz – Series II Paper Patterns for Glass from 1900...

Large long neck vase vase with a bulbous base and a round stand and a neck that tapers towards the top, colorless glass with flaky white and yellow, in the stand area with light gree...

Large, mold-blown, baluster-shaped body on a separate stand, bulbous after the constriction and slowly narrowing again, wide mouth rim with metal mount, drawn silver thread decoratio...

Austrian Jugendstil, floral glass vase, manufactured by Johann Loetz Witwe, red, green, orange, gold, circa 1902, "Cytisus Neuroth" decoration, bohemian glass, Austria The "Cytisu...

Wonderful complete set, consisting of a planter and two vases, made by Keller Guerin Luneville around 1900 in the Art Nouveau style, France. This set consists of three objects with ...

Vase manufactured by Johann Loetz Witwe Tricolore decoration ca. 1900 Austrian Jugendstil glass mould-blown reduced and iridescent Rainbow Colors Blue Red Green Yellow This group ...

Austrian Jugendstil Patinated and Silver-Plated Bronze Vase designed by Gustav Gurschner manufactured by K.K. Kunst-Erzgiesserei circa 1905 Signed Gustav Gurschner is among the m...

Organically shaped vase with a matt surface (Velato, the glass surface is finely polished) in a warm amber color. The object has a conical shape with a steeply flattened mouth. The ...

Austrian Jugendstil, floral glass bowl, manufactured by Johann Loetz Witwe, red, green, orange, gold, circa 1902, "Cytisus Maigruen" decoration, bohemian glass The "Cytisus" decoration, also known as "golden rain", is one of the most beautiful decor variations produced by the Johann Loetz Witwe glassworks. As with other decorations, Cytisus was also inspired by the secessionist taste in art in Vienna around 1900. The Beethoven frieze by Gustav Klimt in the Vienna Secession can be cited as an example of this type of artistic design. The bowl captivates with its calyx shape, where form and decoration seem to harmonize. The rare color combination of "Maigruen" (May green...

A beautiful and refined sculptural hand-blown art glass vase, titled Saippuakupla “Soap Bubble”, from the 1960s. It was designed by Finnish designer and glass artist Kaj Franck (1911...

Cylindrical base, vessel above rising in a tulip shape, flared rim, two curved bands applied offset on the sides as handles, three-leaf flowers in relief on the front and back. Geome...

Baluster-shaped vase with a small, bulbous, shouldered body on a flush base, long, conically widening neck with a flared, beaded rim, colorless glass with flaky yellow, greenish, rus...

Stunning multicolored Murano glass vase from the midcentury period in Italy. Elaborately handcrafted in the 1950s, this beautiful bulbous shaped Murano vase impresses with its gorgeo...

Tubular vase body with loaf-shaped, flush stand, colorless glass with flaky white and green color powder inclusions, overlay in dark green, in various sta...

Large baluster vase on a flush stand, base set off by polished fillets, wall slightly curved upwards and widening towards the opening, colorless glass with flaky white and yellowish ...

A postmodern limited-edition porcelain vase with lid from the first edition of the “100% Make-Up” series by Alessi Tendentse, Italy, released in 1992. The vase’s shape was designed b...

Rare example of an extraordinary so-called "Jack In The Pulpit" glass vase from the Art Nouveau period in Bohemia (Czech Republic) around 1910. This exceptional piece of Bohemian gla...

Stunnning mid century modern Murano glass vase, handcrafted in the renowed workshops of Murano in Italy around 1960/70. This fantastic designed, dark blue example of a late 20th cent...

Handblown crystal vase/latern in a country style birds decor. Hand-engraved design with two birds sitting on oak leaves all-around in petrol blue glass. Can also be used wih a candle...

Pair of very rare vases / jugs by wellknown manufacturer Amphora, which can be used on both sides, made around 1915 in Czech Republic. The extraordinary pair is of the same size an...

Finest Bohemian Art Nouveau Glass Vase: Mould blown glass on a flat stand, gently widening conically and forming a steep shoulder, slight constriction to a wide opening with a ground...

Very decorative star-shaped flower vase in a beautiful blue colour, made in the famous center of art glass, mouth-blown glass, Murano, Venice, Italy, made in the 1970s. The vase ha...

Exceptional, beautifully designed Art Nouveau object: Elaborately designed silver-plated mount in the form of artistically intertwined tendrils, forming four small feet near the base...

Completely handmade porcelain vase with a hands-free painted skier decor all around in Country style. Hands-free painted in a nostalgic design with a skier boy , trees and a hut in t...

Handblown crystal vase/latern in dark green. Hand-engraved by Bavarian glass artists with a Christmas decor all around in country style. A rich garland ...

A beautiful Italian glass vase from the 'Istria series' by Lino Tagliapietra and Marina Angelin for Effetre International, Murano, 1986. It is made of hand blown glass composed of bl...

Hand blown crystal vase in blue glass with hands-free engraved lily of the valley garland all around. The glass vase is completely hand-blown and hand-engraved in a country style by ...

Stunning flower vase of the famous manufacturer Thulin from Belgium, made in the 1930s. The vase is elaborately designed in form as in colourfulness. The round base rises into a ra...

Hand blown crystal vase in green with a hand-engraved lily of the valley decor all-around in a country style. Entirely handmade crystal glass...

Hand-painted porcelain vase is completely handmade and handpainted in Bavaria Germany. Rimmed with a 24-carat gold line. The decor is hands-free painted all round with a hunting scene. The black forest decor...

Baluster-shaped vase body on a slightly flared, flush base with a bulbous, upwardly widening wall, on gently sloping shoulders a constriction to form a short neck piece with a slight...

Spherical vessel on a round, grooved metal stand, coated in silver and with pasty applied, polychrome and iridescent geometric-floral enamel decoration in white and blue tones, irreg...

Completely handmade porcelain vases hands-free painted with a modern and clear Christmas winter XMAS in two different colors per item. Rimed by hand with a fine 24-carat gold line. ...

Elegant, festive silver centerpiece with an oval body on four cantilevered feet with relief decoration, vertical wall with floral, openwork relief decoration in the form of four flat...

Model-blown egg-shaped body made of marbled glass with irregularly elongated tips, three pairs of melted branches 'Asteln' made of green glass with orange-opal beads starting from th...

Excellent, large tubular vase: in the lower area bulbous body on a separate stand, after constriction the neck is raised, slightly narrowing with a flared mouth edge, mould-blown, co...

Unique Murano glass Sommerso vase in dark green - yellow - transparent layers, signed by hand Romano Donà at the bottom (11.0 x 7.5cm) Heavy (11.5kg) and massif vessel handmade in darkgreen with yellow layering below and a solid transparent base. The shape is slightly squashed and the object has an oval mouth. Biography: Romano Donà born in Murano 1956. He begins to work very young with his father at the F.lli Manfren Glassworks. 1975 he started with glassmaster Livio Seguso where he continued for twenty years. There Romano refined his skills, not only in meeting the particular demands of Seguso but also in collaborating with severial artists such as Henry Mavrodin, Federica Marangoni, Mimmo Rotella and Ugo Marano...

Fantastic modern Murano glass vase crafted in matt deep red glass shaped like a pear. The whole surface is finished in "Battuto-technique", fine grinding in linear design. Signed by Pino Signoretto. Biography Pino Signoretto Born September 28, 1944 in Favaro Veneto. 1954 He worked for a muranese glass chandelier souvenir manufacturer. 1959 Apprenticeship with master glassblower Alfredo Barbini and works with the master Livio Seguso, Ermanno Nason, and Angelo Seguso. 1960 He got the title of master glassblower. 1961-77 he worked in different factories, to get full technical knowledge of glass. 1978 Signoretto opens his own furnace showroom in Murano. 1978 – 84 He collaborates with artists and architects, Dalì, Licata, Dal Pezzo, Vitali, Pomodoro, Willson. 1985 Signoretto undertakes the first of a long series of trips to Japan. 1989 He participates in a demostration for the japanese imperial family. Exhibition at Museo dell'Arte Veneziana in Otaru Japan. Works for Dale Chihuly - Seattle U.S.A. Teaches at the Pilchuch School of Glass - Seattle U.S.A. 1990 Signoretto executes the trophies for various international sporting events, including the European Basketball - Paris France and for N.B.A. - U.S.A. Teaches at Tulane University - U.S.A. Teaches at Aomori Otaru - Giappone. Teaches at Toyama School of Glass - U.S.A. Teaches at Pilchuck School of Glass Seattle - U.S.A. 1991 Excutes a series of pieces for Jeff Koons exhibition at Sonnabend Gallery New York - U.S.A. Teaches at Rochester Institute of Technology, Massachussetts College of Art - U.S.A Demonstration, G.A.S. Conference in Corning New York - U.S.A. Teaches at Pilchuck School of Glass Seattle - U.S.A. 1992 Signoretto Executes a series of sculptures for Jan Vercruysse - exhibition at Castello di Rivoli Museo d'Arte Contemporanea Rivoli - Torino Italy. Works with Elisabeth Murray, Kiki Smih and Raimund Kummer. Teaches at Pilchuck School of Seattle U.S.A. 1993 He designs and executes a series of 12 fountains for Hotel American Gei Ken - Japan. Teaches at Experimental Glass Workshop - U.S.A. Demostrations Massachusetts College of Art - U.S.A. Teaches at Pilchuck School of Glass Seattle - U.S.A. 1994 Conference at G.A.S. Conference Oakland - U.S.A. Teaches at New Orleans School of Glasswork - U.S.A. Exhibition at Gallerie Differences Parigi - Francia. Teaches at Pilchuck School of Glass Seattle - U.S.A. He exhibits at Sandra Ainsley Gallery Toronto - Canada. 1995 Signoretto exhibits at Chiristy Taylor Galleries Florida - U.S.A. He exhibits at Galleria San Nicolò - Venice - Italy. He participates at C.C.I.A.A. of Venice exhibition l'Art de verre a Murano au XXemme siecle Paris Passage de Retz - Francia. He partecipates in exhibition Maestri Maestri vetrai creatori di Murano del '900 Comacchio - Ferrara - Italy. He partecipates in exhibition for United Foundation for AIDS Godparent House Florida - U.S.A. Pino, during his teaching stage at Pilchuck School of Glass partecipates to built a house in glass. 1996 He designs and executes some door-handle, exhibitis at Pull of Beauty - Storefront for Art and Architecture New York - U.S.A. Signoretto works with Martin Bradley at the glass chess-set. He executes The boodygarden series of sculptures for Mariagrazia Rosin - Kunstmuseum Dùsseldorf im Ehrenhof - Germania. He Designs and executes some animal objects, exhibits at Portia Gallery di Chicago - U.S.A. Works with painter Eulisse and professor Gaspari. He designs and executes some insects exhibition at Korpus II nel Kremlino di Mosca - Russia. He works with Raimund Kummer e G. Kruft. He executes some sculpures for Jan Vercruysse exhibition at: - Brooke Alexander - New York - U.S.A. - Kunsthalle Bern - Berna - Svizzera. - Castello di Rivoli Museo d'Arte Contemporanea - Rivoli (TO). - Studio per l'Arte Contemporanea E. Di Grazia - Torre Pellice (TO). He executes a large chandelier with Dale Chihuly and Lino Tagliapietra. He executes some clear animals for Kiki Smith exhibition at La Pace Gallery - New York. He executes some sculptures with Marc Quinn, exhibition at Withe Cube - Londra. 1996 He designs and executes some animals with Portia Gallery - Chicago U.S.A., exhibition at Sofa- Miami 1997 He executes some sculptures with Marc Quinn. He works with Martin Bradley. He executes some fish in glass for Dale Chichuly. He works for Timo Sarpaneva. 1997 He designs and executes some animals with Portia Gallery Chicago - U.S.A.; exhibition at Sofa-Miami 1 Pino makes a Pantheon in glass done by eight pillars, two meters high, and fountain in the middle. Il Legno in Vetro (Wood in glass) with the collaboration of LIVIO DE MARCHI - Venice. Teaches at the Penland School of Crafts, Penland North Carolina - U.S.A. Completes the sculpture "OHM" for the Hindu Temple, Cincinnati - U.S.A. Creates a house completely in glass located amongst the woods of the Swiss Alps. Exhibits some sculptures at the exhibition Dalì & Murano Artists at the San Marco Museum - Venice. Continues the collaboration with the Portia Gallery Chicago - U.S.A. and with the artists CHIHULY, KUMMER and VERCRUYSSE. 2001 - Pino teaches at the Venice "Accademia delle Belle Arti". Creates 700 snowballs exhibited at the De Pury & Luxembourg Gallery, Zürich - Switzerland. Teaches at the Esashi Glass Work Shop - Japan. Teaches at the San Servolo International Glass Workshops on l'isola di S. Servolo Venice - Italy. Pino opens his new workshop in F.ta Serenella 3 Murano Venice - Italy. Creates some sculptures, for the furnishings industry OAK di Cantù - Italy, destined for a Saudi Palace. Continues collaborations with CHIHULY AND KUMMER. 2002 - two sculptures at the Habitat Gallery - U.S.A. Teaches for the second consecutive year at the Venice "Accademia delle Belle Arti". Participates at the Amsterdam GAS Conference - Netherlands. Teaches at the Esashi San Servolo International Glass Workshops - Japan. Receives the award "Gallo d'oro di Murano" as Muranese personality of the year. 2003 - Creates a clothes rack, inclusive of several items of clothing made entirely out of glass, displayed at the Housang Rachtian Gallery in Venice. Makes a pig out of glass and gold leaf, as the fourth place award at the 2003 Regata Storica di Venezia. Participates as a lecturer at the GAS Conference - Seattle U.S.A. Creates a series of chandeliers based on marine life, shown at the Caffè Florian in Venice, in collaboration with MARIA GRAZIA ROSIN. Creates a series of 100 "fantastic" shoes for the Japanese designer HIROKO UEKI, that were the subject of an exhibition tour throughout Japan. Continues to be the primary glass master and maker for the ideas of many artists including: DALE CHIHULY, ALDO MONDINO...

Festive solid silver vessel in the shape of a large oval footed bowl, divided and segmented by vertical folds, the base set off by a constriction, projecting, wavy, lobed cut-out foo...

Finest Bohemian Art Nouveau Glass Vase: In shape blown low, cambered body on a large, round floor plan, triple indented wall with a mouth rim formed into a three-pass shape, polished...

Big jugendstil copper, chased,and hand hammered vase vienna around 1908 Water world on the vase and a snake Original condition

Original intricately hand-painted vase by Moser Glassworks from ca. 1910-1920. Designed by renowned Karlovy Vary based designer Ludwig Moser it features a...

Vase with a large, round stand, widening like a bulge and then conically narrowing to a narrow opening with a flared rim, colorless glass with pink and light green colored powder inc...

Splendid mid century Murano glass ball vase from the period around 1970 in Italy. A beautiful mouth-blown Murano ball vase with an unusual blue spreckled design. This mid century mod...

Elegant Art Nouveau jardinière on four high legs, slender elongated shape with rounded ends, the delicate latticework on the wall as the only typical ornament, as Josef Hoffmann like...

Fantastic looking, large (height of 16.1") pink Murano glass vase out of the renowed workshops on the little island in Venice/ Italy. Elaborately made in the late 20th century around 1970, this elaborately handcrafted pink Murano vase...

Excellent Art Nouveau Vase: Green-blue-grey marbled body in the shape of an upright sea snail with a four-pointed base and surrounding seaweed relief, with a sculptural Art Nouveau b...

Elegant silver jardinière in the shape of a navette on four volute feet, smooth body with a continuous stylised garland of openwork leaves, the upper edge bordered by a moulded band ...

Vase Loetz (Lötz) Widow Klostermuehle Bohemia Art Nouveau Made by Loetz, Klostermuehle (Bohemia), circa 1899-1900 Decor: RUBY PHAENOMEN GENRE 6893 It is a most remarkable as wel...

Gorgeous Art Nouveau Vase of very rare shape Made by Loetz (Lötz) Widow Klostermuehle Bohemia, circa 1900 Decor: amber-orange colored type of Papillon Form: round as well as bellied body with scalloped mouth and silver plated mounting Gorgeous glass item with vertical ribbings on surface, running from edge of mouth to area below. This vase's mouth is of irregular form, having extremely scalloped edge causing this vase's very special appearance. The decor is quite rare type of Papillon - amber-orange shaded and blue-golden shining due to its stunning iridescence ! Finally, this vase's round hollow body is attached to high holder which seems to have been manufactured especially for this glass item: It is a silver plated mounting made of pewter: This one has three arms at top area, holding the vase / the Stand is three-sided, excellently decorated with floral ornaments of reticulated type - most probably these are lady slipper orchids...

Signed cut art glass 1920s vase by Ludwig Moser Söhne, Czechoslovakia! company Ludwig Moser Sohne, Meierhofen bei Karlsbad, Czechoslovakia....