Barcelona - Wall Lights and Sconces

Set of 2 Almond Medium Istos Wall Lights by Lisa Allegra Dimensions: D 13 x W 23 x H 34 cm (each). Materials: Piece in ceramic and Dedar fireproofed fabric color Ivory. Also availab...

Decorative lamp designed by Quintana Partners with vintage colored Murano glass. The structure of this light is made of robust brass and can be hanged on the wall. As it serve as a t...

The DUNA wall light is a composition of 40 softly curved, artisan glass pieces. Their abstract shape gives a modern touch to the DUNA compositions There are 3 color palettes availabl...

The PETALO is a composition of 12 petal-shaped glass pieces assembled on an organic structure inspired by ivy plants. Nature and elegance are the words that define this Hiedra collec...

Gino Sarfatti (1912-1985) Pair of triple sconces model “237/3” Manufactured by Arteluce Italy, 1959 Painted iron, aluminum, glass. Measurements: 28 cm x 46 cm x 21 H cm eac...

Sigve Knutson (1991-) Wall lamp model “3” Manufactured by Sigve Knutson Produce in exclusive for Side Gallery Oslo, Norway, 2019 aluminum, wood, wood dust, binder, bulb, elect...

Manufactura italiana Four Rattan sconces Manufactura italiana Italy, 1960 Rattan Measurements 12 cm x 15 cm x 33 H cm 4.72 in x 5.90 in x 12.99 H in.

Gino Sarfatti (1912-1985) Pair of wall lamps (two pairs available) (Price per Light not per pair.) Manufactured by Arteluce Italy, 1950 Perspex and painted metal Measurements: 17.8 cm x 22.9 cm x 8.9 cm 7 in x 9 in x 4.5 in Literature: MarCo Romanelli and Sandra Severi, Gino Sarfatti: selected works 1938-1973, Milan, 2012 Details: Each with manufacturer’s paper label (2) Bio: Rising above the devastation of World War II, post-war Italian design reached new heights of productivity and ingenuity, particularly in the realm of lighting. Gino Sarfatti is among the most celebrated lighting designers from this fruitful period. Before founding his company Arteluce in 1939, Sarfatti studied aeronautical engineering. He brought the inventiveness of a self-taught outsider to the field of lighting design, while his mechanical background lent lightness and ingenuity of construction. Poetic underpinnings are also evident in lamps such as model no. 1034 (sometimes referred to as the “Vine” lamp...