Bay Area - Still-life Paintings

'Asymmetry I' is 45 x 30 inches. Anne Subercaseaux's gleaming paintings realistically bridge urban with rural in the form of representational fragmented depictions of contemporary ar...

In this series of trompe-l'œil oil paintings, Willard Dixon realistically recreates images of mundane objects taped to colored walls, creating a minimalistic impression that the obj...

Unique contemporary 'Grey Ocean' depicts a provocative grey sky with a blue, yellow and white sea. Choppy waters beneath a sky alive with filtered early eve...

A lone eucalyptus tree stands tall in this vertical atmospheric landscape painting that features sunlit green grass, rolling purple hills and a hazy sky. A stunning work of original ...

'Peace in the Garden' by master watercolorist Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and siz...

Willard Dixon, 'San Francisco, Dusk' was painted in 2023. The original painting is 25 X 37 inches. Framed in a contemporary minimal hardwood, 25.5 x 37.5 inches. Ready to hang and en...

People enjoying the setting sun on a frozen Lake at Tahoe, with cascading evening light and majestic alpine mountain ridge in the distance. Willard Dixon is one of our finest American contemporary realist painters, who has painted Northern California coastal landscapes for over 35 years. His work captures the undeniable beauty of the West with its grand and humble spirit. Dixon’s work can be found in numerous distinctive private and public collections, as well as the San Francisco Museum of Modern Art, the Metropolitan Museum of Art in New York, and the Oakland Museum of California. Tahoe Evening I is 36 x 54 inches. The work of art comes to you framed in a light wood floater frame and is ready to hang and enjoy for years to come. Artist signed and dated. Condition is excellent. Presented by Andra Norris Gallery in California. SELECTED PUBLIC COLLECTIONS San Francisco Museum of Modern Art The Metropolitan Museum of Art The Oakland Museum The Utah Museum of Fine Art The San Francisco Art Commission AMA Headquarters, washington, D.C. Pacific Gas and Electric Co., S.F. CA. Transamerica Headquarters,S.F., CA. San Francisco International Airport IBM Corporation, San Jose, CA. Pacific Bell SELECTED PRIVATE COLLECTIONS Mr. Harrison Ford Mr. Peter Duchin Ms. Linda Ronstadt Ms Faye Dunaway Mr. Peter Morton Mrs. H.J. Heinze Mr Rupert Lowenstein Mr. Chappy Morris Mr. Griffen Dunne Margy Boyd Caroline Graham Mr. Richard Baker Ms. Sabrina Guinness Mr. Peter Asher...

'Billiards', oil on canvas, unframed and 30 x 48 inches. Terry Thompson looks for beauty in the often overlooked, painting in a photorealistic style various "Pop" culture products th...

This is a monochromatic rendering of branches of the native Californian madrone tree. There are two shades of the same green, the darker leaves being the thin slightly translucent fi...

'Leaves', 2006 is 16.5 x 13.5 inches, framed 24 x 21 inches. By focusing on a single subject, the artist immerses herself in the nuanced lines, shapes, and tones that the oil paint o...

David Shevlino's female diving figure beautifully links traditional representation with abstraction. Through Shevlino’s sensuous application of paint, his use of broad brushstrokes f...

Oil painting by Willard Dixon featuring a figure enjoying the view of Angel Island from San Francisco. Willard Dixon, who is one of the finest American contemporary realist painters today, has painted coastal landscapes for 35 years, capturing the undeniable beauty of the West with its grand and humble spirit. The painting, with its atmospheric light and calm palette is contemporary and serene. Dixon’s work can be found in numerous distinctive private and public collections, as well as the San Francisco Museum of Art, and the Metropolitan Museum of Art and his work is collected Internationally. Artist signed and dated. A classic Dixon that will sure to bring those who view it a life time of pleasure. Angel Island, painted in 2023. the canvas is 30 X 30 inches. Oil on canvas, and traditionally framed in contemporary, minimal hardwood floater frame.Condition is new and excellent. Artist signed and dated. Ready to ship. Proudly presented by Andra Norris Gallery in California. Selected Collections The San Francisco Museum of Modern Art The Metropolitan Museum of Art The Oakland Museum The Utah Museum of Fine Art San Francisco Art Commission Shaklee Corporation Pacific Gas and Electric Company, San Francisco, CA Kemper Insurance Company, Long Grove, Il Morrison and Foerester, San Francisco, CA SSI Container Corporation, San Francisco, CA San Francisco International Airport Oxford Petroleum Company, Houston,TX California First Bank, San Francisco, CA United Pipeline, Houston, TX Security Pacific National Bank, S.F., CA Crocker Bank, Los Angeles, CA Visa Corporation, San Francisco, CA Atlantic Richfield Corporation Shell Oil, Houston, TX First National Bank of Seattle RREEF Corporation, San Francisco, CA Texas Heritage Society Genstar Corporation, San Francisco, CA Sohio Corporation Skidmore Owings and Merrill, N.Y.C., NY Chemical Bank...

‘Lili'Uokalani Gardens no. 2’ oil painting by American Realist artist Peter Loftus, who is known for captivating breathtaking color-rich nature scenes through shadow and light in his...

‘Overlooking Sardine Lake’ oil painting by American Realist artist Peter Loftus, who is known for captivating breathtaking color-rich nature scenes through shadow and light in his oi...

The subtle and brilliant work of art is meticulously hand painted by Lynette Cook, who realistically depicts scenes that she sees during her morning walks through the city, yet her paintings tend to reveal more than what initially meets the eye. Exterior facades of urban dwellings that are both architecturally complex — and mundane — are the focus of Cook’s Shadows and Silhouettes series of contemporary photorealistic acrylic paintings that capture San Francisco and other Northern California towns and convey the stories of their inhabitants. The paintings often feature the rhythmic dark-light dance of light traveling through wrought-iron balconies and inner-city fire escapes, and captures that which is universal and connects all people in their elemental desire to create a sense of home. 'Rigging the Line...

‘A River Runs Through It’ oil painting by American Realist artist Peter Loftus, who is known for captivating breathtaking color-rich nature scenes through shadow and light in his oil...

‘Caples Lake with Sun and Clouds’ oil painting by American Realist artist Peter Loftus, who is known for captivating breathtaking color-rich nature scenes through shadow and light in...

American Realist nature scene oil painter Peter Loftus who is known for captivating color rich scenes through shadow and light through his oil on canvas paintings that breathe life while reflecting natural western and Hawaiian environments. Lotus's subject matter includes oceans, mountains, babbling brooks, mountain ridges and vistas, as well as people and figures. This beautiful oil painting glows with cool tranquil waters reflecting the tropical palm trees on a pool of floating lotus pads. Peter Loftus was born in 1948, in Washington DC. He received a BFA in painting from the Maryland Institute College of Art, in 1971. In 1974, Loftus earned an MFA from the University of Pennsylvania. Drawn by the glorious California light, Loftus moved to Santa Cruz in 1975. He has lived and painted there ever since. Loftus taught at both University of California at Santa Cruz and Cabrillo Community College between 1975, through the present (at UCSC). He taught Beginning, Intermediate and Advanced Drawing, and Painting, in both oil and aqueous media. During that time, he also sustained a rigorous exhibition schedule, showing regularly on the East and West coasts; in New York at Fischbach Gallery, and San Francisco at William Sawyer Gallery and later Hackett-Freedman Gallery. In addition, Loftus has participated in a number of group exhibitions. These include: American Realism: 20th Century Drawings and Watercolors (and accompanying book), San Francisco Museum of Modern Art, New Horizons in American Realism: Flint Institute of Arts, Flint, MI. Loftus is also included in several publications, including: "The Artist as Native: Reinventing Regionalism" by Alan Gussow...

'Labyrinth No. 3, 2001' by John Goodman. The artwork is 36 x 48 inches and it is framed in solid wood. Signed and dated by artist. Excellent condition. From Andra Norris Gallery in C...

Contemporary and mysterious oil painting inspired by 'La Grande Serre' gardens in Paris, France, at dusk. The lush work in mainly forrest greens with floating flowers and splashes of...

Jacques Loiseau (French, b.1920) "Jarre aux Lupins" Original Oil on Canvas Brilliant bunch of colorful lupine displayed in a large yellow jar. Original o...

'Jester Admires His Own reflection' by artist Mimi Jensen, who uses bold colors to depict theatrically lit objects. "Her paintings invite speculation into possible metaphors" – Calif...

Glorious and fun small still life celebration where color, in blue, green, pink and gold, reigns. In excellent condition. Signed and titled by artist.. Mimi Jensen uses bold colors to depict theatrically lit objects. Her paintings invite speculation into possible metaphors – California Home+Design magazine Ms. Jensen is a Still Life painter who is inspired by her ideas and observations. Jensen’s education and early work experience were eclectic – Bachelor of Arts in Psychology, Speech Therapist, Technical Editor, and even an Airline Analyst to satisfy her desire to travel. Eventually she returned to graduate school to follow her dream of studying art. While still a graduate student in drawing and painting she was selected for her first commercial gallery show, which led to subsequent exhibitions and launched her professional career as a painter. She has exhibited widely in the U.S., has been featured in numerous publications – American Art Collector, California Home+Design, Fine Art Today, Professional Artist, Southwest Art, The Artist’s Magazine – and for the past 20 years she has been represented by galleries in San Francisco, Boston, Santa Fe, and other cities. The painting is 12 x 12...

'Distilled' by artist Mimi Jensen, who uses bold colors to depict theatrically lit objects. "Her paintings invite speculation into possible metaphors" – California Home+Design magazi...

The graceful arcs of this botanical painting call to mind Chinese ink brush paintings or Japanese textiles. The silhouette is that of a money tree, a plant traditionally believed to ...

The graceful arcs of this botanical painting call to mind Chinese ink brush paintings or Japanese textiles. The silhouette is that of a money tree, a plant traditionally believed to ...

Wreath: ROME from artist Stephenie Peek who makes her home in California, is beautifully rendered with a sense of depth, intellect, timelessness and beauty. Inspired by a time the artist spent in Italy and found herself strongly drawn to the history and mystery of antique Roman laurels. Here, the golden wreath appears to float above the clouds in a surrealist, Magritte-like sky. The clear blue has an ethereal quality with glimmering gold. The painting's edges are painted white, so framing is not required. If framing is desired, we can provide it for an additional cost. Signed, dated and titled verso by artist: Artist's statement— The genesis of this oil painting, “Wreath,” is the classic laurel wreath fashioned in gold and awarded to victors, both athletic and poetic, in ancient Greece and Rome. From my studio at the American Academy in Rome, I looked out over the city and imagined these memorials to those who have crossed finish lines, so to speak, who have won their races. Suspended in silence, this wreath speaks for me not only of wordly success with its ephemeral nature, but also of a kind of lasting victory that art can remind us of. "Ars longa...

American Realist nature scene - Pathway to Enchantment - celebrating the color yellow through sunlit fall leaves and trees by celebrated American artist Peter Loftus who is known for captivating color-rich scenes focused on shadow and light through his oil on canvas paintings that breathe life while reflecting natural western environments. Loftus' subject matter includes oceans, mountains, babbling brooks, mountain ridges and their breathtaking vistas; as well as people and figures. This beautiful oil painting glows with natural warm earth tones concentrating on yellow. 40 x 60 inches. oil on canvas. Artist signed, dated and titled. Peter Loftus was born in 1948, in Washington DC. He received a BFA in painting from the Maryland Institute College of Art, in 1971. In 1974, Loftus earned an MFA from the University of Pennsylvania. Drawn by the glorious California light, Loftus moved to Santa Cruz in 1975. He has lived and painted there ever since. Loftus taught at both University of California at Santa Cruz and Cabrillo Community College between 1975, through the present (at UCSC). He taught Beginning, Intermediate and Advanced Drawing, and Painting, in both oil and aqueous media. During that time, he also sustained a rigorous exhibition schedule, showing regularly on the East and West coasts; in New York at Fischbach Gallery, and San Francisco at William Sawyer Gallery and later Hackett-Freedman Gallery. In addition, Loftus has participated in a number of group exhibitions. These include: American Realism: 20th Century Drawings and Watercolors (and accompanying book), San Francisco Museum of Modern Art, New Horizons in American Realism: Flint Institute of Arts, Flint, MI. Loftus is also included in several publications, including: "The Artist as Native: Reinventing Regionalism" by Alan Gussow...

Oil painting by Willard Dixon featuring a couple walking through a cove in Maui. Willard Dixon, who is one of the finest American contemporary realist painters today, has painted coastal landscapes for 35 years, capturing the undeniable beauty of the West with its grand and humble spirit. The painting, with its atmospheric light and calm palette is contemporary and serene. Dixon’s work can be found in numerous distinctive private and public collections, as well as the San Francisco Museum of Art, and the Metropolitan Museum of Art and his work is collected Internationally. Artist signed and dated. A classic Dixon that will sure to bring those who view it a life time of pleasure. Paradisial (Maui), painted in 2023. the canvas is 48.25 X 59 inches. Oil on canvas, and framed in a 22 kt hand gilt gold floater frame.Condition is new and excellent. Artist signed and dated. Ready to ship. Proudly presented by Andra Norris Gallery in California. Selected Collections The San Francisco Museum of Modern Art The Metropolitan Museum of Art The Oakland Museum The Utah Museum of Fine Art San Francisco Art Commission Shaklee Corporation Pacific Gas and Electric Company, San Francisco, CA Kemper Insurance Company, Long Grove, Il Morrison and Foerester, San Francisco, CA SSI Container Corporation, San Francisco, CA San Francisco International Airport Oxford Petroleum Company, Houston,TX California First Bank, San Francisco, CA United Pipeline, Houston, TX Security Pacific National Bank, S.F., CA Crocker Bank, Los Angeles, CA Visa Corporation, San Francisco, CA Atlantic Richfield Corporation Shell Oil, Houston, TX First National Bank of Seattle RREEF Corporation, San Francisco, CA Texas Heritage Society Genstar Corporation, San Francisco, CA Sohio Corporation Skidmore Owings and Merrill, N.Y.C., NY Chemical Bank...

Amaryllis with Lemon in a white ceramic pot sits atop a white table with river rocks, in this still life painting from American realist artist, Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate one's subject matter and in the intimate, direct nature of the painting process. It is very much a studio-centric activity, complete and self-sufficient. The objects that one works with do seem to take on a life of their own, both by themselves and in their affinity for one another. They have a history, a patina, they may be new, or world-weary." Best known for painting the American landscape and captivating the spirit of the West, with its grand and humble spirit, Willard Dixon also paints slill lifes, using objects from his own collection of bottles, dominoes, dice, cups and saucers. His work can be found in numerous distinctive private and public collections, as well as the San Francisco Museum of Art, and the Metropolitan Museum of Art in New York, and the Oakland Museum of Contemporary Art. 'Amaryllis with Lemon' is a sunny and delightful work with a meditative and warm glow, in red, green. white and yellow. 47 x 42 inches. Artist signed. condition excellent. The artist was born: Kansas City MO, 1942 Education: Art Students League, New York, NY Cornell University Brooklyn Museum School San Francisco Art Institute, M.F.A. 1969 Awards and Commissions N.E.A. Fellowship Grant- 1989 California Supreme Court Mural Commission- 1998 Las Vegas Federal Courthouse Commission, G.S.A.-1998 Teaching 1989-90: San Francisco State University 1975: San Francisco Art Institute Realism Seminar 1974-76: Academy of Art College, San Francisco, CA 1973-74, 1976: California College of Arts and Crafts, Oakland, CA 1971-72: California State University, Hayward, CA One Man Exhibitions 2015: Willard Dixon Portraits College of Marin Fine Art Gallery, Kentfield 2014: SFMOMA Artists Gallery, San Francisco, CA. 2008: SFMOMA Artists Gallery, San Francisco, CA. 2005: Fischbach Gallery, NYC,NY 2005: Dolby Chadwick Gallery, San Francisco, CA 2004: Fischbach Gallery, NYC, NY. 2002: Earl McGrath Gallery, Los Angeles, CA 2002: Bolinas Museum, Bolinas, CA 2001: Hackett Freedman Gallery, San Francisco, CA 2000: Fischbach Gallery, NYC , NY 2000: Hearst Art Gallery, St. Mary’s College, Moraga, CA 1998: Hackett Freedman Gallery, SF, CA 1997: Tatistcheff/Rogers Gallery, Los Angeles, CA 1996, 1995: Contemporary Realist Gallery (now Hackett Freedman Gallery) 1994: Fischbach Gallery 1993: Contemporary Realist Gallery 1992: Fischbach Gallery 1991: Earl McGrath Gallery, 454 North, Los Angeles, CA 1990: Fischbach Gallery 1989: William Sawyer Gallery, San Francisco, CA 1988: Gallery 454 North, Los Angeles, CA 1987: Fischbach Gallery 1987: Gallery 454 North 1986: William Sawyer Gallery 1985: Fischbach Gallery 1984: Harris Gallery, Houston, Tx 1984: William Sawyer Gallery 1983, 1982: Fischbach Gallery 1981: William Sawyer Gallery 1980,1979: Tortue Gallery, Los Angeles, CA 1976, 1975: William Sawyer Gallery 1973, 1972: William Sawyer Gallery Selected Group Exhibitions 2017: SHIFT / with Elizabeth Barlow, Kim Frohsin, Erin Parrish, Irene Zweig, Andra Norris Gallery, Burlingame, CA 2015: REAL with Elizabeth Barlow Gallerie Citi, Burlingame, CA. 2014: Stillness and Activity / A father and daughter exhibition, Gallerie Citi, Burlingame, CA. 2013: Outwin Boocher Portrait Competition 2013 Exhibition” Smithsonian National Portrait Gallery, Washington, D.C. Hey Everybody / Portraits, Diablo Valley College 2012: Artistic Visions of the Golden Gate Bridge”, George Krevsky Gallery, S.F., CA. Introduction Two/ Gallerie Citi, Burlingame, CA. 2011: California: A Landscape of Dreams/ Fresno Art Museum 2010: Self Portrait Invitational/ Julie Nester Gallery, Park City UT 2009: On Beauty /I. Wolk Gallery, St. Helena, CA. 2008: At Water’s Edge / I. Wolk Gallery, St. Helena, CA. 2007: San Francisco Scenes/ George Krevsky Gallery, S.F., CA Ten Years- A Retrospective/ Dolby Chadwick Gallery, S.F., CA. 2006: Our Planet, Our Home/ SFMOMA Artists Gallery, S.F. CA 2005: 2005 Spring Group Show/ Earl McGrath Gallery, L.A., CA 2002: H2O’02, Paintings of Water/ Fischbach Gallery, NYC Scene in Oakland 1852-2002 Oakland Museum Oakland, CA The Garden/ Art Foundry Gallery, Sacramento, CA The Moving Still Life/ Fischbach Gallery, New York, NY Bay Area Printmakers/ works from Trillium Press, Art Foundry Gallery, Sacramento, CA California Landscape Paintings/ College of Marin Art Gallery, Kentfield, CA Bay Area Printmakers/ SF Museum of Modern Art/Artists Gallery, San Francisco, CA Visions: Northern California/ Bank of America, San Francisco, CA 2001: Opening Exhibit: Group Show, Fischbach Gallery, NY, NY 2000: Hackett Freedman Gallery Artists/ Shasta College Art Gallery, Redding, Ca 1999: Homage to the Art Institute, Artists Who Transformed American Culture, Hackett Freedman Gallery, San Francisco, CA 1999: What is Art For? What are Museums For? What are You For? curated Curated for the Oakland Museum by William T. Wiley & Mary Hull Webster, Oakland, CA 1998: Paintings of Marin County Past and Present/ The North Point Gallery, San Francisco, CA 1997: 10th Anniversary Exhibition/ Hackett Freedman Gallery, S.F., CA 1996: Rediscovering the Landscape of the Americas/ Gerald Peters Gallery, Santa Fe, NM (traveling exhibition) Contemporary American Realist Painters/ Halls Crown Center Gallery, Kansas City, MO 1996: Foundation for the Future: Celebrating 125 Years at the San Francisco Art Institute/ One Bush St., S.F., CA 1996: New Work by Selected Gallery Artists, Tatistcheff/Rogers Gallery, Los Angeles, CA Flower Paintings/ Contemporary Realist Gallery, S.F., CA 1995: Facing Eden: 100 Years of Landscape Art in the Bay Area / De Young Museum, S.F., CA Contemporary Still Life Painting/ David Klein Gallery, Birmingham, MI 1994: Still Life/ Fischbach Gallery, New York City, NY New Bay Area Painting/ Contemporary Realist Gallery, S.F., CA A Room with a View/ The North Point Gallery, S.F., CA 1993: Bay Area Painting/ Contemporary Realist Gallery, S.F., CA Vanishing Point: A Look at Contemporary Landscape Painting”, Bedford Gallery, Walnut Creek, CA Tribute/ William Sawyer Gallery, S.F., CA Revolution: Into the 2nd Century at the San Francisco Art Institute, One Market Plaza, S.F., CA Contemporary Realism: Central and Northern California Landscapes/ Monterey Museum of Art, Monterey, CA The Artist as Native: Reinventing Regionalism/ a traveling exhibition curated by Alan Gussow and Babcock Galleries, N.Y., NY 1992: A Day in the Country, California Landscape Painting / I. Wolk Gallery, St. Helena, CA West Art and the Law/ Weat Publishing Co., St. Paul, MN(traveling ex.) The New York Academy of Art, New York, NY In Support of Contemporary Bay Area Artists / One Market Plaza, S.F., CA 1991: The Landscape in 20th-Century American Art: Selections from the Metropolitan Museum of Art/ New York, NY, National Traveling Exhibit 1990: Contemporary Landscapes/ 21st Anniversary Exhibition Tortue Gallery, Los Angeles, CA. 1990: New Bay Area Painting Contemporary Realist Gallery, S.F., CA 1989: The Modern Pastoral/ Robert Scholekopf Gallery, New York, NY 1988: Images of the Land/ William Sawyer Gallery, San Francisco, CA 1988: Ten Artists from the William Sawyer Gallery / Shasta College Gallery, Redding CA Works on Paper/ William Sawyer Gallery, San Francisco, CA 1987: The Contemporary American Landscape/ Swain Gallery, NJ 1986: Landscape, Seascape, Cityscape/ Contemporary Arts Center, New Orleans, LA 1985: The Bay Area Seen/ Bay Area Regionalists Show, Hall of Flowers, Golden Gate Park, San Francisco, CA Large Scale/ Harris Gallery, Houston, TX A City Collects/ Transamerica Pyramid, San Francisco, CA American Realism/ William Sawyer Gallery, San Francisco, CA 1984: San Francisco Bay Area Painting/ curated by George Neubert for the Sheldon Memorial Art Gallery, Lincoln, NE American Landscape Painting/ California State University, L.A. CA Western Landscape Painters/ The Museum of the West, Houston, TX The Urban Landscape / One Market Plaza, San Francisco, CA 1982: Collectors Gallery 16/ McNay Art Institute, San Antonio, TX Thirty Approaches to Realism/ William Sawyer Gallery, S.F., CA 1981: Views of California Past and Present/ Triton Museum, Santa Clara, CA Landscapes/ Harris Gallery, Houston, TX 110th Anniversary S.F. Art Institute Alumni Group Show/ William Sawyer Gallery, S.F., CA 1980: Realism/ Walnut Creek Civic Arts Gallery, Walnut Creek, CA 1979: Bay Area Artists Exhibition/Sale/ Oakland Museum, Oakland, CA Omnium Gatherum/ Tortue Gallery, Los Angeles, CA California Viewpoints/ Sunne Savage Gallery, Boston, MA 1978: New Work/ Mills College Art Gallery, Oakland, CA Images of the Land/ William Sawyer Gallery, S.F., CA 1977: Contemporary California Artists/ Marshall-Meyers Gallery Alternative to the Whitney Annual/ James Yu Gallery, N. Y, N.Y. San Francisco Art Festival/ ( Airport Competition Purchase Prize) 1977: Eight Young Americans/ Montclair Museum of Art, Montclair,NJ 1976: Three From California/ Francine Sedars Gallery, Seattle, WA Faculty Show/ California College of Arts and Crafts, Oakland, CA 1975: Realism in Painting and Ceramics/ Helen Euphrat Gallery, De Anza College, Cupertino, CA 1975: A Tribute to the Art Institute/ Hansen Fuller Gallery, S.F., CA California Artists/ Utah Museum of Fine Art, Salt Lake City, UT 1974: Our Land, Our Sky, Our Water/ by Alfred Frankenstein Expo 74, Spokane, WA A Sense of Place/ curated by Alan Gussow for the Joslyn Museum, Omaha, NE The Discovery Gallery, Montclair, N.J. 1973: College of Marin Gallery, Kentfield, CA California Artists/ Kaiser Center, Oakland, CA 1972: Visiting Artists/ California State University, Hayward, CA 1970: Drawing Invitational/ Emanuel Walter Gallery, San Francisco Art Institute, S.F., CA 1970: San Francisco Art Institute Centennial Exhibition, San Francisco Museum of Modern Art, S.F., CA 1967: Society for the Encouragement of Contemporary Art Annual, San Francisco Museum of Modern Art, S.F., CA 1966: California Landscape Painters/ San Francisco Art Institute, S.F. CA. Selected Collections The San Francisco Museum of Modern Art The Metropolitan Museum of Art The Oakland Museum The Utah Museum of Fine Art San Francisco Art Commission Shaklee Corporation Pacific Gas and Electric Company, San Francisco, CA Kemper Insurance Company, Long Grove, Il Morrison and Foerester, San Francisco, CA SSI Container Corporation, San Francisco, CA San Francisco International Airport Oxford Petroleum Company, Houston,TX California First Bank, San Francisco, CA United Pipeline, Houston, TX Security Pacific National Bank, S.F., CA Crocker Bank, Los Angeles, CA Visa Corporation, San Francisco, CA Atlantic Richfield Corporation Shell Oil, Houston, TX First National Bank of Seattle RREEF Corporation, San Francisco, CA Texas Heritage Society Genstar Corporation, San Francisco, CA Sohio Corporation Skidmore Owings and Merrill, N.Y.C., NY Chemical Bank, NY Swissre Corporation, NY The Insurance Company of North America First National Bank of Midland, Texas Commerce Bank AMA Headquarters, Washington, DC Hughes Tool, Houston, TX ATT, NY Morgan Stanley Dean Witter, San Francisco, CA IBM Corporation, San Jose, CA Northern Trust Company, Chicago, IL Smith Kline and French Corp., Philadelphia, PA Wells Fargo Bank, San Francisco, CA Republic National Bank Chevron Trammel Crow Company, Dallas, CA U.S. Insurance Group, N.J. Southwestern Bell Corp., MO Union Bank Pacific Bell United States Trust Company, NY The United Bank of Denver, CO Cigna Corp., Philadelphia, PA Atlantic Richfield Corp., Los Angeles, CA Show, Pittman, Pots and Trobridge, Washington, DC San Francisco Zen Center Hughes Aircraft Co. Los Angeles, CA Minnesota Mining and Manufacturing (3M), St. Paul, MN Bank of America, NY Commerce Bancshares, Inc., Kansas City,MO Robinson Humphrey/American Express, Atlanta, GA Merrill Lynch, San Francisco, CA Goldman Sachs, NY Metropolitan Life Insurance Co., NY Victoria Bank and Trust, Victoria, TX NYNEX, NY Coca Cola, U.S.A., Atlanta, GA TransAmerica Corporation Pacific Telesis Group Brobeck, Phleger, & Harrison Exxon Corporation U.S. Trust Selected Private Collections Estate of Ahmet Ertegun, New York, NY Mr. Harrison Ford, Los Angeles, CA Estate of Irving Lazarr, Los Angeles, Ca Mr. and Mrs. Leonard Holzer, New York, NY Mr. and Mrs. Peter Asher...

Minimal and serene silver cup with cobalt blue reflective orb adorn this contemplative, calm, zen like diptych - where two canvases are attached to create single work of art - from American realist painter Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting process. It is very much a studio-centric activity, complete and self-sufficient. The objects that one works with do seem to take on a life of their own, both by themselves and in their affinity for one another. They have a history, a patina, they may be new, or world-weary." Silver, blue and shades of grey. Best known for American landscape, captivating the spirit of the West, with its grand and humble spirit, Willard Dixon also paints slill lifes, using objects from his own collection of bottles, dominoes, dice, cups and saucers. His work can be found in numerous distinctive private and public collections, as well as the San Francisco Museum of Art, and the Metropolitan Museum of Art in New York, and the Smithsonian National Portrait Gallery in Washington DC. 'Still Life with Silver Cup' is a minimalistic, meditative painting that will hold a viewer and offer an open place to free the mind and spirit. The artist was born: Kansas City MO, 1942 Education: Art Students League, New York, NY Cornell University Brooklyn Museum School San Francisco Art Institute, M.F.A. 1969 Awards and Commissions N.E.A. Fellowship Grant- 1989 California Supreme Court Mural Commission- 1998 Las Vegas Federal Courthouse Commission, G.S.A.-1998 Teaching 1989-90: San Francisco State University 1975: San Francisco Art Institute Realism Seminar 1974-76: Academy of Art College, San Francisco, CA 1973-74, 1976: California College of Arts and Crafts, Oakland, CA 1971-72: California State University, Hayward, CA One Man Exhibitions 2015: Willard Dixon Portraits College of Marin Fine Art Gallery, Kentfield 2014: SFMOMA Artists Gallery, San Francisco, CA. 2008: SFMOMA Artists Gallery, San Francisco, CA. 2005: Fischbach Gallery, NYC,NY 2005: Dolby Chadwick Gallery, San Francisco, CA 2004: Fischbach Gallery, NYC, NY. 2002: Earl McGrath Gallery, Los Angeles, CA 2002: Bolinas Museum, Bolinas, CA 2001: Hackett Freedman Gallery, San Francisco, CA 2000: Fischbach Gallery, NYC , NY 2000: Hearst Art Gallery, St. Mary’s College, Moraga, CA 1998: Hackett Freedman Gallery, SF, CA 1997: Tatistcheff/Rogers Gallery, Los Angeles, CA 1996, 1995: Contemporary Realist Gallery (now Hackett Freedman Gallery) 1994: Fischbach Gallery 1993: Contemporary Realist Gallery 1992: Fischbach Gallery 1991: Earl McGrath Gallery, 454 North, Los Angeles, CA 1990: Fischbach Gallery 1989: William Sawyer Gallery, San Francisco, CA 1988: Gallery 454 North, Los Angeles, CA 1987: Fischbach Gallery 1987: Gallery 454 North 1986: William Sawyer Gallery 1985: Fischbach Gallery 1984: Harris Gallery, Houston, Tx 1984: William Sawyer Gallery 1983, 1982: Fischbach Gallery 1981: William Sawyer Gallery 1980,1979: Tortue Gallery, Los Angeles, CA 1976, 1975: William Sawyer Gallery 1973, 1972: William Sawyer Gallery Selected Group Exhibitions 2017: SHIFT / with Elizabeth Barlow, Kim Frohsin, Erin Parrish, Irene Zweig, Andra Norris Gallery, Burlingame, CA 2015: REAL with Elizabeth Barlow Gallerie Citi, Burlingame, CA. 2014: Stillness and Activity / A father and daughter exhibition, Gallerie Citi, Burlingame, CA. 2013: Outwin Boocher Portrait Competition 2013 Exhibition” Smithsonian National Portrait Gallery, Washington, D.C. Hey Everybody / Portraits, Diablo Valley College 2012: Artistic Visions of the Golden Gate Bridge”, George Krevsky Gallery, S.F., CA. Introduction Two/ Gallerie Citi, Burlingame, CA. 2011: California: A Landscape of Dreams/ Fresno Art Museum 2010: Self Portrait Invitational/ Julie Nester Gallery, Park City UT 2009: On Beauty /I. Wolk Gallery, St. Helena, CA. 2008: At Water’s Edge / I. Wolk Gallery, St. Helena, CA. 2007: San Francisco Scenes/ George Krevsky Gallery, S.F., CA Ten Years- A Retrospective/ Dolby Chadwick Gallery, S.F., CA. 2006: Our Planet, Our Home/ SFMOMA Artists Gallery, S.F. CA 2005: 2005 Spring Group Show/ Earl McGrath Gallery, L.A., CA 2002: H2O’02, Paintings of Water/ Fischbach Gallery, NYC Scene in Oakland 1852-2002 Oakland Museum Oakland, CA The Garden/ Art Foundry Gallery, Sacramento, CA The Moving Still Life/ Fischbach Gallery, New York, NY Bay Area Printmakers/ works from Trillium Press, Art Foundry Gallery, Sacramento, CA California Landscape Paintings/ College of Marin Art Gallery, Kentfield, CA Bay Area Printmakers/ SF Museum of Modern Art/Artists Gallery, San Francisco, CA Visions: Northern California/ Bank of America, San Francisco, CA 2001: Opening Exhibit: Group Show, Fischbach Gallery, NY, NY 2000: Hackett Freedman Gallery Artists/ Shasta College Art Gallery, Redding, Ca 1999: Homage to the Art Institute, Artists Who Transformed American Culture, Hackett Freedman Gallery, San Francisco, CA 1999: What is Art For? What are Museums For? What are You For? curated Curated for the Oakland Museum by William T. Wiley & Mary Hull Webster, Oakland, CA 1998: Paintings of Marin County Past and Present/ The North Point Gallery, San Francisco, CA 1997: 10th Anniversary Exhibition/ Hackett Freedman Gallery, S.F., CA 1996: Rediscovering the Landscape of the Americas/ Gerald Peters Gallery, Santa Fe, NM (traveling exhibition) Contemporary American Realist Painters/ Halls Crown Center Gallery, Kansas City, MO 1996: Foundation for the Future: Celebrating 125 Years at the San Francisco Art Institute/ One Bush St., S.F., CA 1996: New Work by Selected Gallery Artists, Tatistcheff/Rogers Gallery, Los Angeles, CA Flower Paintings/ Contemporary Realist Gallery, S.F., CA 1995: Facing Eden: 100 Years of Landscape Art in the Bay Area / De Young Museum, S.F., CA Contemporary Still Life Painting/ David Klein Gallery, Birmingham, MI 1994: Still Life/ Fischbach Gallery, New York City, NY New Bay Area Painting/ Contemporary Realist Gallery, S.F., CA A Room with a View/ The North Point Gallery, S.F., CA 1993: Bay Area Painting/ Contemporary Realist Gallery, S.F., CA Vanishing Point: A Look at Contemporary Landscape Painting”, Bedford Gallery, Walnut Creek, CA Tribute/ William Sawyer Gallery, S.F., CA Revolution: Into the 2nd Century at the San Francisco Art Institute, One Market Plaza, S.F., CA Contemporary Realism: Central and Northern California Landscapes/ Monterey Museum of Art, Monterey, CA The Artist as Native: Reinventing Regionalism/ a traveling exhibition curated by Alan Gussow and Babcock Galleries, N.Y., NY 1992: A Day in the Country, California Landscape Painting / I. Wolk Gallery, St. Helena, CA West Art and the Law/ Weat Publishing Co., St. Paul, MN(traveling ex.) The New York Academy of Art, New York, NY In Support of Contemporary Bay Area Artists / One Market Plaza, S.F., CA 1991: The Landscape in 20th-Century American Art: Selections from the Metropolitan Museum of Art/ New York, NY, National Traveling Exhibit 1990: Contemporary Landscapes/ 21st Anniversary Exhibition Tortue Gallery, Los Angeles, CA. 1990: New Bay Area Painting Contemporary Realist Gallery, S.F., CA 1989: The Modern Pastoral/ Robert Scholekopf Gallery, New York, NY 1988: Images of the Land/ William Sawyer Gallery, San Francisco, CA 1988: Ten Artists from the William Sawyer Gallery / Shasta College Gallery, Redding CA Works on Paper/ William Sawyer Gallery, San Francisco, CA 1987: The Contemporary American Landscape/ Swain Gallery, NJ 1986: Landscape, Seascape, Cityscape/ Contemporary Arts Center, New Orleans, LA 1985: The Bay Area Seen/ Bay Area Regionalists Show, Hall of Flowers, Golden Gate Park, San Francisco, CA Large Scale/ Harris Gallery, Houston, TX A City Collects/ Transamerica Pyramid, San Francisco, CA American Realism/ William Sawyer Gallery, San Francisco, CA 1984: San Francisco Bay Area Painting/ curated by George Neubert for the Sheldon Memorial Art Gallery, Lincoln, NE American Landscape Painting/ California State University, L.A. CA Western Landscape Painters/ The Museum of the West, Houston, TX The Urban Landscape / One Market Plaza, San Francisco, CA 1982: Collectors Gallery 16/ McNay Art Institute, San Antonio, TX Thirty Approaches to Realism/ William Sawyer Gallery, S.F., CA 1981: Views of California Past and Present/ Triton Museum, Santa Clara, CA Landscapes/ Harris Gallery, Houston, TX 110th Anniversary S.F. Art Institute Alumni Group Show/ William Sawyer Gallery, S.F., CA 1980: Realism/ Walnut Creek Civic Arts Gallery, Walnut Creek, CA 1979: Bay Area Artists Exhibition/Sale/ Oakland Museum, Oakland, CA Omnium Gatherum/ Tortue Gallery, Los Angeles, CA California Viewpoints/ Sunne Savage Gallery, Boston, MA 1978: New Work/ Mills College Art Gallery, Oakland, CA Images of the Land/ William Sawyer Gallery, S.F., CA 1977: Contemporary California Artists/ Marshall-Meyers Gallery Alternative to the Whitney Annual/ James Yu Gallery, N. Y, N.Y. San Francisco Art Festival/ ( Airport Competition Purchase Prize) 1977: Eight Young Americans/ Montclair Museum of Art, Montclair,NJ 1976: Three From California/ Francine Sedars Gallery, Seattle, WA Faculty Show/ California College of Arts and Crafts, Oakland, CA 1975: Realism in Painting and Ceramics/ Helen Euphrat Gallery, De Anza College, Cupertino, CA 1975: A Tribute to the Art Institute/ Hansen Fuller Gallery, S.F., CA California Artists/ Utah Museum of Fine Art, Salt Lake City, UT 1974: Our Land, Our Sky, Our Water/ by Alfred Frankenstein Expo 74, Spokane, WA A Sense of Place/ curated by Alan Gussow for the Joslyn Museum, Omaha, NE The Discovery Gallery, Montclair, N.J. 1973: College of Marin Gallery, Kentfield, CA California Artists/ Kaiser Center, Oakland, CA 1972: Visiting Artists/ California State University, Hayward, CA 1970: Drawing Invitational/ Emanuel Walter Gallery, San Francisco Art Institute, S.F., CA 1970: San Francisco Art Institute Centennial Exhibition, San Francisco Museum of Modern Art, S.F., CA 1967: Society for the Encouragement of Contemporary Art Annual, San Francisco Museum of Modern Art, S.F., CA 1966: California Landscape Painters/ San Francisco Art Institute, S.F. CA. Selected Collections The San Francisco Museum of Modern Art The Metropolitan Museum of Art The Oakland Museum The Utah Museum of Fine Art San Francisco Art Commission Shaklee Corporation Pacific Gas and Electric Company, San Francisco, CA Kemper Insurance Company, Long Grove, Il Morrison and Foerester, San Francisco, CA SSI Container Corporation, San Francisco, CA San Francisco International Airport Oxford Petroleum Company, Houston,TX California First Bank, San Francisco, CA United Pipeline, Houston, TX Security Pacific National Bank, S.F., CA Crocker Bank, Los Angeles, CA Visa Corporation, San Francisco, CA Atlantic Richfield Corporation Shell Oil, Houston, TX First National Bank of Seattle RREEF Corporation, San Francisco, CA Texas Heritage Society Genstar Corporation, San Francisco, CA Sohio Corporation Skidmore Owings and Merrill, N.Y.C., NY Chemical Bank, NY Swissre Corporation, NY The Insurance Company of North America First National Bank of Midland, Texas Commerce Bank AMA Headquarters, Washington, DC Hughes Tool, Houston, TX ATT, NY Morgan Stanley Dean Witter, San Francisco, CA IBM Corporation, San Jose, CA Northern Trust Company, Chicago, IL Smith Kline and French Corp., Philadelphia, PA Wells Fargo Bank, San Francisco, CA Republic National Bank Chevron Trammel Crow Company, Dallas, CA U.S. Insurance Group, N.J. Southwestern Bell Corp., MO Union Bank Pacific Bell United States Trust Company, NY The United Bank of Denver, CO Cigna Corp., Philadelphia, PA Atlantic Richfield Corp., Los Angeles, CA Show, Pittman, Pots and Trobridge, Washington, DC San Francisco Zen Center Hughes Aircraft Co. Los Angeles, CA Minnesota Mining and Manufacturing (3M), St. Paul, MN Bank of America, NY Commerce Bancshares, Inc., Kansas City,MO Robinson Humphrey/American Express, Atlanta, GA Merrill Lynch, San Francisco, CA Goldman Sachs, NY Metropolitan Life Insurance Co., NY Victoria Bank and Trust, Victoria, TX NYNEX, NY Coca Cola, U.S.A., Atlanta, GA TransAmerica Corporation Pacific Telesis Group Brobeck, Phleger, & Harrison Exxon Corporation U.S. Trust Selected Private Collections Estate of Ahmet Ertegun, New York, NY Mr. Harrison Ford, Los Angeles, CA Estate of Irving Lazarr, Los Angeles, Ca Mr. and Mrs. Leonard Holzer, New York, NY Mr. and Mrs. Peter Asher...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting process. It is very much a studio-centric activity, complete and self-sufficient. The objects that one works with do seem to take on a life of their own, both by themselves and in their affinity for one another. They have a history, a patina, they may be new, or world-weary." The artist continues, "My collection has been substantially whittled down to an essential few over the years, yet their combinations seem infinite. There is a lengthy and persistent shuffling, adding and eliminating to find that particular combination that suddenly takes on a rightness or self-sufficiency. It is interesting how one small object of the right color in the right place can facilitate such an event, or in another case the removal of something, a simplifying. I have a feeling when composing these paintings similar to my experience of playing with my jazz group. The key, the tempo, the dynamics, all come together, and there is a point when everything clicks and propels the music into a life of its own greater than the sum of its individual parts". —Willard Dixon 'Still Life with Chinese Ball...

Olympic games 'Wreath' from Stephanie Peek, who makes her home in California, is beautifully rendered with a sense of depth, intellect, timelessness and beauty. Inspired by a time the artist spent in Italy, and found herself strongly drawn to the history and mystery of antique Roman laurels. Here, the golden wreath appears to float above the clouds in a surrealist, Magritte like sky. The clear blue has an ethereal quality with glimmering gold. The painting's edges are painted white, so framing is not required. If framing is desired, we can provide it for an additional cost. Signed on verso by artist: Artist's statement— The genesis of this oil painting, “Wreath,” is the classic laurel wreath fashioned in gold and awarded to victors, both athletic and poetic, in ancient Greece and Rome. From my studio at the American Academy in Rome, I looked out over the city and imagined these memorials to those who have crossed finish lines, so to speak, who have won their races. Suspended in silence, this wreath speaks for me not only of wordly success with its ephemeral nature, but also of a kind of lasting victory that art can remind us of. "Ars longa...

'Talisman' - oil on canvas is 24 x 60 in (60.96 x 152.40 cm), meticulously painted by American Realist Brooks Anderson. Canvas edges are painted dark in artist's signature style. Lov...

In this series of trompe-l'œil oil and acrylic paintings, Myron Stephens realistically recreates images of mundane objects taped to what appears to be chalkboards covered with free s...

‘Autumn Reflections no. 2’ oil painting by American Realist artist Peter Loftus, who is known for captivating breathtaking color-rich nature scenes through shadow and light in his oi...

The original painting by Adrienne Sherman in oil on panel with a lacquer-like luster. depicting the endangered Western Crowned Pigeon from New Guinea, is 8 x 8 inches and is professi...

'One to Chew On' 14 x 11 inches, 2019. A wonderful original work of art by artist Myron Stephens, who realistically recreates images of people, animals and mundane objects that are m...

This artwork "Still Life with Fruits in a Plate, and Cup" c.1980 is an oil painting on paper by American artist Carol Fremlin, b.1933. It is signed at th...

'Glowing Peonies in Tall Vase' by master watercolorist Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and size. Internationally exhibited and celebrated worldwide, Bukovnik’s iconic works express a spiritual exultation - a joie de vivre - a vivid celebration of beauty. The painting captures the season of nature’s rebirth when the world awakes from its winter repose — Forever Spring...

Mountain scene with residual snow from above Lake Tahoe by American Realist artist Peter Loftus, who is known for captivating color-rich nature scenes through shadow and light in his oil on canvas paintings that breathe life while reflecting western environments. Loftus is known for his meticulous realist oil paintings featuring ocean-scenes, babbling brooks, mountain ranges and their vistas, as well as figures and people. 'Melting Snow' is beautifully and skillfully painted in natural earth colors and sparkling clear blue with green and shades of snow white. An awe inspiring scene, the painting is pleasure to gaze upon. 44 x 66 inches...

In this cinema noir , comic strip series of original oil and acrylic painting on wood panels, Myron Stephens realistically recreates images of people and often mundane objects that a...

'Tipsy Lilies' by master watercolorist Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and size. Internationally exhibited and celebrated worldwide, Bukovnik’s iconic works express a spiritual exultation - a joie de vivre - a vivid celebration of beauty. The painting captures the season of nature’s rebirth when the world awakes from its winter repose — Forever Spring...

‘Glory Blaze’ oil painting by American Realist artist Peter Loftus, who is known for captivating breathtaking color-rich nature scenes through shadow and light in his oil on canvas p...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

'In the Garden with Matisse' by artist Mimi Jensen. Whimsical and striking objects ranging from blue and green to red, with reflective silver, make up this patterned and textured sti...

This unique multistep technique is a combination of a painting and a photograph or monotype. Cyanotypes are a kind of alternative photographic process from the 1800s. The chemicals are different from those used in black and white photography. The light-sensitive chemicals can be used to print blue and white photographs from a large negative or a person can capture the silhouette of solid objects rather like an x-ray in blue and white. In her Delft Garden series, artist Christine So first drew the outline of a plant in pencil and then painted it in a dark room —not paint– but with the cyanotype light-sensitive emulsion. When the painting had dried, she arranged plants on top of the painted silhouette in a pattern that would leave gaps like lace, carefully moved the entire bundle outside while still covered and then exposed the pattern multiple times at different angles to the sun, to achieve various shades of blue and white. The heavy cotton watercolor paper then needed to be thoroughly rinsed in order to stop the darkening process. The silhouette here is of the Giant California Tree...

'San Francisco Symphony Still Life no. 4' by master watercolorist Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth...

'Bread no. 3' The image of a slice of bread with a green background, painted in 2023. It comes in a pristine museum quality pale ash wood frame with all archival materials. Artwork d...

'Bread no. 4' The image of a slice of bread with a blue background painted, painted in 2023. It comes in a pristine museum quality pale ash wood frame with all archival materials. Artwork dimension is 12 x 12 inches. / framed 12 3/4 x 12 3/4 inches. A wonderful original work of art by Kim Frohsin, who is often associated with the Bay Area Figurative movement. Frohsin began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri and Stephen De Staebler in an exhibit of "Four Figures from the Bay." With Wayne Thiebaud as the juror, she won the California Society of Printmakers' Award in 1996, and the following year exhibited at the de Young Museum in San Francisco in "Bay Area Art...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

'Cone No 5: Sister Twin' from Kim Frohsin's important and historic Cautionary Tales series series of 2015. Twin Sister Cone is one of about 15 "portraits of construction cones by Fro...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

Still life oil painting of a yellow rose in view of Johannes Vermeer's 'Girl with a Pearl Earring', poster hanging on a wall in the interior scene by ...

'On The Town: Paris', depicts a warm and inviting restaurant dining experience. A scene from a night on the town in France from Jensen's series of paintings that depict and celebrate...

The Hana-bi 4 — A luminous oil on linen painting inspired by Japanese Fireworks The word hanabi in Japanese translates to "fire flowers," with hana meaning flower and bi meaning fire. It is most commonly used for fireworks, which the Japanese often describe as beautiful blooming bursts in the sky. The composition becomes more than a floral painting - it is a meditation on the emotional resonance of color, where flowers themselves become like fire: alive, radiant, and fleeting. The metaphor of "beautiful fire flowers" perfectly captures both the intensity and delicacy of the subject, reminding us how a blossom can carry an emotional spark. The artist said, "It is metaphorically a work on emotional connection to color, w/ith the flower as the subject".. Dimensions are 50 x 50 inches. French American Frédéric...

American Realist Willard Dixon paints the undeniable beauty of the west with its grand and humble spirit. Here is 'Salt Pond no. 2', 50 x 42 inches, oil on ...