Bay Area - Prints and Multiples
to
613
506
659
795
523
406
Overall Width
to
Overall Height
to
613
344
329
157
115
80
65
53
20
16
14
6
1
233
85
56
55
50
264
317
1,537
767
4
3
2
10
3
27
49
100
87
39
185
1,561
1,189
119
957
479
291
273
262
256
234
218
178
149
145
141
138
136
122
96
90
90
81
72
905
627
627
487
358
885
697
2,889
50,993
36,980
Item Ships From: Bay Area
Candies: Blackground
By Kim Frohsin
Located in Burlingame, CA
'Candies: Blackground' monotype EV a special full page print. Edition 1/4 with heavy handcoloring in mixed media: ink, pencils and gouache. Artist signed front by Kim Frohsin, who is...
Category
1990s Pop Art Bay Area - Prints and Multiples
Materials
Monotype
Untitled
Located in San Francisco, CA
This artwork "Untitled" 1982 is an original color etching with aquatint on Arches paper by French artist Jean Solombre, 1948-2005. It is hand signed, dat...
Category
Late 20th Century Surrealist Bay Area - Prints and Multiples
Materials
Etching, Aquatint
"Centre Noeuds" planche #6
By Roberto Matta
Located in San Francisco, CA
This artwork titled "Centre Noeuds" plate #6 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is ...
Category
Mid-20th Century Surrealist Bay Area - Prints and Multiples
Materials
Aquatint
Innsbruck
By Josef Eidenberger
Located in San Francisco, CA
This artwork titled "Innsbruck" is an color etching by noted Austrian artist Josef Eidenberger, 1899-1991 It is hand signed dated and dedicated in pencil. The plate mark (image) siz...
Category
Mid-20th Century Realist Bay Area - Prints and Multiples
Materials
Etching
Sweden and Adjacent Portions of Scandinavia: A Hand-colored 18th C. Homann Map
By Johann Baptist Homann
Located in Alamo, CA
This hand-colored copper-plate map of Sweden and adjacent portions of Scandinavia entitled "Regni Sueciae in Omnes suas Subjacentes Provincias accurate divisi Tabula Generalis" was c...
Category
Early 18th Century Old Masters Bay Area - Prints and Multiples
Materials
Engraving
Untitled
By Charles Arnoldi
Located in San Francisco, CA
Artist: Charles Arnoldi (American, born 1931)
Title: Untitled
Year: 2001
Medium: Off set lithograph
Edition: Numbered XXVI 10/40 in pencil
Image size: 17 x 17 inches
Signat...
Category
Late 20th Century Abstract Geometric Bay Area - Prints and Multiples
Materials
Offset
Abstract Monotype - Elipse V
By Kirsten Stolle
Located in San Francisco, CA
This beautiful monotype by Kirsten Stolle (1967-) is a simple, yet elegant composition with beautiful, harmonious colors. There is a wonderful warmth and richness to the surface; var...
Category
Early 2000s Abstract Bay Area - Prints and Multiples
Materials
Monotype
18th Century Etching of Ancient Roman Architectural Objects by Giovanni Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
A. Tigna Protensa Super Media Epistylia, B. Praecisiones Tigorum Quaqua Versus Extrinsectus Apparentium, C. Opae Extremitates Tigorum Contintes, Fig. I, plate 88 from "Vasi, Candelab...
Category
Mid-18th Century Old Masters Bay Area - Prints and Multiples
Materials
Etching
Manor Arena
Located in San Francisco, CA
This artwork "Manor Arena c.1980 is an original etching on Japan paper by noted French abstract expressionist artist Francois Rouan, b.1943. It is hand ...
Category
Late 20th Century Abstract Expressionist Bay Area - Prints and Multiples
Materials
Etching
California: 18th Century Hand-colored Map by de Vaugondy
By Didier Robert de Vaugondy
Located in Alamo, CA
This is an 18th century hand-colored map of the western portions of North America entitled "Carte de la Californie et des Pays Nord-Ouest separés de l'Asie par le détroit d'Anian, ex...
Category
1770s Bay Area - Prints and Multiples
Materials
Engraving
$700 Sale Price
20% Off
La Lettre du Fils (The Son
s Letter)
By Paul Jacoulet
Located in San Francisco, CA
This artwork titled "La Lettre du Fils" (The Son's Letter) 1938 is an original color woodcut by French artist Paul Jacoulet, 1896-1960. It is hand signed in pencil by the artist, wit...
Category
Mid-20th Century Realist Bay Area - Prints and Multiples
Materials
Woodcut
Southern Greece: A Large 17th Century Hand-colored Map By Sanson and Jaillot
By Nicholas Sanson d
Abbeville
Located in Alamo, CA
This large original hand-colored copperplate engraved map of southern Greece and the Pelopponese Peninsula entitled "La Moree Et Les Isles De Zante, Cefalonie, Ste. Marie, Cerigo & C...
Category
1690s Bay Area - Prints and Multiples
Materials
Engraving
Trumpeter Swan: an Original 1st Edition Hand Colored Audubon Bird Lithograph
By John James Audubon
Located in Alamo, CA
An original rare and extremely collectible first edition John James Audubon hand colored royal octavo lithograph entitled "Trumpeter Swan, Young", No. 7...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Cantique du Singulier
By Aristide Caillaud
Located in San Francisco, CA
This artwork titled "Cantique du Singulier" 1977, is an original colors lithograph on Japan paper by noted French artist Aristide Caillaud, 1902-1990. It is hand signed and numbered ...
Category
Late 20th Century Surrealist Bay Area - Prints and Multiples
Materials
Lithograph
Heron Moon
Located in San Francisco, CA
This artwork titled "Heron Moon" c.1990, is a color woodblock print on paper by noted Canadian/Japanese artist Suezan Aikins, b.1952. It is signed, titled and numbered 58/150 in pencil by the artist. The artwork (image) size is 8.5 x 21 inches, framed size is 15.75 x 28.25 inches. Custom framed in a silver metal frame, with double off white matting. It is in excellent condition, the frame have some small minor rubs, barely visible.
About the artwork:
This artwork required have 5 different carved wood blocks and 9 layers of colors to complete.
About the artist:
Born in Montreal in 1952, Suezan was influenced early in her life by the works of modern Japanese woodblock printmakers which hung throughout her parents’ home. She attended the Fine Arts programme at Mount Allison University in Sackville, New Brunswick (1969 - 1971), The Ontario College of Art (1971-73), L’ ecole du Musee des Beaux Arts (1974), Nova Scotia College of Art and Design -BFA (1975) as well as a very intensive year of study with Toshi Yoshida in Tokyo (1984-85).
She has exhibited extensively in both public and private galleries throughout North America and Japan. Recent exhibitions include solo shows in Tokyo, Osaka, Okinawa, and Boston with group exhibitions at the Wenniger Gallery, Boston, Royal Canadian Academy in Toronto and the Canadian Museum of Nature in Ottawa.
Her paintings and woodblock prints are found in many collections such as The Canada Council Art Bank, The Nickle Art Museum, The Art Gallery of Nova Scotia, The Royal Bank of Canada, Prince Takamanonamiya Norihito, the Embassy of Canada in Tokyo, The Thomas Moore Institute as well as private collections.
Suezan Aikins was awarded the Elizabeth Greenshields Foundation grant in 1983, Nova Scotia Department of Culture - Development Grants in 1980, 1987 and 1988. She was elected to the Royal Canadian Academy of Art in 1990 and received the Canadian Progress Club- Women of Excellence Award for Culture in 1993. Her work has been featured in a number of television documentaries as well as many Canadian magazines.
STUDIES:
Yoshida Woodblock Print Studio Tokyo, 84-85
Nova Scotia College of Art & Design, Halifax, 74-75 BFA
Ecole du Musee des Beaux Arts, Montreal, 74
Ontario College of Art, Toronto, 71-73
Mt. Allison University, 69-72
SELECTED SOLO SHOWS:
25 Year Retrospective of Woodblock Prints traveled to three Public Galleries in Germany: Dornum Castle; Tollhousverein, Leer; Rastede Palace, Oldenberg 2000-2001 color catalog and reviews.
Private Exhibitions, Falmouth, Mass., July 1996; Montreal, November 1996; Gibson Island, Md., April 1999.
Gold Paintings and Woodblock Retrospective, travelling: Kabutoya Gallery, Tokyo; Genkan Gallery, Tokyo American Club; Blue Nile Gallery, Osaka; Kanda's Gallery BOQ, Okinawa; May 1994 (color catalogue)
Edo Gallery, Boston, November 1992, Private Exhibitions, Chatham, Mass, July 1992, Toronto, Oct. 1991
New Paintings and Woodblocks Kabutoya Gallery, Tokyo, May 1991, and also in 1987.
Japanese Garden and Pavilion Foundation, Montreal, September 1990, Ownens Art Gallery, Mount Allison University 1988
Zwickers Gallery, Halifax, NS, 1979; Gallery 78; Fredericton, November, 1983; Robertson Galleries, Ottawa, November, 1982
SELECTED GROUP SHOWS:
"A New Leaf" 30 foot instalation of mixed media/ goldleaf reliefs, Artsplace, Annapolis Royal, N.S., 2000 color catalog
"Far and Wide" Juried Bienials, Art Gallery of Nova Scotia; 1996 to '99, travelling, catalogs
"Moku Hanga Travelling Exhibition: Contemporary Japanese Woodcuts...
Category
Late 20th Century Realist Bay Area - Prints and Multiples
Materials
Woodcut
Femme a l
ombrelle
By Jean-Pierre Cassigneul
Located in San Francisco, CA
This art work titled "Femme a l'Ombrelle" 1972 is an original color lithograph on Arches paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and numbered 29/150 in pencil by the artist. Referenced and pictured in the artist's catalogue raisonne by Sauret plate #42. The image size is 22.25 x 16 inches, framed size is 36.15 x 28.25 inches. Custom framed in a wooden gold leaf frame, with fabric matting and gold color spacer. It is in excellent condition.
About the artist:
Jean-Pierre Cassigneul is a French painter known for his serene portraits of women in hats that recall the French Post-Impressionist avant-garde, including the works of Pierre Bonnard and Edouard Vuillard. He was born on July 13, 1935, in Paris.
He studied at the École des Beaux-Arts in Paris and went on to exhibit in various group exhibitions, including the Salon d' Automne in Paris (of which he was member), the Salon de la Jeune Peinture, He exhibited at the Beaubourg Center in Paris in 1977 and solo as of 1952, on a regular basis in France but also in New York, and Tokyo and worldwide
Jean PierreCassigneul is known for his charming and extremely popular Van Dongen-influenced paintings of women in floral hats, complete with frequent allusions to other aspects of the Années Folles.
1952 First private exhibition at the Galerie Lucy Kroge in Paris aged 17.
1954 Enters into the Académie Charpentier and then decides to study under Jean Souverbie
at the Ecole des Beaux-Arts de Paris.
1955 He passes his entrance exam a year later and enrolls at the "Ecole Nationale Superieure"
des Beaux-Arts de Paris. Works in Chapelain-Midy’s studio.
1958 First exhibition at the Galerie des Beaux-Arts.
1959 Appointed member of the Salon d’Automne.
1956–1960 Instructed by the French painter Roger Chapelain-Midy.
1963 Present at the Salon de la Jeune Peinture for the first time.
1964 Private exhibition at the Galerie Tivey-Faucon, Paris.
Meets Kiyoshi Tamenaga, who becomes his art dealer for Japan.
1965 Creation of his first lithographic works.
Exhibition at the Galerie Bellechasse, Paris.
1966 Present at the International Exhibition of Figurative Art, Tokyo.
Exhibition at the Galerie Bellechasse, Paris.
1968 Exhibition at the Galerie Juarez in Palm Beach, USA.
Private exhibition at la Galerie Vital, Paris.
1969 Exhibition of lithographic works at the Mitsukoshi Gallery, Tokyo.
1970 January : Exhibition at the Wally Findlay Gallery, Palm Beach, then in New York.
First trip to Japan, where he stays for three months.
Important private exhibition at the Mitsukoshi Gallery, Tokyo.
1973 Exhibition at the Wally Findlay Gallery in Palm Beach, then in New York.
Private exhibition at the Tamenaga Gallery, Tokyo. Meets art publisher Alain Mazo.
1974 Private exhibition at the Galerie Wally Findlay, Paris, then in New York.
1975 Exhibition at the Wally Findlay Gallery, New York.
1976 Private exhibition at the Mitsukoshi Gallery, Tokyo.
Publication of the album “Parcs” by Editions Mazo-Paris.
1977 June : Private exhibition at the Galerie René Kieffer, Paris
Private show of paintings and pastels at the Galerie Wally Findlay, Paris.
1978 Retrospective exhibition of lithographic works at Vision Nouvelle.
June-July : Exhibition at the Wally Findlay Gallery, New York.
Important private showat the Mitsukoshi Gallery, Tokyo.
1980 Designs his first tapestry, executed by Atelier 3...
Category
Late 20th Century Post-Impressionist Bay Area - Prints and Multiples
Materials
Lithograph
"The Cougar", an Original 19th C. Audubon Hand Colored Quadruped Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored royal octavo lithograph entitled "The Cougar, Male", No. 20, Plate XCVI, 96 from Audubon's "Quadrupeds of North America". It was d...
Category
Mid-19th Century Naturalistic Bay Area - Prints and Multiples
Materials
Lithograph
Blue Flight / monoprint
By Kim Frohsin
Located in Burlingame, CA
Monotype ev edition 3/4 with heavy hand coloring. The plate is 28 x 28 inches and the overall paper size is 33 1/2 x 32 inches. Signed, titled and dated. Kim Frohsin spend 12 years w...
Category
21st Century and Contemporary Contemporary Bay Area - Prints and Multiples
Materials
Gouache, Mixed Media, Monotype, Pastel
Il ne Faut pas Oublier
By Jean Louis Forain
Located in San Francisco, CA
Artist: Jean-Louis Forain (French, 1852-1931)
Title: Il ne Faut pas Oublier
Year: 1918
Medium: Lithograph
Edition: Numbered 266/300 in pencil
Paper: Wove
Size paper: 15 x 22....
Category
Early 20th Century Impressionist Bay Area - Prints and Multiples
Materials
Lithograph
"Scene _ Country Fair": A Framed Early 19th Century Engraving by George Hunt
By George Hunt
Located in Alamo, CA
This is a framed colored engraving entitled "Scene _ Country Fair" by George Hunt, published in London in 1825. It depicts a gathering of people at an early 19th century county fair, presumably in England. A majority of the crowd are turned away, watching a performance on a stage in the background. In the foreground a man is in conversation with a couple. The man wears a top hat and the woman is holding a baby. They are dressed in the typical attire of the middle class at that time.
The engraving is presented in a brown wood frame and a double mat, with a cream-colored outer mat and a light cranberry...
Category
Early 19th Century Bay Area - Prints and Multiples
Materials
Engraving
George Inn, Norton St. Philip
Located in San Francisco, CA
This artwork titled "George Inn, Norton St. Philipr" is a chromolithograph by noted British artist Cecil Charles Windsor Aldin, 1870-1935. It is hand signed at the lower left corner by the artist. With the blindstamp of the Fine Art Trade Gulid, published and printed by Eyre and Spottiswoode ltd, London. The image size is 12.75 x 15 inches, sheet size is 15 x 16.25 inches. it is in excellent condition.
About the artist:
Cecil Charles Windsor Aldin RBA (28 April 1870 - 6 January 1935) was a British artist and illustrator best known for his paintings and sketches of animals, sports, and rural life.
Born in Slough, he was educated at Eastbourne College and Solihull Grammar School. He studied anatomy at South Kensington and animal painting under William Frank Calderon. He lived at The Abbots, Sulhamstead Abbots from 1913 to 1914 and was church warden of St Mary's church.
Early influences included Randolph Caldecott and John Leech. His drawings first made their way into print in The Building News of 12 September 1890, and began to appear throughout many popular journals and magazines; his work was published in The Graphic in 1891.
His illustrations include two of the original 1894 magazine publications of stories from Rudyard Kipling's The Second Jungle Book, the 1910 edition of Charles Dickens' The Pickwick Papers and The Bunch Book (1932, about Bunch, a Sealyham Terrier) by James Douglas...
Category
Mid-20th Century Realist Bay Area - Prints and Multiples
Materials
Lithograph
Femme en Rouge (Woman in Red)
By Emile Bellet
Located in San Francisco, CA
This artwork titled "Femme en Rouge" (Woman in Red) is a original color lithograph on B.F.K Rives paper by French artist Emile Bellet, born 1941 It is hand signed and numbered E.A 5...
Category
21st Century and Contemporary Modern Bay Area - Prints and Multiples
Materials
Lithograph
Delft Madrone II (Framed 44 x 30 inch cyanotype painting)
Located in Oakland, CA
Framed to 44 x 30 x 2 inches. The artwork itself measures 40 x 26 inches. Arches 100% cotton watercolor paper framed in a white 2-inch deep solid wood box frame.
The intricate patt...
Category
2010s Contemporary Bay Area - Prints and Multiples
Materials
Mixed Media, Paper, Archival Paper, Rag Paper, Monotype, Photogram
Rue Ferou
By Man Ray
Located in San Francisco, CA
This artwork, titled "Rue Ferou," 1974, is an original color lithograph on Arches watermarked paper by American artist Man Ray, 1890-1976. It is hand signed ...
Category
1970s Dada Bay Area - Prints and Multiples
Materials
Lithograph
$4,000
Moro con clavel (Moor with Carnation) (A/P)
By Rafael Coronel
Located in San Francisco, CA
Serigraph by Mexican painter Rafael Coronel. Edition of 100. Certificate of authenticity included.
Category
Late 20th Century Contemporary Bay Area - Prints and Multiples
Materials
Screen
Europa Regnorum Provinciarum: 18th Century Hand-colored Map of Europe by Lotter
By Tobias Conrad Lotter
Located in Alamo, CA
This is an 18th century hand-colored copperplate engraved map entitled "Europa Regnorum Provinciarum Regionum" created by the German cartographer Tobias Conrad Lotter. It was publish...
Category
Mid-18th Century Bay Area - Prints and Multiples
Materials
Engraving
A Hand Colored 18th Century Framed Map of South America by Thomas Jefferys
Located in Alamo, CA
This detailed hand colored map of South America by Thomas Jefferys was published in London in 1750. The map shows countries, early colonial possessions, towns, rivers, mountains, and...
Category
Mid-18th Century Other Art Style Bay Area - Prints and Multiples
Materials
Engraving
Los Banos
By Virgil Trasher
Located in San Francisco, CA
This artwork titled "Los Banos" 1969 in an original color serigraph by American artist Virgil Trasher b.1943. It is hand signed, dated and titled in pe...
Category
Late 20th Century American Modern Bay Area - Prints and Multiples
Materials
Screen
Pottery Shop, Austria
By Josef Eidenberger
Located in San Francisco, CA
This artwork titled "Pottery Shop, Austria" c. 1975 is an etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed n pencil by the artist. Printed by Graphic...
Category
Mid-20th Century Realist Bay Area - Prints and Multiples
Materials
Etching
General U.S. Grant
By Robert Indiana
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928)
Title: General U.S. Grant
Year: 1977
Medium: Original color lithograph
Edition: Numbered 32/150 in pencil
Paper: Arches
Image size: 18 x 14 inches
paper size: 23.65 x 19.5 inches
Signature: Hand signed in pencil by the artist
Publisher: Leon Amiel, New York
Printer: Fernand Mourlot, Paris
Condition: It is in excellent condition, has never been framed.
Description: From the suite "The Mother of All Us"
About the artist:
Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956.
A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society.
The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve.
Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's.
Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...
Category
1970s Pop Art Bay Area - Prints and Multiples
Materials
Lithograph
Hand-Colored Houbraken Portrait of "Henry, Prince of Wales, Son of James"
By Jacobus Houbraken
Located in Alamo, CA
A hand-colored portrait of Henry Prince of Wales, Son of James, engraved and etched by the Dutch master of portraits Jacobus Houbraken (1698-1780...
Category
Mid-18th Century Naturalistic Bay Area - Prints and Multiples
Materials
Engraving, Etching
Astres Egares (Lost Astral)
Located in San Francisco, CA
This artwork "Astres Egares (Lost Astral)" 1970, is an original colors lithograph on Japan paper by noted Italian artist Berto (Roberto) Lardera, 1911-1989. It is numbered 1/1 in pen...
Category
Late 20th Century Abstract Bay Area - Prints and Multiples
Materials
Lithograph
Carnegie Hall
By Robert Motherwell
Located in San Francisco, CA
This artwork, titled "Carnegie Hall," from the suite New York, New York, 1982, is an original color lithograph with silkscreen and embossing by American ...
Category
Late 20th Century Abstract Expressionist Bay Area - Prints and Multiples
Materials
Lithograph, Screen
Deux Femmes Nues (Two Nude Women)
By Guillaume Cornelis van Beverloo (Corneille)
Located in San Francisco, CA
This artwork "Deux Femmes Nues" 1979 is an original color lithograph by noted Belgian artist Guillaume Cornelis Van Beverloo, A.K.A. Corneille, 1922-2...
Category
Late 20th Century Modern Bay Area - Prints and Multiples
Materials
Lithograph
David Roberts
19th Century Hand Colored Lithograph, "Fortress of Ibrim, Nubia"
By David Roberts
Located in Alamo, CA
"Approach to the Fortress of Ibrim, Nubia" is a 19th century folio sized hand-colored lithograph from the Egypt and Nubia volume of David Roberts’ large folio edition, published in London by F. G. Moon in 1847. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century.
The print is presented in a gold-colored wood frame with a decorative inner trim, with a cream-colored double mat. It is in excellent condition.
The lithograph depicts the Fortress of Ibrim in Nubia in the background, which had been a Roman and an Egyptian fortification for centuries due to its strategic elevation, allowing a view of large portions of the surrounding desert. Men are securing the boat in the foreground for the night, taking down its sails. A herd of cattle drinks and cools themselves in the water on the left.
There are four additional listings of David Roberts engravings of Egypt...
Category
1840s Realist Bay Area - Prints and Multiples
Materials
Lithograph
"Family Reunion" Large original color serigraph
By Don Hatfield
Located in San Francisco, CA
This artwork titled "Family Reunion" 1992 is an original color serigraph on heavy Coventry paper by noted American artist Donald (Don) Hatfield, b.1947....
Category
Late 20th Century American Impressionist Bay Area - Prints and Multiples
Materials
Screen
The Captains Table
By Charles Bragg
Located in San Francisco, CA
This artwork titled "The Captains Table" c.1990 is a color offset lithograph by noted American artist Charles Bragg, 1931-2017. It is hand signed, titled and numbered 305/950 in penc...
Category
Late 20th Century Other Art Style Bay Area - Prints and Multiples
Materials
Lithograph
Nature Morte aux Lapins (Still Life with Rabbits)
By Maurice Mourlot
Located in San Francisco, CA
This artwork titled "Nature Morte aux Lapins" (Still Life with Rabbits) c. 1950 is an original color lithograph on Arches paper by noted French ...
Category
Mid-20th Century Impressionist Bay Area - Prints and Multiples
Materials
Lithograph
Big Candy Grid
By Kim Frohsin
Located in Burlingame, CA
'Big Candy Grid' features abstracted candy shapes with vivid and florescent colors within a dazzling contemporary "pop art" composition. Monotype ev edition...
Category
1990s Abstract Bay Area - Prints and Multiples
Materials
Monotype
Dancers
Located in San Francisco, CA
This artwork titled "Dancers" c.1990is a color offset lithograph by noted equine American artist Fred Stone, 1930-2018. It is hand signed in pencil by the a...
Category
Late 20th Century American Realist Bay Area - Prints and Multiples
Materials
Lithograph
Sunrise Dahlia
By Gatja Helgart Rothe
Located in San Francisco, CA
This artwork titled "Sunrise Dahlia" c.1990 is an original colors mezzotint by noted German/American artist Gatja Helgart Rothe, 1935-2007. It is hand signed, titled and numbered 64/...
Category
Late 20th Century American Realist Bay Area - Prints and Multiples
Materials
Mezzotint
Flowering Crinum Plant: A 19th C. Hand-colored Botanical Engraving by Curtis
By William Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Crinum Arenarium" (Water-Island Sand Crinum), plate 2355, published in London in 1822 in William...
Category
1820s Naturalistic Bay Area - Prints and Multiples
Materials
Engraving
The Key to the Virgin Mary
Located in San Francisco, CA
This artwork titled "The Key to the Virgin Mary" 1975, is an original colors woodcut on thin paper by noted Austrian artist Bernd Kroeber, b.1942. It is hans signed, titled, dated an...
Category
Late 20th Century Surrealist Bay Area - Prints and Multiples
Materials
Woodcut
"Centre Noeuds" planche #10
By Roberto Matta
Located in San Francisco, CA
This artwork titled "Centre Noeuds" plate #10, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It i...
Category
Mid-20th Century Surrealist Bay Area - Prints and Multiples
Materials
Aquatint
Devant la Mort
By Jean Louis Forain
Located in San Francisco, CA
Artist: Jean-Louis Forain (French, 1852-1931)
Title: Devant la Mort
Year: 1918
Medium: Lithograph
Edition: Numbered 266/300 in pencil
Paper: Wove
Size paper: 15 x 22.25 inche...
Category
Early 20th Century Impressionist Bay Area - Prints and Multiples
Materials
Lithograph
Not for Sale
By Charles Bragg
Located in San Francisco, CA
This artwork titled "Not for Sale" c.1980 is an original etching on paper by noted American artist Charles Bragg, 1931-2017. It is hand signed and inscribed Trial Proof in pencil by ...
Category
Late 20th Century Other Art Style Bay Area - Prints and Multiples
Materials
Etching
Abundance
Located in San Francisco, CA
This artwork titled "Abundance" 1988 is a original color lithograph on paper by noted artist Max Coyer, 1954-1988 It is hand signed, dated, titled and number...
Category
Late 20th Century American Modern Bay Area - Prints and Multiples
Materials
Lithograph
Blocks No 2: With Black
By Kim Frohsin
Located in Burlingame, CA
Archival Pigment Iris Print. Edition 5/12 with heavy hand coloring and miced media worked over the print. Kim Frohsin spent 12 years working on monotype ev's and Iris prints, and wor...
Category
1990s Contemporary Bay Area - Prints and Multiples
Materials
Archival Pigment, Color Pencil, Gouache, Ink, Mixed Media
Starburst
By Ruth Leaf
Located in San Francisco, CA
This artwork titled "Starburst" 2007,is an original colors woodcut on thin rice paper paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed, titled, dated and inscri...
Category
Late 20th Century Abstract Expressionist Bay Area - Prints and Multiples
Materials
Woodcut
Process Landscape
By Tom Marioni
Located in San Francisco, CA
Artist: Tom Marioni – American (1937- )
Title: Process Landscape 1998
Year: 1998
Medium: Color spit bite aquatint
Image size: 15.75 x 10 inches.
Paper size: 20 x 16 inches
Framed size: 21.75 x 17.75 inches
Signature: Signed, dated lower right
Edition: 50. This one: 24/50.
Published by: Crown Point Press
Printed by: Paul Mullowney
Condition: Excellent
Frame: Framed in maple frame and plexiglas. Frame in fair to good condition with some small scratches.
Tom Marioni was born in 1937 in Cincinnati, Ohio, attended the Cincinnati Art Academy, and in 1959 moved to San Francisco, where he still lives. His first sound work, One Second Sculpture, 1969, was celebrated in the 2005 Lyon Biennial as presaging the work of many artists today who use sound and duration as subjects. His first museum show was in 1970 at the Oakland Museum of California. Titled “The Act of Drinking Beer with Friends is the Highest Form of Art,” it was an early example of social art as a sculpture action. Over the years, Marioni was invited to repeat the work in various contexts around the world.
In 1970 Marioni founded the Museum of Conceptual Art (MOCA), which he described at the time as “a large-scale social work of art.” Until the museum closed in 1984, he organized many groundbreaking shows, including “Sound Sculpture As” in 1970. MOCA has entered history as one of the first alternative art spaces. Marioni had one-person shows in several significant venues for early conceptual art, among them the Richard Demarco Gallery in Edinburgh in 1972 and Gallery Foksal in Warsaw in 1975. In 1977 he had a solo show, “The Sound of Flight,” at the de Young Museum in San Francisco.
He has done installation/performance works at the Whitechapel Gallery in London (1972), the Institute of Contemporary Art in London (1973), the Centre Georges Pompidou in Paris (1980), and the Folkwang Museum in Essen, Germany (1982), among other museums. He has produced sound works for radio stations KPFA in Berkeley and WDR in Cologne, Germany. In 1996 he organized The Art Orchestra and the group performed at the Legion of Honor Museum in San Francisco.
Marioni was included in “For Eyes and Ears” (1980) at the Academy of Fine Arts in Berlin, “Live to Air” (1982) at the Tate Gallery in London, and “From Sound to Image” (1985) at the Stuttgart Staatsgalerie in Germany. His work was shown in “Out of Actions: Between Performance and the Object” (1998) at the Museum of Contemporary Art in Los Angeles, and “The Third Mind: American Artists Contemplate Asia,” (2009) at the Guggenheim Museum in New York City.
Drawing is central to Marioni’s art, and in 1999 he had a drawing retrospective, with a catalog, at the Mills College Art Museum in Oakland. In 2006 the Contemporary Art Center in Cincinnati presented a survey of his work and published a catalog. Marioni is the author of Beer, Art and Philosophy, 2003, a memoir, also Writings on Art 1969-1999, and Fabliaux Tom Marioni Fairy Tales. He was editor/designer of VISION magazine published by Crown Point Press, 1975-1981. Issues were titled “California,” “Eastern Europe,” “New York City,” “Word Of Mouth,” (phonograph records) and “Artist’s Photographs,” and published prints, since 1974.
Tom Marioni received a Guggenheim Fellowship in 1981 and three grants from the National Endowment for the Arts during the 1970s. His work is in the collections of the San Francisco Museum of Modern Art, the Museum of Modern Art in New York, the Stadtische Kunsthalle in Mannheim, Germany, the Pompidou Center in Paris, and other museums. He is represented by the Anglim Gilbert Gallery...
Category
1990s Abstract Impressionist Bay Area - Prints and Multiples
Materials
Paper, Aquatint
Untitled
By Ruth Leaf
Located in San Francisco, CA
This artwork "untitled" c.1990, is an original woodcut with embossing on thick Wove paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed in pencil by the artist.. ...
Category
Late 20th Century Abstract Expressionist Bay Area - Prints and Multiples
Materials
Woodcut
Happy Sisters
By Ming Wai
Located in San Francisco, CA
This artwork Titled "Happy Sisters" 1977 in a color off set lithograph by renown Chinese/American artist Wai Ming A.K.A Lo Hing Kwok, b.1938. It is hand signed and inscribed A.P (Artist Proof) in pencil by the artist. The image size is 29 x 19 inches, sheet size is 36 x 25 inches, framed size is 42.25 x 31 inches. Custom framed in a wooden gold leaf rubbed, scratched style frame, with off white matting. It is in excellent condition, the colors are fresh and bright.
About the artist:
Wai Ming, was born in Canton, South China on November 11, 1938, the son of a school master with nine children. Extremely poor as a child, he was raised in Hong Kong enduring many hardships amidst a chaotic environment of war and refugee settlements. Wai Ming's love for art flourished and he developed his drawing techniques without any art education, just painting what he saw. In the 1960s, Ming found representation in Hong Kong and also took the unusual step of opening his own gallery to display his work in. His primary interest being to capture images of life in fishing villages, or 'fish-folk', who have retained traditional Chinese culture, his work was at home with the sensibilities of many art buyers in Hong Kong. Crossing the ocean in his mid-30s, Wai Ming arrived in San Francisco from Hong Kong in 1974. There, he experienced initial resistance from galleries and the official art world for a variety of reasons, but was ultimately embraced by dealer Jack Swanson...
Category
Late 20th Century Realist Bay Area - Prints and Multiples
Materials
Lithograph
Arnaud
By Guillaume Azoulay
Located in San Francisco, CA
This artwork titled "Arnaud" is an original sepia etching on creme Arches paper by Maroccan artist Guillame Azoulay, born 1949. It is signed , titled and numbered 63/300 in pencil by...
Category
Late 20th Century Modern Bay Area - Prints and Multiples
Materials
Etching
Secrets Series
By Ruth Leaf
Located in San Francisco, CA
This artwork titled "Secrets Series" c.1980, is an original woodcut monoprint with embossing on thick Wove paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed, tit...
Category
Late 20th Century Abstract Expressionist Bay Area - Prints and Multiples
Materials
Monoprint
Lettera Amorosa
By George Braque
Located in San Francisco, CA
This artwork titled "Lettera Amorosa" 1963, is an original color lithograph on Japan nacre paper by renown French artist Georges Braque, 1882-1963. It is hand signed and numbered 42/...
Category
Mid-20th Century Cubist Bay Area - Prints and Multiples
Materials
Lithograph
Untitled
By Ruth Leaf
Located in San Francisco, CA
This artwork "Untitled" c.1990, is an original colors woodcut monoprint on artisanal hand made paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed in pencil by the...
Category
Late 20th Century Abstract Expressionist Bay Area - Prints and Multiples
Materials
Monoprint
"Pillory, Charing Cross" by Rowlandson from "The Microcosm of London"
By Thomas Rowlandson
Located in Alamo, CA
"Pillory, Charing Cross" is an illustration (Plate 62) from "The Microcosm of London", published in London in 1809 by R Ackermann's Repository of Arts. The scene was created by one of the most famous British satirists and caricaturists of the late 18th and early 19th centuries' Georgian Period, Thomas Rowlandson, who drew the figures, while Augustus Charles Pugin drew the architecture. The plate was then created by Hill, Stadler and Bluck using a combination of aquatint and etching and was then hand colored with watercolor. Scenes illustrated in "The Microcosm of London" gives an accurate and often comical view of everyday life in London during the Regency Period of the early 19th century. While Pugin’s excellent architectural drawings capture the size and shape of the exterior as well as the interior of London’s principal buildings, Thomas Rowlandson’s insightful and often whimsical and satirical view of the city's inhabitants depicts the color and vitality of the late Georgian society, both rich and poor alike.
This print depicts the "Pillory, Charing Cross", where criminals were brought and placed on display while secure in the stocks, as are seen in this print. A crowd is present in the square jeering at the prisoners. A statue of Charles I on horseback stands atop a very large pillar to the right. Shops with apartments are seen on the left. Young wealthy people frolic around and on a carriage on the right in front of the statue of King...
Category
Early 1800s Other Art Style Bay Area - Prints and Multiples
Materials
Etching, Aquatint
Sans Titre II
Located in San Francisco, CA
This artwork "Sans Titre II" c.1980 is an original color etching with aquatint on Arches paper by noted French abstract expressionist artist Francois Rouan...
Category
Late 20th Century Abstract Expressionist Bay Area - Prints and Multiples
Materials
Etching, Aquatint
Untitled
By Ruth Leaf
Located in San Francisco, CA
This artwork "Untitled" c.1970, is an original woodcut monoprint on artisanal hand made paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed and numbered 1/1 in pen...
Category
Late 20th Century Abstract Expressionist Bay Area - Prints and Multiples
Materials
Monoprint
The Seventh Day
By Charles Bragg
Located in San Francisco, CA
This artwork titled "The Seventh day" c.1990 is an original color lithograph by noted American artist Charles Bragg, 1931-2017. It is hand signed, and numbered 80/300 in pencil by th...
Category
Late 20th Century Other Art Style Bay Area - Prints and Multiples
Materials
Lithograph
Read More
Revisiting Robert Rauschenberg’s Creative Rebellion on His 100th Birthday
A planet-wide celebration feels fitting for an artist who saw connections everywhere: between paint and photography, art and life, self and surroundings.
Red Grooms’s 3D Tugboat Is a Chaotic, Comic Take on New York Life
The sculptural lithograph is part of the inimitable artist’s “Ruckus” series, now on view at the Brooklyn Museum.
Joan Mitchell’s Rare, Late-Career Diptych Buzzes with Life
Beneath the inky blackness, the painter’s irrepressible energy electrifies this pair of intaglio prints.
The 1stDibs Guide to Types of Abstract Art
Get to know the key movements and artists who have influenced visual culture for more than a century.
Romare Bearden’s Humanity Infuses His Bright, Bold Art
Through collage, painting and printmaking, the artist foregrounded Black life in America in revolutionary new ways.
Andy Warhol and Suzie Frankfurt’s ‘Wild Raspberries’ Cookbook Is an Artful, Fanciful Delight
This set of recipes and original prints might not make you a better chef. But it will make you smile.
Art Brings the Drama in These Intriguing 1stDibs 50 Spaces
The world’s top designers explain how they display art to elicit the natural (and supernatural) energy of home interiors.
Welcome (Back) to the Wild, Wonderful World of Walasse Ting
Americans are rediscovering the globe-trotting painter and poet, who was connected to all sorts of art movements across a long and varied career.
Still Thinking About These?
All Recently ViewedMore Ways To Browse
Atlantic City Boardwalk
Austin Osman Spare
Bad Brains
Bill Drew
Blue Hawaii Surf
Contemporary Japanese Print Artist
Dali Minotaur
David Hockney My Window
Eric Emerson
Erte Artist Proof
Esao Andrews
Fap Anis Poster
Florida Poster Vintage
Frida Kahlo Signed Prints
George Gale
Glasgow Posters
Grand Tour Seal
Henri Matisse Thousand And One Nights