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Item Ships From: Bay Area
Brandenburger Tor, Berlin (Brandenburg Gate, Berlin)
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Brandenburger Tor, Berlin (Brandenburg Gate, Berlin)". c1930 is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist at the lower center. The plate mark (image) size is 13 x 16.5 inches, framed size is 23.75 x 27 inches. Custom framed in a wooden ornate gold frame, white beige matting and green color fillet. It is in excellent condition, the artwork is very slightly toned around the plate mark, barely visible. About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...
Category

Early 20th Century Realist Bay Area - Prints and Multiples

Materials

Etching

Wild Mugwort (hand-printed botanical cyanotype, 24 x 12 inches)
Located in Oakland, CA
This is the silhouette of wild mugwort (artemisia) or chrysanthemum weed which grows in the woods in northern California. It is a fragrant herb that smells similar to sage. Though t...
Category

2010s Contemporary Bay Area - Prints and Multiples

Materials

Paper, Archival Paper, Rag Paper, Monotype, Photogram

Reef - large format photograph of sun reflections on a coral reef
By Erik Pawassar
Located in San Francisco, CA
large format photograph of sun reflections on a coral reef water surface, mesmerizing light reflections of glistening sunlight on turquoise aquamarine water surface, an homage to th...
Category

21st Century and Contemporary Contemporary Bay Area - Prints and Multiples

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment

A Pair of Woodpeckers: An 18th Century Hand-colored Bird Engraving by Martinet
By François Nicolas Martinet
Located in Alamo, CA
This is an original 18th century hand-colored copperplate engraving of male and female woodpecker birds entitled "1. Pie Male de la Encenada, 2. Petit Pic des Moluques (Woodpeckers)"...
Category

1760s Naturalistic Bay Area - Prints and Multiples

Materials

Engraving

Johann Weinmann 18th Century Hand Colored Copper Plate Engraving
By Johann Wilhelm Weinmann
Located in San Francisco, CA
Rare hand colored copper plate engraving by noted Botanist Johann Wilhelm Weinmann (1683-1741) Beautiful color after 250+ years! This wonderful antique engraving is beautifully mat...
Category

18th Century Naturalistic Bay Area - Prints and Multiples

Materials

Engraving

Misty Agapanthus 2 ( 24 x 18 inch hand-printed cyanotype)
Located in Oakland, CA
Though this unique monotype looks like a woodcut or linocut, it is not. This is a cyanotype, a kind of lensless photography dating back to the 1800s, but the artist altered the ratio...
Category

2010s Contemporary Bay Area - Prints and Multiples

Materials

Paper, Archival Paper, Rag Paper, Monotype, Photogram

H2O VI - large format photograph of sun reflections - Homage to David Hockney
By Erik Pawassar
Located in San Francisco, CA
large format Panorama photograph of sun reflections on pool water surface, mesmerizing light reflections of glistening sunlight on turquoise aquamarine water surface, an homage to th...
Category

21st Century and Contemporary Contemporary Bay Area - Prints and Multiples

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment

Bur Reed Water Hemlock: A 17th-18th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Orobanche, Cicuta Maxima, Sparganium (Bur Reed, Water Hemlock, Broomrape) ", depicting a flowering Bur Reed, Water Hemlock, Broomrape plants from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This beautiful colorful engraving is printed on thin laid chain-linked paper with wide margins. There us spotting and some discoloration, most prominently in the upper and lower margins. There is irregularity and some loss along the right paper edge. The print is otherwise in excellent condition with striking hand-coloring. The sheet measures 21.5" high and 17.25" wide. Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...
Category

Early 18th Century Academic Bay Area - Prints and Multiples

Materials

Engraving

Topiary V - large format photograph of ornamental shaped tree
By Frank Schott
Located in San Francisco, CA
from a series of photographic observances capturing the antics of urban gardening's tree trimming and striking art of topiaries' green minimalism Topiary V by Frank Schott 40 x 30 ...
Category

21st Century and Contemporary Contemporary Bay Area - Prints and Multiples

Materials

Photographic Paper, Giclée, Archival Pigment

Fishing Off Hastings, England: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed engraving "Line Fishing Off Hastings" by William Miller is based on an original painting by the renowned British artist J.M.W. Turner, which depicts a scene of fishermen at work off the coast of the town of Hastings in East Sussex, England. The Miller engraving faithfully reproduces Turner's painting, capturing the same atmospheric quality and sense of motion. In the foreground of the image, a group of fishermen are shown in a small boat, with one man using a fishing line to catch fish. In the background, there is a larger ship, along with a view of the town of Hastings and the cliffs beyond. Overall, the Miller engraving "Line Fishing Off Hastings" is a beautiful and detailed representation of Turner's original painting, and provides a glimpse into life in a 19th century fishing community. This colorful 19th century engraving is presented in a gold-colored wood frame and a cream-colored French mat highlighted with a light blue band and thinner mustard and gold-colored bands. There is a gold-colored fillet which further embellishes the engraving. The frame measures 18" high, 20.5" wide and 1" deep. The engraving, frame and mat are in excellent condition. Joseph Mallord William (J.M.W.) Turner (1775-1851) was an English painter who is widely considered one of the greatest landscape painters in Western art history. Born in London, he showed a remarkable talent for art from a young age, and studied at the Royal Academy of Arts from the age of 14. He quickly gained recognition for his watercolor landscapes, which were highly innovative and expressive. Turner's style evolved over time, and he became increasingly interested in the effects of light and color. He traveled extensively throughout Europe, and his experiences of the natural world, particularly the sea and the sky, had a profound influence on his art. His paintings are known for their luminosity, atmospheric effects, and dramatic use of color. Despite facing criticism and ridicule from some of his contemporaries, Turner continued to push the boundaries of art, experimenting with new techniques and styles throughout his career. He was a prolific artist, creating thousands of paintings, sketches, and watercolors, and his legacy continues to inspire artists today. William Miller (1796-1882) was an English engraver and publisher, best known for his work in reproducing the paintings of J.M.W. Turner. Miller was born in Bristol and began his career as an engraver at a young age, working for a variety of publications and artists. In the early 1820s, Miller began working with Turner, engraving many of the artist's most famous works, including "The Fighting Temeraire...
Category

Mid-19th Century Romantic Bay Area - Prints and Multiples

Materials

Engraving

Back in 10 - large format photograph of conceptual message sign in landscape
By Frank Schott
Located in San Francisco, CA
large scale photograph from a series of conceptual motivational messages on classic Americana billboard signs in landscape of the American West BACK IN 10 by Frank Schott 58 x 77.3...
Category

21st Century and Contemporary Conceptual Bay Area - Prints and Multiples

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment

Three Gould Hand-colored Lithographs from Birds of Australia and New Zealand
By John Gould
Located in Alamo, CA
Three hand-colored lithographs from John Gould's seven volume book "The Birds of Australia", which included New Zealand, depicting: pairs of "Eudyptes Chrysocome" (New Zealand Rock-hopper Crested Penguins), "Diomedea O Thalassarche Cauta" (Australian Shy Albatross) and "Sula Fusca" (Brown Gannets). These beautiful sea bird prints are presented in identical very attractive brown wood frames, embellished with gold highlights in the corners and gold inner trim, along with light cream-colored French mats, each with a medium cream-colored band and a gold highlight line. There is scattered spotting. There is a small tear in the lower right corner of the penguin lithograph...
Category

1840s Academic Bay Area - Prints and Multiples

Materials

Lithograph

Flowering Sweet Pea: 18th Century Hand-colored Botanical Engraving by Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This is an original antique colored botanical mezzotint and line engraving of flowering Red Sweet Peas which is finished with hand-coloring. It is entitled "Lathyrus Flore Majore Pur...
Category

Mid-18th Century Naturalistic Bay Area - Prints and Multiples

Materials

Engraving, Mezzotint

Colosseo Quadrato - iconic neoclassical architectural elements in Rome
By Frank Schott
Located in San Francisco, CA
Colosseo Quadrato by Frank Schott, from a series of photographic observances capturing urban textures and color palettes of Roman architecture 30 x ...
Category

21st Century and Contemporary Contemporary Bay Area - Prints and Multiples

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment

Head in the Evening
By Mihail Chemiakin
Located in San Francisco, CA
This artwork titled "Head in the Evening" 1980, is an original colors lithograph on Wove paper by renown Russian artist Mihail Chemiakin, b.1943. It is hand signed and numbered 81/20...
Category

Late 20th Century Modern Bay Area - Prints and Multiples

Materials

Lithograph

Gray Iris V (cyanotype, 24 x 18 inches)
Located in Oakland, CA
This gray and white Japanese-inspired monotype was made using freshly-cut long-stemmed wild iris (iris douglasiana) that grow along the California coast. Their impossibly long stems ...
Category

2010s Contemporary Bay Area - Prints and Multiples

Materials

Paper, Archival Paper, Rag Paper, Monotype, Photogram

Indian Mother and Child
By Max Pollak
Located in San Francisco, CA
This color etching is titled "Indian Mother and Child" (c. 1950) by Czech/American artist Max Pollak (1886 - 1970) is an original etching on wove paper. It is hand signed and numbered 37/100 in pencil by the artist. It is framed in its original frame and is in excellent condition. Image (plate mark) size is 5.65 in. x 5.25 in. Max Pollak, painter and printmaker, was born in Prague, Czechoslovakia on February 2, 1886, but his family moved to Vienna, Austria. He was raised in Vienna and, in 1902, he entered the Vienna Academy of Art. He studied painting and printmaking under William Unger and Ferdinand Schmutzer. In 1912, he traveled to Italy, France, and Holland to study and paint. During the First World War, he was appointed painter of the Austrian Army. He immigrated to the U.S. in 1927. His first exhibition at the 57th Street Art Gallery in New York was a commercial success and he was commissioned by Theodore Dreiser...
Category

Mid-20th Century Realist Bay Area - Prints and Multiples

Materials

Etching

Sir. John Powell, Knight: Early 18th C. Engraved Portrait After William Sherwin
Located in Alamo, CA
This is an early 18th century portrait of Sir John Powell entitled "The Honorable Sr. John Powell, Knight. one of the Justices of her Majesties' Court of Common Pleas. Ano. D 1711". It was engraved and published by John King in London in 1711, after an earlier work by William Sherwin. The engraving depicts a bust length portrait of Powell wearing an elaborate fir-trimmed robe and collar. The portrait is encompassed in an ornate oval frame, sitting on a pedestal with an impressive coat-of-arms below. This engraved portrait is printed on laid, chain-linked watermarked cream-colored paper The sheet measures 15.25" high and 11.38" wide. It is adhered to an archival thick card at the upper corners, There is a 1/8" tear at the lower edge of the sheet, but the print is otherwise in very good condition. This engraving is held by museums and institutions, including the British Museum and the Harvard University Art Museum. Sir John Powell (1632-1696) was an English lawyer and judge who served as a justice of the King's Bench from 1683 until his death. He was born in Glamorganshire, Wales, and studied at Jesus College, Oxford, before being called to the bar at the Middle Temple in 1656. Powell was known for his staunch support of the monarchy and the Church of England, and he played a prominent role in the trial of the Whig leader Lord William Russell in 1683, which resulted in Russell's execution for his alleged involvement in a plot to assassinate King Charles II. Powell was also involved in the trials of several other prominent Whig politicians, including Algernon Sidney and Titus Oates. In addition to his work as a judge, Powell was also a member of Parliament for various constituencies throughout his career, and he served as Solicitor General and Attorney General for Wales under King James II. However, he opposed James's efforts to promote Catholicism and supported the Glorious Revolution of 1688, which led to James's overthrow and the installation of William and Mary as joint monarchs. Powell was known for his intellectual rigor and his legal expertise, and he authored several influential legal treatises during his lifetime. He was widely respected by his peers and by the legal community as a whole, and his legacy as a jurist and judge continues to be celebrated today. William Sherwin (1645-1709) was an English engraver who worked during the late 17th and early 18th centuries. He was born in Chesterfield, Derbyshire, and is known for his high-quality engravings of various subjects, including portraits, landscapes, and architectural views. Sherwin was trained as an engraver and worked as an apprentice to the renowned engraver Robert White. After completing his training, he went on to establish his own studio in London, where he produced a significant body of work over the course of his career. One of Sherwin's most famous works is his engraving of the portrait of John Locke...
Category

Early 18th Century Old Masters Bay Area - Prints and Multiples

Materials

Engraving

Le-Soldat-Du, An Osage Chief: Original Hand-colored McKenney Hall Lithograph
By McKenney Hall
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Le Soldat-Du-Chene, An Osage Chief", lithographed by J. T. Bowen after a pai...
Category

Mid-19th Century Naturalistic Bay Area - Prints and Multiples

Materials

Lithograph

Frankfurt, Germany
By Luigi Kasimir
Located in San Francisco, CA
This artwork "Frankfurt, Germany" c.1930 is an original color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil at the lower center. The plate mark (ima...
Category

Early 20th Century Realist Bay Area - Prints and Multiples

Materials

Etching

Moonlight Magnolia Triptych (Set of three 8.5 x 11" hand-printed cyanotypes)
Located in Oakland, CA
These are three 11 x 8.5 inch (45 x 60 cm) original hand-printed original cyanotype photographs sold together. Cyanotypes are an antique photographic process dating back to the nine...
Category

2010s Contemporary Bay Area - Prints and Multiples

Materials

Paper, Archival Paper, Rag Paper, Photogram

Untitled #1 Very large mixed media
By Terence La Noue
Located in San Francisco, CA
This artwork "Untitled #1" 1992, is a mixed media (Aquatint, screen print and collage) on heavy wove paper by noted American artist Terence David La Noue, b. 1941. It is hand signed,...
Category

Late 20th Century Abstract Bay Area - Prints and Multiples

Materials

Mixed Media

Wave I - large format abstract liquidscape in azur and lapis blue color palette
By Christian Stoll
Located in San Francisco, CA
Wave I by Christian Stoll a mesmerizing photographic rendering of blue acquatic surface 58 x 58 inches (147 x 147cm) edition of 7 signed 48 x 48 inches (122 x 122cm) edition of 7 s...
Category

21st Century and Contemporary Contemporary Bay Area - Prints and Multiples

Materials

Archival Paper, Photographic Paper, Archival Ink, Giclée, Archival Pigment

Pantheon (Rome) - large scale photograph of iconic architectural elements
By Frank Schott
Located in San Francisco, CA
Pantheon (Rome) by Frank Schott from a series of monochromatic and timeless photographic observances of iconic architectural and interior references around Rome's historical center ...
Category

21st Century and Contemporary Contemporary Bay Area - Prints and Multiples

Materials

Archival Paper, Photographic Paper, Archival Pigment, Giclée

Dusky Squirrel: An Original 19th C. Hand-colored Lithograph by John J. Audubon
By John James Audubon
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored quadruped lithograph entitled "Dusky Squirrel", No. 24, Plate CXVII, from Audubon's "Quadrupeds of North America", dr...
Category

Mid-19th Century Naturalistic Bay Area - Prints and Multiples

Materials

Lithograph

Limon Lavrae: A 17th C. Hand-colored Engraving of Lemon Anatomy by G. Ferrari
By Giovanni Battista Ferrari
Located in Alamo, CA
This 17th century hand-colored engraving of a lemon entitled "Limon Lavrae", plate 219 from Giovanni Baptista Ferrari's publication "Hesperides, sive, De Malorum Aureorum Cultura Etu...
Category

17th Century Old Masters Bay Area - Prints and Multiples

Materials

Engraving

Back in 10 - large format photograph of conceptual message sign in landscape
By Frank Schott
Located in San Francisco, CA
large scale photograph from a series of conceptual motivational messages on classic Americana billboard signs in landscape of the American West BACK I...
Category

21st Century and Contemporary Conceptual Bay Area - Prints and Multiples

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée

Flowering Bardana Daisy: 18th Century Hand-colored Weinmann Botanical Engraving
By Johann Wilhelm Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Bardana Major Folio Non Serrato, Napoliere, B. Bdellifera Arbor, de Qu...
Category

Mid-18th Century Naturalistic Bay Area - Prints and Multiples

Materials

Engraving, Mezzotint

II Cup of Joe
Located in San Francisco, CA
This artwork titled "II Cup of Joe" c.1990, is an original color serigraph by American artist Rickey Jewell Hohimer, 1946-2021. It is hand signed, titled and numbered 250/300 in pencil by the artist. The image size is 19.5 x 23.5 inches, framed size is 26.75 x 30 inches. The artwork is in excellent condition, the frame is slightly damaged at the top, and will be replaced by a new similar black frame when sold. This will bring the over all condition to excellent. About the artist: Although formally trained with a MFA in painting, Rickey Jewell Hohimer has used the styles of Van Gogh and Gaughin to reach for the spontaneity and simplicity of today's folk art. Hohimer creates figures which are not photos of reality; they are romantically stylized to encourage straightforward emotional responses both to the colorful images and to the situations in which they find themselves. Each of Hohimer's paintings lays out a basic story line to which viewers add their own details. "I want the viewer to become personally involved. My paintings offer a change from those which encourage extensive intellectualizing about what the artist is trying to convey. I want viewers to smile -- to enjoy the whimsical nature of what they are experiencing -- to feel it, not to analyze it!. His jazz paintings are stories on canvas of inspired musicians spontaneously making music of the moment. Life in the jazz age is clubs and nightlife beckoning to musicians to produce jazz art...
Category

Late 20th Century American Modern Bay Area - Prints and Multiples

Materials

Screen

A Framed Contemporary Serigraph "Eucalyptus Forest" by Eyvind Earle
By Eyvind Earle
Located in Alamo, CA
This striking contemporary abstract serigraph by Eyvind Earle (1916-2000) is entitled "Eucalyptus Forest". It depicts a stylized scene of cloud like trees with a radiating pattern in the foreground, possibly tilled fields. It is signed in pencil in the lower right and numbered in pencil 119/267 in the lower left. This colorful print is presented in a glossy black wood frame with a French mat...
Category

Late 20th Century Contemporary Bay Area - Prints and Multiples

Materials

Screen

Hemisphere I - large format photograph of abstract liquid cloudscape in water
By Christian Stoll
Located in San Francisco, CA
mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from Christian Stoll‘s body of works titled 'Hemisphere' Hemisphere I by Christian Stoll 58 x 58 inches (147 x 147cm) signed edition of 7 48 x 48 inches (122 x 122cm) signed edition of 7 40 x 40 inches (102 x 102cm) signed edition of 25 archival fine art pigment print signed + numbered by artist on certificate label „frameless“ glass face mounting available on request _________________________ Christian Stoll has experimented with the photography medium since 1991. His predominant interest is the still-life on a monumental scale. As his subject matter, Stoll shoots static objects, forms...
Category

21st Century and Contemporary Abstract Bay Area - Prints and Multiples

Materials

Archival Paper, Photographic Paper, Archival Pigment, Giclée

Chamomile Safflower: A 17th-18th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Chamemelum Romanum flore simplici (Chamomile), Cincus Sativus (False saffron, Safflower), Chamaemelum Romanum Flore (Roman Chamomile)", depicting flowering Chamomile, Safflower and Roman Chamomile plants respectively from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This beautiful colorful engraving is printed on thin laid chain-linked paper with wide margins. There are a few small spots and some irregularity of the lower edge. There is some bleed-through of text from the verso. The print is otherwise in excellent condition with striking hand-coloring. The sheet measures 22.25" high and 17.38" wide. Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...
Category

Early 18th Century Academic Bay Area - Prints and Multiples

Materials

Engraving

Clown Assis, from Cirque de l Etoile Filante
By Georges Rouault
Located in San Francisco, CA
This artwork "Clown Assis, from Cirque de l'Etoile Filante" 1932, is a wood engraving by French artist Georges Rouault 1871-1958 (Block engraved by Georges Aubert) It is signed in t...
Category

Early 20th Century Modern Bay Area - Prints and Multiples

Materials

Woodcut

"Daughters" Large color original serigraph
By Don Hatfield
Located in San Francisco, CA
This artwork titled "Daughters" 1992 is an original color serigraph on heavy Coventry paper by noted American artist Donald (Don) Hatfield, b.1947. It is hand signed and numbered 72/...
Category

Late 20th Century American Impressionist Bay Area - Prints and Multiples

Materials

Screen

A Night Dance by Men in Tonga: An Original 18th C. Engraving, Cook s 3rd Voyage
By John Webber
Located in Alamo, CA
"A Night Dance by Men in Hapaee" is an original 18th century engraving from a drawing by John Webber (1751-1793), who was the artist who accompanied Captain Cook on his third voyage ...
Category

1780s Bay Area - Prints and Multiples

Materials

Engraving

The Clearing (16 x 12 inch hand-printed cyanotype)
Located in Oakland, CA
These iconic Monterey pines can be found all up and down the coast of northern California from San Francisco to Carmel and beyond. These are the woods in the hills of Oakland, across...
Category

2010s Contemporary Bay Area - Prints and Multiples

Materials

Paper, Archival Paper, Rag Paper, Photogram

Village
By Claude Gaveau
Located in San Francisco, CA
This artwork "Village" c.1980, is an original color lithograph on Wove paper by noted French artist Claude Gaveau, b.1940. It is hand signed and numbered 77/170 in pencil by the arti...
Category

Late 20th Century Modern Bay Area - Prints and Multiples

Materials

Lithograph

The Tourists
By Charles Bragg
Located in San Francisco, CA
This artwork "The Tourists" c.1980 is an original etching on Wove paper by noted American artist Charles Bragg, 1931-2017. It is hand signed and numbered 192/300 in pencil by the ar...
Category

Late 20th Century Other Art Style Bay Area - Prints and Multiples

Materials

Etching

Winslow Homer Framed Original 19th Century Wood Engraving "On the Beach"
By Winslow Homer
Located in Alamo, CA
This Winslow Homer wood engraving entitled "On the Beach at Long Branch, The Children's Hour", was published in Harper's Weekly in the August 15, 1874 ed...
Category

1770s American Impressionist Bay Area - Prints and Multiples

Materials

Engraving

Lise
By Jean-Pierre Cassigneul
Located in San Francisco, CA
This art work titled "Lise" 1991 is an original color lithograph on Arches paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and numbered 300/300 in pencil by the artist.. The image size is 10.75 x 19.75 inches, framed size is 24,5 x 32.5 inches. Custom framed in a wooden gold leaf frame, with fabric matting and gold color spacer. It is in excellent condition. About the artist: Jean-Pierre Cassigneul is a French painter known for his serene portraits of women in hats that recall the French Post-Impressionist avant-garde, including the works of Pierre Bonnard and Edouard Vuillard. He was born on July 13, 1935, in Paris. He studied at the École des Beaux-Arts in Paris and went on to exhibit in various group exhibitions, including the Salon d' Automne in Paris (of which he was member), the Salon de la Jeune Peinture, He exhibited at the Beaubourg Center in Paris in 1977 and solo as of 1952, on a regular basis in France but also in New York, and Tokyo and worldwide Jean PierreCassigneul is known for his charming and extremely popular Van Dongen-influenced paintings of women in floral hats, complete with frequent allusions to other aspects of the Années Folles. 1952 First private exhibition at the Galerie Lucy Kroge in Paris aged 17. 1954 Enters into the Académie Charpentier and then decides to study under Jean Souverbie at the Ecole des Beaux-Arts de Paris. 1955 He passes his entrance exam a year later and enrolls at the "Ecole Nationale Superieure" des Beaux-Arts de Paris. Works in Chapelain-Midy’s studio. 1958 First exhibition at the Galerie des Beaux-Arts. 1959 Appointed member of the Salon d’Automne. 1956–1960 Instructed by the French painter Roger Chapelain-Midy. 1963 Present at the Salon de la Jeune Peinture for the first time. 1964 Private exhibition at the Galerie Tivey-Faucon, Paris. Meets Kiyoshi Tamenaga, who becomes his art dealer for Japan. 1965 Creation of his first lithographic works. Exhibition at the Galerie Bellechasse, Paris. 1966 Present at the International Exhibition of Figurative Art, Tokyo. Exhibition at the Galerie Bellechasse, Paris. 1968 Exhibition at the Galerie Juarez in Palm Beach, USA. Private exhibition at la Galerie Vital, Paris. 1969 Exhibition of lithographic works at the Mitsukoshi Gallery, Tokyo. 1970 January : Exhibition at the Wally Findlay Gallery, Palm Beach, then in New York. First trip to Japan, where he stays for three months. Important private exhibition at the Mitsukoshi Gallery, Tokyo. 1973 Exhibition at the Wally Findlay Gallery in Palm Beach, then in New York. Private exhibition at the Tamenaga Gallery, Tokyo. Meets art publisher Alain Mazo. 1974 Private exhibition at the Galerie Wally Findlay, Paris, then in New York. 1975 Exhibition at the Wally Findlay Gallery, New York. 1976 Private exhibition at the Mitsukoshi Gallery, Tokyo. Publication of the album “Parcs” by Editions Mazo-Paris. 1977 June : Private exhibition at the Galerie René Kieffer, Paris Private show of paintings and pastels at the Galerie Wally Findlay, Paris. 1978 Retrospective exhibition of lithographic works at Vision Nouvelle. June-July : Exhibition at the Wally Findlay Gallery, New York. Important private showat the Mitsukoshi Gallery, Tokyo. 1980 Designs his first tapestry, executed by Atelier 3...
Category

Late 20th Century Post-Impressionist Bay Area - Prints and Multiples

Materials

Lithograph

Winter Woods, edition 1 of 5 (hand-printed cyanotype, 18 x 11 inches)
Located in Oakland, CA
The moody scene of a shady bend in a forest path was captured at dawn on a winter's day. The sky is beginning to brighten. The tall narrow format accentuates the height of the tower...
Category

2010s Contemporary Bay Area - Prints and Multiples

Materials

Paper, Archival Paper, Rag Paper, Photogram

Cacti - large format photograph of iconic desert cactus landscape 27" x 40"
By Erik Pawassar
Located in San Francisco, CA
large scale photograph of sunny cactus landscape, from a series of highly detailed large format nature observations, an homage to the photo realistic ...
Category

21st Century and Contemporary Contemporary Bay Area - Prints and Multiples

Materials

Archival Paper, Photographic Paper, Archival Ink, Giclée, Archival Pigment

Moon Rocks
Located in San Francisco, CA
This artwork titled "Moon Rock" 1970, is an original colors screen print on paper by noted Polish/Israeli artist Mordecai Ardon, 1896-1992. It is hand signed and numbered 10/180 in p...
Category

Late 20th Century Abstract Bay Area - Prints and Multiples

Materials

Screen

Roses et Mimosa (Roses and Mimosa), 1975
By (after) Marc Chagall
Located in Palo Alto, CA
Exemplifying Chagall's immense skill as a colorist, Marc Chagall Roses et Mimosa (Roses and Mimosa), 1975 is one of the artist's most striking and vibrant color lithographs. A luscio...
Category

1960s Modern Bay Area - Prints and Multiples

Materials

Lithograph

Foggy Iris Diptych (two 24 x 18" cyanotypes)
Located in Oakland, CA
NOTE: It is impossible to buy this pair of works and ALSO the very similar "Foggy Iris Triptych" because two of the works in the triptych are these two here. The price is lower for p...
Category

2010s Contemporary Bay Area - Prints and Multiples

Materials

Paper, Archival Paper, Rag Paper, Monotype, Photogram

Foke-Luste-Hajo, Seminole Chief: Antique Hand-colored McKenney Hall Lithograph
By McKenney Hall
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Foke-Luste-Hajo, A Seminole Chief, No. 84", published by Rice, Rutter & Co. ...
Category

Mid-19th Century Naturalistic Bay Area - Prints and Multiples

Materials

Lithograph

Red-cockaded Woodpecker: A First Octavo Edition Audubon Hand-colored Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored royal first octavo edition lithograph entitled "Red-cockaded Woodpecker, 1. 2. Male, 3. Female", No. 5...
Category

Mid-19th Century Naturalistic Bay Area - Prints and Multiples

Materials

Lithograph

Winslow Homer 19th Century Woodcut Engraving "The Morning Walk"
By Winslow Homer
Located in Alamo, CA
This Winslow Homer woodcut engraving entitled "The Morning Walk, Young Ladies' School Promenading the Avenue", was published in Harper's Weekly in the...
Category

1870s American Impressionist Bay Area - Prints and Multiples

Materials

Engraving, Woodcut

Gray Iris III (cyanotype, 24 x 18 inches)
Located in Oakland, CA
This gray and white Japanese-inspired monotype was made using freshly-cut long-stemmed wild iris (iris douglasiana) that grow along the California coast. Their impossibly long stems ...
Category

2010s Contemporary Bay Area - Prints and Multiples

Materials

Paper, Archival Paper, Rag Paper, Monotype, Photogram

la petite fille et le vieil homme (The Little Girl and the Old Man)
By Théo Tobiasse
Located in San Francisco, CA
Artist: Teo Tobiasse (French/Israeli, 1927-2012) Title: la petite fille et le vieil homme (The Little Girl and the Old Man) Year: Circa 1980 Medium: Color lithograph Edition: Nu...
Category

Mid-20th Century Expressionist Bay Area - Prints and Multiples

Materials

Lithograph

Grapes
By Beth van Hoesen
Located in San Francisco, CA
Artist: Beth van Hoesen – American (1926- 2010) Title: Grapes Date: 1973 Medium: Color aquatint etching, drypoint on BFK Rives paper Image Size: 6 x 4.5 inches Sheet size: 15 x 11 in...
Category

1970s Realist Bay Area - Prints and Multiples

Materials

Paper, Color, Etching, Aquatint

Un Vase de Fleurs III (Flowers in a Vase)
By Frederic Menguy
Located in San Francisco, CA
This artwork "Un Vase de Fleurs III (Flowers in a Vase)" c.1980, is an original colors lithograph on watermarked Arches paper by noted French artist Frederic Menguy, 1927-2007. It is...
Category

Late 20th Century Modern Bay Area - Prints and Multiples

Materials

Lithograph

Flowering Garden Pea Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Pisum Mapis flore pupureo". It is plate 818 in Weinmann's monumental publ...
Category

Mid-18th Century Naturalistic Bay Area - Prints and Multiples

Materials

Engraving, Mezzotint

Townsend s Shrew Mole: Original 19th Century Audubon Lithograph
By John James Audubon
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Townsend's Shrew Mole", No. 29, Plate CXLV, from Audubon's "Quadrupeds of North America", printe...
Category

Mid-19th Century Naturalistic Bay Area - Prints and Multiples

Materials

Lithograph

Zen Grass (14" diameter cyanotype mounted on wood panel)
Located in Oakland, CA
This is an original cyanotype permanently sealed and mounted on a round wooden panel. It requires no framing. This monoprint was made using tall grass from my own garden during the ...
Category

2010s Minimalist Bay Area - Prints and Multiples

Materials

Birch, Paper, Mixed Media, Panel, Monotype, Photogram

Chez Panisse 12th Birthday Celebration: Limited Ed. Goines Graphic Art Poster
By David Lance Goines
Located in Alamo, CA
This original graphic art lithographic poster entitled "Twelve, Chez Panisse Twelfth Birthday" was created by David Lance Goines in 1983 in his Berkeley s...
Category

Late 20th Century Bay Area - Prints and Multiples

Materials

Lithograph

Tree Study III - large format b/w photograph of lone ancient tree in landscape
By Frank Schott
Located in San Francisco, CA
From a series of large scale black & white photographs capturing the ancient flora and dramatic arboretum of California's vast Sierra Nevada mountain landscapes, an homage to photogr...
Category

21st Century and Contemporary Contemporary Bay Area - Prints and Multiples

Materials

Archival Paper, Photographic Paper, Giclée, Archival Pigment, Archival Ink

H2O l - large format photograph of sun reflections on pool water surface
By Erik Pawassar
Located in San Francisco, CA
mesmerizing light reflections of glistening sunlight on turquoise aquamarine water surface, an homage to the iconic pool reflections paintings by artist David Hockney H2O by Erik Pa...
Category

21st Century and Contemporary Contemporary Bay Area - Prints and Multiples

Materials

Archival Paper, Photographic Paper, Plexiglass, Archival Ink, Giclée, Ar...

Chittee-Yoholo, Seminole Chief: Original Hand-colored McKenney Hall Lithograph
By McKenney Hall
Located in Alamo, CA
This is an original 19th century hand colored McKenney and Hall engraving of a Native American entitled "Chittee-Yoholo, A Seminole Chief, No. 76", published by Rice, Rutter & Co. in 1865. This original McKenney and Hall engraving is presented in a cream colored mat, suitable for framing, with a protective clear sleeve. The mat measures 13.88" x 11.75" and the sheet measures 10.63" x 7.38. The print is in excellent condition. Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis, who sketched those willing to participate. A large number of the most influential Indian chiefs and warriors were later invited to come to Washington in 1821 to meet President Monroe. McKenney commissioned the prominent portrait painter Charles Bird King...
Category

Mid-19th Century Naturalistic Bay Area - Prints and Multiples

Materials

Engraving

Reddish Egrets, Adult Young: An Original Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Reddish Egret, 1. Adult, Full Spring Plumage 2. Young in Full Spring Plumage Two Years Old", No. 75, Plate 371 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1870-1871. It depicts an adult reddish egret standing in the water with leg up, looking to the left at a young white egret standing on land looking to the right at the adult bird. A beautiful landscape is depicted. This original hand-colored Audubon egret...
Category

Mid-19th Century Naturalistic Bay Area - Prints and Multiples

Materials

Lithograph

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