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Item Ships From: Bay Area
George Brookshaw s Black Frontiniac Wine Grape Aquatint from "Pomona Brittanica"
By George Brookshaw
Located in Alamo, CA
George Brookshaw's (1751-1823) beautiful Black Frontiniac Wine Grape hand-colored aquatint engraving, plate XVII from his "Pomona Brittanica", considered to be the finest British botanical large format treatise of the 19th-century. His engravings were unique for their rich tones and colors, elegant compositions with the fruit seeming to float on a rich mottled background. The print is presented in a gold and burgundy-colored wood frame and a light gray mat. The print is in very good condition. Another Brookshaw engraving from his series of fruit illustrations is available on 1stdibs. It is framed and matted identically to this one. It can be viewed on our 1stdibs storefront by typing Timeless Intaglio...
Category

Early 19th Century Realist Bay Area - Prints and Multiples

Materials

Aquatint

Groundspeed
By Derek Fordjour
Located in Berkeley, CA
Color aquatint, spitbite aquatint, flatbite and softground etching with white gold leaf. Paper Size: 28” x 54” Image Size: 24” x 50” Edition of 35
Category

21st Century and Contemporary Bay Area - Prints and Multiples

Materials

Gold Leaf

Elizabeth s Cone
Located in Burlingame, CA
'Elizabeth's Cone', Aquatint Etching with the plate (image itself) 15 x 22 inches. On a larger sheet of archival paper. An iconic still life image featuring the “tragedy” of a drop...
Category

21st Century and Contemporary American Realist Bay Area - Prints and Multiples

Materials

Etching, Aquatint

"Le Bal Masque" Giuseppe Verdi Opera
By Oskar Kokoschka
Located in San Francisco, CA
This artwork titled "Le Bal Masque" Giuseppe Verdi Opera, 1967 is an original color lithograph on Japan paper by renown Austrian expressionist artist Oskar ...
Category

Mid-20th Century Expressionist Bay Area - Prints and Multiples

Materials

Lithograph

Three Standing Figures
By Henry Moore
Located in San Francisco, CA
This artwork, titled "Three Standing Figures," 1976, in an original color lithograph on Arches paper by British artist Henry Moore, 1898-1986. It is hand signed with initials in pencil. It was published by Association de Bibliophiles Art et Poesie, and printed by Curwen Studio, London. From the suite, La Poesie, Les Poetes. From the edition of 110. Catalogue raisonne by Cramer, plate #323. In excellent condition. It is beautifully framed in a custom wooden gold frame with gold color bevel and fabric matting. Henry Spencer Moore...
Category

1970s Abstract Bay Area - Prints and Multiples

Materials

Lithograph

Pour ce Jour, 1968 (Poèmes, #7)
By Marc Chagall
Located in Greenwich, CT
Pour ce jour (For this Day) is a woodcut on paper from Marc Chagall's Poèmes portfolio, published in 1968. The image size is 13 x 10 inches and the art is framed in an ornate, gold-t...
Category

20th Century Modern Bay Area - Prints and Multiples

Materials

Paper, Woodcut

Wien
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Wien" 1911, is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist's estate at the lower center. The ...
Category

Early 20th Century Realist Bay Area - Prints and Multiples

Materials

Etching

North Holland, Netherlands: A Large 17th C. Hand-colored Map by Sanson Jaillot
By Nicholas Sanson d Abbeville
Located in Alamo, CA
This large hand-colored map entitled "Le Comte De Hollande Dressee sur les Memoires les plus Nouveaux" was originally created by Nicholas Sanson d'Abbeville. This version was publish...
Category

1690s Bay Area - Prints and Multiples

Materials

Engraving

The Loire Valley of France: A 17th C. Hand-colored Map by Sanson and Jaillot
By Nicholas Sanson d Abbeville
Located in Alamo, CA
This large 17th century copper plate hand-colored engraved map entitled "Gouvernement D'Orleans et la Generalite divisee en ses Elections Par...
Category

1690s Bay Area - Prints and Multiples

Materials

Engraving

"Le Bal Masque" Giuseppe Verdi Opera
By Oskar Kokoschka
Located in San Francisco, CA
This artwork titled "Le Bal Masque" Giuseppe Verdi Opera, 1967 is an original color lithograph on Japan paper by renown Austrian expressionist artist Oskar ...
Category

Mid-20th Century Expressionist Bay Area - Prints and Multiples

Materials

Lithograph

"Le Bal Masque" Giuseppe Verdi Opera (Variant)
By Oskar Kokoschka
Located in San Francisco, CA
This artwork titled "Le Bal Masque" Giuseppe Verdi Opera, (Variant) 1967 is an original color lithograph on Japan paper by renown Austrian expressionist artist Oskar Kokoschka, 1886-...
Category

Mid-20th Century Expressionist Bay Area - Prints and Multiples

Materials

Lithograph

"And Deborah, A Prophet" From the suite "Judges and Kings"
Located in San Francisco, CA
This artwork titled "And Deborah, A prophet" From the suite "Judges and Kings" is an original etching on Arches paper by Ukrainian/American artist Ben Zion Weinman...
Category

Mid-20th Century Expressionist Bay Area - Prints and Multiples

Materials

Etching

The Fifth Day
By Charles Bragg
Located in San Francisco, CA
This artwork "The Fifth Day" c.1980 is an original color etching by noted American artist Charles Bragg, 1931-2017. It is hand signed, titled and inscribed HC in pencil by the artist...
Category

Late 20th Century Other Art Style Bay Area - Prints and Multiples

Materials

Etching

Lieutenant General Talmash: 18th C. Portrait by Houbraken
By Jacobus Houbraken
Located in Alamo, CA
This is an 18th century copperplate engraved portrait of Lieutenant General Talmash by Jacobus Houbraken after a painting by Sir Godfrey Kneller, from "The Heads of Illustrious Perso...
Category

1740s Bay Area - Prints and Multiples

Materials

Engraving

Blue Nocturne / archival pigment print
By Irene Zweig
Located in Burlingame, CA
Nature and Oceanic inspired blue archival digital print 1/9. The image is from the artist's 'Blue Nocturne' series. A beautiful sea or ocean blue abstract image. Signed and editioned...
Category

21st Century and Contemporary Contemporary Bay Area - Prints and Multiples

Materials

Archival Paper

Nouvelles En Trois Lignes IV
By Roland Topor
Located in San Francisco, CA
Artist: Roland Topor (French, 1938-1997) Title: Nouvelles En Trois Lignes IV Year: 1975 Medium: Lithograph with pochoir hand coloring Edition: Inscribed A.P (Artist Proof) Paper: Wove Image size: 21 x 15 inches paper size: 25.5 x 19.5 inches Signature: Hand signed in pencil by the artist Publisher: Editions Sauret, Paris, Monaco Condition: Excellent Description: From the suite"Nouvelles En Trois Lignes" About the artist. Roland Topor (January 7, 1938 – April 16, 1997), was a French illustrator, painter, writer, filmmaker and actor, known for the surreal nature of his work. He attended the School of Fine Arts in Paris (1955-1964). He publishes his first drawings in the review « Bizarre », his first short stories appear in the review « Fiction » in 1958. His corrosive humor leads him to collaborate with the satirical newspaper « Hari-Kiri » (1961-1965). « Masochists » his first book is edited by Losfeld in 1961. Totally tragic, absurd and grotesque , the humor he disseminates evokes more the one of Central Europe. All his creations from the beginning till the end remain provocative and bizarre. He is mainly known as an illustrator and graphic artist and famous for combining surrealism with black humor. Abram Topor, father of the artist came to settle in Paris in 1930 thanks to a grant from the Warsow Arts Academy. In his young age during the war, he and his family will stay for a while in Savoie trying to escape Nazis. In 1962 he created the Panic Movement (mouvement panique), together with Alejandro Jodorowsky and Fernando Arrabal. Topor wrote the novel "The Tenant" (1964), which was filmed by Roman Polanski as The Tenant Topor was responsible for the odd visual style of the Czech/French animated sci-fi feature La Planete Sauvage (Fantastic Planet...
Category

Late 20th Century Surrealist Bay Area - Prints and Multiples

Materials

Lithograph

Mother and Child
By Neal Doty
Located in San Francisco, CA
Artist: Neal Doty (American, born 1941) Title: Mother and Child Year: 1979 Medium: Color serigraph Edition: Numbered 70/300 Paper: Wove Size of image: 32.5 x 24 inches Size of paper:...
Category

Late 20th Century Post-Impressionist Bay Area - Prints and Multiples

Materials

Screen

"Le Bal Masque" Giuseppe Verdi Opera
By Oskar Kokoschka
Located in San Francisco, CA
This artwork titled "Le Bal Masque" Giuseppe Verdi Opera, 1967 is an original color lithograph on Japan paper by renown Austrian expressionist artist Oskar ...
Category

Mid-20th Century Expressionist Bay Area - Prints and Multiples

Materials

Lithograph

Number I
By Avis Newman
Located in San Francisco, CA
This artwork titled "Number I" 1969 is an original colors etching and aquatint on CP paper by noted British artist Avis Newman, born 1946. It is hand signed, titled and numbered 29/5...
Category

Late 20th Century Abstract Geometric Bay Area - Prints and Multiples

Materials

Aquatint

"Le Bal Masque" Giuseppe Verdi Opera (Variant)
By Oskar Kokoschka
Located in San Francisco, CA
This artwork titled "Le Bal Masque" Giuseppe Verdi Opera, (Variant) 1967 is an original color lithograph on Japan paper by renown Austrian expressionist artist Oskar Kokoschka, 1886-...
Category

Mid-20th Century Expressionist Bay Area - Prints and Multiples

Materials

Lithograph

Familia Indigena III
By Francisco Zúñiga
Located in San Francisco, CA
This artwork titled "Familia Indigena III" 1983 is an original colors lithograph on Wove paper by renown Costa Rican/Mexican artist Francisco Zuniga, 1912-1998. It is hand signed, dated and numbered 67/100 in pencil by the artist. The artwork size is 22 x 29.85 inches, framed size is 28.5 x 36.5 inches. Published and printed by La Poligrafa, Barcelona, Spain. Referenced and pictured in the artist's catalogue raisonne "Zuniga The Complete Graphics, 1972-1984, by Jerry Brewster, plate #93. Beautifully framed in a custom acrylic display box, with brown fabric backing. It is in excellent condition. About the artist: Internationally acclaimed sculptor and printmaker Francisco Zuñiga was born in Costa Rica. He studied drawing, stone sculpture, and engraving at the School of Fine Arts in San Jose. Later, in 1936, he studied stone carving at La Esmeralda in Mexico City. He was appointed to the faculty of La Esmeralda where he remained until his retirement in 1970. Zuniga's art reflects a love and respect for Central American people and traditions. In 1972, he created his first lithograph. As a complement to his emotionally powerful sculpture, Zuniga's prints articulate the sensitivity and sensuality of the human figure. He has been the recipient of numerous international prizes and awards. His work is exhibited frequently in prominent galleries throughout the world and may be found in the permanent collections of twenty-nine museums, including the Metropolitan Museum of Art in New York, the Los Angeles County Museum, the Mexican Museum in San Francisco, and the Phoenix Art Museum. In 1936, Francisco Zuniga left San Jose, Costa Rica, where he had studied drawing at the School of Fine Arts and worked as an assistant in his father's studio, a workshop which produced religious sculpture for the churches and convents in and around the city. His destination was Mexico City. It was from there that he would begin an illustrious career as a sculptor and draftsman. Zuñiga's exploration into the nuances of volume, in line and space, are demonstrated in this, the most complete exhibition of his work to be shown in more than a decade. Mexico City in 1936 was, even then, one of the major art centers of the Americas. As such it witnessed and participated in many of the frenzied and controversial art movements which reflected the political and intellectual climate of the first three decades of the twentieth century. Muralism, the graphic arts, the incorporation of in-ternational movements had produced an artistic climate, which would eventually attract to Mexico international artists and intellectuals such as Sergei Eisenstein...
Category

Late 20th Century Realist Bay Area - Prints and Multiples

Materials

Lithograph

"Mordon Colledge (the original spelling) Black Heath" from Universal Magazine
Located in Alamo, CA
This beautiful hand-colored copper-plate engraving entitled "The West Prospect of Mordon Colledge (Old English Spelling) Black Heath" was published in the 'The Universal Magazine...
Category

Mid-18th Century Naturalistic Bay Area - Prints and Multiples

Materials

Engraving

Seascape
By Kaiko Moti
Located in San Francisco, CA
This artwork "Seascape" c.1965 is an original color aquatint on Japan paper by noted Indian artist Kaiko Moti, 1921-1989. It is hand signed and numbered XXVII/LXXV in pencil by the a...
Category

Mid-20th Century Impressionist Bay Area - Prints and Multiples

Materials

Aquatint

ACLU
By Charles Bragg
Located in San Francisco, CA
This artwork "ACLU" c.1980 is an original etching by noted American artist Charles Bragg, 1931-2017. It is hand signed, titled and inscribed HC (Hors Commerce) in pencil by the artis...
Category

Late 20th Century Other Art Style Bay Area - Prints and Multiples

Materials

Etching

Cinq Heure Du Soir
By Alvar Sunol Munoz-Ramos
Located in San Francisco, CA
Featured is a color lithograph by Alvar titled "Cinq Heure Du Soir." Created in 1966 and inscribed "Epreuve d'Artiste" in pencil, the piece is printed on CG pa...
Category

Late 20th Century Modern Bay Area - Prints and Multiples

Materials

Lithograph

Landscape
By Aimé Daniel Steinlen
Located in San Francisco, CA
This artwork "Landscape" is an original lithograph by Swiss artist Aime Daniel Steinlen,1923-1996. It is hand signed and numbered 235/260 in pencil by the artist. The image and sheet...
Category

Late 20th Century Impressionist Bay Area - Prints and Multiples

Materials

Lithograph

Iron Cross
By Rufino Tamayo
Located in San Francisco, CA
Artist: Rufino Tamayo Title: Iron Cross Year: 1988 Medium: Color lithograph Edition: Numbered CCXLV/CCC in pencil Paper: Wove Image size: 22.5 x 30...
Category

1980s Expressionist Bay Area - Prints and Multiples

Materials

Lithograph

Untitled, Street Scene
By Raphael Soyer
Located in San Francisco, CA
Artist: Raphael Soyer (Russian, American, 1899-1987) Title: Untitled Year: Circa 1975 Medium: Lithograph Edition: Inscribed A.P (Artist Proof) in pencil Paper: Arches Image s...
Category

Late 20th Century American Realist Bay Area - Prints and Multiples

Materials

Lithograph

Three Dancers
By Alan Feltus
Located in San Francisco, CA
This artwork "Three Dancers" 1980 is an original color lithograph on Arches paper by noted American artist Alan Feltus, b.1943. It is hand signed and numbered 32/60 in pencil by the artist. With the blind stamp of the publisher, Editions Press, San Francisco. The image size is 18.5 x 24.5 inches, sheet size is 22.5 x 30 inches, framed size is 33.5 x 39.75 inches. Custom framed in a wooden silver frame, with off white matting and silver color spacer. It is in excellent condition About the artist: Alan Feltus was born in Washington, D.C. in 1943 and grew up in Manhattan. He studied for one year at the Tyler School of Fine Arts in Philadelphia, and then Cooper Union in New York (B.F.A. 1966), and Yale University (M.F.A. 1968). He has received many awards for his work that include the Rome Prize Fellowship, a National Endowment for the Arts Individual Grant in Painting, a Louis Comfort Tiffany Foundation Grant in Painting, two Pollock Krasner Foundation Grants in Painting, the Augustus Saint-Gaudens Award from Cooper Union, and the Raymond P...
Category

Late 20th Century American Realist Bay Area - Prints and Multiples

Materials

Lithograph

Wa-Kawn, A Winnebago Chief: An Original Hand-colored McKenney Hall Lithograph
By McKenney Hall
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Wa-Kawn, A Winnebago Chief, No. 83 (The Snake)", published by Rice, Rutter &...
Category

Mid-19th Century Naturalistic Bay Area - Prints and Multiples

Materials

Lithograph

City scene
By Luigi Kasimir
Located in San Francisco, CA
This artwork "City Scene" c.1930 is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed by the artist's estate in pencil at the lower center. The plate mark (image) size is 13 x 9.25 inches, framed size is 23.35 x 18.35 inches. Custom framed in a wooden dark brown and gold frame, with fabric matting and dark brown fillets. It is in excellent condition, The frame have a very minor restoration, barely visible. About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes...
Category

Early 20th Century Realist Bay Area - Prints and Multiples

Materials

Etching

Poem 70-82
By Haku Maki
Located in San Francisco, CA
This work is immediately recognizable as the work of Haku Maki (1924-2000). It is one of his well-known abstract compositions. The print is in very good condition, with no flaws noted on the surface. There is some very, very light toning in the margins, barely visible only under bright light. Maki Haku (巻白, 1924–2000) is the artistic name of Maejima Tadaaki, who was born in Ibaraki Prefecture. He was a sōsaku-hanga artist in 20th Century Japan. During World War II, Maejima Tadaaki was trained as a kamikaze pilot in the Japanese air force, but the war ended before he was assigned a mission. Haku had no formal art training, but studied for two years with the sōsaku-hanga artist Onchi Kōshirō...
Category

1970s Abstract Bay Area - Prints and Multiples

Materials

Paper, Woodcut

Riviera
By Erté
Located in San Francisco, CA
Artist: (Romain De Tirtoff) Erte (Russian, 1892-1990) Title: Riviera Year: 1979 Medium: Color serigraph Edition: Numbered LXXXV/CLXXXII in pencil Image size: 20 x 14.25 inches Framed size: 38.25 x 32.5 inches Signature: Hand signed in pencil Condition: Excellent Frame: Custom framed in a wooden silver frame, with silver color bevel and fabric matting Description: With the blind stamp of the publisher, Circle Fine Art, Chicago IL at the lower left corner. Referenced and pictured in the artist catalogue raisonne, Erte at 95, The Complete Graphic Work by Martin Lee, plate #121. About the artist: Romain Erte was born Romain de Tirtoff in St. Petersburg, Russia. The only son of an admiral in the Imperial Fleet, he was raised amidst Russia's social elite. As a young boy, he was fascinated by the Persian miniatures he found in his father's library. These exotic, brightly patterned designs continued to be important to him and influenced the development of his style. He moved to Paris at the age of eighteen and took the name Erte, from the French pronunciation of his initials, R and T. In 1915 he began his long relationship with Harper's Bazaar, during which time he created over 240 covers for the magazine. His fashion designs also appeared in many other publications, making him one of the most widely recognized artists of the 1920s. He also designed costumes and sets for the theater. In 1976 the French government awarded Erte the title of Officer of Arts and Letters, and in 1982 the Medaille de Vermeil de la Ville de Paris was bestowed upon him. His work is in many prominent museums, including the Metropolitan Museum of Art in New York, the Los Angeles County Museum, the Smithsonian Institution in Washington, D.C., and the Victoria and Albert Museum in London. The designs created by Erté during his long and illustrious life influenced not only the world of theatre, film and fashion, but an entire art movement as well. The genius of the artist is evidenced by an enormous body of work that is considered among the most influential and unique of the 20th century. Erté—Romain de Tirtoff—was born in Russia in 1892, and died at age 97 in 1990. His legendary career spanned nearly the entire length of his life. In 1912, Erté moved to Paris and his unique talent was immediately recognized by the city's most established couturiers. In 1915, he began an association with Harper's Bazaar by designing covers of each of their magazines for the next 22 years. The influence of his work as a result of the high visibility of this periodical influenced an entire art movement that was to become known as "Art Deco". Throughout this period, the artist also created original costume and fashion designs for many of the era's most renowned screen actresses, including Joan Crawford, Lillian Gish, Marion Davies, Anna Pavlova, Norma Shearer and others. His creations for the stage included extravagent designs for productions at such venues as New York's Radio City Music Hall, the Casino de Paris and the Paris Opera, as well as for the Folies-Bergères and George White...
Category

Late 20th Century Art Nouveau Bay Area - Prints and Multiples

Materials

Screen

"Woman With Whip and Leather" from the suite "Bad Girls"
By Charles Bragg
Located in San Francisco, CA
This artwork titled "Woman With Whip and Leather" from the suite "Bad Girls". c.1990 is an original color seigraph on Somerset Archival paper by noted ...
Category

Late 20th Century Other Art Style Bay Area - Prints and Multiples

Materials

Screen

Spectral Vision
By Zao Wou-Ki
Located in San Francisco, CA
This artwork titled "Spectral Vision" 1970, is an original color lithograph by renown Chinese/American artist Zao Woo Ki, 1921-2013. It is hand signed and inscribed H.C. (Hors Commerce) in pencil by the artist. The image size is 17.25 x 24.5 inches, framed size is 32.65 x 39 inches. Custom framed in a wooden silver frame, with silver color spacer and fabric matting. It is in excellent condition. About the artist: Zao Woo Ki was born in Beijing with family roots in Dantu, Zhenjiang, Jiangsu province. In his childhood he was brought back to his hometown Dantu where he studied calligraphy. From 1935 to 1941, he studied painting at the China Academy of Art in Hangzhou, Zhejiang province, where he was taught by Lin Fengmian, Fang Ganmin and Wu Dayu. In 1948, he went with his wife Lan-lan, a composer, to Paris to live on the same block in Montparnasse where the classes of Émile Othon Friesz took place. His earliest exhibitions in France were met with praise from Joan Miró and Picasso. In 1957, Zao decided to visit the United States where his younger brother Chao Wu-Wai was living in Montclair, New Jersey, close to the art scene of New York City. He wanted to learn more about "pop art". While in the US, he painted seven canvases at his brother's house. There are relatively few items dating from that year (1957). Years later, the largest canvas was given by his brother, Chao Wu-Wai, to the Detroit Institute of Arts. He left the U.S. after a six-week stay, traveling to Tokyo and then to Hong Kong, where he met his second wife Chan May-Kan Zao's works, influenced by Paul Klee, are orientated to abstraction. He names them with the date in which he finishes them, and in them, masses of colours appear to materialise a creating world, like a Big Bang, where light structures the canvas. He worked formats in triptychs and diptychs. While his work was stylistically similar to the Abstract Expressionists whom he met while travelling in New York, he was influenced by Impressionism. Zao Wou-Ki stated that he had been influenced by the works of Matisse, Picasso and Cézanne.[ His meetings with Henri Michaux pushed him to review his Indian ink techniques, always based in Chinese traditional drawings. Zao was a member of the Académie des beaux-arts, and was considered to have been one of the most successful Chinese painters during his lifetime. In 1982, he was invited to paint for the Fragrant Hills Hotel in Beijing, designed by I. M. Pei. In 1983, he returned to his alma mater, the China Academy of Art in Hangzhou to give lectures. Former French President Jacques Chirac was offered a painting by Zao Wou-Ki by his ministers during their last meeting. His auction record of HKD 510 million was set at Sotheby's, Hong Kong, on 1 September 2018. Zao's work 'Juin-Octobre 1985' is now the most expensive painting ever to go under the hammer at auction in Hong Kong. By the end of his life Zao had stopped producing new paintings due to health problems. He died on 9 April 2013 at his home in Switzerland. Selected public collections and museums: Vienna, Albertina Museum, Graphische Sammlung Brussels, Museum of Modern Art Brussels, Royal Museums of Fine Arts of Belgium Rio de Janeiro, Museum of Modern Art Montreal, Museum of Contemporary Art of Montreal (Quebec) Montréal, Museum of Fine Art (Quebec) Quebec City, National Museum of Fine Arts of Quebec (Quebec) Toronto, Art Gallery of Ontario (Ontario) Hangzhou, China Academy of Art Hong Kong, Hong Kong Museum of Art Beijing, China Central Academy of Fine Arts Suzhou, Suzhou Museum Helsinki, Ateneum Museum Tempere, Sara Hildén Art Museum Châteauroux, Bertrand Museum Colmar, Unterlinden Museum Dunkirk, LAAC Évreux, Museum of Art, History and Archeology Gravelines, Musée du Dessin et de l’Estampe Originale Issoudun, Musée de l’Hospice Saint-Roch Le Havre, Malraux Museum Lyons, École normale supérieure Metz, Museum of Art and History Montauban, Ingres Museum Montpellier, Fabre Museum Nantes, Museum of Fine Art Orléans, Museum of Fine Art Paris, L’Adresse – Musée de La Poste Paris, Bibliothèque nationale de France Paris, Bibliothèque de l’Institut de France Paris, Centre Pompidou, National Museum of Modern Art / Industrial Design Center Paris, Cercle de l’Union Interalliée Paris, Fonds National d’Art Contemporain Paris, Institut national d’histoire de l’art Paris, Manufacture Nationale des Gobelins Paris, Manufacture Nationale de la Savonnerie Paris, Manufacture Nationale de Sèvres Paris, Mobilier National Paris, Museum of Modern Art of Paris Paris, Cernuschi Museum Paris, Musée du Louvre (at Musée Fabre in Montpellier) Paris, Schlumberger Ltd. Paris-La Défense, Société Générale Paris-La Défense, TOTAL France Rennes, Museum of Fine Art Saint-Dié-des-Vosges, Musée Pierre-Noël Sceaux, Musée de l’Ile-de-France, Château de Sceaux Tournus, Musée Greuze Tours, Museum of Fine Art Tours, Conseil général d’Indre-et-Loire, fourteen windows for La Demeure de Ronsard, La Riche Valence, Museum of Fine Art and Natural History Essen, Folkwang Museum Liverpool, The Tate Gallery London, The Tate Gallery London, Victoria and Albert Museum Jakarta, Jakarta Museum Tel Aviv, Tel Aviv Museum Genova, Gallery of Modern Art Milan, Museum of MOdern Art of Milan Fukuoka, Fukuoka Art Museum Fukushima, Iwaki City Art Museum Hakone-Machi, The Hakone Open-Air Museum Kyoto, Kyoto National Museum of Modern Art Nagaoka, Nagaoka Contemporary Art Museum Osaka, National Museum of Art Tokyo, Bridgestone Museum of Art, Ishibashi Foundation Luxembourg City, Grand Ducal Collections of the State of Luxembourg Luxembourg City, National Museum of History and Art Skopje, Museum of Contemporary Art Mexico, Centro Cultural/Arte Contemporáneo Mexico, Museum of Modern Art Mexico, Tamayo Museum of Contemporary Art Castelo Branco...
Category

Late 20th Century Abstract Expressionist Bay Area - Prints and Multiples

Materials

Lithograph

The Mural Day
By Charles Bragg
Located in San Francisco, CA
This artwork titled "The Mural Day" c.1970 is an original etching by noted American artist Charles Bragg, 1931-2017. It is hand signed, titled and numbered LVII/LXXV in pencil by the...
Category

Late 20th Century Other Art Style Bay Area - Prints and Multiples

Materials

Etching

Biagoth Eecuebeh Hehsheesh-Chedah (Red Ridinghood and her Wolves)
Located in San Francisco, CA
This artwork titled " Biagoth Eecuebeh Hehsheesh-Chedah (Red Ridinghood and her Wolves)" 1989 is a color offset lithograph on Artcote paper by Crow Indian artist Penni Anne Cross...
Category

Late 20th Century Realist Bay Area - Prints and Multiples

Materials

Lithograph

Partir Avant la Pleine Mer
Located in San Francisco, CA
This artwork titled "Partir Avant la Pleine Mer" 1986 is an original color etching with aquatint on Arches paper by French artist Jean Solombre, 1948-200...
Category

Late 20th Century Surrealist Bay Area - Prints and Multiples

Materials

Etching, Aquatint

The Equestrian
By Charles Bragg
Located in San Francisco, CA
This artwork "The Equestrian" c.1975 is an original etching by noted American artist Charles Bragg, 1931-2017. It is hand signed, titled and numbered 4/300 in pencil by the artist. T...
Category

Late 20th Century Other Art Style Bay Area - Prints and Multiples

Materials

Etching

Profile of Caroline
Located in San Francisco, CA
This artwork titled "Profile of Caroline" 1983 is a color offset lithograph on Rag-Cote paper by Crow Indian artist Penni Anne Cross A.K.A. (Alawa-Sta...
Category

Late 20th Century Realist Bay Area - Prints and Multiples

Materials

Lithograph

Femme en Rose Avec un Arbre
By André Brasilier
Located in San Francisco, CA
Artist: Andre Brasilier (French, born 1929) Title: Femme en Rose Avec un Arbre Year: c.1975 Medium: Color lithograph Edition: Inscribed "Bien Amicalement" (With Friendship) in pe...
Category

Late 20th Century Expressionist Bay Area - Prints and Multiples

Materials

Lithograph

Sea Spirit
Located in San Francisco, CA
This artwork titled "Sea Spirit" 1965 is an original stonecut on thin paper by Eskimo artist Egevadluq (Eegyvudluk) Ragee, 1920-1983. It is hand signed, titled, dated, described and numbered 20/50 in pencil by the artist. With the blind stamp of the artist at the lower right corner. It is in excellent condition. it has a minor thin crease at the middle center, at the edge of the sheet, barely visible, see picture #4 About the artist: Eegyvudluk Ragee was the oldest child born to Pamiaktok and Sorisolutu at the small campsite of Ikarasak, on the southern tip of Baffin Island in 1920. When Egevadluq travelled to Cape Dorset (Kinngait) to trade for supplies, she would buy graphite pencil and paper from the West Baffin Eskimo Co-operative. Her early works filled entire sheets of paper, mythical creatures, bird-animal-human transformations, and images from reality - all randomly intermingled . By the mid-1960s, Eegyvudluk was using wax crayons, or coloured felt pens on paper. In 1967, improved housing in Cape Dorset resulted in the Inuit abandoning most of the campsites. Eegyvudluk moved into the settlement, and by the early 1970s, explored the use of arcrylic washes, on which she drew her well-known figures and birds. "I started drawing because I was 'tususkuk' (when I saw other people doing it, I wanted to do the same things)...When I start to make a drawing, I have a picture in my mind, but when I try to put that picture on paper, my hands won't do what my mind wants. When I have the picture in my head, I can't get it out by my hands. Sometimes I find it hard to draw when my children are in the house; I find it hard to think with so much noise around me. I make the kids go outside." Eegyvudluk, Cape Dorset Print Catalogue, 1978. Exhibitions Alaska Eskimo Dolls/Inuit Prints, Provincial Museum of Alberta, sponsored by the Alaska State Council on the Arts ART ESKIMO, Galerie de France Art Inuit, Presented by l'Iglou Art Esquimau, Douai at Galerie Akenaton Art Inuit: Autour de la Collection de Cape Dorset 1991, Presented by l'Iglou Art Esquimau, Douai at Le Colombier Art/Facts, McMaster Art Gallery Art/Facts, McMaster Art Gallery Canadian Eskimo Art...
Category

Mid-20th Century Folk Art Bay Area - Prints and Multiples

Materials

Other Medium

18th Century French Map and City View of Joppe/Jaffa (Tel Aviv) by Sanson
By Nicholas Sanson d Abbeville
Located in Alamo, CA
An original antique engraving entitled "Joppe; in ’t Hebreeusch by ouds Japho; hedendaags Japha, of Jaffa; volgens d’aftekening gedaan 1668", by Nicholas Sanson d'Abbeville (1600 - 1667). This is a view of the city of Joppe (in Hebrew Japho), now called Japha or Jaffa, the harbor portion of modern day Tel Aviv, Israel as it appeared in 1668 . It depicts a very busy harbor with numerous boats. A large ship on the left appears to be firing its canons and a small ship on the right appears to be sitting very low in the water, either heavily loaded with cargo or sinking. The town is seen on the far shore with a fortress on a hill across in the background. The map is printed from the original Sanson copperplate and was published in 1709 by his descendants. The map is presented in an ornate brown wood frame embellished by gold-colored leaves and gold inner trim with a double mat; the outer mat is cream-colored and the inner mat is black. There is a central vertical fold, as issued. There are two small spots in the lower margin and one in the upper margin, as well as two tiny spots adjacent to the central fold. 1717 is written below the date 1668 in the inscription. The map is otherwise in very good condition. Another map of the "Holy Land" (by Claes Visscher in 1663), with an identical style frame and mat is available. This pair of maps would make a wonderful display grouping. Please see Reference #LU117324709892. Artist: Nicholas Sanson d'Abbeville (1600 - 1667) and his descendents were important French cartographer's active through the 17th century. Sanson started his career as a historian and initially utilized cartography to illustrate his historical treatises. His maps came to the attention of Cardinal Richelieu and then King Louis XIII of France, who became a supporter and sponsor. He subsequently appointed Sanson 'Geographe Ordinaire du Roi' the official map maker to the king. Sanson not only created maps for the king, but advised him on geographical issues and curated his map collection...
Category

Early 1700s Bay Area - Prints and Multiples

Materials

Engraving

London, Holborn House
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "London, Holborn House" 1920 is an etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil by the artist at the lower right corner. The image size is 14.75 x 13 inches, plate mark is 15 x 13.35 inches, framed size is 23.65 x 22 inches. Custom framed in a wooden black/silver frame, with light beige matting and black fillet. It is in excellent condition. About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes...
Category

Early 20th Century Realist Bay Area - Prints and Multiples

Materials

Etching

Landscape with House
By Luigi Kasimir
Located in San Francisco, CA
This artwork "Landscape with House" c.1950, is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the arti...
Category

Early 20th Century Realist Bay Area - Prints and Multiples

Materials

Etching

Red Boats #2
Located in San Francisco, CA
This artwork titled "Red Boat" 1963 is an original color serigraph on Wove paper by Canadian/American artist Howard Bradford, 1919-2008. It is hand signed, t...
Category

Late 20th Century Abstract Expressionist Bay Area - Prints and Multiples

Materials

Screen

Group of Workers
By John Edward Costigan
Located in San Francisco, CA
This artwork titled "Group of Workers" 1943, is an original lithograph on paper by noted American artist John Edward Costigan, 1888-1972. It is hand signed and titled in pencil by th...
Category

Mid-20th Century Realist Bay Area - Prints and Multiples

Materials

Lithograph

Sea Garden
Located in San Francisco, CA
This artwork titled "Sea Garden" is a color offset lithograph on thick glossy paper by American artist Leonard Bencken, 1933-2010. It is hand signed and num...
Category

Late 20th Century American Realist Bay Area - Prints and Multiples

Materials

Lithograph

Sea Garden
Sea Garden
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Starling
Located in San Francisco, CA
This artwork titled "Starling" c.1990, is a color woodblock print on paper by noted Canadian/Japanese artist Suezan Aikins, b.1952. It is signed and numbered 82/150 in pencil by the artist. The artwork (image) size is 10 x 23.25 inches, framed size is 17.25 x 30.25 inches. Custom framed in a silver metal frame, with double off white matting. It is in excellent condition, the frame have some small minor rubs. About the artwork: This artwork required 3 different carved wood blocks and 7 layers of colors to complete. About the artist: Born in Montreal in 1952, Suezan was influenced early in her life by the works of modern Japanese woodblock printmakers which hung throughout her parents’ home. She attended the Fine Arts programme at Mount Allison University in Sackville, New Brunswick (1969 - 1971), The Ontario College of Art (1971-73), L’ ecole du Musee des Beaux Arts (1974), Nova Scotia College of Art and Design -BFA (1975) as well as a very intensive year of study with Toshi Yoshida in Tokyo (1984-85). She has exhibited extensively in both public and private galleries throughout North America and Japan. Recent exhibitions include solo shows in Tokyo, Osaka, Okinawa, and Boston with group exhibitions at the Wenniger Gallery, Boston, Royal Canadian Academy in Toronto and the Canadian Museum of Nature in Ottawa. Her paintings and woodblock prints are found in many collections such as The Canada Council Art Bank, The Nickle Art Museum, The Art Gallery of Nova Scotia, The Royal Bank of Canada, Prince Takamanonamiya Norihito, the Embassy of Canada in Tokyo, The Thomas Moore Institute as well as private collections. Suezan Aikins was awarded the Elizabeth Greenshields Foundation grant in 1983, Nova Scotia Department of Culture - Development Grants in 1980, 1987 and 1988. She was elected to the Royal Canadian Academy of Art in 1990 and received the Canadian Progress Club- Women of Excellence Award for Culture in 1993. Her work has been featured in a number of television documentaries as well as many Canadian magazines. STUDIES: Yoshida Woodblock Print Studio Tokyo, 84-85 Nova Scotia College of Art & Design, Halifax, 74-75 BFA Ecole du Musee des Beaux Arts, Montreal, 74 Ontario College of Art, Toronto, 71-73 Mt. Allison University, 69-72 SELECTED SOLO SHOWS: 25 Year Retrospective of Woodblock Prints traveled to three Public Galleries in Germany: Dornum Castle; Tollhousverein, Leer; Rastede Palace, Oldenberg 2000-2001 color catalog and reviews. Private Exhibitions, Falmouth, Mass., July 1996; Montreal, November 1996; Gibson Island, Md., April 1999. Gold Paintings and Woodblock Retrospective, travelling: Kabutoya Gallery, Tokyo; Genkan Gallery, Tokyo American Club; Blue Nile Gallery, Osaka; Kanda's Gallery BOQ, Okinawa; May 1994 (color catalogue) Edo Gallery, Boston, November 1992, Private Exhibitions, Chatham, Mass, July 1992, Toronto, Oct. 1991 New Paintings and Woodblocks Kabutoya Gallery, Tokyo, May 1991, and also in 1987. Japanese Garden and Pavilion Foundation, Montreal, September 1990, Ownens Art Gallery, Mount Allison University 1988 Zwickers Gallery, Halifax, NS, 1979; Gallery 78; Fredericton, November, 1983; Robertson Galleries, Ottawa, November, 1982 SELECTED GROUP SHOWS: "A New Leaf" 30 foot instalation of mixed media/ goldleaf reliefs, Artsplace, Annapolis Royal, N.S., 2000 color catalog "Far and Wide" Juried Bienials, Art Gallery of Nova Scotia; 1996 to '99, travelling, catalogs "Moku Hanga Travelling Exhibition: Contemporary Japanese Woodcuts...
Category

Late 20th Century Realist Bay Area - Prints and Multiples

Materials

Woodcut

The Danube river Near Vienna, Austria
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "The Danube River Near Vienna, Austria" 1920 is a color etching on watermarked Kasimir Vienna paper by Austrian artist Luigi Kasimir, ...
Category

Early 20th Century Realist Bay Area - Prints and Multiples

Materials

Etching

Brisbane Factory
By Kim Frohsin
Located in Burlingame, CA
Architectural rendering in blue, white red and black, features a Bay Area building with blue sky in this Monotype ev edition 2/4 with hand coloring. the plate is 12 1/2 x 21 inches a...
Category

21st Century and Contemporary Contemporary Bay Area - Prints and Multiples

Materials

Monoprint, Monotype

Astres Egares (Lost Astral)
Located in San Francisco, CA
This artwork "Astres Egares (Lost Astral)" 1970, is an original colors lithograph on creme wove paper by noted Italian artist Berto (Roberto) Lardera, 1911-1989. Published by Les Bib...
Category

Late 20th Century Abstract Bay Area - Prints and Multiples

Materials

Lithograph

Le Vieux Chalet
By Liudmila Kondakova
Located in San Francisco, CA
This artwork titled "Le Vieux Chalet" is an original serigraph by Russian artist Liudmilia Kondakova, born 1956. It is signed and numbered 90/100 in in white pencil by the artist. Th...
Category

Late 20th Century Romantic Bay Area - Prints and Multiples

Materials

Other Medium

Marienburg Castle, Germany
By Luigi Kasimir
Located in San Francisco, CA
This artwork "Marienburg Castle, Germany" 1920, is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed by the estate in pencil at the lower center. The plate mark (image) size is 17.25 x 23 inches, framed size is 28.75 x 33 inches. Custom framed in a wooden gold and silver distressed frame, with fabric matting and dark grey color small fillets. It is in very good condition, the paper is slightly toned by age, it have a small discoloration near the signature, see picture #7 About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...
Category

Early 20th Century Realist Bay Area - Prints and Multiples

Materials

Etching

House in the sun
By Kenneth Miller Adams
Located in San Francisco, CA
This artwork titled "House in the Sun" c.1930 is an offset lithograph on wove paper by noted Taos, New Mexico artist Kenneth Miller Adams, 1897-1966. It is signed and titled in the plate. The artwork (image) size is 6.75 x 12 inches, framed size is 13.5 x 18.25 inches. Custom framed in silver metal frame, with light grey matting. It is in excellent condition, the frame have some very small minor scratches, barely visible. About the artist: Painter Kenneth Adams (1897-1963) arrived on the Taos art scene in 1924, at the urging of his former instructor Andrew Dasburg. Although Adams had been born and raised less than 700 miles away in Topeka, Kansas, his journey to the Southwest had been years - and countries - in the making. Earlier in his 20s, Adams had embarked on the Midwesterner’s equivalent of a Grand Tour: Chicago, then New York City, and finally, Italy and France. From these sojourns, the artist had absorbed all the lessons in light, color, and form that renowned teachers and rolling countrysides could offer. Now, thanks to Dasburg’s invitation, Adams found he could stop traveling; he had finished honing his craft and found his muse. New Mexico - its people and its land - would be an infinite source of inspiration. Adam’s painterly devotion soon impressed the prestigious Taos Society of Artists...
Category

Mid-20th Century American Realist Bay Area - Prints and Multiples

Materials

Lithograph

Pixel Slab
By Ron Davis
Located in San Francisco, CA
This artwork titled "Pixel Slab" 1982 is an original 8 colors screenprint by noted American artist Ronald Davis, b.1937. It is hand signed and inscribed/numbered AP XII in pencil by ...
Category

Late 20th Century Abstract Geometric Bay Area - Prints and Multiples

Materials

Screen

Koln and the St Martin Church, Germany
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Koln and the St Martin Church, Germany" is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed by the estate in pencil at the lower center. The plate mark (image) size is 19 x 23 inches, framed size is 30.25 x 34.25 inches. Custom framed in a wooden decorated gold frame, with brown matting and burgundy color fillets. It is in excellent condition. About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...
Category

Early 20th Century Realist Bay Area - Prints and Multiples

Materials

Etching

Bilbao Guggenheim Silver
Located in San Francisco, CA
This artwork titled "Bilbao Guggenheim Silver" 1999, is an original archival pigment print by noted photographer and artist Jenny Okun, b.1953. It is hand ...
Category

Late 20th Century American Modern Bay Area - Prints and Multiples

Materials

Archival Pigment

Heidelberg Terrace, Germany
Located in San Francisco, CA
This artwork titled "Hidelberg Terrace, Germany" c.1930 is an original color etching on watermarked Kasimir Vienna wove paper by Austrian/American artist Tana Kasimir Hoernes, 1887-1972. It is hand signed in pencil by the artist's estate at the lower center. The image (plate mark) size is 8.5 x 11.5 inches, sheet size is is 15 x 19 inches. It is in excellent condition, has never been framed About the artist: Tanna Kasimir...
Category

Mid-20th Century Realist Bay Area - Prints and Multiples

Materials

Etching

Happy Sisters
By Ming Wai
Located in San Francisco, CA
This artwork Titled "Happy Sisters" 1977 in a color off set lithograph by renown Chinese/American artist Wai Ming A.K.A Lo Hing Kwok, b.1938. It is hand signed and inscribed A.P (Artist Proof) in pencil by the artist. The image size is 29 x 19 inches, sheet size is 36 x 25 inches. It is in excellent condition, the colors are fresh and bright, it has never been framed. About the artist: Wai Ming, was born in Canton, South China on November 11, 1938, the son of a school master with nine children. Extremely poor as a child, he was raised in Hong Kong enduring many hardships amidst a chaotic environment of war and refugee settlements. Wai Ming's love for art flourished and he developed his drawing techniques without any art education, just painting what he saw. In the 1960s, Ming found representation in Hong Kong and also took the unusual step of opening his own gallery to display his work in. His primary interest being to capture images of life in fishing villages, or 'fish-folk', who have retained traditional Chinese culture, his work was at home with the sensibilities of many art buyers in Hong Kong. Crossing the ocean in his mid-30s, Wai Ming arrived in San Francisco from Hong Kong in 1974. There, he experienced initial resistance from galleries and the official art world for a variety of reasons, but was ultimately embraced by dealer Jack Swanson...
Category

Late 20th Century Realist Bay Area - Prints and Multiples

Materials

Lithograph

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