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Item Ships From: Bay Area
"The Jaguar", an Original 19th C. Audubon Hand Colored Quadruped Lithograph
By John James Audubon
Located in Alamo, CA
This rare original John James Audubon hand-colored royal octavo lithograph is entitled "The Jaguar", No. 21, Plate CI, 101 from Audubon's "Quadrupeds of North America". It was drawn ...
Category
Mid-19th Century Naturalistic Bay Area - Animal Prints
Materials
Lithograph
Ince
s Paradise Flycatcher Birds: 19th C. Hand-colored Lithograph by John Gould
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a hand-colored folio-sized lithograph entitled "Muscipeta Incei" ( (Ince's Paradise Flycatcher)) by John Gould, which is plate 19 from his monograph "The Birds of Great Brita...
Category
Mid-19th Century Naturalistic Bay Area - Animal Prints
Materials
Lithograph
American Bittern: An Original 1st Ed. Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original 19th century 1st octavo edition John James Audubon hand-colored lithograph entitled "American Bittern, 1. Male 2. Female", No. 73, Plate 365 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts male and female American Bittern birds standing on the ground, each looking in opposite directions. There is high grass in the background.
This original 1st octavo edition hand-colored Audubon American Bittern lithograph is in excellent condition, other than a few tiny spots, which appear most likely inclusions related to the paper manufacture. The sheet measures 6.5" high by 10.25" wide. The original text pages, 94-98, from Audubon's 19th century publication are included with the lithograph.
John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio...
Category
Mid-19th Century Naturalistic Bay Area - Animal Prints
Materials
Lithograph
Panda
Located in San Francisco, CA
This artwork "Panda" c.1990 is an offset lithograph by noted animals wildlife artist Jacquie Marie Vaux. It is hand signed and numbered 379/750 in p...
Category
Late 20th Century American Realist Bay Area - Animal Prints
Materials
Lithograph
Hudsonian Godwit 19th C. 1st Octavo Edition Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored 1st octavo edition lithograph entitled "Hudsonian Godwit, 1. Male, 2. Female, Summer Plumage", No. 70, Plate 349 from...
Category
Mid-19th Century Naturalistic Bay Area - Animal Prints
Materials
Lithograph
Red-breasted Rail: An Original 19th C. Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Great Red-breasted Rail or Fresh Water Marsh Hen, 1. Male Adult, 2. Young", No. 62, Plate 309 fr...
Category
Mid-19th Century Naturalistic Bay Area - Animal Prints
Materials
Lithograph
A Burro Train, New Mexico
By Peter Moran
Located in San Francisco, CA
This artwork titled "A Burro Train, New Mexico" 1880 is an original etching on Laid paper by noted British/American artist Peter Moran, 1841-1914. It is signed in the plate as issue. The plate mark (Image) size is 9.15 x 6.5 inches, framed size is 14.75 x 18.75 inches. It is framed in a wooden silver frame, with light grey matting. It is in excellent condition, especially considering the age. I like to mention that example of this particular etching is held in the following museums, including, The Toledo Museum Of Art, Toledo, The British Museum, London and The Smithsonian Museum Of Art, Washington D.C. It was also illustrated in American Art Review, volume #2 1881, page 163.
About the artist:
The younger brother of Thomas Moran, Peter Moran was a painter-etcher best known for his Romantic sensibility and landscape compositions incorporating animals. The Moran family immigrated to the United States from England in 1844, when Peter was three. He began his artistic career as an apprentice to a lithographic firm and eventually studied painting with his brothers Edward and Thomas. He was influenced by the animal paintings of Rosa Bonheur and Constant Troyon and visited England in 1863 to see those of Edwin Landseer.
Moran took up etching in 1874, using that medium to record genre scenes that he observed while traveling in New Mexico and Arizona in 1881 on an ethnographic expedition to study Pueblo Indian culture. He later returned to the Southwest in 1890 as an artist for the Bureau of Indian Affairs.
In 1882, Moran joined Henry R. Poore, an artist friend, on a visit to Taos Pueblo where the two were given a room and spent a week watching the activities associated with the harvest. Poore recounted the details of their travels in an article titled "A Harvest with the Taos Indians...
Category
Late 19th Century American Realist Bay Area - Animal Prints
Materials
Etching
The Lion and the Gnat
By Marc Chagall
Located in San Francisco, CA
Artist: Marc Chagall (Russian, 1887-1985)
Title: The Lion and the Gnat
Year: 1927
Medium: Original etching
Edition: fom the unumbered edition of 200
Paper: Japan
Image (plate mark) ...
Category
Early 20th Century Modern Bay Area - Animal Prints
Materials
Etching
Silvery Marmoset Amazon Monkey: Framed Audebert 18th C. Hand-colored Engraving
Located in Alamo, CA
This is a framed 18th century folio-sized colored stipple engraving with hand-finishing entitled "Le Mico. Buff, Simia Argentata. Linn", which was drawn and engraved by Jean Baptiste Audebert...
Category
Late 18th Century Bay Area - Animal Prints
Materials
Engraving
Horses #II
By Hoi Lebadang
Located in San Francisco, CA
This artwork "titled "Horses #II" 1974 is an original color lithograph, with embossing by French/Vietnamese artist Hoi Lebadang, 1922-2015. It is hand signed and numbered 32/275 in p...
Category
Late 20th Century Modern Bay Area - Animal Prints
Materials
Lithograph
Owl (Rose Ground)
By Graham Sutherland
Located in San Francisco, CA
This artwork titled "Owl (Rose Ground)" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British surrealist artist Gr...
Category
Mid-20th Century Surrealist Bay Area - Animal Prints
Materials
Lithograph
A Greenfinch
A Sparrow: An 18th Century Hand-colored Engraving by Martinet
By François Nicolas Martinet
Located in Alamo, CA
This is a hand-colored engraving of a Greenfinch bird and a tree sparrow ("1, Le Friquet, 2. Le Verdier") by Francois Nicolas Martinet, plate 227 from 'Histoire Naturelle des Oiseaux...
Category
1760s Naturalistic Bay Area - Animal Prints
Materials
Engraving
Black Geese
By Winifred Austen
Located in San Francisco, CA
This artwork titled "Black Geese" 1934 is an original color aquatint by noted British artist Winifred Marie Louise Austen, 1876-1964. It is hand signed and titled in pencil by the artist. The image (plate mark) is 9 x 13.75 inches, sheet size is 10.30 x 16.5 inches. Published by Arthur Greatorax LTD, Grafton street, London. It is in excellent condition.
About the artist:
Born at Ramsgate, Kent on 12 July 1876, Winifred Austen only daughter of Josiah Austin, a Cornish naval surgeon, and his wife Fanny, née Mann. She amended the spelling of her surname from Austin to Austen from the time that she began to exhibit.
In 1892 the family moved to Hornsey, London from where Austin attended the London County Council School of Arts and Crafts, studying under Cuthbert Swan, an animal painter. I n 1899 Austen exhibited a picture of a lion at the Royal Academy and in all exhibited more than seventy pictures at the Academy, the last in 1961.
She worked in both oils and watercolor but Austen is most highly regarded as an etcher. In all she made some two hundred etched plates, beginning in 1906 with a series entitled The White Heron. She had particular feeling for birds and small mammals, and the naturalist Sir Peter...
Category
Mid-20th Century Realist Bay Area - Animal Prints
Materials
Aquatint
Black Rat, Old
Young: A 1st Octavo Edition Audubon Hand-colored Lithograph
By John James Audubon
Located in Alamo, CA
This is an original 19th century 1st octavo edition John James Audubon hand-colored lithograph entitled "Black Rat, Old and Young", No. 5, Plate XXIII, 23, from Audubon's "Quadrupeds...
Category
Mid-19th Century Naturalistic Bay Area - Animal Prints
Materials
Lithograph
Moths in Their Natural Landscape: Antique Hand-colored Engraving by Moses Harris
By Moses Harris
Located in Alamo, CA
This is a hand-colored engraving depicting the natural history of Pinkunderwing Moths, Cream Spotted Tyger Moths in their natural botanical environment, which is plate 4 from Moses H...
Category
Mid-19th Century Realist Bay Area - Animal Prints
Materials
Engraving
A Falkland Island Quail: An 18th Century Hand-colored Engraving by Martinet
By François Nicolas Martinet
Located in Alamo, CA
This is a hand-colored engraving of a Falkland Island Quail ("Caille des Isles Malouines") by Francois Nicolas Martinet, plate 222 from 'Histoire Naturelle des Oiseaux' in associatio...
Category
1760s Naturalistic Bay Area - Animal Prints
Materials
Engraving
Admirable Butterflies, Magpie Moths: A Hand-colored Engraving by Moses Harris
By Moses Harris
Located in Alamo, CA
This is a hand-colored antique engraving depicting the natural history of the Admirable Butterfly and the Small Magpie Moth, which is plate 6 from Moses Harris' publication "The Aure...
Category
Mid-19th Century Realist Bay Area - Animal Prints
Materials
Engraving
"Alpomado Falcon" Hand Colored Bird Lithograph from USPRR Exploration
Survey
Located in Alamo, CA
This striking hand colored stone lithograph of a "Alpomado Falcon" was created by John Cassin (1813-1869) and is Plate 1 in the "USPRR Exploration and Survey Report", published in Washington, DC in 1859.
There is an occasional spot, but the lithograph is otherwise in very good condition.
The 12 volume report was authorized and funded by the US government to determine the most practicable and economical route for a railroad from the Mississippi River to the Pacific Ocean. These explorations and subsequent reports represented the greatest collection of knowledge of the topography and natural history of the Western United States created during the nineteenth century.
John Cassin was an ornithologist and illustrator. He was named curator of the Philadelphia Academy of Natural Sciences in 1842 and worked with John Bowen...
Category
Mid-19th Century Naturalistic Bay Area - Animal Prints
Materials
Lithograph
Butterflies
Moths in a Landscape: 18th C. Hand-colored Engraving by M. Harris
By Moses Harris
Located in Alamo, CA
This is a rare, original first edition hand-colored engraving depicting the natural history of butterflies and moths, which is plate 10 from Moses Harris' publication "The Aurelian: ...
Category
Mid-18th Century Bay Area - Animal Prints
Materials
Engraving
Nude Woman with Cat
Located in San Francisco, CA
This artwork "Nude Woman with Cat" c.1990, is an original colors etching with aquatint on Wove paper by noted Mexican artist Jose Esteban Martinez, b.1951. It is hand signed in penci...
Category
Late 20th Century Other Art Style Bay Area - Animal Prints
Materials
Etching, Aquatint
Venados (Deer), circa 1975-1985, (A/P)
By Francisco Toledo
Located in San Francisco, CA
Francisco Toledo
Venados (Deer), circa 1975-1985
Color etching and aquatint
Plate: 8 13/16 x 11 11/16 inches
Sheet: 15 x 20 7/16 inches
Edition A/P (Artist Proof)
This limited editi...
Category
Late 20th Century Contemporary Bay Area - Animal Prints
Materials
Etching, Aquatint
Nature Morte aux Lapins (Still Life with Rabbits)
By Maurice Mourlot
Located in San Francisco, CA
This artwork titled "Nature Morte aux Lapins" (Still Life with Rabbits) c. 1950 is an original color lithograph on Arches paper by noted French ...
Category
Mid-20th Century Impressionist Bay Area - Animal Prints
Materials
Lithograph
Dancers
Located in San Francisco, CA
This artwork titled "Dancers" c.1990is a color offset lithograph by noted equine American artist Fred Stone, 1930-2018. It is hand signed in pencil by the a...
Category
Late 20th Century American Realist Bay Area - Animal Prints
Materials
Lithograph
"Bunter Reiter II" Large original colors lithograph
By Marino Marini
Located in San Francisco, CA
This artwork titled "Bunter Reiter II" 1976, is an original color lithograph on wove paper by noted Italian artist Marino Marini, 1901-1980. It is hand signed and numbered 22/75 in p...
Category
Mid-20th Century Post-Modern Bay Area - Animal Prints
Materials
Lithograph
Heron Moon
Located in San Francisco, CA
This artwork titled "Heron Moon" c.1990, is a color woodblock print on paper by noted Canadian/Japanese artist Suezan Aikins, b.1952. It is signed, titled and numbered 58/150 in pencil by the artist. The artwork (image) size is 8.5 x 21 inches, framed size is 15.75 x 28.25 inches. Custom framed in a silver metal frame, with double off white matting. It is in excellent condition, the frame have some small minor rubs, barely visible.
About the artwork:
This artwork required have 5 different carved wood blocks and 9 layers of colors to complete.
About the artist:
Born in Montreal in 1952, Suezan was influenced early in her life by the works of modern Japanese woodblock printmakers which hung throughout her parents’ home. She attended the Fine Arts programme at Mount Allison University in Sackville, New Brunswick (1969 - 1971), The Ontario College of Art (1971-73), L’ ecole du Musee des Beaux Arts (1974), Nova Scotia College of Art and Design -BFA (1975) as well as a very intensive year of study with Toshi Yoshida in Tokyo (1984-85).
She has exhibited extensively in both public and private galleries throughout North America and Japan. Recent exhibitions include solo shows in Tokyo, Osaka, Okinawa, and Boston with group exhibitions at the Wenniger Gallery, Boston, Royal Canadian Academy in Toronto and the Canadian Museum of Nature in Ottawa.
Her paintings and woodblock prints are found in many collections such as The Canada Council Art Bank, The Nickle Art Museum, The Art Gallery of Nova Scotia, The Royal Bank of Canada, Prince Takamanonamiya Norihito, the Embassy of Canada in Tokyo, The Thomas Moore Institute as well as private collections.
Suezan Aikins was awarded the Elizabeth Greenshields Foundation grant in 1983, Nova Scotia Department of Culture - Development Grants in 1980, 1987 and 1988. She was elected to the Royal Canadian Academy of Art in 1990 and received the Canadian Progress Club- Women of Excellence Award for Culture in 1993. Her work has been featured in a number of television documentaries as well as many Canadian magazines.
STUDIES:
Yoshida Woodblock Print Studio Tokyo, 84-85
Nova Scotia College of Art & Design, Halifax, 74-75 BFA
Ecole du Musee des Beaux Arts, Montreal, 74
Ontario College of Art, Toronto, 71-73
Mt. Allison University, 69-72
SELECTED SOLO SHOWS:
25 Year Retrospective of Woodblock Prints traveled to three Public Galleries in Germany: Dornum Castle; Tollhousverein, Leer; Rastede Palace, Oldenberg 2000-2001 color catalog and reviews.
Private Exhibitions, Falmouth, Mass., July 1996; Montreal, November 1996; Gibson Island, Md., April 1999.
Gold Paintings and Woodblock Retrospective, travelling: Kabutoya Gallery, Tokyo; Genkan Gallery, Tokyo American Club; Blue Nile Gallery, Osaka; Kanda's Gallery BOQ, Okinawa; May 1994 (color catalogue)
Edo Gallery, Boston, November 1992, Private Exhibitions, Chatham, Mass, July 1992, Toronto, Oct. 1991
New Paintings and Woodblocks Kabutoya Gallery, Tokyo, May 1991, and also in 1987.
Japanese Garden and Pavilion Foundation, Montreal, September 1990, Ownens Art Gallery, Mount Allison University 1988
Zwickers Gallery, Halifax, NS, 1979; Gallery 78; Fredericton, November, 1983; Robertson Galleries, Ottawa, November, 1982
SELECTED GROUP SHOWS:
"A New Leaf" 30 foot instalation of mixed media/ goldleaf reliefs, Artsplace, Annapolis Royal, N.S., 2000 color catalog
"Far and Wide" Juried Bienials, Art Gallery of Nova Scotia; 1996 to '99, travelling, catalogs
"Moku Hanga Travelling Exhibition: Contemporary Japanese Woodcuts...
Category
Late 20th Century Realist Bay Area - Animal Prints
Materials
Woodcut
Iceland or Gyr Falcon: An Original 1st Ed. Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original rare first edition John James Audubon hand-colored lithograph entitled "Iceland or Gyr Falcon", No. 4, Plate 19 from Audubon's "Birds of America, lithographed, pr...
Category
Mid-19th Century Naturalistic Bay Area - Animal Prints
Materials
Lithograph
Cavaliers dans les Dunes
By André Brasilier
Located in San Francisco, CA
Artist: Andre Brasilier (French, born 1929)
Title: Cavaliers dans les Dunes
Year: 1974
Medium: Color lithograph
Edition: Inscribed "Bien Amicalement" (With Friendship) and "Epr...
Category
Late 20th Century Expressionist Bay Area - Animal Prints
Materials
Lithograph
Eagle: A 16th/17th Century Hand-colored Engraving by Aldrovandi
By Ulisse Aldrovandi
Located in Alamo, CA
This very rare, first edition, folio hand-colored engraving of an eagle is plate 215 from Ulisse Aldrovandi’s 'Opera Omnia', published between 1599 a...
Category
Early 17th Century Naturalistic Bay Area - Animal Prints
Materials
Engraving
Canada Pouched Rat: An Original 19th Century Hand-colored Lithograph by Audubon
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Canada Pouched Rat", No. 9, Plate XLIV from John James Audubon's Quadrupeds of North America, published in Ph...
Category
Mid-19th Century Naturalistic Bay Area - Animal Prints
Materials
Lithograph
Heart Spotted Woodpeckers: A 19th C. Gould Hand-colored Lithograph
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Hemicircus Cordatus" (Heart Spotted Woodpecker) by John Gould from his monograph "The Birds of Asia", published in London in 1...
Category
Mid-19th Century Naturalistic Bay Area - Animal Prints
Materials
Lithograph
Lettera Amorosa
By George Braque
Located in San Francisco, CA
This artwork titled "Lettera Amorosa" 1963, is an original color lithograph on Japan nacre paper by renown French artist Georges Braque, 1882-1963. It is hand signed and numbered 42/...
Category
Mid-20th Century Cubist Bay Area - Animal Prints
Materials
Lithograph
Submerged Form
By Graham Sutherland
Located in San Francisco, CA
This artwork titled "Submerged Form" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British surrealist artist Graha...
Category
Mid-20th Century Surrealist Bay Area - Animal Prints
Materials
Lithograph
18th Century Catesby Hand-colored Bird
Plant Engraving "The Crested Titmous"
By Mark Catesby
Located in Alamo, CA
A hand-colored copperplate engraving of a bird and plants by Mark Catesby (1683-1749) entitled "The Crested Titmous" from "The Natural History of Carolina, Georgia, Florida and the Bahama Islands", published in 1731. It depicts a small Crested Titmous bird, facing left, perched on the stem of a plant with clusters of mauve colored star-like flowers.
This original Catesby hand-colored engraving, on laid paper with a large central Fleur-de-Lys watermark, is presented in a cream color French mat. The mat measures 20" x 15.5" and the sheet measures 18.75" x 14.75".
Mark Catesby was born in England to a prosperous family, but he traveled to America, first to visit his sister and her husband in 1712. From 1712 to 1719 he explored America observing its birds and plants, taking notes, creating drawings and collecting specimens. He returned to England with this material and created more detailed drawings. His next visit to America 1722-1726 allowed for more detailed research. Upon his return to England he created his monumental and beautiful work "The Natural History of Carolina, Florida, and Bahama Islands", which was published in London in two folio volumes of 11 parts each consisting of 20 plates...
Category
Mid-18th Century Naturalistic Bay Area - Animal Prints
Materials
Engraving
$1,900 Sale Price
20% Off
Trumpeter Swan: an Original 1st Edition Hand Colored Audubon Bird Lithograph
By John James Audubon
Located in Alamo, CA
An original rare and extremely collectible first edition John James Audubon hand colored royal octavo lithograph entitled "Trumpeter Swan, Young", No. 7...
Category
Mid-19th Century Naturalistic Bay Area - Animal Prints
Materials
Lithograph
"The Cougar", an Original 19th C. Audubon Hand Colored Quadruped Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored royal octavo lithograph entitled "The Cougar, Male", No. 20, Plate XCVI, 96 from Audubon's "Quadrupeds of North America". It was d...
Category
Mid-19th Century Naturalistic Bay Area - Animal Prints
Materials
Lithograph
Hanging Form, Owl and Bats
By Graham Sutherland
Located in San Francisco, CA
This artwork titled "Hanging Form, Owl and Bats" 1957 is an original color lithograph on Arches paper by renown British surrealist artist Graham Vivian Sutherland, 1903-1980. It is h...
Category
Mid-20th Century Surrealist Bay Area - Animal Prints
Materials
Lithograph
"Ram
s Head" from the suite "Bestiary and some Correspondences"
By Graham Sutherland
Located in San Francisco, CA
This artwork titled "Ram's Head" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British artist Graham Vivian Suther...
Category
Mid-20th Century Surrealist Bay Area - Animal Prints
Materials
Lithograph
Common Scaup Duck: An Original 19th C. Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Common Scaup Duck, 1. Male, 2. Female", No. 100, Plate 498 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia in 1856. It depicts male and female Scaup ducks sitting on a mound, looking to the right at water. A lighthouse is seen on a point of land in the background on the right.
This original hand-colored Common Scaup Duck lithograph...
Category
Mid-19th Century Naturalistic Bay Area - Animal Prints
Materials
Lithograph
Fish Become Birds
Located in San Francisco, CA
This artwork titled "Fish Become Birds" 1999 is an original colors stonecut on thin tissue paper by Canadian/ Inuit artist Kavavaow (Kavavau) Mannomee, b.1958. It is hand signed, titled, located, dated, described and numbered 4/50 in pencil by the artist. The subject size is 16 x 23.25 inches, sheet size is 24.5 x 29 inches. It is in excellent condition.
About the artist:
Qavavau born in Brandon, Manitoba in 1958 where his mother, Paunichea, was hospitalized for treatment of tuberculosis. He returned to Cape Dorset...
Category
Late 20th Century Other Art Style Bay Area - Animal Prints
Materials
Other Medium
Horses #I
By Hoi Lebadang
Located in San Francisco, CA
This artwork "titled "Horses #1" 1974 is an original color lithograph, with embossing by French/Vietnamese artist Hoi Lebadang, 1922-2015. It is hand signed and numbered 32/275 in pe...
Category
Late 20th Century Modern Bay Area - Animal Prints
Materials
Lithograph
"White American Wolf" an Audubon Hand Colored by J.T. Bowen Lithograph
By John James Audubon
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored quadruped lithograph entitled "White American Wolf", No. 15, Plate LXXII, from Audubon's "Quadrupeds of North America...
Category
Mid-19th Century Naturalistic Bay Area - Animal Prints
Materials
Lithograph
Flame-bearer Hummingbirds: A 19th C. Gould Hand-colored "Selasphorus Scintilla"
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Selasphorus Scintilla" (Little Flame-bearer Hummingbirds) by John Gould, Plate 162 in his "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts three brown, green, ochre-colored hummingbirds with flame red protrusions under their beaks; perched on broad moss green-colored leaves of a plant with pale blue-colored flowers.
This beautiful Gould hand-colored hummingbird lithograph is augmented with iridescent gum-arabic paint. It is in excellent condition. The original text page is included, which has extensive foxing related to the lower quality paper used for the text pages in the publication.
There are several other unframed Gould hummingbird...
Category
Mid-19th Century Naturalistic Bay Area - Animal Prints
Materials
Lithograph
Black Stork, "Ciconia Nigra": An 18th Century Hand-colored Frisch Engraving
By Johann Leonhard Frisch 1
Located in Alamo, CA
This is a rare 18th Century hand-colored copperplate engraving entitled "Ciconia Nigra" (Black Stork) by Johann Leonhard Frisch is plate 197 fro...
Category
1730s Naturalistic Bay Area - Animal Prints
Materials
Engraving
"The Cougar, Female and Young": Original Audubon Hand-colored Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored royal octavo lithograph entitled "The Cougar, Female and Young", No. 20, Plate XCVII, 97 from Audubon's "Quadrupeds of North Ameri...
Category
Mid-19th Century Naturalistic Bay Area - Animal Prints
Materials
Lithograph
Indian Wryneck Birds (Yunx indica): A 19th C. Gould Hand-colored Lithograph
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a hand-colored folio sized lithograph entitled "Yunx indica" (Indian Wryneck) by John Gould from his monograph "The Birds of Asia", published in London in 1850-1883. The pri...
Category
Mid-19th Century Naturalistic Bay Area - Animal Prints
Materials
Lithograph
Greenland Falcon "Falco Candicans": A 19th C. Hand-colored Lithograph by Gould
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is an original 19th century hand-colored folio-sized lithograph entitled "Falco Candicans" (Greenland Falcon Light) by John Gould, from his "Birds of Great Britain", published i...
Category
Mid-19th Century Naturalistic Bay Area - Animal Prints
Materials
Lithograph
"Pinnated Grouse", an Original Audubon Hand-colored First Edition Lithograph
By After John James Audubon
Located in Alamo, CA
An original extremely collectible first octavo edition John James Audubon hand-colored royal octavo lithograph entitled "Pinnated Grouse", No. 60, Pl. 296, from Audubon's "Birds of A...
Category
Mid-19th Century Naturalistic Bay Area - Animal Prints
Materials
Lithograph
"Little Harvest Mouse": A Framed Original Audubon Hand-colored Folio Lithograph
By John James Audubon
Located in Alamo, CA
This rare original first edition Audubon hand-colored imperial folio-sized lithograph entitled "Mud Minimus Aud and Bach, Little Harvest Mouse, Males and Females, Natural Size" was e...
Category
Mid-19th Century Naturalistic Bay Area - Animal Prints
Materials
Lithograph
Flying Squirrels: An Original Audubon Hand-colored Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand colored lithograph entitled "Severn River Flying Squirrel & Rocky Mountain Flying Squirrel", No. 29, P...
Category
Mid-19th Century Naturalistic Bay Area - Animal Prints
Materials
Lithograph
An Icelandic GyrFalcon: An 18th Century Hand-colored Engraving by Martinet
By François Nicolas Martinet
Located in Alamo, CA
This is a hand-colored engraving of an Icelandic Ger Falcon entitled "Gerfault d''Islande" by Francois Nicolas Martinet, plate 210 from 'Histoire Naturelle des Oiseaux' in associatio...
Category
1760s Naturalistic Bay Area - Animal Prints
Materials
Engraving
Golden Eye Duck: an Original 1st Edition Hand Colored Audubon Bird Lithograph
By John James Audubon
Located in Alamo, CA
An original rare and extremely collectible first edition John James Audubon hand colored royal octavo lithograph entitled "Golden Eye Duck", No. 82, Plate 406, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts male and female Golden Eye ducks in flight.
This original rare first edition hand colored Audubon bird lithograph is in excellent condition. The sheet measures 6.25" x 10". The original text pages, pages 362-366, from Audubon's publication are included.
John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable.
With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment.
Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon and Victor Gifford Audubon produced a set of elephant folio sized lithographs that were primarily engraved and hand colored by J. T. Bowen in Philadelphia. The publication, which included text descriptions of the animals was published 3 years before Audubon died. As with the birds, this was followed by a three-volume set of 155 octavo-sized plates entitled “The Quadrupeds of North America” completed and published by Audubon’s sons, John, Jr. and Victor.
Audubon prints continue to be popular and a wise investment. The double elephant folio set...
Category
Mid-19th Century Naturalistic Bay Area - Animal Prints
Materials
Lithograph
Ring-Tailed Bassaris: An Original Audubon Hand-colored Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand colored lithograph entitled "Ring-Tailed Bassaris", No. 20, Plate XCVIII, 98, from John James Audubon's Qu...
Category
Mid-19th Century Naturalistic Bay Area - Animal Prints
Materials
Lithograph
A Pair of Hand Colored Engravings of an African Lioness and her Cubs and a Rhino
By Johann Elias Ridinger
Located in Alamo, CA
A pair of 18th century hand colored copperplate engravings entitled "Felis Leo Linn Femina" and "Rhinoceros Unicornis Linn" from Dr. Johann Schreber's Die Sa...
Category
1770s Naturalistic Bay Area - Animal Prints
Materials
Engraving
18th Century Hand Colored Engraving of a Camel from Pennant
s " British Zoology"
Located in Alamo, CA
An 18th Century Hand Colored Engraving of a Camel from Thomas Pennant's famous publication on natural history "The British Zoology, Published under the Inspection of the Cymmrodorion...
Category
1760s Naturalistic Bay Area - Animal Prints
Materials
Engraving
Starling
Located in San Francisco, CA
This artwork titled "Starling" c.1990, is a color woodblock print on paper by noted Canadian/Japanese artist Suezan Aikins, b.1952. It is signed and numbered 82/150 in pencil by the artist. The artwork (image) size is 10 x 23.25 inches, framed size is 17.25 x 30.25 inches. Custom framed in a silver metal frame, with double off white matting. It is in excellent condition, the frame have some small minor rubs.
About the artwork:
This artwork required 3 different carved wood blocks and 7 layers of colors to complete.
About the artist:
Born in Montreal in 1952, Suezan was influenced early in her life by the works of modern Japanese woodblock printmakers which hung throughout her parents’ home. She attended the Fine Arts programme at Mount Allison University in Sackville, New Brunswick (1969 - 1971), The Ontario College of Art (1971-73), L’ ecole du Musee des Beaux Arts (1974), Nova Scotia College of Art and Design -BFA (1975) as well as a very intensive year of study with Toshi Yoshida in Tokyo (1984-85).
She has exhibited extensively in both public and private galleries throughout North America and Japan. Recent exhibitions include solo shows in Tokyo, Osaka, Okinawa, and Boston with group exhibitions at the Wenniger Gallery, Boston, Royal Canadian Academy in Toronto and the Canadian Museum of Nature in Ottawa.
Her paintings and woodblock prints are found in many collections such as The Canada Council Art Bank, The Nickle Art Museum, The Art Gallery of Nova Scotia, The Royal Bank of Canada, Prince Takamanonamiya Norihito, the Embassy of Canada in Tokyo, The Thomas Moore Institute as well as private collections.
Suezan Aikins was awarded the Elizabeth Greenshields Foundation grant in 1983, Nova Scotia Department of Culture - Development Grants in 1980, 1987 and 1988. She was elected to the Royal Canadian Academy of Art in 1990 and received the Canadian Progress Club- Women of Excellence Award for Culture in 1993. Her work has been featured in a number of television documentaries as well as many Canadian magazines.
STUDIES:
Yoshida Woodblock Print Studio Tokyo, 84-85
Nova Scotia College of Art & Design, Halifax, 74-75 BFA
Ecole du Musee des Beaux Arts, Montreal, 74
Ontario College of Art, Toronto, 71-73
Mt. Allison University, 69-72
SELECTED SOLO SHOWS:
25 Year Retrospective of Woodblock Prints traveled to three Public Galleries in Germany: Dornum Castle; Tollhousverein, Leer; Rastede Palace, Oldenberg 2000-2001 color catalog and reviews.
Private Exhibitions, Falmouth, Mass., July 1996; Montreal, November 1996; Gibson Island, Md., April 1999.
Gold Paintings and Woodblock Retrospective, travelling: Kabutoya Gallery, Tokyo; Genkan Gallery, Tokyo American Club; Blue Nile Gallery, Osaka; Kanda's Gallery BOQ, Okinawa; May 1994 (color catalogue)
Edo Gallery, Boston, November 1992, Private Exhibitions, Chatham, Mass, July 1992, Toronto, Oct. 1991
New Paintings and Woodblocks Kabutoya Gallery, Tokyo, May 1991, and also in 1987.
Japanese Garden and Pavilion Foundation, Montreal, September 1990, Ownens Art Gallery, Mount Allison University 1988
Zwickers Gallery, Halifax, NS, 1979; Gallery 78; Fredericton, November, 1983; Robertson Galleries, Ottawa, November, 1982
SELECTED GROUP SHOWS:
"A New Leaf" 30 foot instalation of mixed media/ goldleaf reliefs, Artsplace, Annapolis Royal, N.S., 2000 color catalog
"Far and Wide" Juried Bienials, Art Gallery of Nova Scotia; 1996 to '99, travelling, catalogs
"Moku Hanga Travelling Exhibition: Contemporary Japanese Woodcuts...
Category
Late 20th Century Realist Bay Area - Animal Prints
Materials
Woodcut
Soaking Up
Located in San Francisco, CA
This artwork titled "Soaking Up" c.1970 is an original lithograph on paper by noted western artist Tom (Thomas) Ryan, 1922-2011. It is hand signed, titled and numbered 68/100 in penc...
Category
Late 20th Century American Realist Bay Area - Animal Prints
Materials
Lithograph
Horses #IV
By Hoi Lebadang
Located in San Francisco, CA
This artwork "titled "Horses #IV" 1974 is an original color lithograph, with embossing by French/Vietnamese artist Hoi Lebadang, 1922-2015. It is hand sig...
Category
Late 20th Century Modern Bay Area - Animal Prints
Materials
Lithograph
Skull
By Arnold A. Grossman
Located in San Francisco, CA
This artwork titled "Skull" c.1990 is an original color etching and aquatint by noted California artist Arnold A. Grossman, 1923-2016. It is hand signed in pencil by the artist. The ...
Category
Late 20th Century American Impressionist Bay Area - Animal Prints
Materials
Aquatint
Racoon
Located in San Francisco, CA
This artwork "Racoon" c.1990 is an offset lithograph by noted animals wildlife artist Jacquie Marie Vaux. It is hand signed and numbered 230/750 in ...
Category
Late 20th Century American Realist Bay Area - Animal Prints
Materials
Lithograph
Landscape with Deer Herds
By Hoi Lebadang
Located in San Francisco, CA
This artwork "Landscape with Deer Herds" c.1970 is an original color lithograph by French/Vietnamese artist Hoi Lebadang, 1922-2015. It is hand sig...
Category
Late 20th Century Modern Bay Area - Animal Prints
Materials
Lithograph
