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Item Ships From: Bay Area
Tyre, From the Isthmus: Roberts
19th C. Hand-colored Lithograph
By David Roberts
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Tsur Ancient Tyre, From the Isthmus, April 27, 1839" by David Roberts from his Egypt and Nubia volumes of the large...
Category
1840s Realist Bay Area - Interior Prints
Materials
Lithograph
$1,580 Sale Price
20% Off
Songbird
By Pati Bannister
Located in San Francisco, CA
This artwork titled "Strawberies" 1990 is a color off set lithograph by British/American artist Pati Bannister, 1929-2013. It is hand signed, titled and numbered 45/485 in pencil by ...
Category
Late 20th Century Romantic Bay Area - Interior Prints
Materials
Lithograph
Richard Reynolds, Society of Friends: 19th C. Engraved Portrait by Wm. Sharp
By William Sharp
Located in Alamo, CA
This is an early 19th century engraved portrait of the industrialist and philanthropist Richard Reynolds by William Sharp after William Hobday. It was published in London by Rudolph Ackerman in 1817. The print is entitled "Richard Reynolds of the Society of Friends, Late of Bristol". This three-quarter length portrait of Reynolds depicts him seated, directed to right, looking towards the viewer. He is holding an open book, wearing a plain suit. A curtain in the background is pulled to the left, revealing bookshelves. Some of the books are labelled 'Addison & Watts' 'Kempis & Fenelon' 'Milton & Cowley' etc. The inscription above the portrait reads: "When the eye saw him it blessed him". The lettering below the image reads: "Richard Reynolds of the Society of Friends, Late of Bristol; Whose Life and Fortune were devoted to the Glory of God by relieving the humble in Distress.', This plate is dedicated by Permission to his Royal Highness, the Prince Regent by his most devoted very humble servant William Hobday."
This engraving is printed on thick paper. The sheet measures 16" high and 12" wide. It is adhered to an archival backing in the upper left corner. There is mild discoloration and toning in the margins, but it does not involve the image.
Richard Reynolds (1735-1816) was a prominent member of the Society of Friends, also known as Quakers, in the 18th and 19th centuries. He was born into a wealthy family in Bristol, England, and inherited a successful copper smelting, iron manufacturing business from his father. Despite his privileged upbringing, Reynolds was known for his deep concern for the poor and his commitment to social justice. He used his wealth and influence to support a range of philanthropic causes, including the abolition of slavery, the improvement of working conditions for miners and factory workers, and the provision of education for the poor. Reynolds was also a prominent supporter of the Quaker...
Category
Early 19th Century Bay Area - Interior Prints
Materials
Engraving
The German Chapel in St. James Palace, A 19th Century Hand Colored Engraving
By Charles Wild
Located in Alamo, CA
A hand-colored engraving of the interior The German Chapel, St. James Palace in London, England from 'The History of the Royal Residences of Windsor Castle, St. James Palace, Carlton House, Kensington Palace, Hampton Court, Buckingham House, and Frogmore', commissioned by the British Royal Family. The work is one of the finest depictions of interiors ever published. The engraving was created by Daniel Havel (1786-1826) after a painting by Charles Wild (1781-1835) and published by William Henry Pyne (1770–1843) in 1819.
The print is presented in a gold-colored wood museum style frame and an elaborate light grey French mat with highlighted gold and royal blue bands. A certificate of authenticity from Trowbridge Gallery...
Category
Early 19th Century Victorian Bay Area - Interior Prints
Materials
Aquatint
SPQR ( Rome ) - monochromatic timeless urban vignette of Italy
s Eternal City
By Frank Schott
Located in San Francisco, CA
details of an almost monochromatic and timeless urban vignette captured in Rome, Italy, photographed with a large format camera to allow epic scale print sizes with incredible image ...
Category
21st Century and Contemporary Contemporary Bay Area - Interior Prints
Materials
Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée
$1,520 Sale Price
20% Off
Ancient Roman Medici Marble Vase: An 18th Century Etching by Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
This large 18th century etching by Giovanni Battista Piranesi is entitled "Vaso antico di Marmo adornato di eccellenti Sculture si nella parte anteriere che nell' opposta, le quail r...
Category
1770s Old Masters Bay Area - Interior Prints
Materials
Etching
Scott
s Antiques
Located in San Francisco, CA
This artwork titled "Scotts Antiques" c. 1985 is an original sepia etching by American artist Scott Fitzgerald. It is hand signed, titled and numbered...
Category
Late 20th Century American Realist Bay Area - Interior Prints
Materials
Etching
Hallelujah - large format photograph of baroque Italian palazzo fresco ceiling
By Frank Schott
Located in San Francisco, CA
mesmerizing baroque architectural details in a long forgotten Italian palazzo discovered in Mediterranean Sicily, Italy
Hallelujah by Frank Schott
40...
Category
21st Century and Contemporary Contemporary Bay Area - Interior Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée
N. Lambert Seigneur de Thorigny: 17th C. Engraved Portrait After Largillière
By Nicolas de Largillière
Located in Alamo, CA
This is a 17th century engraving entitled "Messire Nicolas Lambert Seigneur de Thorigny, Conseiller du Roy" by Pierre Drevet after a painting by Noicolas de Largillière, published in Paris in 1698. This portrait depicts a three-quarter length view of Nicolas Lambert de Thorigny, who is dressed in elaborate robes and collar of a wealthy Parisian nobleman of the time. He is seated directed to the left and looking directly at the viewer. He is holding an inscribed note in his right hand. A magnificent billowing curtain is in the background. Lambert's coat of arms is shown in the center of the lower inscription area. In the inscription area is lettered with title, production detail: "Nic. Largilliere pinxit" and "Petr. Drevet sculpsit", and publication detail: "Se vend a Paris chez Drevet rüe du Foin au coin du College de Maître Gervais".
Nicolas Lambert, Seigneur de Thorigny (1600-1664), was a French nobleman and military commander who lived in the 17th century. He served in the French army during the Thirty Years' War, a conflict that took place from 1618 to 1648 and involved many European powers. Lambert fought in several battles during the war and rose to the rank of colonel. After the war, Lambert returned to France and became involved in politics. He served as a member of the Estates General, a legislative body that advised the king, and as a governor of several provinces. He was a counsellor and confidant of King Louis XIV. He had the title of Président de la Chambre des Comptes. He also became a member of the French Academy of Sciences, a prestigious institution that promotes scientific research and scholarship. Lambert was known for his military expertise, his intelligence, and his commitment to public service. He iInherited the Hôtel Lambert in Paris from his brother Jean Baptiste in 1644 and hired some of the most prominent artists of the time, including Charles Le Brun to decorate and furnish the building.
This beautiful old master engraving was created with impressive detailed technique. It is printed on laid, chain-linked paper. The sheet measures 18.5" high and 13.38" wide. The sheet is adhered to an archival backing paper at the top. There is a faint horizontal center fold and mild discoloration in the inscription area and in the upper margin on the right, with mild wrinkling here. The print is otherwise in very good condition, considering its age. This engraving is so rare, that no comparable prints could be identified for sale online. It is currently only listed in museum collections, including: The Metropolitan Museum of Art, The British Museum, The Louvre, The Riksmuseum, The Victoria & Albert Museum, The Fitzwilliam Museum at the U. of Cambridge, The Boston Museum of Fine Arts, Harvard Art Museums, The Finnish National Museum, The Philadelphia Museum. It is shown in the Metropolitan Museum's Cataloque of French paintings entitled: "French Paintings in The Metropolitan Museum of Art, published in 2018, page 36. The page is included in the photos.
Nicolas de Largillière (1656-1746) was a French portrait painter who achieved great success and acclaim during the late Baroque and Rococo periods. He was born in Paris and trained under the painter Antoine Goubeau. He studied in Antwerp and London before returning to France. While in England he was a favorite painter of King Charles II and King James II of England...
Category
Late 17th Century Bay Area - Interior Prints
Materials
Engraving
$5,580 Sale Price
20% Off
Three 19th C. Engravings of Classical Italian Bronze Architectural Elements
Located in Alamo, CA
A grouping of three engravings depicting classical Italian architectural features held in the National Museum of Naples, entitled "Bronze Hydria", "Marbre Naissance de Bacchus" and "...
Category
1880s Other Art Style Bay Area - Interior Prints
Materials
Engraving
$780 Sale Price
20% Off
"Entrance to the Citadel Cairo": David Roberts
19th C. Hand Colored Lithograph
By David Roberts
Located in Alamo, CA
"Entrance to the Citadel of Cairo" is a 19th century full folio sized duotone lithograph from the Egypt and Nubia volumes of David Roberts’ large folio edi...
Category
1840s Realist Bay Area - Interior Prints
Materials
Lithograph
"Inside of a House in Nootka Sound" (Canada) from Captain Cook
s 3rd Voyage
By John Webber
Located in Alamo, CA
"The Inside of a House in Nootka Sound" is an engraving created by William Sharp (1749-1824), from a drawing by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. It is Plate 65 in "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", the official British Admirality sanctioned journal published upon completion of the voyage in London in 1784 by Strahan & Cadell.
This engraving is presented in a Koa wood frame and a white mat. There are occasional tiny faint spots, but the print is otherwise in very good condition. Koa wood is legendary in Hawaii. Not only is this amazing wood native to Hawaii, but it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa.
There are three other engravings listed form the official journal of Captain Cook's 3rd voyage available that are presented in identical Koa wood frames and mats. They would make a wonderful grouping for a display of 2, 3 or 4 prints. Please see listings: LU117324682432, LU117324684022, LU117324684062. A discount is available for a grouping depending on the number of items included.
Nootka Sound is on the west coast of Vancouver Island, British Columbia, Canada. It was explored by Captain Cook in 1778 after he discovered Hawaii during his 3rd voyage. He originally named it King George's Sound, but did record Nootka Sound, which he thought was its native name. Hawaii was originally called The Sandwich Islands in honor of The Earl of...
Category
1780s Realist Bay Area - Interior Prints
Materials
Engraving
$1,900 Sale Price
20% Off
LA Parking - large scale photograph of midcentury urban architectural element
By Frank Schott
Located in San Francisco, CA
LA Parking by Frank Schott
a burst of red in an urban landscape of striking minimalism
from a series of photographs capturing the mid century modern architecture and architectural el...
Category
21st Century and Contemporary Contemporary Bay Area - Interior Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment
Temple of Kalabshi, Egypt: David Roberts
19th C. Hand-colored Lithograph
By David Roberts
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Portico of the Temple of Kalabshi" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, p...
Category
1840s Realist Bay Area - Interior Prints
Materials
Lithograph
$2,860 Sale Price
20% Off
A Rare 19th Century Honore Daumier Caricature from the "Types Parisiens" Series
By Honoré Daumier
Located in Alamo, CA
This is a rare 19th century satirical lithograph by Honoré-Victorin Daumier entitled "Types Parisiens, L'InstItuteur: Votre fils me fera honneur!....c'est un joli sujet!!!", No. 24 (Parisian Types, The Institutor: Your son will be my honor! ... it's a nice subject !!), published in Paris in the satirical magazine La Caricature, May 24, 1840 by Aubert et Cie. It depicts a man presenting his son to another man, presumably a teacher or school headmaster, who politely states that it would be an honor to take care of such a nice boy, as he watches the boy picking his nose. An apparent teaching poster or map hangs on the wall in the background.
This rare Daumier lithograph...
Category
Mid-19th Century Other Art Style Bay Area - Interior Prints
Materials
Lithograph
Tiberias from the Walls: David Roberts
19th C. Hand-colored Lithograph
By David Roberts
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Tiberias from the Walls, Saffet (Safed) in the Distance" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in London by F. G. Moon in 1841. The lithographs were prepared by Louis Haghe (1806-1885) from drawings and paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered among the greatest lithographically illustrated works issued in the 19th century.
This page from Roberts' 19th century publication includes a half-folio hand-colored lithograph of a view of the town of Tiberias and with the town of Safed on the hill in the distance. They lie along the Sea of Galilee...
Category
1840s Realist Bay Area - Interior Prints
Materials
Lithograph
"Allegory of Justice": A 17th Century Old Master Engraving by van Swanenburg
By Willem van Swanenburg
Located in Alamo, CA
This old master engraving entitled "Allegorie op de Rechtspraak" is by Willem van Swaanenburg after a painting by Joachim Wtewael, published by Ch...
Category
Early 1600s Old Masters Bay Area - Interior Prints
Materials
Engraving
Zeppelin (framed) - monumental photograph of iconic pioneering airship in hangar
By Christian Stoll
Located in San Francisco, CA
large format photograph of iconic zeppelin in aircraft hangar
Zeppelin by Christian Stoll ( framed )
"Modern Gallery Frameless"
48 x 69 inches (122c...
Category
21st Century and Contemporary Contemporary Bay Area - Interior Prints
Materials
Photographic Paper, Plexiglass, Archival Paper, Giclée, Archival Pigment
Standing Ovation - conceptual vignette with red velvet curtain and marble floor
By Frank Schott
Located in San Francisco, CA
Large scale interior photograph of conceptual vignette with dark red velvet curtain and white Carrara marble floor
Standing Ovation (2016) by Frank S...
Category
21st Century and Contemporary Contemporary Bay Area - Interior Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée
Hallelujah - large format photograph of baroque Italian palazzo fresco ceiling
By Frank Schott
Located in San Francisco, CA
mesmerizing baroque details in a long forgotten Mediterranean architecture masterpiece discovered in baroque Sicily, Italy
50 x 44 inches /...
Category
21st Century and Contemporary Contemporary Bay Area - Interior Prints
Materials
Archival Pigment, Photographic Paper, Archival Paper, Giclée
YSL Yves Saint Laurent
By Frank Schott
Located in San Francisco, CA
YSL Yves Saint Laurent by Frank Schott
from a series of photographic observances capturing urban interiors in pandemic times
48 x 72 inches / 122cm x 1...
Category
21st Century and Contemporary Contemporary Bay Area - Interior Prints
Materials
Archival Ink, Archival Paper, Photographic Paper
Pantheon ( Rome ) - large scale photograph of iconic architectural elements
By Frank Schott
Located in San Francisco, CA
Pantheon (Rome) by Frank Schott
from a series of monochromatic and timeless photographic observances of iconic architectural and interior references around Rome's historical center
...
Category
21st Century and Contemporary Contemporary Bay Area - Interior Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée
SPQR ( Rome ) - monochromatic timeless urban vignette of Italy
s Eternal City
By Frank Schott
Located in San Francisco, CA
details of an almost monochromatic and timeless urban vignette in Rome, Italy
captured with a large format camera to allow epic scale print sizes with incredible image details
SPQR ...
Category
21st Century and Contemporary Contemporary Bay Area - Interior Prints
Materials
Archival Paper, Photographic Paper, Archival Pigment, Giclée, Archival Ink
Portrait of William Pitt, Earl of Chatham: Rare Framed Mezzotint after Brompton
By Edward Fisher
Located in Alamo, CA
This is a large framed very rare hand-colored copperplate mezzotint engraved portrait of William Pitt, the Elder, 1st Earl of Chatham by Edward Fisher, published in London in 1779 after a painting by Richard Brompton. Pitt is depicted attired in a flowing regal appearing cape, standing in an ornate room with his left hand outstretched over a serious of manuscripts and scrolls that are laying on a table or desk to his left. The table is covered by a beautiful oriental carpet. The manuscripts include the Magna Carta, a map of the colonies, including Long Island and Staten Island, and papers entitled "A Plan for the Reconciliation between Great Britain and the Colonies", "A Motion Made in 1775 for the Recall of Troops from Boston", "A Provisional Act for Settling the Troubles in America Offered to the House of Lords in 1775", and "It is doing Nothing to repeal a few Scraps of Paper or Pieces of Parchment called Acts of Parliament. But our Business is to repeal the Ill-Will and the Animosity unfortunately now subsisting between Great Britain and North America". This engraving is held by the British Museum and the British Royal Collection Trust.
This large framed mezzotint engraving is presented in a brown wood frame with gold-colored beaded inner and outer trim, and a cream-colored French mat. The frame measures 31.63" high by 26.63" wide by 0.75" deep. There are three short tears along the right edge and mild creasing in the left upper, left lower and right lower corners. It is otherwise in very good condition.
William Pitt (1708-1778) was a member of the British parliament from 1735 to 1761 and prime minister from 1766 to 1768. Pitt was an advocate for the American colonies leading up to the War of Independence. He called for an amiable relationship between Great Britain and the colonies and opposed the Stamp Act and military action in America. He advocated for a withdrawal of English troops from Boston in 1775 and the settling of troubles in America, as two of his manuscripts on the table outline. Pitt's colleague, Lord Shelburne (later the Marquess of Lansdowne) shared his sympathies and after Pitt's death, signed a peace treaty with the United States in 1782.
The American city of Pittsburgh, Pennsylvania is named for William Pitt, the Elder. The name originated when the conflict between the British and French over territorial claims in the Northeast were settled in 1758. General John Forbes and his British army, supported by the American colonial troops, expelled the French from Fort Duquesne (which had been constructed by the French in 1754). Forbes re-named the site for William Pitt the Elder, who at the time was a British statesman. The earliest known reference to the new name, Pittsburgh, is in a letter sent from General John Forbes to Pitt, dated November 27, 1758. Pitt's son, William Pitt, the Younger, like his father, also served as British Prime Minister.
Edward Fisher (1730-1785) was born in Ireland in 1730. He was originally a hatter, but learned engraving in London. He became a member of the Incorporated Society of Artists in 1766, and exhibited there fourteen times between 1761 and 1776. He engraved more than sixty portraits. In addition to this portrait of William Pitt, Earl of Chatham, after Richard Brompton he engraved several portraits after Brompton, including George, Earl of Albemarle, as well as engraved portraits after paintings by Joshua Reynolds, including the Shakespearean actor David Garrick, Hugh, Earl of Northumberland, and Elizabeth, Countess of Northumberland and Laurence Sterne, and Hope Nursing Love, as well as Robert Brown, after Mason Chamberlin, Colley Cibber, after Jean-Baptiste van Loo, Christian VII of Denmark, after Nathaniel Dance, Simon, Earl Harcourt, after Hunter, Roger Long, after Benjamin Wilson...
Category
Late 18th Century Old Masters Bay Area - Interior Prints
Materials
Mezzotint
Hallelujah - large format photograph of baroque Italian palazzo fresco ceiling
By Frank Schott
Located in San Francisco, CA
Epic scale photograph of mesmerizing baroque details in a long forgotten architectural masterpiece discovered in Mediterranean Sicily, Italy
Hallelujah by Frank Schott
66 x 59 inch...
Category
21st Century and Contemporary Contemporary Bay Area - Interior Prints
Materials
Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée
Persephone I - muted still life of a timeless environmental interior vignette
By Erik Pawassar
Located in San Francisco, CA
Large scale original photograph from Erik Pawassar's body of works 'Persephone', a series of environmental still-life photographs of timeless palimpsest impressions
62 x 48 inches (157 x 122cm)
signed edition of 7
40 x 31 inches (102 x 79cm)
signed edition of 25
24 x 19 inches (61 x 48cm)
signed edition of 25
archival fine art pigment print
signed & numbered by artist on certificate label
____________________________
Erik Pawassar's work focuses on the beauty of the disregarded or mundane object. The subjects for his striking and captivating visuals are typically set in the most ordinary environments, drawing the viewer into a charged but serene experience based on composition, palette and formal lines. Saturated in color, the nominal subjects gather a haunting and mesmerizing quality, creating a poignant pretext for the making of a formal color photograph.
Decisively capturing the traces left by humanity, Pawassar's images are filled with a sense of universal nostalgia and pay homage to the passage of time and the extinguished moment, referencing documentary and street photographers like Henri Cartier-Bresson, Sebastian Salgado, Raghubir Singh...
Category
21st Century and Contemporary Contemporary Bay Area - Interior Prints
Materials
Archival Paper, Photographic Paper, Archival Pigment, Giclée, Archival Ink
$2,960 Sale Price
20% Off
James Dobie "The New Will" Color Engraving After Walter Dendy Sadler c.1894
Located in San Francisco, CA
James Dobie "The New Will" Color Engraving After Walter Dendy Sadler c.1894
Original 19th century color engraving
Engraved by James Dobie after artwork b...
Category
Late 19th Century Bay Area - Interior Prints
Materials
Engraving
Girls Seated at Desk IX
By Henry Moore
Located in San Francisco, CA
Artist: Henry Moore (British, 1898-1986)
Title: Girls Seated at Desk IX
Year: 1974
Medium: Color lithograph
Edition: Numbered 40/50 in pencil
Paper: Wove
Paper size: 20.25 x...
Category
Late 20th Century Modern Bay Area - Interior Prints
Materials
Lithograph
Dendera, Egypt, Dec 7th, 1838: David Roberts
19th C. Duotone Lithograph
By David Roberts
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Dendera, Dec 7th, 1838" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in...
Category
1840s Realist Bay Area - Interior Prints
Materials
Lithograph
$2,860 Sale Price
20% Off
"King of the Friendly Islands" (Tonga); Engraving from Captain Cook
s 3rd Voyage
By John Webber
Located in Alamo, CA
"Poulaho, King of the Friendly Islands, Drinking Kava" is an engraving created by William Sharp (1749-1824), from a drawing by John Webber (1752-1793), who was the artist on Captain James Cook's 3rd and final voyage of discovery. It was published in the atlas of "A Voyage to the Pacific Ocean Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere", the official British Admirality sanctioned journal published upon completion of the voyage in London in 1784 by Strahan & Cadell.
Captain Cook visited Tonga on his 3rd voyage, which he named The Friendly Islands because of the warm welcome he and his crew received, unlike some of the other more hostile Pacific islands. The engraving depicts Cook and his men observed a kava ceremony at the village of Mu’a on Tongatapu. King Paulaho sits in the centre foreground, his back to the spectator with a man kneeling before him. The ceremonial mat depicted behind Paulaho indicates that nobody was allowed to sit behind him. The figure in the centre holds a single cup, referring to the Tongan custom of offering the cup to the king first. Kava is native to the islands of the South Pacific and was first described for English readers in 1768 by Captain James Cook. The kava root has been used for centuries as a central feature of ceremonies and celebrations because it was able to bring about a calming and pleasant social atmosphere. The root was crushed and processed into coconut milk to become the focal ceremonial beverage, simply referred to as kava.
This engraving is presented in a Koa wood frame and a white mat. Koa wood is legendary in Hawaii. There are occasional faint spots, but the print is otherwise in very good condition. This amazing Koa wood is native to Hawaii and it is known for the deep rich colors and varied grain pattern. Koa has an honored heritage in Hawaii and is highly revered and sacred. The word “koa” means “warrior” in Hawaiian. The warriors of King Kamehameha the Great, created canoes and weapons from a wood plentiful on the Big Island of Hawaii. This wood became synonymous with the warriors themselves, and it became known as koa.
There are three other engravings listed from the official journal of Captain Cook's 3rd voyage available that are presented in identical Koa wood frames and mats (LU117324682422, LU117324684052, LU117324684032). They would make a wonderful grouping for a display of 2, 3 or 4 prints. A discount is available for a grouping depending on the number of items included.
Captain Cook is remembered as one of the greatest explorers and navigators in history. His explorations included Australia, New Zealand and islands of the South Pacific and the northwest coast of North America. Hawaii was discovered by Captain Cook during this voyage. Hawaii was originally called The Sandwich Islands in honor of The Earl of Sandwich...
Category
1780s Realist Bay Area - Interior Prints
Materials
Engraving
"La Conversation" Large original lithograph
By Jean-Pierre Cassigneul
Located in San Francisco, CA
This art work titled "La Conversation" 1991 is an original color lithograph on wove paper by French artist, Jean Pierre Cassigneul, born 1935. It is h...
Category
Late 20th Century Post-Impressionist Bay Area - Interior Prints
Materials
Lithograph
"Inspection Tour in the Wine Vaults", 1876 Philadelphia Centennial Exposition
Located in Alamo, CA
This engraving is entitled "Philadelphia, PA- The Centennial Exposition - the Jury of Award on an Inspection Tour in the Wine Vaults of Agricultural Hall", ...
Category
Late 19th Century Naturalistic Bay Area - Interior Prints
Materials
Engraving
$380 Sale Price
20% Off
Show and Tell
By Pati Bannister
Located in San Francisco, CA
This artwork titled "Show and Tell" 1999, is a color off set lithograph by British/American artist Pati Bannister, 1929-2013. It is hand signed, titled and numbered 476/950 in pencil by the artist. Published by Masters Publishing INC, New York. The image size is 17.5 x 21 inches, sheet size is 23.25 x 26 inches. It is in excellent condition.
About the artist:
Pati Bannister was born in Highgate, England, overlooking London in 1929. Growing up, both of her parents were artists. Her mother painted watercolor landscapes, while her father painted portraits. To help further her natural talents, she took art lessons as a young girl and ultimately went to work for J. Arthur Rank, the movie maker, as an animator.
At 22 years old, she came to the United States as a governess for a family in Connecticut. Later she became a flight attendant in Florida where she met her future husband, Glynn. Little did she know, he would become the strongest influence in her life as he inspired her to pursue and share her artistic abilities with the public.
In 1958, Pati and Glynn moved to New Orleans and she started painting portraits in Jackson Square. Eventually, she opened two art galleries located in the French Quarter. In the late 1960's, they moved to the Mississippi Gulf Coast...
Category
Late 20th Century Romantic Bay Area - Interior Prints
Materials
Lithograph
The Card Game: An Early 17th Century Engraving by A. Voet after Cornelis de Vos
By Alexander Voet
Located in Alamo, CA
A 17th century engraving entitled "The Card Game" by old master artist Alexander de Voet after a painting by Cornelis de Vos, created in 1632. The pain...
Category
1630s Old Masters Bay Area - Interior Prints
Materials
Engraving
Elizabeth, Countess of Northumberland: Mezzotint After a Painting by J. Reynolds
By Joshua Reynolds
Located in Alamo, CA
This is an 18th century mezzotint portrait of Elizabeth, Countess of Northumberland, Baroness Percy by Richard Houston after a painting by Joshua Reynolds, published in London by Robert Sayer in 1763. It is a rare, full length portrait of Elizabeth, who was known as Lady Betty. Lady Betty stands, facing to the right, holding her coronet, and wearing her peeress’s ermine and velvet robes over a brocade dress. In the background are a column, a billowing drape, and the grounds of Alnwick Castle...
Category
Mid-18th Century Bay Area - Interior Prints
Materials
Mezzotint
$2,060 Sale Price
20% Off
19th Century Daumier Satirical Lithograph "Triumph of the Botanist"
By Honoré Daumier
Located in Alamo, CA
A satirical lithograph by Honoré Daumier (1808-1879) entitled "Un Triomphe de Botaniste" (Triumph of the Botanist), which depicts a proud and nervous botanist in glasses and a wide brimmed hat awaiting the critique of a snobby critic, who is smelling his blooming flowers. The French text beneath the image roughly translates: "Here, sir, sniff me that ... here is a rose of which I am proud, it blooms for the first time .... and by dint of patience, I managed to make it acquire the smell of rhubarb! .. I must be quoted in the next Journal of Useful Knowledge" or "Look at this, sir, go ahead, smell it ... I am proud of this particularly pink flower ... it's flourishing for the first time ... with patience, and care I was able to give it an odor of rhubarb! .. . Surely I should be mentioned in the next edition of the Journal of Useful knowledge". The lithograph was published in the famous and very popular French satirical...
Category
1840s Bay Area - Interior Prints
Materials
Lithograph
18th Century Etching of Ancient Roman Architectural Objects by Giovanni Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
A. Tigna Protensa Super Media Epistylia, B. Praecisiones Tigorum Quaqua Versus Extrinsectus Apparentium, C. Opae Extremitates Tigorum Contintes, Fig. I, plate 88 from "Vasi, Candelab...
Category
Mid-18th Century Old Masters Bay Area - Interior Prints
Materials
Etching
Toast
Located in San Francisco, CA
This artwork titled "Toast" c.1990, is an original color serigraph by American artist Rickey Jewell Hohimer, 1946-2021. It is hand signed, titled and numbered 98/300 in pencil by the artist. The image size is 23.75 x 9.5 inches, framed size is 30.25 x 16.25 inches. The artwork is in excellent condition, the frame is slightly damaged, and will be replaced by a new similar black frame when sold. This will bring the over all condition to excellent.
About the artist:
Although formally trained with a MFA in painting, Rickey Jewell Hohimer has used the styles of Van Gogh and Gaughin to reach for the spontaneity and simplicity of today's folk art. Hohimer creates figures which are not photos of reality; they are romantically stylized to encourage straightforward emotional responses both to the colorful images and to the situations in which they find themselves. Each of Hohimer's paintings lays out a basic story line to which viewers add their own details. "I want the viewer to become personally involved. My paintings offer a change from those which encourage extensive intellectualizing about what the artist is trying to convey. I want viewers to smile -- to enjoy the whimsical nature of what they are experiencing -- to feel it, not to analyze it. His jazz paintings are stories on canvas of inspired musicians spontaneously making music of the moment. Life in the jazz age is clubs and nightlife beckoning to musicians to produce jazz art...
Category
Late 20th Century American Modern Bay Area - Interior Prints
Materials
Screen
The Dollhouse
By Pati Bannister
Located in San Francisco, CA
This artwork titled "The Dollhouse" 1997, is a color off set lithograph by British/American artist Pati Bannister, 1929-2013. It is hand signed, titled and numbered 662/950 in pencil by the artist. Published by Masters Publishing INC, New York. The image size is 17.5 x 21 inches, sheet size is 23 x 26 inches. It is in excellent condition.
About the artist:
Pati Bannister was born in Highgate, England, overlooking London in 1929. Growing up, both of her parents were artists. Her mother painted watercolor landscapes, while her father painted portraits. To help further her natural talents, she took art lessons as a young girl and ultimately went to work for J. Arthur Rank, the movie maker, as an animator.
At 22 years old, she came to the United States as a governess for a family in Connecticut. Later she became a flight attendant in Florida where she met her future husband, Glynn. Little did she know, he would become the strongest influence in her life as he inspired her to pursue and share her artistic abilities with the public.
In 1958, Pati and Glynn moved to New Orleans and she started painting portraits in Jackson Square. Eventually, she opened two art galleries located in the French Quarter. In the late 1960's, they moved to the Mississippi Gulf Coast...
Category
Late 20th Century Romantic Bay Area - Interior Prints
Materials
Lithograph
Interiors IV: Hotel Paradise Cafe
By Peter Milton
Located in San Francisco, CA
Artist: Peter Milton (American, 1930-)
Title: Interiors IV: Hotel Paradise Café
Year: 1987
Medium: Resist-ground etching and engraving on copper
Paper: BFK Rives
Image size: 23.5 x ...
Category
1980s Realist Bay Area - Interior Prints
Materials
Paper, Etching
Pillar of Absalom near Jerusalem: David Roberts
19th C. Hand-colored Lithograph
By David Roberts
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Absaloms Pillar, Valley of Schoshaphat" by David Roberts, from his Egypt and Nubia volumes of the large folio editi...
Category
1840s Realist Bay Area - Interior Prints
Materials
Lithograph
Mujere II
By Raul Soldi
Located in San Francisco, CA
This artwork "Mujere II" c.1960 is an original color silkscreen by noted Argentinian artist Raul Soldi, 1905-1994. It is hand signed and numbered 93/150 in pencil by the artist. The image size is 13.5 x 20.5 inches, sheet size is 19.75 x 22.75 inches. The colors are fresh and bright, it have a 0.85 inches restored tear at the lower margin (see picture #6 for detail) some paper rubs on the verso, not visible from the front. otherwise in good condition.
About the artist:
Raúl Soldi was born in Buenos Aire in 1905.
He was an argentine plastic artist of recognized international experience.
In 1920 he began drawing and painting. He makes reproductions of Quinquela Martín...
Category
Mid-20th Century Expressionist Bay Area - Interior Prints
Materials
Screen
Bow Street Office: Rowlandson Hand-colored Engraving from Microcosm of London
By Thomas Rowlandson
Located in Alamo, CA
An early 19th century print entitled "Bow Street Office", an illustration (Plate 11) from "The Microcosm of London", published in London in 1808 by R. Acker...
Category
Early 1800s Other Art Style Bay Area - Interior Prints
Materials
Aquatint, Etching
The Sporting Good Store
Located in San Francisco, CA
This artwork titled "The Sporting Good Store" c. 1985 is an original sepia etching by American artist Scott Fitzgerald. It is hand signed, titled and ...
Category
Late 20th Century American Realist Bay Area - Interior Prints
Materials
Etching
"People Gathering" Large original lithograph
By Roy Carruthers
Located in San Francisco, CA
This artwork "People Gathering" c.1990 is an original lithograph by noted South African artist Roy Carruthers, 1938-2013. It is hand signed and inscri...
Category
Late 20th Century Surrealist Bay Area - Interior Prints
Materials
Lithograph
The Corner Drugstore
Located in San Francisco, CA
This artwork titled "The Corner Drugstore" c. 1985 is an original sepia etching by American artist Scott Fitzgerald. It is hand signed, titled and num...
Category
Late 20th Century American Realist Bay Area - Interior Prints
Materials
Etching
Doctor
s Office
By Lee Dubin
Located in San Francisco, CA
This artwork titled "Doctor's Office" 1976 is a color lithograph by American artist Lee Dubin, b.1933. It is hand signed and numbered 106/200 in pencil by the artist. The image size ...
Category
Late 20th Century American Realist Bay Area - Interior Prints
Materials
Lithograph
The Curiosity Shop
Located in San Francisco, CA
This artwork titled "The curiosity Shop" c. 1985 is an original sepia etching by American artist Scott Fitzgerald. It is hand signed, titled and numbe...
Category
Late 20th Century American Realist Bay Area - Interior Prints
Materials
Etching
Dreamland Toys
Located in San Francisco, CA
This artwork titled "Dreamland Touys" c. 1985 is an original sepia etching by American artist Scott Fitzgerald. It is hand signed, titled and numbered...
Category
Late 20th Century American Realist Bay Area - Interior Prints
Materials
Etching
Lady looking at Prints
By Manuel Robbe
Located in San Francisco, CA
Manuel Robbe (French 1872-1936) Lady Examining Prints circa 1900 etching with aquatint pencil signed lower right. Plate size 15 x 10 inches. Paper size 24x17 inches Overall (with fra...
Category
Early 20th Century Other Art Style Bay Area - Interior Prints
Materials
Etching, Aquatint
Ture Bengtz "Family Scene" Original Pencil Signed Lithograph C.1940
By Ture Bengtz
Located in San Francisco, CA
Ture Bengtz "Family Scene" Original Pencil Signed Lithograph C.1940
Lithograph dimensions 15.25" wide x 10.5" high
Frame dimensions 21.5" wide x 17" high
Pencil signed in the lowe...
Category
Early 20th Century Bay Area - Interior Prints
Materials
Lithograph
John Winkler "The Constitutional Convention" Original Signed Etching c.1932
Located in San Francisco, CA
John Winkler "The Constitutional Convention" Original Signed Etching c.1932
Plate dimensions 13.75" wide x 9.5" high
Paper dimensions 19.75" wide x 14....
Category
Early 20th Century Bay Area - Interior Prints
Materials
Etching
CONE
Located in Burlingame, CA
'CONE, an iconic still life image featuring the “tragedy” of a dropped ice cream cone. The artist came to see dropped cones as fleeting promises of joy. Whether devoured or dropped, ...
Category
21st Century and Contemporary American Realist Bay Area - Interior Prints
Materials
Lithograph
Up in the Attic
Located in San Francisco, CA
This artwork titled "Up in the Attic" c. 1985 is an original sepia etching by American artist Scott Fitzgerald. It is hand signed, titled and numbered...
Category
Late 20th Century American Realist Bay Area - Interior Prints
Materials
Etching
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