Belgium - Sculptures

Mid-century Bronze Ants Sculpture Sculpture - Decoration - Vintage Wall decoration Measures : 28cmx8cm H:20cm Wear consistent with age and use Minor Structural Damages - Broken fron...

Saint John the Evangelist and the Virgin from a Crucifixion Group, Spain, circa 1500, in walnut. Superb pair of gilded and polychrome wood sculptures from the late 15th century, circ...

16 Stones Sculpture by Pol Quadens Unique Piece. Dimensions: D 80 x W 80 x H 450 cm. Materials: Polished stainless steel. The production time for this piece...

Vintage pair of glazed ceramic Komainu figurines with a crackle effect, Guardian Lions, better known as Foo dogs, hand-painted in turquoise and green. This collector's item dates fro...

These plaster figures of nose and lips, David by Michelangelo, after the antique, were made in the 1950s by students of an Academy of Arts in Paris.

Early 20th Century West African Tribal Figurine in Cast Brass. Very distinct early to mid 20th century tribal figurine in cast brass from the west of Africa. Great and very typical ...

Exceptionally big head of a waterbuffalo, African Impressive big game taxidermy Well prepared and gigantic dimensions.

Rare and highly decorative, 1980's owl sculpture. This stunning barn owl will look great on any mid-century design piece of furniture. It is beautifully made and in perfect condi...

Art Deco style sculpture dancer with tambourine FARANDOLE by Fayral, pseudonym of Pierre Le Faguays. With the Max Le Verrier foundry seal. Patinated Art Metal on a black marble base...

This striking contemporary sculpture depicts a headless male figure in a contrapposto stance, captured with an elegant forward lean. Crafted entirely from dark, welded metal fragment...

Impressive bronze sculpture by french artist François-Raoul Larche (1860-1912). Representing Jeanne d'Arc Dated: +/- 1900 High quality bronze finished a in double colour patina. ...

Large vintage sculpture, rare bronze of an imposing reclining stag with antlers, entirely in the style of Sarreid Ltd, 1970s-80s, unmarked. This elegant and graceful Hollywood Regen...

Sculptured model of a smoked Papua Mummie, papier mâché, 20th C Burial practices vary in New Guinea, just as they do everywhere else in the world. Some cultures believe the soul is d...

Large abstract macramé cat sculpture in wool and rope made by the Belgian artist Louise Denoel. Artist of the international lace biennial in 1983. Height 150 cm.

Couple of anthropomorphic sculptures in Afzelia wood by Begga D’Haese (1934 – 2023). Younger sister of Reinhoud D'Haese who was part of the nursery of the Cobra group in the 1950s an...

'Cathedral' is a sculpture made up of a wooden grid in which curved wooden slats are attached. The wooden slats are fixed with wooden blocks, which gives a wabisabi feeling to this w...

French Art Deco style patinated metal deer sculpture on onyx base. Measures: Width 48 cm. height 25 cm.      

A beautiful entire Septarian nodule on an Iron stand, the nodule has been cut in 2 pieces and has been carefully polished. The Septaria has a fantastic Color Palette of Brown ,Greyis...

19th C Tobacco Shop Publicity Statue smoking a pipe -polychromed wood.In perfect state -stands tall on its own.

This double sided hitching post was used to stall horses for short period of times. They are found throughout China and made during centuries. This hardstone example dates from the 1...

The porcelain white imparts a transcendental character to the figures and this is highly suitable for religious depictions. Usually produced for royal commissions, these figures coun...

Intriguing woman’s bust sculpture made of wax, with glass eyes and prosthesis teeth. Very nice and very decorative item! A wunderkammer piece.     

These Italian decorative sculptures, likely dating from the late 19th century, each depict a parrot perched atop an ornate pedestal. Carved from wood and finished with hand-painted s...

A striking ear sculpture crafted from smooth fibreglass and finished in vivid, high-gloss green. Created in the 2010s, it reflects contemporary design’s fascination with scale, mater...

Art Nouveau bronze sculptural tray indoor fountain with seated nude holding a vase signed by Suzanne Bizard. Patinated bronze on impressive marble tr...

An uncommon form, the abstract teeth filled mouthed figure standing straight on an integral base.

a polychromed wooden Santos head, found in Spain, mid 18th century, height is 16 cm with foot 24 cm, width 9 cm with foot 12 cm, depth 7 cm with foo...

Ceramic wall art sculpture with birds. Belgium 1960s. Width:55 cm. Height:28 cm. depth:3 cm.

Elegant little carved wooden horse from the 19th century in polychrome wood Very beautiful polychromy which has a lot of charm Old child's toy with the front wheels which moves ...

a wonderful genuine 18th century piece of art, great patina !

Vintage shrimp or scampi figurine made of yellow copper, or brass, circa 1960s, unmarked. Very decorative figurine with beautiful details. This figurin...

Cercle of Jacopo della Pila (Lombard, in Naples 1471-1502) Marble relief depicting a winged Cherub Naples, second half of15th century 40 x 57 x 12 cm Exquisitely carved, this relief portrays a winged cherub with cascading hair and delicate features. The cherub's plump, smooth countenance, rounded cheeks, outlined lips, and finely drawn nose emanate a sense of tenderness. The quadrangular module, is adorned with a carved frame. The relief ascends gradually, transitioning from the low relief of the wings to the high relief of the head. The rectangular frame and the subtly curved form of the artwork suggest that the relief likely adorned the upper part of an arch or a vaulted chapel. The type is that of the perspective room with a coffered ceiling decorated with figures of winged cherubs, which is found in various Neapolitan chapels of the 15th century. Coffered ceilings attest to the recovery of antiquity and the search for luxury in Renaissance architecture, first in Florence, then in Rome and Naples. The majority of the numerous family chapels and tombs built during the late fifteenth century in south of Italy employ the new formal vocabulary of the Florentine Renaissance in a self-confident manner that permitted a broad spectrum of variations. The escalating admiration for the classical world, coupled with the development of perspective, significantly contributed to the Renaissance endorsement of coffered ceilings. This artistic and constructive device drew inspiration from the intricate marble patterns observed in historical landmarks such as the Arch of Titus, the Temple of Vesta in Tivoli, the Pantheon, and the Basilica of Maxentius. A distilled product of both mathematical and artistic cultures, deeply scrutinizing the ancient world, the coffered ceiling plays a vital role in the perspective construction of space with its regular and directional geometry. The motif of the coffered ceiling decorated with cherubs in relief was introduced in Naples by Francesco Laurana in the plastic decoration of the Arch of Castelnuovo. Laurana's impact on the art scene in the south of Italy was profound. The introduction of the winged cherub into the region's artistic vocabulary bridged the gap between the classical and the contemporary, creating a synthesis that resonated with both aesthetic and spiritual sensibilities. His influence extended beyond the immediate visual appeal, shaping the cultural identity of the Renaissance in southern Italy. Although the plastic decoration of the Arch of Castelnuovo cannot certainly be ascribed to a mature Renaissance style, it was precisely on this occasion that the sculptors who worked there could get to know and export throughout the Italian peninsula that type of "Florentine classicism" which, even in the 15th century Naples, was conditioned by the Burgundian culture imported into the Kingdom by Alfonso of Aragon himself, with artists called from Spain and Northern Europe. The coffered ceiling, with its geometric patterns and Laurana's winged cherubs nestled within, became a symbol of refinement and cultural sophistication. The relief sculptures, carefully integrated into the overall design, transformed the ceiling into a celestial realm, inviting viewers to contemplate the divine while immersed in the grandeur of the Renaissance space. Similar winged cherubs appears also in the Naples cathedral. Within the renowned Succorpo Chapel, a mesmerizing marble coffered ceiling adorned with cherubs epitomizes the splendor of the Neapolitan Renaissance. The interplay of light and shadow on the textured surface of the marble coffered ceiling introduces an ethereal dimension, providing an immersive visual experience for observers. The geometric precision and the repeated patterns, reminiscent of classical motifs, establish a sense of harmony and balance that has become the hallmark of the Neapolitan interpretation of Florentine Renaissance aesthetics. Although probably intended to be admired from a distance, this cherub is intricately detailed and exquisitely rendered: the face and hair are elegantly outlined and the feathers are textured through juxtaposed lines. The marble, both figurative and decorative, adheres to the principles of balance and restrained ornamentation typical of the « Florentine Classicism ». Harmonious shapes and gracefully orchestrated curves , rooted in the classical repertoire, converge to evoke a sense of ethereal beauty. The surface displays the masterful use of a chisel to intricately carve the feathers and facial features, creating an almost abstract quality. This work is a testament to a sculptor of great skill and rich figurative knowledge, seamlessly blending classical firmness in contours with a refined treatment of the marble's surface. The combination of tradition and innovation point to a stylistic idiom from Lombardy, in particular we can find some comparaisons with the works of Jacopo della Pila, sculptor of Lombard origin working in Naples in the second half of the 15th century. He is documented there between 1471 and 1502, and is a protagonist of the Aragon Renaissance in the second half of the Quattrocento, together with the other great Northern sculptor active in the kingdom, Domenico Gagini. the first commission he received dates back to August 9, 1471, when Jacopo publicly committed to sculpting the funerary monument of Archbishop Nicola Piscicelli to be placed in the Cathedral of Salerno. The last known work is an altar ordered on July 29, 1502, by the noble Jacopo Rocco for the church of San Lorenzo Maggiore in Naples. Between these two chronological extremes (1471-1502), we must place the fervent activity of the artist, who had trained in Rome, perhaps under the guidance of Paolo Romano but also engaged in dialogue with other major artists of the city, especially Isaia da Pisa. He enriched his experience in Naples, initially drawing inspiration from the works of Domenico Gagini and later from the Tuscan masterpieces of Antonio Rossellino and Benedetto da Maiano destined for the church of Santa Maria di Monteoliveto. Jacopo della Pila's artistic personality is thus based on a complex interplay of influences, contributing to the definition of a highly personal style. Close comparaison can be made between our cherub and the winged angels reliefs...

Vintage Bronze Sculpture stamped PL 87 Sculpture - Decoration - Vintage Measures : 12,5cmx7cm H:25cm

Heavy resin skull, nickel -plated. Signed and dated Y.D.89 at the base.

Italian Brutalist Travertine Rhinoceros Sculptures by Fratelli Mannelli, Italy, 1970s.

A rare and sculpturally powerful 18th century Baroque cherub, fully carved in the round and originally conceived as a hanging ecclesiastical sculpture. Retaining its original gilded ...

A terrific ceramic wall piece of Bacchus by the Italian ceramic artist H Bertoni. This piece features a roman male figure with an harp resting on a s...

Vintage pair of pheasant figurines, sculptures of a hen and a rooster with fine detailing, made of a zinc alloy that has been copper-plated, originating from France in the second hal...

For sale are these rare, large early 20th century carnival masks made from wood and painted papier maché. Although looking a little creepy and intriguing they have a great decorat...

Group of altarpiece representing the life of a Saint, Saint Renualde? Engraved by the sign of Antwerp hand on the hat of the central character Carved oak, traces of polychromy Fir...

Stylish pair of Art Deco silvered panther leopard bookends signed by the French artist Maurice Frecourt, circa 1930. The sculptures are mounted on fin...

Abraham Palatnik Large Giraffe Lucite Acrylic Sculpture Figurine - Brazil 1970s Decoration - Op Art - Sculpture Measures : 5,5cmx14cm H:31,5cm Material : Lucite Kinetic sculpture o...

Elegant dove in handblown Murano glass with gold inclusion. Signed by Barovier and Toso

Three Murano glass clowns, Italy, 1970s. Left clown: Height 26 cm, width 15 cm, depth 10 cm. Middle clown: 23 cm, width 18 cm, depth 14 cm. Right clown: 27 cm, width 15 cm, depth ...

Large Geometrical Sculpture in Sand Cast Brass A large and unique geometrical ‘oloid’ sculpture in patinated sand cast brass. The oloid is...

the family ! rare to find these 3 Buxo vases together .. decorative fun objects that will bring a smile to your face .. mama 67 cm high x 30 cm wide and 28 cm deep papa 67 cm high x...

A hand-carved funerary mask meant to attach to a larger mummy bundle. The plank-form mask is painted with a broad red face accented with white, diamond-shaped eyes, a rectangular mou...

Ayyanar India carved and polychrome wood horse Measures:100cmx23cm H117cm Material:Wood Wear Consistent with age and use

Bringing worlds together. Soft, matte and formable with hard, shiny and fragile. A dreamscape object made in collaboration. With hints of blossoms and corals. Intuition and life. Sho...

Bamileke Kuosi Elephant masks comprise cloth panels and hoods woven from plantain fiber over raffia. On this background glass beads are stitched in geometric patterns. The basic form depicts salient features of the elephant—a long trunk and large ears. The hood fits tightly over the masker's head, and two hanging panels, one behind and one in front, partially conceal the body. The front panel is the elephant trunk, and the two large, stiff circles hinged to either side of the head are its ears, which flap as the masker dances. While the mask symbolizes an elephant, the face is human. Eyeholes provide visibility, and a nose and mouth with teeth are normally present. The glass beads used on these earlier masks were nineteenth-century trade beads of Venetian or Czechoslovakian manufacture, used as well in exchange for slaves. Elephant mask costumes...

Rare pair of monks from the 18th century-Ayutthaya-Thailand Superb pair of large lacquered and gilt bronze monks very beautiful face and expression ...

Rare Bronzes Depicting two Figures in Turkish Attire Possibly Suleiman the Magnificent at two different ages bronzes, alabaster bases Venice, early 17th century 19,5 x 6 x 5 cm These two rare bronze statuettes represent two figures dressed in elaborate "Turkish" attire. They are mounted on alabaster bases with bronze reliefs—one featuring the winged lion of Venice, and the other possibly symbolizing Turkey with a wolf depiction. One figure wears a grand külah, a spherical turban with a cone top, signifying royal authority, while the other has a wrapped turban, denoting rank and religious identity. Their garments are richly detailed with intricate engravings, suggesting luxurious fabrics of the Ottoman court. The statuettes may represent Suleiman the Magnificent at two different stages of life, as both young and old. The sultan depicted alongside the winged lion corresponds to a description from a Venetian delegate in 1534, when Suleiman was 43. At that time, he had conquered Iraq from the Safavids and achieved a decisive victory over the Papal fleet at the Battle of Preveza. He was described as having large eyes, an aquiline nose, and long red mustaches—traits visible in Cristofano dell'Altissimo’s portrait of Suleiman in the Uffizi Gallery in Florence. Unlike Mehmed II, who commissioned portraits by European artists for diplomatic purposes, Suleiman did not directly order such representations. Instead, his likeness spread through works by artists like Albrecht Dürer, based on sketches made by diplomats. Following his capture of Belgrade in 1521, his victory over Hungary in 1526, and his siege of Vienna...

Bronze crabe Padua, 18th century bronze 2 x 10 x 7 cm (One of the crab’s legs is missing its end) This finely cast bronze sculpture of a crab reflects the enduring interest in natur...

A dynamic Brass bird in flight designed by "Curtis Jeré" is the shared pseudonym of two American artists and designers, Curtis Freiler and Jerry Fels. They are best known for their d...

Beautiful large ashtray in the shape of a sunflower, made of silvered bronze, signed S. Agudo, Spain, circa mid-20th century. A rare and original object. The petals can be removed a...

Brass and metal scorpion - 1970s animal sculpture - Decoration Vintage Measures : 22x20cm h:18,5cm Materials : Brass - Metal

This vessel vividly illustrates anthropomorphic design through its bold depiction of a human-like figure. The spout is sculpted as an open-mouthed face, complete with stylized eyes a...

Busts of women/men bronze sculptures Wear consistent with age and use. Art - Sculpture - Decoration Measures : Men H: 14cm Women H:13cm

Sailboat by Dino Rosin Dino Rosin (°Italy °1948) is a Murano based artist. Big glass sculpture in calcedonia technique. Handcrafted and mouthblown. This unique item was created in...

Bamileke Old Anthropomorphic Trophy Head embroidered with European Glass Beads, Grasslands People, and Cameroon. Private collection Brussels Worn by chiefs and other notables on cer...