Berlin - Landscape Paintings

signed oil on plywood 95 x 110 cm Full name: Paul Matthes Born: 1872 in Königsberg then East Prussia, today Kaliningrad, Russia Died: 1956 in Potsdam, Germany Profession: Paint...

Charming pair of winter landscape paintings by Polish artist Jan Wolski (circa 1907–1990), each finely executed in oil on panel and signed lower right. The compositions depict horse-...

Oil painting, Russian, soviet artist, Samochwalow (Samokhvalov) Oil on cardboard. Signed (monogrammed) and dated. Moscow gallery or exhibition sticker on the back. Dimensions with ...

Atmospheric oil on canvas landscape, signed lower right and most likely by Johann Hermann ter Hell. The painting depicts a tranquil river scene with moored barges and several windmil...

Caeser Bimmerman, oil painting, 1885, snowy winter landscape with deer and birds. Hunting scene. The romantic forest landscape in winter is a recu...

Winter landscape with wild boars. Similar to a hunting scene. Signed lower left "W. Heydendahl" Dimensions with frame: 92 cm x 112 cm Dimensions without frame: 71 cm x 90.5 cm "For...

oli on canvas signed bottom left 34x44 cm Karl Eduard Onken (also known as Carl Eduard Onken) was an Austrian landscape painter and etcher of German origin. Here are some key ...

Atmospheric oil painting on plywood, titled “Markt in Venedig” (Market in Venice) on the reverse and signed lower right (signature indistinct). The composition vividly portrays a bus...

shipped in roll “Spring Bloom II” captures a quiet moment of connection between two young women surrounded by blooming spring trees. Soft dresses, fresh greens, and gentle light crea...

Émile Louis Vernier (1829-1887), a beachcomber, oil on canvas Signed to the bottom left corner. Frame: 77 x 103 cm Émile Louis Vernier (1829–1887) was a French painter and lithog...

oil on hardboard Signed lower left 63x47 cm Albert Herzfeld (1865–1943) was a noted German painter Life, Work & Persecution Originally, Herzfeld was active in his family’s text...

Jan Hillebrand Wijsmuller (1855 Amsterdam - 1925 ibid.), Late Summer River Landscape, oil on canvas, relined, 34 x 56 cm (inside measurement), 43 x 64 cm (frame), signed J[an] H[illebrand] Wijsmuller at lower right. - in good condition, the frame with isolated bumped spots - Realistic Impression - About the artwork The panoramic landscape format shows a river landscape, with the course of the river, which curves to the right, leading the eye into the depths of the picture and tempting it to continue the landscape in the imagination beyond the visible area. At the same time, however, the fact that the landscape is not visible through the bend in the river focuses our gaze on the entirety of the landscape depicted, without prompting us to focus on distant details. Accordingly, the brushstroke is not designed to render details with realistic precision. In the front left area of the river there is even a completely free brushwork, trained by Impressionism, which nevertheless remains committed to representational and convincingly suggests the movement of the water. Regardless of the distance of the observer, the entire picture is painted with the same broad brushstroke, so that the landscape is given as an impression. And yet this impression is not ephemeral, as in the case of French Impressionism, to put it exaggeratedly, but reveals to us the essence of the landscape in all its richness. This is why the Dutch variant of Impressionism is always also a realism, although the pictures appear less progressive, but still contain a dimension of landscape painting that is lost with progress. In the impression, the reality of the landscape is revealed, and this happens as we experience the landscape in the visual impression. Wijsmuller does not depict houses or people in order to allow the experience of the landscape to fully unfold. The experience is determined first and foremost by the river, which does not flow into the picture from our point of view, but towards us. Where the river begins to bend, the water is churned by a rapids. Toward us, the riverbed widens and the water comes to rest, covering the entire width of the foreground like a mirror. The stillness of the water corresponds to the evening mood of the late summer landscape, in which the warm tones of the evening light blend with the yellow and brown tones of the plants. A gentle, almost idyllic reality, carried by the brushstroke, yet animated by a liveliness that is also made visible by the brushstroke. The broad, dynamically placed brushstrokes evoke the movement of the treetops and animate even the immobile reeds, while the trunks on the right bank, executed in virtuoso white strokes that seem like markings, make the sunlight shine. On the other bank, a carpet of light also spreads out, its energetic effect again expressed in the brushstroke. The dynamic of the landscape is further enhanced by the complementary color contrasts between the greens, yellows, and browns on the one hand and the blue of the all-encompassing sky on the other. A contrast that is intensified by the reflection in the water. The evening coming to rest of the landscape is thus at the same time an all-encompassing contrasting and yet in itself harmonious movement. This reality becomes accessible to us as an experience in the impression of the landscape. About the artist Jan Hillebrand Wijsmuller entered the Royal Academy of Arts in Amsterdam in 1876 and studied under the innovative Professor August Allebé, who was famous for the Amsterdam Impressionism, also known as the Allebé School. In 1877, Wijsmuller transferred to the Hague Academy of Art, and thus to the Hague School, and then completed his studies at the Brussels Academy of Art. Returning to the Netherlands, Wijsmuller opened his own studio in Amsterdam. In 1883 he won the prestigious Young Artist Award, donated by Willink van Collen, which made Wijsmuller a well-known and sought-after artist. Wijsmuller was a member of the Societät Arti et Amicitiae Amsterdam and the Pulchri Studio in The Hague. Wijsmuller belongs to the second generation of the Hague School. While Vincent van Gogh described the protagonists of the first generation to his brother Theo as "the great gray people," the second generation, and Wijsmuller in particular, used a much more colorful palette. His oeuvre makes him a major player in Dutch Impressionism...

Heinz Roder (1895-1965), Low Mountain Landscape with Rocks, oil on painting cardboard, 30 x 40 cm (visual size), 40 x 50 cm (frame), signed and dated "[19]34" at lower right. In a de...

Cheerful winter landscape with children playing and sledding. Signed lower left. Age-related condition. Dimensions with frame: 48 cm x 58.5 c...

Guglielmo de Giorgio, busy street in Paris, France. Decorative oil painting. Dimensions WITHOUT frame in cm 50 x 60 Dimensions WITH frame in cm 6...

The picture is oil on wood and signed. Louis Pierre Verwee (1807–1877) was a Belgian landscape and animal painter. He's considered a key figure in the Romantic school of Belgian lan...

Eugen Felix Prosper Bracht, 1917, Harvesting with a hay wagon and team of oxen. Large and decorative painting by the world-renowned artist Eugen Bracht. Fro...

Decorative, romantic oil painting Heinrich Hartung "Dinner in the Park" oil on canvas Very good original condition. Signed lower right. Dimensions w...

Gottfried Seelos, antique oil painting, home of Walther von der Vogelweide. Signed and dated. According to an antique note on the back, the painting come...

Water surface with partial reflections from the trees in the background. Oil on linen. Painted with a lot of paint, applied with brush and palette knife. The edges of canvas are col...

Oil painting, 19th century, idyllic farmhouse with water wheel. Illegibly signed and dated lower left. The frame has various damages in places. Dimensio...

Decorative antique oil painting. Atmospheric seascape in the moonlight. Dimensions without frame in cm 79 x 96 Dimensions with frame in cm 84 x 101

Signed, dated and titled on the verso.

This is a beautiful one-of-a-kind original impressionist painting. The piece ships ready to hang with artist signature on the bottom. The item ships from the Germany.

"Walk in the autumn forest by A. or O. Hamel". Düsseldorf, Germany. Dimension without frame: 106 cm x 82 cm). Frame slightly damaged in places. Major damage to the upper left corner...

Antique Oil Painting by Egon von Kameke, "Boat Dock" Dimensions measured with frame. Including certificate of authenticity.

Oil painting by Luigi Losito. View of Venice, Italy. Dimensions without frame. Frame may have minor damage in places.

Decorative, antique painting, oil on canvas. Sailboats at the lake. Signed lower right. Dimensions without frame 50cm x 60cm. With frame 62.5cm x 72.5cm.

Decorative antique oil painting. Sailing ship in a stormy sea. Dimensions with frame in cm 71 x 90.5

Tropical river landscape in sunset glow, signed, dated, Joseph Firmenich 1868, oil on canvas. Very decorative and large painting. Canvas has been res...

Peter Götz Pallmann, Venice, Busy harbor view with coffee Visitors Dimensions without frame 50 x 60 cm Dimensions with frame 67 x 77 cm

Decorative antique oil painting. Dutch harbor view in winter. Dimensions with frame in cm 69 x 98

Friedrich Wilhelm Karl Kuhnert, around 1900, Majestically striding lion Decorative painting by the well-known artist Wilhelm Kuhnert. Representation of a striding lion in the African savannah...

Henri Carnier, 19th century busy European harbor view Signed lower left. Frame damaged. Dimensions without frame: 32 cm x 48 cm With frame: 50.5 cm x 66.5 cm From 1900 Karl Kaufma...

Beautiful oil painting of an idyllic property in Berlin Pankow. Dated 1895. Pankow is a district in Berlin and the residence of many former politicians and famous people. Oil on c...

Rudolf Höckner, Forest Landscape. Hamburg, Wedel, Germany. Oil on canvas. Dimensions with frame in cm 63 x 82.5

Antique oil painting, summer garden with flowers Age-related condition. Dimensions without frame. Oswald von Krobshofer was from 14 November 1903 pupil at the Academy of Fine Arts in Munich under Carl von Marr, Peter Halm and Julius Exter. He worked as an artist in Munich, Berlin, Naumburg, Leipzig and Miltitz near Leipzig. He was a member of the German Kunstgenossenschaft and the Metznerbund Tetschen. With landscape and figure pictures he was represented 1911-1914 in the Munich secession. In 1913 he had an exhibition in the Vienna Secession, with etchings he was represented in 1921 in the Dresden Art...

Antique autumn landscape, 1920. Oil painting by August Westphalen. Dimensions without frame. Frame may have minor damage in places.

Old oil painting, Hans Kreuzer, hay, straw harvest. Signed and dated. Age-related condition. Dimensions without frame.

Willy Herrmann, seascape. Oil on canvas. Painting. The dimensions are without frame. Including certificate of authenticity. Frame is partially damaged.

Antique oil painting, Schloss Bellevue in Berlin. Signed lower left. Dimensions are without frame. Frame may have minor damage in places.

Rudolf Höckner, Village view in the forest. Dimensions WITH frame in cm 40.5 x 55

F. Gutmann, 19th Century, Decorative Oil Painting, Snow in the Forest. Dimensions including frame.

Antique painting, 19th century, oil on canvas, harvest by the river. Signed lower right. Dimensions without frame. Paintings by Alexandre Kircher have already raised more than $ 20...

Painting, oil on canvas, seascape. Fisherman on Lake Garda, Italy. Very good condition. Dimensions with frame 67cm x 92cm Without frame: 50cm x 75cm

Original watercolor painting, Willfrid Nagel, Kaiser Wilhelm monument at the Porta Westfalica. Dimensions with frame.