California - Portrait Paintings

ANJA VAN HERLE "Zen Zone" Acrylic  on Wood 60 x 40 inches Born in Belgium in 1969, Anja Van Herle combines a European sense of high fashion in her artwork with an American sense of ...

Beautiful portrait of older woman, possibly a Nonna (Grandmother) with Gardenia by Raul (or Raoul) Viviani (Italian, 1883 - 1965), circa 1950. Lovely tex...

Lebanese American artist Sally K.'s captivating floral portraits are both mesmerizing and empowering. Her pop-realistic paintings are inspired by strong, feminine women, celebrating ...

Natural Rustic Horse Oil Painting on Canvas, Equestrian Art 72 W X 48" H, Rolled Artist Irena Orlov. Signed Certificate for authenticity.

Portrait painting of young boy by California listed artist Virginia Sevier Rogers 1952 Oil on Canvas Signed and dated lower right 22" W x 27" H unframed, 30" W x 35" H framed

Mid Century Modern Portrait of a Man in a Suit in Oil on Masonite Mid Century Modern portrait of an older man by Honora Berg (American, 1897-1985). This portrait is made of layers o...

Certificate of authenticity and artist catalogue are included. Bruno Paoli (1915-2005) Teaching the masters helped create this contemporary master. Bruno was a professor of art in F...

Oil on canvas board.

America Martin "Woman in Yellow with Stripes" Pastel & ink on Japanese Paper 43" x 31" Image 50.25" x 37.75" Overall, Framed Exploring the identity of both her namesake and country...

Biography from the niece of the artist from during his lifetime. Paintings acquired from the artist.s estate. Max Turner 1925 - 2019 Max Lamar Turner Painter, Sculptor, Teacher and Author. Max Turner was born in Omaha, Nebraska on July 28, 1925. His father was Lance Howard Turner and his mother Mary Irene Turner. In 1927, his family moved to Bingham Canyon, Utah where Max's father extracted copper from a creek that he had diverted to pass through his garage. The town was located in a narrow canyon on the eastern face of the Oquirrh Mountains. In 1938, when Max was 13, his family moved to Midvale, Utah. After completing high school, Max went to work laying rail until he was inducted into the U.S. Navy to serve during W.W. II. There he took an aptitude test and was initially assigned to the medical corp., later transferring to the dental unit. Max was stationed at Port Hueneme, Ventura County, California through the end of the war. When he was discharged in 1946, he remained in Southern California, living in the Los Angeles area. He met a man named Larry Torres and they formed a partnership to do silk screen work primarily for the Colby Poster Printing Company. This lasted about 10 years until the Colby building caught fire and burned down. In 1958, Max began working for Slade Novelty company that made doll parts using a product called plastisol. A year later, Max began producing plastic parts through his own business. One day, a couple of kids brought in a shrunken skull they had made and asked Max if he could reproduce it. Max said he could and he looked around for a business to work with for this task. He ultimately decided he could create his own machine shop to make molds. As a result, Max purchased a lathe, drill press, grinder and other tools to create his own machine shop and went into business making molds. He built a clientele and in 1973, he moved his machine shop to Glendale, California. Painter, Sculptor, Teacher and Author: Max recalls the day when his interest in art took a new direction. He happened to be in a paint store to purchase some supplies when he saw a card posted on a wall that read, "Come paint with Connie Marlo". Max had been interested in art since his youth and he was frequently impressed with paintings displayed by local artists at various community events. Consequently, he decided to go to Connie's Saturday morning art class at a studio on North La Brea Avenue (between Sunset and Hollywood) in Los Angeles. But, as fate would have it, he immediately took a detour from this class when he found a piece of paper on the floor of the studio referencing another art class dealing with compositions, patterns, rhythms and color harmony. The instructor's name was Hal Reed, a former art student of the Russian/American Master, Nicolai Fechin. Hal owned the building (previously the Will Foster Studio) and had founded the Art League of Los Angeles. When Max found Hal, he asked Hal if he could join his class. Hal said "No, the class was full" but he said Max could monitor the class in the back of the classroom. Max took him up on the offer and began observing the weekly class. During the class, Hal told his students that they should practice what they were learning by going to "live model" classes. Max began attending these classes where he learned how to draw figures. After a few months, Hal and Max became good friends. Hal was so impressed with Max's work that he offered Max the opportunity to teach at another location that Hal was opening in the San Fernando Valley. Max accepted the offer and began teaching his own art class. For Max, it was a quick jump from learning to teaching. Max then found that several of his students had to commute to his art class from the west end of the "Valley". To better serve this group of students, Max decided to relocate to another studio in Calabasas. Max continued teaching, and at this time he was producing very impressive portraits, both oil paintings and charcoal drawings from live models (Max never worked from photos). Max demonstrated real talent, and the style of his drawings and paintings were being compared to those of Nicolai Fechin. And, like Fechin, Max also had an interest in sculpting. One day, Max decided to design and cast a bronze owl sculpture to put in his Calabasas Fine Art Gallery. Later, someone approached Max when he was at the foundry and asked him about his success selling the owl sculpture. The individual who asked this question was convinced that there was a broader market for these sculptures and he ordered a dozen of the owl sculptures from Max. This encouraged Max to do more castings. Some of the new castings were antique sculptures he found and reproduced. As this new business grew, he decided to establish his own foundry, employing up to 15 workers. The business continued for many years, up until the late 1990's when Max got tired of the foundry business and sold it. Max, who was now in his 70's, decided to move on to his next venture as an artist, dedicating himself to doing the actual sculpting of original art. He loved the creativity of sculpting and he had his sculptures cast at local foundries, ironically the same ones that used to be his competition. Max was now fully engaged in his new artistic direction and, over time, he produced a large body of work. He created very impressive sculptures, including about 100 full-size sculptures. He sold some of these to high-end clientele, the Foundry at SLS Las Vegas, and to Hollywood studios. Even though Max now seemed to be totally in his element, he somehow also found time to continue to teach painting classes at the California Art Institute in Westlake Village in Los Angeles. At the institute, he specialized in figure work. Max continued to draw, paint and teach, but he says he stopped sculpting when he turned 90. Max produced four books showcasing his drawings and paintings. The first is "Faces, The Drawings of Max Turner", copyright 2000, that showcases nearly 100 of his portrait drawings. Within the "Acknowledgements" section, he lists Hal Reed and Joseph Nordmann, two former students of Nicolai Fechin. In 2006, Max produced his second book titled "Figures and Faces", reflecting not only portraits but also figure drawings and paintings. It is a wonderful book of Max's work, but it is currently difficult to find. The third book is titled "Faces 2, The Paintings and Drawings of Max Turner", copyright 2009, which includes 75 portrait paintings and drawings. In the "Preface" of this book, Max describes growing up in a small and isolated mining town during the Great Depression. He states that as a kid, he had little exposure of any culture or view of what the rest of the world was like. His neighbor was the trash collector and Max would sometimes go through his truck looking for anything of value. Among other things, he found magazines like Cosmopolitan, Good Housekeeping and Red Book, with covers that frequently showed drawings or paintings of faces. Max states that these images were the very first source of inspiration for him. He says that he began looking more carefully at people's faces and if they had character, he would draw them. By drawing them, Max says that he was making them part of his world, his world of "Faces". In 2018, Max published his newest book showcasing his drawings and paintings. It is titled "Max Turner's Figure Sketches". This softbound book includes 76 pages and over 120 drawings and paintings. In the Introduction, Max explains "I have found that when approaching the figure, one should begin with the gesture. After having captured the essence or feeling of the pose, one can then proceed to build on it." The figure sketches in this wonderful book reflect a Master's work that consistently captures the "gesture"-showing the emotion, movement and expression. Two more books are on the horizon for Max, both dealing with his passion for sculpting. His first, "The Sculpture of Max Turner" is a compilation of his commercial and noncommercial pieces throughout his career. The second, "Terra Cotta Sculpture by Max Turner" is a complete collection of figures done at the California Art Institute. These much anticipated books should be out later in 2018. Max now considers himself primarily a sculptor. But others in the art world are more than impressed with his drawings and paintings as well. His portraits are often described as having a Fechin-esque appearance, referring to the style of Nicolai Fechin. When Max observed those first art classes given by Hal Reed, it should be noted that Hal had previously been a student of the Russian/American Master Nicolai Fechin in the early to mid-1950's. In fact, Hal was a student in the last art class that Fechin taught before he unexpectedly died in 1955. Hal was so strongly influenced by Fechin that he later produced two 30-minute art instruction videos as part his Art Video Productions wherein he specifically described Fechin techniques that he learned in Fechin's class. The Fechin style and techniques were in play when Max later met Hal. Over the years, many of Max's art students, art collectors, gallery owners, as well as the Director of the Monterey Museum of Art have commented on the Fechin-esque qualities of Max's wonderful charcoal drawings and paintings. So, while Max may consider himself primarily a sculptor, his drawings and paintings are also impressive and very much sought after. When Nicolai Fechin died in 1955, three of the nine students in his last art class became life-long friends. Max subsequently became friends with not only Hal Reed, but also with prior Fechin students Joseph Nordmann and Albert Londraville...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of two black bunnies on a yellow background with thick use of paint. ...

Wonderful antique portrait of a charming young girl c.1910 The painting is created with oils on board. Dimensions 8" x 11.5". The frame measures 13" x 16.5". The painting is in go...

Vintage watercolor portrait of a seated female figure with red robe in front of a plant by Doris Ann Warner (American, 1925-2010). Signed "Warner" in the lower left corner. Presented...

Artist: Peter Tovpev Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Year: 2017 Style: Post Impressionism Title: Portrait of a Girl Size: 31.5" x...

Charming portrait of Russian Boyarina by Bell Dibble Taft (American, 1855-1937), 1921. Signed and dated lower left corner and gallery label for Oakland Gallery Exhibit (Oakand Museum...

BILLY SCHENCK "Gratuitous Violence" Oil on Canvas 37.5 x 37.5 in. framed Billy Schenck utilizes specific frames of reference in his oil on canvas depictions of the American West, e...

Mid century portrait of a woman with pearls and a blue shirt by California artist Genevieve Rogers (American, 1904-1984). Unsigned, but acquired with ...

Natural Rustic Horse Textured Oil Painting on Canvas, Equestrian Art 58 W X 58" H, Unstretched (Rolled) Canvas. Stretching is free upon Request. Artist...

This framed original acrylic painting by Inna Kharchuk belongs to her deeply introspective Emotion series — a body of work that captures raw internal states through fragmented figura...

Midcentury impasto landscape of Sierra Mountains with stream in foregrounds snow-covered mountains in background. Signed "Lorie '65". Clown is painted on verso. Presented in carved a...

This is a one of a kind original oil and acrylic portrait of Al Capone by Southern California artist, Gina Palmerin. Its dimensions are 60x60. It is unframed...

Gazing at Lebanese American artist Sally K's floral portrait is consuming and empowering. Inspired by strong, feminine women, she creates pop-realisti...

American Realist Willard Dixon, long admired for his sweeping Western skies and luminous waters, took a surprising and beautiful turn in 2021. He created a small series of life-size ...

Jesse’s imagery often merges playful and gritty elements, blending floral patterns, vintage-inspired designs, and bold outlines with a touch of whimsy. His artwork exudes a sense of ...

Girl with the Gold Sash, Late 19th Century Large-Scale Female Figurative Late 19th century Romanic portrait of a young girl by Eduardo Tojetti (American/Italy, 1851-1930), c.1880. T...

Masri (Lebanese-Italian, 1965) 'Light Keeper' 2022 Oil paint, magazine paper, mixed media, canvas, stretcher bars The artist signed the painting on the back and bottom left. 'Light ...

Artist: Varvarov Anatoly Viktorovich Title: Melon Sise: 47x55 inches, (120x140 cm) Medium: Oil on Canvas Hand painted, original, one of a kind, Looking at this oil painting, you ca...

Certificate of authenticity and artist catalogue are included. Bruno Paoli (1915-2005) Teaching the masters helped create this contemporary master. Bruno was a professor of art in F...

America Martin "Dance In The Soft Golden Wind I" Oil Acrylic on Canvas 40 x 40 in. Exploring the identity of both her namesake and country, LA-based America Martin draws insp...

Wonderful double-sided oil painting of the artist Jane Voitel Mellin reading a book and also a landscape of an ocean path on verso by Nicholas Read (American), circa 1975. Unsigned. ...

Signed lower left, 'Sarah H. Hobson' and dated, '1936'. A delicately modeled, gouache and watercolor study of a young woman with copper hair. Sarah Villarette Hoover Hobson studied...

Certificate of authenticity and artist catalogue are included. Bruno Paoli (1915-2005) Teaching the masters helped create this contemporary master. Bruno was a professor of art in F...

Innocent Chikezie (Nigerian, born 1982) "Her Eyes" 2022 Acrylic Paint, Canvas, Stretcher Bars The artist signed the bottom right of the painting. In "Her Eyes", Innocent Chikezie’s ...

Classic Paul Marigny (1922-1998, French) painting of 2 young ladies with flowers. Oil on canvas Canvas dimensions 24" x 36" Frame dimensions 30" x 42"

ARTIST: Aibek Begalin WORK: Original oil painting, handmade artwork Medium: Oil on canvas panel YEAR: 2019 STYLE: Modern SUBJECT: FAIRY SIZE: 16" x 12" x 0,2" inch Unframed FAIRY A...

Expressionistic Portrait of a Man in Red - Original Oil Painting Airy 1970s close up portrait of a man (Art Danner) by listed artist Jon Blanchette (American, 1908-1987). The image ...

Certificate of authenticity and artist catalogue are included. Bruno Paoli (1915-2005) Teaching the masters helped create this contemporary master. Bruno was a professor of art in F...

William McBride (American, 1912-2000) "Daumier Heads" Original Oil on Canvas 20th c. Canvas dimensions 41.5" wide x 16.5" high The frame measures 44.5" wide x 19.5" high Signed in the lower right corner Very good vintage condition Artist, archivist, art collector, and political historian, William McBride's contribution to the city of Chicago was endless. As a young artist for the Works Projects Administration, Mr. McBride helped lay the groundwork for the South Side Community Art Center, the only remaining art institution sparked by the WPA. His art collection once included more than 1,000 paintings from African-American and WPA artists, including Charles White, William Carter, Charles Sebree...

Certificate of authenticity and artist catalogue are included. Bruno Paoli (1915-2005) Teaching the masters helped create this contemporary master. Bruno was a professor of art in F...

"ALMA" Figurative Painting (FRAMED) 30" x 24" inch by Isaac Pelayo Medium: Oil stick aerosol on paper Size framed: 33.5" x 27.5" inch ABOUT THE ARTIST: Isaac Pelayo is a he...

Jesse’s imagery often merges playful and gritty elements, blending floral patterns, vintage-inspired designs, and bold outlines with a touch of whimsy. His artwork exudes a sense of ...

America Martin "The Striped Orange Cat" Oil Acrylic on Canvas 62.5 x 33.5 in. 64 x 35 in. Framed Exploring the identity of both her namesake and country, LA-based America Mar...

19th century male portrait, painting Oil on canvas No visible signature, 25 x 30 unframed

Certificate of authenticity and artist catalogue are included. Bruno Paoli (1915-2005) Teaching the masters helped create this contemporary master. Bruno was a professor of art in F...

Fine Mid 19th Century Portrait Miniature of a Woman Wearing a Lace Bonnet Finely detailed portrait miniature of an older woman wearing a lace bonnet. No visible signature. Dimensi...

Signed lower left, 'W. Schwartz' for Walter Erwin Otto Schwartz (Danish, 1889-1958), dated 1935 and inscribed 'Skagen' lower right. A substantial, psychologically penetrating portra...

Certificate of authenticity and artist catalogue are included. Bruno Paoli (1915-2005) Teaching the masters helped create this contemporary master. Bruno was a professor of art in F...

JAMES WOLANIN "Cherry Blossoms" Acrylic & Gloss Varnish on Panel 40 x 55 inches ______________________ James Wolanin’s paintings transport the viewer to an effervescent, candy coat...

Head No. 11, 2018' by John Goodman. The artwork is 12 x 12 inches. Artist signed, dated in ink verso. Condition is excellent, as new. Goodman’s signature restrained palette and im...

Expressive portrait of an artist working at a desk by an unknown artist (20th Century). An artist with brown hair and a moustache is working at a desk, with various supplies around h...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny against a silver background with light green and yello...

Blonde Woman, 2016 By Christopher Mudgett Christopher Mudgett’s Blonde Woman (2016) is a striking embodiment of the artist's mastery in portraiture, showcasing both the emotional d...

"LIDER SIN MIEDO" Figurative Portrait Painting 30" x 24" inch by Isaac Pelayo Medium: oil, liquid gold, and aerosol on wood ABOUT THE ARTIST: Isaac Pelayo is a head on crash col...

Primal woman of the jungle with a headdress of vibrant tropical plants Flower Goddess - Figurative Paintings - Conceptual Art By Marc Zimmerman This masterpiece is exhibited in th...

This framed original acrylic painting by Inna Kharchuk is a tender and poetic portrayal of a sleeping baby, part of her ongoing Emotion series - a collection that explores memory, in...

The figurative surrealistic paintings of Carlos Gamez de Francisco are heavily influenced by his Cuban upbringing in a Russian-governed academic setting. This presence exposed Franci...

The painting's canvas size is 20"x16". Signed lower right and on verso. Gallery certificate of authenticity is included.

"Diego’s Diary" Figurative Portrait Painting (FRAMED) 24 x 18 in by Isaac Pelayo Medium: Oil and aerosol on wood panel Comes in frame (wood & gold leaf) Size framed: 30" x 24" inch ABOUT THE ARTIST: Isaac Pelayo is a head on crash collision between The Renaissance and Street Art. In a household where constant turmoil and violence were more apparent than most a young Pelayo met escape and peace within the confines of himself and his own creativity. Hispanic born in the heavy beating heart of Los Angeles on the seventh day of June 1996. Pelayo was caught in the crossfires of everything that surrounded him but art served as his only guidance. After dropping out of college Pelayo turned from his hyperrealistic pencil portraits to oil painting where his passions grew more immensely. As of today Pelayo’s work is most influenced and fueled by the crème de la crème of old master painters like Da Vinci, Caravaggio, Rembrandt, and Velazquez as well as graffiti artists such as RETNA, Shepard Fairey, and EL MAC. In 2017 his work caught the attention and landed in the firm grasp of renown rapper and collector Alvin “Westside Gunn” Worthy. He has created several album covers and artworks for the Buffalo rap moguls music label Griselda Records including his personal collection. Pelayo’s paintings are widely recognized and sought out from all over the globe. His collectors include Sean “Diddy” Combs, Westside Gunn, Benny The Butcher, Jeff...

Gerdine Duijsens’ spirited and evocative figures are instantly recognizable and unforgettable. Through lush, bold colors and energetic marks, her paintings emit a sense of pleasure a...

Here is a beautiful, original new oil on canvas painting inspired by found black and white photographs that feature the artist’s Italian ancestors. The artwork is painted in a contem...