Skip to main content

Connecticut - Sculptures

to
40
294
110
94
59
234
Overall Width
to
Overall Height
to
6
119
664
1
4
5
2
4
7
8
27
22
22
254
241
17
15
15
13
8
3
1
131
95
76
72
40
36
35
21
19
17
14
14
13
12
12
9
7
7
7
7
366
162
126
123
113
38
38
32
28
19
13,563
6,259
Item Ships From: Connecticut
Splash
By Robert Cook
Located in New York, NY
Robert Cook’s Splash sculpture draws inspiration from the iconic photograph of a drop of milk creating a circle and splash in a pool of milk. This fleeting moment of suspended motion sparked Cook’s exploration of how to capture such dynamic energy in a static form. Robert Cook was a great American sculptor and his works are in many museums and his iconic Dinoseras piece commands a spot on the street of New York at 51st Street. Important to note with this work that it is unique and there are no other casts. Cook sculpted in wax and when he cast this destroyed the wax and there was no mould. Very few sculptors work in this manner and it speaks to a very pure and altruistic form of sculpture. If perhaps he had been more commercially minded he would have done large editions but instead he valued singularity as in nature. In Splash, Cook freezes a moment of kinetic energy, capturing the elegant tension between impact and expansion. The sculpture embodies both grace and chaos, with a fluidity that suggests movement at the very instant it’s frozen in time. Cook’s mastery of his medium allows this dynamic moment to be immortalized in bronze, creating a powerful and emotional resonance that transcends the physical form, making Splash both a formal and philosophical exploration of time, space, and motion. Signed: R Cook...
Category

1960s Abstract Connecticut - Sculptures

Materials

Stone, Bronze

"City Lights, " Abstract Stainless Steel Sculpture
Located in Westport, CT
This mid-sized abstract sculpture by artist Joe Sorge is made with stainless steep, orange dye, and a clear coat. It features a thin strip of steel that appears to curl upwards, looping around itself in loose knots. This flowing form creates unique shadows in its environment. Please note that the white pedestal base pictured is not included. Connecticut-based sculptor Joe Sorge studied at the School of Visual Art (SVA) in New York City. While Joe's body of work is most often made with stainless steel which he sometimes dyes to give the forms bold, solid colors, he also experiments with stone carving, genesa crystals, tiger eye alabaster and others. He works with a variety of colors, finishes, and textures, to create the final piece. Joe's sculptures express the fluidity and tension inherent in the material he uses. His work draws on a modernist vocabulary to create abstract, often whimsical objects...
Category

2010s Contemporary Connecticut - Sculptures

Materials

Stainless Steel

Chi
By Donald Martiny
Located in Westport, CT
Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the...
Category

2010s Abstract Connecticut - Sculptures

Materials

Acrylic Polymer, Pigment

Jim Perry - Totem No. 10, Sculpture 2015
Located in Stamford, CT
Medium: Sapele Wood Jim Perry’s sculpture has been included in the Whitney Biennial as well as solo exhibitions at Calloway Fine Art & Consulting, Washington, DC (2018); The Center ...
Category

2010s Connecticut - Sculptures

Materials

Wood

Lion Mouse
By Isidore Jules Bonheur
Located in New York, NY
Isadore stands as one of the greatest animaliers of all time and this is a playful and endearing example of his work! Especially going forward, these bronzes make a distinctive and...
Category

1870s Academic Connecticut - Sculptures

Materials

Bronze

I/O led light box, wall mount
By Mads Christensen
Located in New York, NY
This LED light box by Mads Christensen creates mood oriented and color changing variations that brings a subtle and enhancing sensory experience to a room. Easily installed as it ha...
Category

2010s Contemporary Connecticut - Sculptures

Materials

LED Light

Meeting Point, Caroline Bartlett, Contemporary Abstract Textile Wall Sculpture
Located in Wilton, CT
Meeting Point by Caroline Bartlett, Mono-printed, stitched and manipulated linen, cotton threads 60” x 16.5,” 2020. UK fiber artist, Caroline Bartle...
Category

Early 2000s Abstract Connecticut - Sculptures

Materials

Fabric, Tapestry, Cotton, Thread, Monoprint

Triangular Corner
By Roger Phillips
Located in New York, NY
Central to Phillips's artistic ethos is the pursuit of simplicity and purity, a quest manifest in his meticulous engineering and unwavering dedication to craftsmanship. His sculpture...
Category

Early 2000s Abstract Connecticut - Sculptures

Materials

Steel

Female Warrior
Located in New York, NY
A very unique bronze that touches upon the classic, female strength in form and the details beaux arts style in America. A work that really is for a collector and to be put in a spo...
Category

1910s American Modern Connecticut - Sculptures

Materials

Bronze

Point Out
By Bill Barrett
Located in New York, NY
Barrett is a large scale and well known American sculptor. Point Out is a superb small scale maquette and it a great piece on many levels. These works have movement, delicacy and s...
Category

2010s Abstract Connecticut - Sculptures

Materials

Bronze

"Princess Scarlet, " Abstract Porcelain Vase
Located in Westport, CT
This ceramic vessel sculpture by Jon Puzzuoli is made with glazed porcelain and 18K gold luster. The bottom portion is a deep, earthy purple color, which ...
Category

2010s Abstract Connecticut - Sculptures

Materials

Luster, Porcelain, Glaze

Angled Blue, Contemporary Geometric Tapestry by Adela Akers
By Adela Akers
Located in Wilton, CT
Adela Akers (b. 1933, Santiago de Compostela, Spain) is a Spanish-born textile and fiber artist. She is Professor Emeritus (1972 to 1995) at the Tyler Scho...
Category

1980s Abstract Geometric Connecticut - Sculptures

Materials

Fabric, Textile, Tapestry, Linen, Wool

Margaret VIII, Mid-Century Abstract Woven Tapestry, Textile Wall Sculpture
By Jolanta Owidzka
Located in Wilton, CT
Margaret VIII, flax, sisal and wool, 57" x 39", 1977. This Mid-Century Modern abstract woven tapestry was done by Postwar and Contemporary Polish textile...
Category

Mid-20th Century Modern Connecticut - Sculptures

Materials

Fabric, Textile, Tapestry, Wool, Thread

"Princess February" Ceramic Vessel Sculpture
Located in Westport, CT
This glazed porcelain vase by Jon Puzzuoli features a burnt umber and white body and a wide neck finished with 18K gold luster. The artist's stamp is located at the base of the sculp...
Category

2010s Abstract Connecticut - Sculptures

Materials

Gold

Large Bird Bronze Sculpture
Located in Lake Worth Beach, FL
Secretary Bird Life Size 43H x45L x 11D Marble Base 24x16 inches Bronze sculpture indoor or outdoor. Vintage Modern life size bronze sculpture...
Category

1990s Connecticut - Sculptures

Materials

Marble, Bronze

The Couple
By Franz Hagenauer
Located in New York, NY
This pair of male and female brass masks are emblematic of Hagenauer’s highly stylized Art Deco design. The artist’s reductionist approach together with a nod to African tribal shiel...
Category

1950s Abstract Connecticut - Sculptures

Materials

Brass

WTF
By Jim Rennert
Located in Greenwich, CT
8.5 ft. version of Jim Rennert's sculpture "WTF." Edition of 3 American, b. 1958 Jim Rennert was born in 1958, and grew up in Las Vegas, Nevada, and Salt Lake City, Utah. After ten...
Category

2010s Contemporary Connecticut - Sculptures

Materials

Bronze

Lu
By Donald Martiny
Located in Westport, CT
Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the...
Category

2010s Abstract Connecticut - Sculptures

Materials

Acrylic Polymer, Pigment

"Vibrant Conversation", Contemporary Abstract Textile Wall Sculpture
By Marianne Kemp
Located in Wilton, CT
Vibrant Conversation, horsehair, cotton, linen, 49” x 70” x 6", 2018. This vibrant contemporary abstract textile wall sculpture was done by textile artist, Marianne Kemp (b. 1976, W...
Category

2010s Contemporary Connecticut - Sculptures

Materials

Fabric, Textile, Cotton, Tapestry, Linen

Kasuri Panel 145, Japanese Silk Textile Wall Hanging by Jun Tomita
Located in Wilton, CT
This silk ikat textile wall hanging is by Japanese fiber artist, Jun Tomita.
Category

1990s Abstract Connecticut - Sculptures

Materials

Fabric, Textile, Tapestry, Silk

"Early Light" Textured Abstract Painting
By Teodora Guererra
Located in Westport, CT
This abstract painting by Teodora Guererra features a deep green and light pink palette. The artist layers thick strokes of paint using a palette knife in broad, horizontal sweeping ...
Category

2010s Abstract Connecticut - Sculptures

Materials

Canvas, Acrylic

Suzanne Benton, Becoming, 1975, Copper, Coated Steel
By Suzanne Benton
Located in Darien, CT
In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC. Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors. Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets. Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen. In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks. What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure: "Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth." (Pelvic Woman and Protection are illustrated in the book): What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...
Category

1970s Feminist Connecticut - Sculptures

Materials

Copper, Steel

"No Place Like Chrome" Metallic Abstract Painting
By Teodora Guererra
Located in Westport, CT
This abstract painting by Teodora Guererra features a metallic silver palette. The paint is layered thickly on canvas in wide, gestural strokes, creating a highly textured surface. I...
Category

2010s Abstract Connecticut - Sculptures

Materials

Canvas, Acrylic

Bust of Diana
Located in New York, NY
Among Falguière’s greatest works, his figure of the huntress Diana emerged as a masterpiece, the bust of which stands out as one of the most successful and recognizable idealized hea...
Category

1880s Academic Connecticut - Sculptures

Materials

Bronze

Estate of David Hayes_Form Study_plaster coated cut styrofoam_abstract sculpture
By David Hayes
Located in Darien, CT
ODETTA is pleased to offer this important sculpture from the Estate of David Hayes. David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor.. These Form Studi...
Category

1970s Abstract Connecticut - Sculptures

Materials

Polystyrene, Plaster, Acrylic

Katherine Jackson, Little Oil 19, 2020, Photograph on aluminum
By Katherine Jackson
Located in Darien, CT
There are two Little Oil installations available with 6 sculptures each on top of LED light boxes. Little Oil 19 is a digital photographic print on aluminum for the flat files. Katherine Jackson has been working with glass and light together for many years, Recently, she's been making glass castings of vintage oil cans, and displaying them -- singly, in small groupings, or in vitrines -- on light boxes. So far she has created about 90, each one unique. The series is called Little Oil, alluding to Big Oil, and sometimes Small Oils, as in oil painting. But “oil” can mean many things. It has been a source of light (sometimes from unconscionable sources) since ancient times as well as a source of eternal light in many faith traditions. Set atop lightboxes, where each work glows from within, these pieces can simply seem like vessels of light itself. At times, they appear to me to transcend their relation to oil altogether, appearing anthropomorphic or creaturely, even biological. These days, I think of them as archeological artifacts, relics of a past, oil-based, civilization. Necropolis is a print of a painting inspired by a map of the necropolis where the terra cotta soldiers...
Category

2010s Conceptual Connecticut - Sculptures

Materials

Glass, LED Light, Pigment

Sound of the Fjord, Contemporary Scandinavian Woven Textile, by Åse Ljones
By Åse Ljones
Located in Wilton, CT
Åse Ljones’ hand-embroidered tapestry Sound on the Fjord reflects Ljones’ upbringing on a small rural farm, where sea and nature were close by. Ljones start...
Category

2010s Abstract Connecticut - Sculptures

Materials

Fabric, Textile, Tapestry, Thread

Remind Me - Copper Metal Rectangular Grid Wall Sculpture, 2025
Located in Kent, CT
Remind Me is a striking mixed-metal composition by contemporary artist Carolyn Millstein, known for her innovative use of reclaimed materials. This piece features a grid of rectangul...
Category

2010s Contemporary Connecticut - Sculptures

Materials

Copper, Wire

Palisades, Contemporary Abstract Textile Wall Sculpture, Woven Tapestry
Located in Wilton, CT
Palisades, wool and sisal, 55" x 70", 1992. Contemporary Abstract Textile Wall Sculpture, Woven Tapestry. Anna Urbanowicz-Krowacka (b 1938, Poland) gra...
Category

1990s Abstract Connecticut - Sculptures

Materials

Fabric, Textile, Tapestry, Wool, Thread

Graffiti Train, PHASE 2
By Lonny Wood (aka Phase 2)
Located in Fairfield, CT
Artist: PHASE 2 (1955-2019) Title: Graffiti Train Year: circa 1980 Medium: Aerosol paint and collage on plastic model train Size: 4.5 x 20.5 inches Condition: Excellent Inscription: ...
Category

1980s Pop Art Connecticut - Sculptures

Materials

Plastic, Acrylic

Ecdysis, Jiro Yonezawa, Abstract Bamboo Sculpture
By Jiro Yonezawa
Located in Wilton, CT
Ecdysis, Jiro Yonezawa, bamboo, urushi lacquer, 27" x 8" x 5.75", 2019. This abstract bamboo sculpture is by Japanese artist, Jiro Yonezawa (b. 1956). Y...
Category

2010s Abstract Connecticut - Sculptures

Materials

Wood, Coating

Hajibito (Ceramic 53), by Yasuhisa Kohyama
By Yasuhisa Kohyama
Located in Wilton, CT
Yasuhisa Kohyama shapes his asymmetrical forms using piano wire, creating distinctive rough surfaces. The clay with its feldspar nuggets creates a tac...
Category

1990s Abstract Connecticut - Sculptures

Materials

Ceramic, Clay

Patricia Miranda, Dreaming Awake, 2020, nightdress, cochineal dyes, plaster,
By Patricia Miranda
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research. Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium. The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth. Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio. She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth. Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace. Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category

2010s Feminist Connecticut - Sculptures

Materials

Fabric, Thread, Dye, Found Objects, Plaster

Roses By The Sea, Plexiglass, Wall Sculpture, Colorful, Dimensional, Unique
Located in Riverdale, NY
Roses By The Sea by Neva Setlow is created with layered colored Plexiglass, both flat and round. It is 16x16x2filled with bright colors and dimension. It is on a wood frame and wi...
Category

2010s Contemporary Connecticut - Sculptures

Materials

Plexiglass

Sinuous Array - Golden Yellow Purple Green Coral Paper Plant Wall Sculpture 2021
By Jill Parisi
Located in Kent, CT
This unique wall paper sculpture's form allude to fantastical botanicals and is composed of dense layers of thousands of printed, colored and torn elements in purple, green, golden y...
Category

2010s Contemporary Connecticut - Sculptures

Materials

Tissue Paper, Pins, Digital

Old Soldier
Located in New York, NY
Humphris is a highly acclaimed American sculptor and created a large body of work of Western subject matter, particularly of the American Indian so rare to get a soldier. He did liv...
Category

1910s American Realist Connecticut - Sculptures

Materials

Bronze

Suzanne Benton, 1974, Pelvic Woman, Copper, Coated Steel
By Suzanne Benton
Located in Darien, CT
In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC. Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors. Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets. Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen. In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks. What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure: "Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth." (Pelvic Woman and Protection are illustrated in the book): What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...
Category

1970s Feminist Connecticut - Sculptures

Materials

Copper, Steel

Dorothy Mayhall, Rock Crystal, 1995, Terracotta, Acrylic Paint
By Dorothy Mayhall
Located in Darien, CT
Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...
Category

1990s Abstract Geometric Connecticut - Sculptures

Materials

Terracotta, Acrylic

el Grande Model bronze sculpture
By Bill Barrett
Located in New York, NY
In 1983, returning to one of his earliest concepts, the standing figure, Barrett cast five small upright pieces that would become the Grande series. Barrett’s work became more organ...
Category

1980s Abstract Connecticut - Sculptures

Materials

Bronze

Wheel, Christine Joy, Contemporary Abstract Woven Willow Sculpture
By Christine Joy
Located in Wilton, CT
Wheel, Christie Joy, willow, beeswax, damar resin, 24.25” x 28” x 9”, 2013. This abstract woven willow sculpture was created by American fiber artist, Ch...
Category

2010s Contemporary Connecticut - Sculptures

Materials

Resin, Wood, Wax

Journey Trees IV, Sara Brennan, hand-woven textile wall sculpture
By Sara Brennan
Located in Wilton, CT
Journey Trees IV, linens and swing threads, 7.5" x 8" x 1", 2021. This figurative woven textile piece is by UK-based textile artist, Sara Brennan (b. 196...
Category

2010s Contemporary Connecticut - Sculptures

Materials

Fabric, Textile, Tapestry, Linen, Thread

Scott Kahn, Autumn Moon, mixed media sculptural lamp (after)
By Scott Kahn
Located in Fairfield, CT
Title: Autumn Moon Year: 2022 Medium: Mixed media sculptural lamp Condition: Excellent Edition: 20, plus proofs Notes: AllRightsReserved, Hong Kong in collaboration with the artist. ...
Category

2010s Contemporary Connecticut - Sculptures

Materials

Metal

Split Disc on Two Squares, kinetic sculpture
By Roger Phillips
Located in New York, NY
These sculptures are automatic room changers. They bring playfulness, sophistication and a slightly more structured "Calder type" Contemporary classiness to an environment. Kinetic ...
Category

2010s Kinetic Connecticut - Sculptures

Materials

Enamel, Stainless Steel

Chromatic Dawn, Plexiglass, Wall Sculpture, Colorful, Dimensional, Unique
Located in Riverdale, NY
Chromatic Dawn by Neva Setlow is created with layered colored Plexiglass, both flat and round. It is 16x20x2filled with bright colors and dimension. It is on a wood frame and wire...
Category

2010s Contemporary Connecticut - Sculptures

Materials

Plexiglass, Wood

Exotica Series, Abstract Woven Tapestry by Ritzi Jacobi and Peter Jacobi
Located in Wilton, CT
Exotica Series, Abstract Woven Tapestry, Textile Sculpture. Cotton, goat hair and sisal, 114" x 60" x 6", 1975. Ritzi Jacobi (1941 - 2022) and Peter Jacob...
Category

1970s Abstract Connecticut - Sculptures

Materials

Fabric, Textile, Cotton, Thread

Joel Urruty - Pirelli
By Joel Urruty
Located in Stamford, CT
"As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The figure is abstrac...
Category

21st Century and Contemporary Contemporary Connecticut - Sculptures

Materials

Gold Leaf

Coup de Grace by Mariette Rousseau-Vermette, Abstract Woven Tapestry
By Mariette Rousseau-Vermette
Located in Wilton, CT
Coup de Grace,  brushed wool, 7’9" x 4’4", 1997. This contemporary abstract woven tapestry was done by renowned Canadian textile artist, Mariette Rousseau-Vermette (1926 - 2006). Born in Trois-Pistoles, Québec, Mariette Rousseau married painter/ceramicist Claude Vermette...
Category

1990s Contemporary Connecticut - Sculptures

Materials

Fabric, Textile, Tapestry, Wool

Blue Skies, Plexiglass, Wall Sculpture, Blues, Colorful, Dimensional, Unique
Located in Riverdale, NY
Blue Skies by Neva Setlow is created with layered colored Plexiglass, both flat and round. It is 12x12x2 filled with bright colors and dimension. It is on a wood frame and wired f...
Category

2010s Contemporary Connecticut - Sculptures

Materials

Plexiglass, Wood

Journey Trees III, Sara Brennan, hand-woven textile wall sculpture
By Sara Brennan
Located in Wilton, CT
Journey Trees III, linens and swing threads, 8" x 8" x 1", 2021. This figurative woven textile piece is by UK-based textile artist, Sara Brennan (b. 1963...
Category

2010s Contemporary Connecticut - Sculptures

Materials

Fabric, Textile, Tapestry, Linen, Thread

15 Black Boxes, Wall Sculpture by Jin-Sook So
By Jin-Sook So
Located in Wilton, CT
This abstract geometric wall sculpture was done by fiber artist, Jin-Sook So (b. 1950, Korea). So’s work is informed by her time spent in Korea, Sweden and Japan. She uses transpar...
Category

2010s Contemporary Connecticut - Sculptures

Materials

Silver, Steel, Gold Leaf

Portrait of a Gentleman
Located in New York, NY
Nothing is more delightful than depictions of people from the turn of the century that convey a distinguished sort of elegance, composure and dignity. Gone today is the concept of "...
Category

1910s Realist Connecticut - Sculptures

Materials

Bronze

"Lyric Space" Contemporary Korean Textile Wall Sculpture
Located in Wilton, CT
"Lyric Space" Korean silk fabric and handmade ramie threads, maple floater frame. This contemporary silk textile piece is by Korean fiber artist, Shin You...
Category

2010s Contemporary Connecticut - Sculptures

Materials

Fabric, Textile, Silk, Thread

Smokestack Nine - Porcelain Cubes Pine Wood Shelf Wall Sculpture, 2025
Located in Kent, CT
Contemporary wall-mounted sculpture by Tristan Fitch composed of pit-fired porcelain cubes on a hand-carved shelf made from locally sourced pine referencing architectural forms and a...
Category

2010s Contemporary Connecticut - Sculptures

Materials

Porcelain, Wood

Near Oakdale - Copper Metallic Diamond Patchwork Grid Wall Sculpture, 2025
Located in Kent, CT
Near Oakdale is a striking mixed-metal composition by contemporary artist Carolyn Millstein, known for her innovative use of reclaimed materials. This piece features diamond shapes c...
Category

2010s Contemporary Connecticut - Sculptures

Materials

Copper, Wire

Thumbprint (Red), original three dimensional geometric design wall relief
By Chuck Krause
Located in Fairfield, CT
Artist: Chuck Krause (1949) Title: Thumbprint (Red) Year: 2020 Medium: Acrylic paint on sculpted composite board Size: 23 x 18 inches Condition: Excellent Inscription: Signed by the ...
Category

2010s Pop Art Connecticut - Sculptures

Materials

Acrylic Polymer, Board

Without Name, Mid-Century Abstract Woven Tapestry, Textile Wall Sculpture
By Jan Hladik
Located in Wilton, CT
Without Name, Mid-Century Abstract Woven Tapestry, Textile Wall Sculpture, Hand dyed wool, 52" x 38" (1973) by Czech textile artist, Jan Jladik...
Category

1970s Abstract Connecticut - Sculptures

Materials

Fabric, Textile, Tapestry, Wool, Dye

Fidelia - Copper Leaves Square Grid Metallic Wall Sculpture, 2025
Located in Kent, CT
Fidelia is a striking mixed-metal composition by contemporary artist Carolyn Millstein, known for her innovative use of reclaimed materials. This piece features a grid of copper and ...
Category

2010s Contemporary Connecticut - Sculptures

Materials

Copper, Wire

Gold Laugh, Post-Modern Metallic Woven Abstract Textile Sculpture/Embroidery
By Micheline Beauchemin
Located in Wilton, CT
Gold Laugh (1980-85) metallic and acrylic thread, cotton. Gold, Metallic Woven Abstract Textile Sculpture. Textile artist, Micheline Beauchemin (1929-2009) was born in Longqueuil, Quebec, Canada. She has created a repertory of various works which includes theatre curtains, tapestries, wall hangings, embroidery murals, flexible walls, stained glass works, scale models, collages, toys, costumes and illustrations. Micheline Beauchemin began her career making stained-glass windows but early on turned to weaving and embroidering spectacular wall hangings in vibrant colors, including blues and greens. travelled and studied in Japan, China, India, North Africa, the Canadian Arctic and the Andes, adding depth and mystery to the love of light, water, wings and nets that is evident in her body of work. Beauchemin’s works are included in the collections of the National Gallery of Canada, Ottawa; the Montreal Museum of Fine Arts; the Musée du Québec; Pearson Airport, Toronto; the Canada Council, Ottawa; the Canadian Museum of Civilization, Gatineau; the Bibliothèque Centrale, Quebec; the Taxation Data Centre, Shawinigan; the Revenue Building, Québec; North York...
Category

1980s Post-Modern Connecticut - Sculptures

Materials

Metal

Soninka
By Donald Martiny
Located in Westport, CT
Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the physicality of his body. Moving is an expression, just as is the color. The paintings are actual authentic gestures. Once completed, they look like relief on the wall. The artist is represented by galleries in Europe, the US and Australia. Additionally, his work is in the permanent collections of the Crocker Art Museum in Sacramento, CA; the Amon Carter Museum of American Art in Fort Worth, TX; the Newcomb Art Museum at Tulane University in New Orleans, LA; the FWMoA, Fort Wayne, IN and the Lamborghini Museum in Bologna, Italy. In 2015 Martiny received a commission from the Durst Organization to create two monumental paintings that are permanently installed in the lobby of One World Trade Center in New York City. His work is in numerous collections, including: Graham Gund Family Foundation (Cambridge, MA); Patrick Duffy (Chairman, Las Vegas Art...
Category

2010s Abstract Connecticut - Sculptures

Materials

Acrylic Polymer, Pigment

Soul of a Big Blue Bowl, Contemporary Wall Sculpture by Jin-Sook So
By Jin-Sook So
Located in Wilton, CT
Jin-Sook So’s work is informed by her time spent in Korea, Sweden and Japan. She uses transparent steel mesh cloth, which she burns, paints, electroplates in gold or silver, sews an...
Category

2010s Contemporary Connecticut - Sculptures

Materials

Silver, Steel, Gold Leaf

Read More

At Hosfelt Gallery, Bertoia Masterworks Complement Dynamic Contemporary Art

For nearly three decades, San Francisco–based Todd Hosfelt has curated against the grain — with a show on the legendary modernist Harry Bertoia the latest case in point.

This Weathered-Steel Sculpture Distills a Form of Protest into a Minimalist Monument

Part of Alejandro Vega Beuvrin’s “Barricada” series, the work is a subversive tribute to the street smarts of citizen activists.

How the Chunky, Funky Ceramics of 5 Mid-Century American Artists Balanced Out Slick Modernism

Get to know the innovators behind the pottery countercultural revolution.

Art Brings the Drama in These Intriguing 1stDibs 50 Spaces

The world’s top designers explain how they display art to elicit the natural (and supernatural) energy of home interiors.

Chryssa’s 1962 Neon Sculpture Was Way ahead of the Art-World Curve

By working with lettering, neon and Pop imagery, Chryssa pioneered several postmodern themes at a time when most male artists detested commercial mediums.

How to Spot a Fake KAWS Figure

KAWS art toys have developed an avid audience in recent decades, and as in any robust collectible market, counterfeiters have followed the mania. Of course, you don’t have to worry about that on 1stDibs, where all our sellers are highly vetted.

A Giant Wedding Cake Has Us Looking at Portuguese Tiles in a New Light

At Waddesdon Manor, artist Joana Vasconcelos has installed a three-tiered patisserie inspired by the narrative tile work of her homeland. We take a look at the cake sculpture and how Portuguese tiles have been used in architecture from the 17th century to today.

These Soft Sculptures Are Childhood Imaginary Friends Come to Life

Miami artist and designer Gabriela Noelle’s fantastical creations appeal to the Peter Pan in all of us.

Still Thinking About These?

All Recently Viewed