Continental Europe - Animal Prints

Hand-signed and numbered. Edition of 50 prints. In Excellent condition. Wonderful etching, representing a surreal ram in the perfect Clerici's style.

Ancient Roman Statue, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Vincenzo Campana in the 18th century. Signed on the plate on the lowe...

Wild Pig and Hippopotamus is a color lithograph realized in the late 19th century by an anonymous illustrator representing a wild pig and a hippopotamus. The animals are designated ...

Le Sarigue is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good cond...

Hand signed and numbered. Edition of 200 prints plus 60 prints in Roman Numerals and 5 Artist's Proofs. Specimen in roman numbers, no. 59/60 (LIX/LX) Published in the general catalog...

The Lawyer Bunny In A Hurry is an original lithographs on ivory-colored paper realized by J.J. Grandville from Scènes de la vie privée et publique des anima...

Insekt II is a contemporary artwork realized by the artist Fifo Stricker in 1982. Mixed colored aquatint and etching.

Composition with Angels is an etching realized in 1771 by Louis Legrand (1723-1807). The Artwork is depicted through confident strokes in aa well balanced composition. Good conditi...

Le Lapin Sauvage is an artwork realized  by Jacques de Seve in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboar...

Le Riche is an artwork realized  by Jacques de Seve in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboard. Total...

Buffalo Anatomy  is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardb...

Anatomy veterinary is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on car...

Hare anatomy is an artwork realized  by Jacques de Seve in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboard. T...

The rustic house in Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare edition of ...

Macarena and Penguin is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, publish...

Turtle is an original artwork realized by Carlo Quattrucci in 1971. Hand Signed and dated on the lower right margin. Numbered on the lower left. Edition of 70 pieces plus some Arti...

Girafe is a lithograph realized by Alberto Mastroianni in the 1970s. Hand Signed on the lower right margin. Numbered on the lower margin in pencil. The artwork represents an interesting green...

Le Cocquar is an etching realized in 1771 by Louis Legrand (1723-1807). Titled and Signed on the plate. The artwork Belongs to the suite "Histoire naturelle, générale et particuliè...

Le Mangabey is an etching realized by Claude Jardinier in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi"...

Astrological sign of leo is a screen print on grey paper realized by Sergio Barletta, in 1980s. Signed on the lower left margin. 68 x 49 cm. In good conditions except for fairl...

The dissected veal is an artwork realized  by Jacques de Seve in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardbo...

The Rat is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was published i...

Le Marcassin - Le Cochon de lait is an artwork realized  by Jacques de Seve in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is g...

Cornamentas is an artwork realized  by  Buvée l'Américain in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboard....

Albatross is an Etching hand colored realized by Gotthilf Heinrich von Schubert - Johann Friedrich Naumann, Illustration from Natural history of birds in pictures, published by Stutt...

Fetus - Veal is an artwork realized  by Jacques de Seve in 1771.   Etching B./W. print  on ivory paper. Signed on  plate on the lower left margin. The work is glued on cardboard. T...

The Horns is an etching realized by Juste Chevillet in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good conditions.

Le Faucon Sort is an etching realized by N. De Launnay in 1771. The Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Paris:...

Ancient Roman painting - The reverence scene with the angel from the series "Antiquities of Herculaneum", is an original etching on paper realized by Roccus Pozzi and Nicol Vanni in ...

Anatomy of Animals is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabin...

Anatomy of Animals is an etching realized by Antoine Defehrt in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". ...

Insects is an etching realized by Sergio Barletta in 1974. Hand-signed in pencil on the lower right. Numbered on the lower left in Roman numerals, from the edition of XXX prints. ...

Le Verrat is an etching realized by Jean Gullaume Moitte in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Ro...

Animal's Anatomy is an etching realized in 1771 by Claude Jardinier. Titled and Signed on the plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière ...

Anatomy of Animals is an etching realized in 1771 . It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Artist's signature...

Animal's Anatomy is an etching realized by Juste Chevillet in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du ...

Hand signed. Artist's proof. Image dimensioni: 38 x 51 cm. Very good conditions.

Anatomy of Animals is an etching realized in 1771 by François Basan. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". A...

Siergiej Timochow, a Belorussian artist, born in 1960. He studied at an art school in Minsk in 1979 before continuing to study at the Fine Arts Academy in Belarus. His acrylic and ...

Siergiej Timochow, a Belorussian artist, born in 1960. He studied at an art school in Minsk in 1979 before continuing to study at the Fine Arts Academy in Belarus. His acrylic and ...

Le Bouc is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi"....

Abstract Urban Landscape is an original print, realized in by the Artist Antonio Cremonese (Rome, 1949). Color lithograph on paper. Hand Signed on the right margin. Limited edition...

Interior of Animals is an etching realized in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Paris: Imp...

Abstract Urban Landscape is an original print, realized in by the Artist Antonio Cremonese (Rome, 1949). Color lithograph on paper. Hand Signed on the right margin. Limited edition...

Anatomy of a Monkey is an etching realized by Juste Madeline Rousselet in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower rig...

Insect is an etching realized by Sergio Barletta in 1974. Hand-signed in pencil on the lower right. Numbered on the lower left in Roman numerals, from the edition of XXX prints. ...

The Skeleton is an etching realized by Antoine Defehrt in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Artist...

La Chevre Naine is an etching realized by Juste Madeline Rousselet in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. ...

Phalanger Femelle is an etching realized by Jean Charles Baquoy in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabine...

Nude is a etching on cardboard realized by Sergio Barletta in 1974. sheet dimensions, 25 x 17 cm. Handsigned in pencil in the lower right margin. Edition XXXVIII/XL Very good c...

Roman Countryside with the carriage is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare edition of on...

Le Furet Putois is an etching realized by Juste Chevillet in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good con...

Composition with Animals is an etching realized by Antoine Defehrt in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du R...

Georges Braque - Original Lithograph 1963 Dimensions: 32 x 24 cm Andre Sauret, Monte Carlo The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote and Glass , then the packet envelope of tobacco Bock in 1912-1913, or an advertisement in Damier , 1913). Inputs and inclusions refer to an external object in the table, without “emulate” this object. Away from their appearances, objects are represented in closest essence of the objects in the real world sense. This is also the time of Synthetic Cubism that Braque invented paper sculpture. There are, unfortunately, and no one is living proof of a photograph makes it possible to realize: Paper and paperboard. Métamorphoses period(1961-1963). In 1961, Georges Braque worked on a Greek head for the Louvre, which obsesses him, and he wishes to free his mind. He tried several times to bring out the paint and the result was unsatisfactory. He thinks the ultimate metamorphosis its Greek head projected in three dimensions. He calls in his studio of Baron Heger Loewenfeld, master lapidary, and he communicates his enthusiasm during the “fateful encounter.” Nine months later, in honor of the eighty years of Georges Braque, Heger Loewenfeld offers the Master of the ring Circe: the famous Greek head finally exorcised, carved in an onyx. Braque Loewenfeld then asked to identify other issues that haunt him. From dated and signed by Georges Braque, Heger gouaches Loewenfeld shapes works in the fields of jewelery, lapidary art...

The Skeleton is an etching realized by Juste Madeline Rousselet in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Go...

Le Braque is an etching realized by Jean Moitte in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Artist's sign...

La Caille is an etching realized by Jacques Baron in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good conditions.

Chauve- souris is an etching realized in 1771 by Louis Legrand (1723-1807). Titled and Signed on the plate. The artwork Belongs to the suite "Histoire naturelle, générale et partic...

Le Lamantin is an etching realized by Juste Chevillet in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good conditi...

The Skeleton is an etching realized by Jacques Baron in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good conditions