Continental Europe - Animal Prints

The Break is an original lithographs by J.J. Grandville from "Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harvard, Paris. Good Conditions but aged....

The Dance Of Horses is a beautiful colored lithograph on paper, realized in the 1980s by the artist Jovan Vulic (b. 1951). Hand-signed and numbered in pencil on the lower margin. ...

Risciò is an original colored lithograph on Fabriano Cotton watermarked paper realized by Sandro Trotti in the 1970s and published by EuroMuseum Editore, Ancona. Representing a bar...

Le Chat is a beautiful original print on wove paper, realized by the French artist Giselle Halff in the mid 20th century. A sensual black cat (one of the best French symbols) lying...

The Buffalo is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare editio...

The Bull in the Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate, the rare edition of only...

Mr.Rat and Postman Sparrow Carrying Boxes is an original lithographs on ivory-colored paper realized by J.J. Grandville from Scènes de la vie privée et publique des animaux, 1852. Pu...

The Beetles General and Guards - Animal Fable is an original lithographs on ivory-colored paper realized by J.J. Grandville from Scènes de la vie privée et...

Odysseus ship and goddess on the shore from the series "Antiquities of Herculaneum", is an original etching on paper realized by P. Campana in the 18th century. Signed on the plate...

Ancient Roman Statues, from the series "Antiquities of Herculaneum", is an original etching on paper realized from a design by Niccolò Vanni in the 18th Century. Signed on the plate...

The Rat is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was published i...

Fishing Nets is an original etching realized by Camille Berg in 1904. Good condition. Hand-signed, dated and numbered by the artist with pencil.

Wild horses in Roman Countryside with the carriage is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The ra...

The Gorilla is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was publish...

Antelope in the Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate, the contemporary edition...

Merchant Monkeys is an original lithograph on ivory-colored paper realized by J.J. Grandville from Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harvar...

Vie Privée et Publiques des Animaux is an original lithographs on ivory-colored paper realized by J.J. Grandville from Scènes de la vie privée et publique des animaux, 1852. Publishe...

Dancing Horses In A Concert Hall is an original lithographs on ivory-colored paper realized by J.J. Grandville from Scènes de la vie privée et publique ...

Ancient Roman Statue, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Vincenzo Campana in the 18th century. Signed on the plate on the lowe...

Ancient Roman Fresco, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Filippo Morghen in the 18th century. Signed on the plate on the lower...

Ancient Roman Statue, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Vincenzo Campana in the 18th century. Signed on the plate on the lowe...

The Buffalo is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare editio...

Bonsoir donc, Ami Lecteur is an original lithographs by J.J. Grandville from "Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harvard, Paris. Good Cond...

The Speech is an original lithographs by J.J. Grandville from "Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harvard, Paris. Good Conditions but aged...

Ancient Roman Frescoes from the series "Antiquities of Herculaneum", is an original etching on paper realized by Giovanni Morghen in the 18th century. Signed in the plate. Good con...

Ancient Roman Statues, from the series "Antiquities of Herculaneum", is an original etching on paper realized from a design by Vincenzo Campana in the 18th Century. Signed on the pl...

Ancient Roman Daily Life in Herculaneum from the series "Antiquities of Herculaneum", is an original etching on paper realized by Nicola Billy in the 18th century. Signed on the pla...

Ancient Roman painting - The offering and reverence scene from the series "Antiquities of Herculaneum", is an original etching on paper realized by Pietro Campana...

Fishes is an original mixed colored etching realized by Nino Cordio in 1965. Hand signed and dated on the lower right margin. Artist's proof. Hand-written dedication on the lower margin. Nino Cordio (Santa Ninfa, 10 July 1937 - Rome, 24 April 2000...

Antelope in the Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate, the rare edition of only...

Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare ...

Roman Countryside with the carriage is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare edition of on...

Antelope in the Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate, the contemporary edition...

Goats in the Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate, the rare edition of only 25...

The border is an original artwork realized in 1972 by the Italian Contemporary artist Leo Guida (1992 - 2017). Original etching on cardboard. Hand-signed on the lower right in pe...

The Horse is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. Image Dimensions: 5 x 7 / 8 x 10 c...

The Monkey is an original artwork realized in the 1970s by the italian artist Leo Guida. Original Etching on Cardboard. Mint conditions. Three of the five copies are numbered...

Lemur is an original etching realized by Leo Guida in 1970. Good condition. Mounted on a white cardboard passpartout (50x35). Dated and signed by the author. Artist proof. Leo G...

Lemur is an original etching realized by Leo Guida in 1970s. Good condition. Mounted on a white cardboard passpartout (50x35). Dated and signed by the author. Artist proof. Leo ...

Animal Figures from Ancient Rome, from the Series "The Antiquities of Herculaneum Exposed", is anoriginal etching from the end of the 18th century, made by Various Old Masters. In v...

The Owl is an original Contemporary artwork realized by the italian Contemporary artist Leo Guida (1992 - 2017), in 1972. Original black and white etching on paper. Excellent cond...

The Bird is an original contemporary artwork realized by Miguel Angel Ibarz (Barcelona, 1958). Original etching on paper. Hand-signed and numbered, edition 13/75. Good condition...

The Crab is an Contemporary artwork realized in 1973 by the italian artist Leo Guida. Original mixed colored etching and aquatint Hand signed, titled and dated on the lower right m...

Animals in the corral is a black and white etching realized by Nazareno Gattamelata in 1970s. Hand signed by the artist on the lower right margin: Gattamelata. Numbered on the lowe...

The Bird is an original Contemporary artwork realized in the 1972 by the italian artist Leo Guida. Original Etching and Burin on paper. Hand-signed and dated on the lower right co...

Il Filo Si Spezza is an original black and white etching realized by Leo Guida. Not signed. Title on the bottom center. The state of preservation is good. "INV.C. 149B", on the l...

The Horse is an etching realized by Marcel Kurtz Hand-signed in pencil, on the lower right. Numbered. Edition 3/15. Good conditions. The artwork represents the head of a horse...

The Rat is an original Contemporary artwork realized in 1972 by the Italian artist Leo Guida. Original B/W Burin on paper. Unique Specimen. Hand-signed and dated in pencil on the l...

The Monkey is a Contemporary artwork realized in the 1970s by the italian artist Leo Guida. Original Etching on Cardboard. Mint conditions. Image Dimensions: 32 x 0.1 x 17 cm. L...

Mamma Roma is an original modern artwork realized by the Italian artist Mino Maccari (Siena, 1898 - Rome, 1989). Original woodcut on Ivory paper.. Hand-signed in pencil n by the a...

Hand signed. Artist's proof. Very good conditions.

Bird is an etching by Aldo Turchiaro in 1974. Hand-signed on the lower right. Numbered, edition 51/99. Good conditions except for aged margins. The artwork represents a bird with...

The Frogs is an enchanting lithograph realized in 1940 ca. by Fabrizio Clerici (1913-1993). Hand-signed in pencil, on the lower right. Artist's proof "P.A", on the lower left. The ...

Hand signed. Edition of 75 prints. Published by Crommelynck, Paris, in 1970. Bibliography: G. Guastalla, G. Guastalla, Marino Marini. Catalogo ragionato dell'Opera grafica (Incision...

Image dimensions: 18.5 x 15 cm. Couple of Sloths is an original black and white lithograph realized by an anonymous artist in 1828. Dated 1828 and titled Gemeines Faulthier. On t...

Mantis religiosa is a colored screen print on paper realized by the French artist Félix Labisse. Hand-signed in pencil on the lower right margin. Numbered in pencil on the lower le...

Georges Braque - Original Lithograph 1963 Dimensions: 32 x 24 cm Andre Sauret, Monte Carlo The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote and Glass , then the packet envelope of tobacco Bock in 1912-1913, or an advertisement in Damier , 1913). Inputs and inclusions refer to an external object in the table, without “emulate” this object. Away from their appearances, objects are represented in closest essence of the objects in the real world sense. This is also the time of Synthetic Cubism that Braque invented paper sculpture. There are, unfortunately, and no one is living proof of a photograph makes it possible to realize: Paper and paperboard. Métamorphoses period(1961-1963). In 1961, Georges Braque worked on a Greek head for the Louvre, which obsesses him, and he wishes to free his mind. He tried several times to bring out the paint and the result was unsatisfactory. He thinks the ultimate metamorphosis its Greek head projected in three dimensions. He calls in his studio of Baron Heger Loewenfeld, master lapidary, and he communicates his enthusiasm during the “fateful encounter.” Nine months later, in honor of the eighty years of Georges Braque, Heger Loewenfeld offers the Master of the ring Circe: the famous Greek head finally exorcised, carved in an onyx. Braque Loewenfeld then asked to identify other issues that haunt him. From dated and signed by Georges Braque, Heger gouaches Loewenfeld shapes works in the fields of jewelery, lapidary art...

Lunch is an original contemporary artwork realized by the French artist Jean Boudal. Original etching on ivory paper. Mint conditions. With the stamp of the artist on the lower r...

Horseman is an original etching artwork on paper realized in 1875 by Alphonse Edouard Enguérand Aufray de Roc'Bhian (French, Paris 1833– 1887). Signed on the plate on the lower of t...

The Insect is an original offset print on ivory-colored paper, realized by Anonymous Artist, in Mid 20th Century. The state of preservation of the artwork is excellent. Not signed....