Continental Europe - Landscape Prints

Letter of the Alphabet V, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Good conditions with some folding. ...

Letter of the Alphabet P, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Good conditions. The etching belon...

Arch is original Hand-colored etching, realized by Luigi Rossini (1790–1857) with description on the lower. In good conditions with some folding. Image Dimensions: 25 x 18 cm The ...

Interno della Basilica della Fortuna Prenestina Image dimensions: 40x53 cm. From the collection “Le antichità de’ contorni di Roma (...)”, published in Rome, 1826 an artist's proof w...

Up towards the sun. 1972, paper, lithography, 15x12.5 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 1947, she began he...

Veduta Generale del Tempio della Sibilla, e Ponte della Cascata di Tivoli Image dimensions: 61x45 cm. From the series “Le antichità de’ contorni di Roma (...)” an artist's proof with...

Egyptian Ruins is a modern artwork realized d'apres Karl Werner. Mixed colored cromolithograph.  The artwork is after the watercolor realized by the artist during a trip to Egypt b...

Altra veduta della Chiesa di S. Ignatio de Papa della Compa di Giesu nel Rione della Pigna is an etching realized in the Late 17th Century by Giovan Battista Falda. Good condition e...

‎Echo et Narcisse is an artwok realized in 1911, by the French Artist Auguste Roubille (1872-1955). Three Lithographs print on paper, cm 20x15 cad. Signed in plate. The artwork is p...

Braun G., Hogenberg F., "Vienna", from the collection "Civitates Orbis Terrarum", Cologne, T. Graminaeus, 1572-1617. Image Dim: cm 15 x 47, Dim: cm 20 x 53. Wonderful B/W Aquatint r...

Etching realized by Antonio Saliola in 1990s. Titled and signed in pencil. Very good condition.

Ancient View of Brescia is an original modern artwork realized in Italy in the half of the 19th Century. Original lithograph on Ivory Paper. Inscripted on the lower margin. Pass...

Fountain is an original etching realized in the late 16th century. The State of preservation is very good. Hand-watercolored. The artwork represents t...

Hand signed and dated. Signed on plate. Artist's proof. Very good conditions. Passepartout included : 49 x 34 cm Image Dimensions : 10 x 13 cm This artwork is shipped from Italy. Un...

Letter of the Alphabet S, from the series "Antiquities of Herculaneum", is an etching on paper realized by Various Authors in the 18th century. Good conditions. The etching belong...

Beautiful Artist’s Proof, representing the myth of Narcissius and the nymph Eco, draw by "the Metamorphosis" by Publio Ovidio Nasone. This aquatint, by Ludovico Caracciolo (engraver...

Subject for this artwork comes from Miguel de Cervantes' book. The print comes from edition limited to 5. CZESLAW TUMIELEWICZ (b. 1942) In 1968, he studied at the Architecture facul...

Ancient View of Verona is an original modern artwork realized in Italy in the half of the 19th Century. Original Lithograph on Ivory Paper. Inscripted on the lower central margin...

Letter of the Alphabet S, from the series "Antiquities of Herculaneum", is an etching on paper realized by Various Authors in the 18th century. Good conditions. The etching belong...

Albert MARQUET Normandy : La Frette sur Seine Original lithograph Signed with the artist stamp Numbered / 200 On Arches vellum 45 x 57 cm (c. 18 x 23 in) Excellent condition

La Promenade Bordée is a modern artwork realized by Raould Dufy in 1930s Original Lithograph. Raoul Dufy (1877-1953) He was a French artist and designer. The artist painted, in th...

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

Fall Der Engel is a black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, as is remembered Franz Von Bayros (Agram, 1866 – Vienna, 1924). From Mappe, ...

Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 176 is a beautiful black and white etching and aquatint on paper realized by the Italian artist ...

Presence is a beautiful offset realized after a photograph by Franco Fontana. Good conditions. Franco Fontana (Modena, 1933) is one of the Italian most famous contemporary photogra...

Robin Hood's Bay is an original etching realized in 1845 by E.Finden. Signed in plate. The artwork is realized in a well-balanced composition.

Collegio di Propaganda Fide is an etching on paper of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except for consumed margins and Foxings. Giuseppe Vasi (Corleone,1710 - Rome, 1782) was an engraver, architect, and landscape artist. Between 1746 and 1761, Vasi published 10 volumes with 240 engravings of the monuments of Rome...

Fountain of the Turtles is an artwork realized by Giuseppe Malandrino. Print in etching technique. Hand-signed by the artist in pencil on the lower right corner. Numbered edition ...

Palazzo Pontificio is an original black and white etching of the Late 18th Century realized by Giuseppe Vasi. The beautiful etching represents a glimpse of Rome. Signed and titled ...

Saint Peter is a artwork realized by Giuseppe Malandrino. Original print in etching technique. Hand-signed by the artist in pencil on the lower right corner. Numbered n. 60/199 ed...

Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 190 is a beautiful black and white etching and aquatint on paper realized by the Italian artist Ludovico Caracciolo, after Clau...

Italian State Railways is an original artwork realized in the early century by Aleardo Terzi. Mixed colored lithograph. A vintage affiche depicting Ita...

Gate in Algeria is an original Hand-colored lithograph on paper realized in 1846 by an Anonymous artist of the XIX century. Titled in Italian on the lower center "Porta Bab-Azoun i...

Vue de Mantes is a beautiful artwork realized by Charles Pinet after a painting by Camille Corot in the middle of XIX century. This etching represents a natural landscape with some...

Image dimensions: 54 x 35 cm. Hand signed. Artist's proof. Very good conditions.

Monastero dei Canonici Lateranensi - Chiesa di S.Maria della Pace is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin....

Landscape is an original etching artwork realized in the 1904 ca. by Italian artist Francesco Vitalini. Hand-signed on the lower right in pencil. The State of preservation is very ...

The Spring is a very brightly colored screen print realized by the contemporary Italian artist Maddalena Striglio in the late 20th Century. Hand-s...

"The Forest" is an original drawing in etching, realized by Jean Philippe Serrazin (1736-1793). The state of preservation of the artwork is very good. Sheet dimension: 21.9 x 27.6 ...

Hans Thoma (1839 Bernau - 1924 Karlsruhe), At the pond, 1897. Algraph on strong wove paper, published by Breitkopf und Härtel in Leipzig as ‘Zeitgenössisches Kunstblatt Nr. 148’, 23....

Etching on laid paper Sheet size: approx. 65 × 50 cm Signed in plate lower left: F. Bracquemond Published by Cadart Luquet, Éditeurs, 79 Rue Richelieu, Paris With the blinds...

Altra Veduta presa sotto il grand' Arco dell'interno dell'Emissario di Albano is an original etching belonging to the series "Le Antichità di contorni di Roma” (…)". Beautiful proof...

Interno del Pronao del Tempio d'Ercole nella città di Cora is an original etching by Luigi Rossini. From the collection “Le antichità de’ contorni di Roma”(..), Rome, 1826 by L. Rossini, an artist's proof with sharp details, showing Cora’s Ruins. Signed on plate “Rossini dis. e inc.” lower-left corner, with date and place “Roma, 1825”. In very good condition. Image Dimensions: 45 x 57 cm Luigi Rossini (1790 – 1857) Like Giovanni Battista Piranesi, Luigi Rossini was an architect and his etchings have the same tendency to emphasize the massive constructions of the Ancient Rome. He became famous thanks to his etchings representing Roman landscapes and antique monuments...

Wonderful black and white aquatint showing an antique view of Munchen, capital of Bavaria. From the collection by Braun G. and Hogenberg F., "Civitates Orbis Terrarum", Cologne, T. ...

Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 148 is a beautiful black and white etching and aquatint on paper realized by the Italian artist Ludovico Caracciolo, after Clau...

Lithograph realized in 1990s. Hand colored and signed. Not numbered, as issued. Very good condition.

Ruins is a original b/w etching on laid paper, realized around 1790s by an Italian old master, after Giuseppe Contenti. Image Dimensions: 11.2 x 14 ...

M.C. ESCHER (1898-1972) Ascendant and Descendant, 2008 Facsimile after the original woodcut from 1938 Signed in the plate Numbered / 450 copies (the number you can see can be differ...

Florence is an original modern artwork realized in Italy in the half of the 19th Century. Original Lithograph on Ivory Paper. Inscripted on the lower margin in Capital Letters: "...

Colosseo is an original etching realized in 1970s by Giuseppe Malandrino. Hand-signed by the artist in pencil on the lower right corner. Good conditions. Numbered, edition: 124/19...

Screen print realized in 1980s. Hand signed and numbered in pencil. Edition of 199. Very good condition.

The Sea is an original contemporary artwork realized by Denise Bonvallet-Philippon in the half of the XX Century by the French artist Denise Bonvallet-Philippon (1906-1994). Origina...

Roman Temple is an original print on paper realized by Charles-Louis Clérisseau. titled on the lower center" Temple de la Concorde a Roma". In very good conditions. Sheet dimension: 31 x 21 cm Included a white passepartout: 49 x 34 cm The artwork represents the beautiful scenery of Roman temple, the landscape is from one of the most historical parts of the city, skilfully depicted details of remained part of temple and historical heritage sites, representing an admirable view from the eternal city of Rome. Charles-Louis Clérisseau (Paris, 1721 – Auteuil, 1820) was a French architect and painter. Student of Jacques-François Blondel, in 1746 he won the prix de Rome in architecture by going to the Italian city, as a boarder of the Academy of France...

Veduta degli Avanzi della Villa di Domiziano da altri chiamata le Terme di Pompeo Magno Image dimensions: 46x60 cm. From the collection “Le antichità de’ contorni di Roma (...)” an a...

Landscape is an original print realized by Bernadette Kelly (1933-) in the 20th century. Color lithograph representing a urban landscape. Dimensions: cm 32 x 24. Very good conditions.

Jean CARZOU Paris: Boulevard des Invalide, 1958 Original lithograph in color Handsigned in pencil Dated 1958 in pencil Numbered / 100 On Japan paper 29 x 40 cm (c. 11.4 x 15.7 inch...

Etching by Ettore Fagiuoli depicting Piazza delle Erbe in Verona. Ettore Fagiuoli, who was born in 1884 and died in Verona in 1961, was an Italian architect, engraver, and stage desi...

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

Max Clarenbach (1880 Neuss - Cologne 1952), Evening. Etching, 18 x 41 cm (platemark), 33.5 x 57 cm (frame), inscribed "Abend" in pencil at lower left, signed and dated "M. Clarenbach. 28.III.[19]09". Framed and mounted under glass. - Somewhat browned and slightly foxed. About the artwork The horizontally elongated etching depicts the panoramic view of a small town as seen from the other side of the river. There are gabled houses on the left and a mighty church spire on the right. The bourgeois houses and the large religious building indicate the urban character. These buildings are rendered in dark tones to emphasise the lighter row of houses in the centre of the picture, closer to the water. The chiaroscuro contrast creates two parallel planes that open up a space for the imagination of what the city could be. The imagination is stimulated by the almost entirely dark, barely recognisable buildings, while the arm of the river leading into the city further stimulates the imagination. However, as the silhouette of the city as a whole is reflected in the water, the parallel planes are perceived as a band of houses that stretches across the entire horizontality of the etching and seems to continue beyond the borders of the picture. The reflection has almost the same intensity as the houses themselves, so that the band of buildings merges with their reflection to form the dominant formal unit of the picture. Only the parallel horizontal hatching creates the convincing impression of seeing water, demonstrating Max Clarenbach's mastery of the etching needle. The water is completely motionless, the reflection unclouded by the slightest movement of the waves, creating a symmetry within the formal unity of the cityscape and its reflection that goes beyond the motif of a mere cityscape. A pictorial order is established that integrates everything in the picture and has a metaphysical character as a structure of order that transcends the individual things. This pictorial order is not only relevant in the pictorial world, but the picture itself reveals the order of the reality it depicts. Revealing the metaphysical order of reality in the structures of its visibility is what drives Clarenbach as an artist and motivates him to return to the same circle of motifs. The symmetry described is at the same time inherent an asymmetry that is a reflection on art: While the real cityscape is cut off at the top of the picture, two chimneys and above all the church tower are not visible, the reflection illustrates reality in its entirety. The reflection occupies a much larger space in the picture than reality itself. Since antiquity, art has been understood primarily as a reflection of reality, but here Clarenbach makes it clear that art is not a mere appearance, which can at best be a reflection of reality, but that art has the potential to reveal reality itself. The revealed structure of order is by no means purely formalistic; it appears at the same time as the mood of the landscape. The picture is filled with an almost sacred silence. Nothing in the picture evokes a sound, and there is complete stillness. There are no people in Clarenbach's landscape paintings to bring action into the picture. Not even we ourselves are assigned a viewing position in the picture, so that we do not become thematic subjects of action. Clarenbach also refrains from depicting technical achievements. The absence of man and technology creates an atmosphere of timelessness. Even if the specific date proves that Clarenbach is depicting something that happened before his eyes, without the date we would not be able to say which decade, or even which century, we are in. The motionless stillness, then, does not result in time being frozen in the picture, but rather in a timeless eternity that is nevertheless, as the title "Abend" (evening), added by Clarenbach himself, makes clear, a phenomenon of transition. The landscape of the stalls is about to be completely plunged into darkness, the buildings behind it only faintly discernible. The slightly darkened state of the sheet is in keeping with this transitional quality, which also lends the scene a sepia quality that underlines its timelessness. And yet the depiction is tied to a very specific time. Clarenbach dates the picture to the evening of 28 March 1909, which does not refer to the making of the etching, but to the capture of the landscape's essence in the landscape itself. If the real landscape is thus in a state of transition, and therefore something ephemeral, art reveals its true nature in that reality, subject to the flow of phenomena, is transferred to an eternal moment, subject to a supra-temporal structure of order - revealed by art. Despite this supratemporality, the picture also shows the harbingers of night as the coming darkening of the world, which gives the picture a deeply melancholy quality, enhanced by the browning of the leaf. It is the philosophical content and the lyrical-melancholic effect of the graphic that give it its enchanting power. Once we are immersed in the image, it literally takes a jerk to disengage from it. This etching, so characteristic of Max Clarenbach's art, is - not least because of its dimensions - a major work in his graphic oeuvre. About the artist Born into poverty and orphaned at an early age, the artistically gifted young Max Clarenbach was discovered by Andreas Achenbach and admitted to the Düsseldorf Art Academy at the age of 13. "Completely penniless, I worked for an uncle in a cardboard factory in the evenings to pay for my studies.” - Max Clarenbach At the academy he studied under Arthur Kampf, among others, and in 1897 was accepted into Eugen Dücker...