Continental Europe - Ceramics
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Item Ships From: Continental Europe
Stoneware sculpture by Maarten Stuer, Entitled " Corps ascendant ", 2023
By Maarten Stuer
Located in Saint-Ouen, FR
Stoneware sculpture entitled " Corps ascendant " .
Unique piece.
2023.
Artist monogram under the base.
This piece can be put indoor or outdoor.
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Stoneware lamp with geometric decoration by Georges Martin, circa 1970-1980.
By George Martin
Located in Saint-Ouen, FR
Stoneware lamp with geometric decoration by Georges Martin.
Artist monogram on the base. Circa 1970-1980.
H : 13.2 x 2.7 x 1.9 inches (ceramic only).
Sold with a European electrical ...
Category
1970s French Beaux Arts Vintage Continental Europe - Ceramics
Materials
Ceramic
Stoneware lamp with geometric decoration by Georges Martin, circa 1970-1980.
By George Martin
Located in Saint-Ouen, FR
Stoneware lamp with geometric decoration by Georges Martin.
Artist monogram on the base. Circa 1970-1980.
H : 8.7 x 12.9 inches (ceramic only).
Sold with a European electrical system.
Category
1970s French Beaux Arts Vintage Continental Europe - Ceramics
Materials
Ceramic
Stoneware lamp with geometric decoration by Georges Martin, circa 1970-1980.
By George Martin
Located in Saint-Ouen, FR
Stoneware lamp with geometric decoration by Georges Martin.
Artist monogram on the base. Circa 1970-1980.
H : 5.5 x 7.7 inches (ceramic only).
Sold with a European electrical system.
Category
1970s French Beaux Arts Vintage Continental Europe - Ceramics
Materials
Ceramic
Stoneware lamp with geometric decoration by Georges Martin, circa 1970-1980.
By George Martin
Located in Saint-Ouen, FR
Stoneware lamp with geometric decoration by Georges Martin.
Artist monogram on the base. Circa 1970-1980.
H : 7.1 x 8.7 inches (ceramic only).
Sold with a European electrical system.
Category
1970s French Beaux Arts Vintage Continental Europe - Ceramics
Materials
Ceramic
Stoneware lamp with geometric decoration by Georges Martin, circa 1970-1980.
By George Martin
Located in Saint-Ouen, FR
Stoneware lamp with geometric decoration by Georges Martin.
Artist monogram on the base. Circa 1970-1980.
H : 6.3 x 5.3 inches (ceramic only).
Sold with a European electrical system.
Category
1970s French Beaux Arts Vintage Continental Europe - Ceramics
Materials
Ceramic
Stoneware Vase by Leon Pointu, circa 1930, France
By Leon Pointu
Located in Saint-Ouen, FR
A stoneware vase by Leon Pointu (1879-1942)
Perfect original conditions.
Each vase is signed under the base,
circa 1930.
Category
20th Century French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Zoomorphic Ceramic Sculpture by Pierre Roulot, circa 1960
By Pierre Roulot
Located in Saint-Ouen, FR
A zoomorphic ceramic sculpture by Pierre Roulot.
Perfect original conditions.
Signed under the base "Roulot".
circa 1950-1960.
Category
20th Century French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Square stoneware pot with abstract decoration by Georges Martin, circa 1970-1980
By George Martin
Located in Saint-Ouen, FR
Square stoneware pot with abstract decoration by Georges Martin.
Artist monogram under the base. Circa 1970-1980.
Unique piece.
Category
1970s French Beaux Arts Vintage Continental Europe - Ceramics
Materials
Ceramic
Ceramic Vase by François Eve, circa 1980-1990
By François Eve
Located in Saint-Ouen, FR
A ceramic vase by François Eve with green and white glazes decoration.
Perfect original conditions.
Signed under the base,
circa 1980-1990.
Category
20th Century French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Square stoneware pot with abstract decoration by Georges Martin, circa 1970-1980
By George Martin
Located in Saint-Ouen, FR
Square stoneware pot with abstract decoration by Georges Martin.
Artist monogram under the base. Circa 1970-1980.
Unique piece.
Category
1970s French Beaux Arts Vintage Continental Europe - Ceramics
Materials
Ceramic
Ceramic Vase Attributed to Pol Chambost with White Glaze Decoration
By Pol Chambost
Located in Saint-Ouen, FR
A ceramic vase with white glaze decoration attributed to Pol Chambost.
No signed.
Perfect original conditions.
France, 1930.
Category
20th Century French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Porcelain Sculpture by Wayne Fischer, 2022
By Wayne Fischer
Located in Saint-Ouen, FR
A porcelain sculpture by Wayne Fischer.
Perfect original conditions.
Signed.
Unique piece.
2022.
How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions?
Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented.
He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution.
The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees.
The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world...
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Big Decorative Ceramic Pitcher Attributed to La Borne Potter
s, 1970-1980
By La Borne Potters
Located in Saint-Ouen, FR
A big decorative ceramic pitcher attributed to La Borne potters.
Handwritten signature.
Unique piece.
Circa 1970-1980.
Perfect original conditions.
Category
20th Century French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Ceramic Vase with White Glaze Decoration, Signed Lion, circa 1920-1930
By Eugène Lion
Located in Saint-Ouen, FR
A ceramic vase with white glaze decoration.
Perfect original conditions.
Signed "Lion" under the base,
circa 1920-1930.
Category
20th Century French Art Deco Continental Europe - Ceramics
Materials
Ceramic
dark green and brown glazed stoneware vase by Daniel de Montmollin, 1990-2000.
By Daniel de Montmollin
Located in Saint-Ouen, FR
dark green and brown glazed stoneware vase by Daniel de Montmollin.
Artist signature under the base.
Circa 1990-2000.
H : 13.4’ x 9.4’ inches.
Category
Late 20th Century French Art Deco Continental Europe - Ceramics
Materials
Ceramic
Ceramic Vase by Annie Maume, to Sancerre, circa 1980-1990
By Annie Maume
Robert Heraud
Located in Saint-Ouen, FR
A ceramic vase by Annie Maume to Sancerre.
Perfect original conditions.
Unique piece.
Signed at the base.
Circa 1980-1990.
Category
20th Century French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Rare Monumental Ceramic Vase by Daniel Maes, circa 1992
By Daniel Maes
Located in Saint-Ouen, FR
A rare monumental ceramic vase by Daniel Maes.
Perfect conditions.
Signed and dated at the base,
circa 1992.
Category
20th Century French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Ceramic Vase by Jacques Pouchain and L
Atelier Dieulefit
By Jacques Pouchain and Atelier Dielufit
Located in Saint-Ouen, FR
A ceramic vase by Jacques Pouchain and l' Atelier Dieulefit.
Perfect original conditions.
Signed under the base.
Circa 1970-1980.
Unique piece.
Category
20th Century French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Big Ceramic Vase by Lucien Arnaud, to Saint- Amand-en-Puisaye, circa 1920
By Lucien Arnaud
Located in Saint-Ouen, FR
A ceramic vase by Lucien Arnaud with glaze decoration.
Signed under the base " Lucien Arnaud ".
Circa 1920.
Category
20th Century French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
A Romantic Ceramic Panel by Simone Picault Vallauris France 1970s
Located in HYÈRES, FR
A Ceramic Panel by Simone Picault Vallauris France 1970s
Wife of famous artist Robert Picault.
Report : minor chip on the edge and behind.
Category
1970s French Vintage Continental Europe - Ceramics
Materials
Ceramic
Ceramic Vase with Glaze Decoration Attributed to Sainte, Radegonde, circa 1960
By Sainte Radegonde
Located in Saint-Ouen, FR
A ceramic vase with white, green, black glazes decoration, attributed to Sainte Radegonde.
Perfect original conditions.
Circa 1950-1960.
Category
20th Century French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Porcelain Sculpture by Wayne Fischer, 2022
By Wayne Fischer
Located in Saint-Ouen, FR
A porcelain sculpture by Wayne Fischer.
Perfect original conditions.
Signed.
Unique piece.
2022.
How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions?
Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented.
He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution.
The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees.
The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world...
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Italian Hand Painted Ceramic Vase in Lustro Glaze by Riccardo Gatti Faenza 1950s
By Riccardo Gatti, Bottega Gatti
Located in Morazzone, Varese
Beautiful unique ceramic vase made by Bottega Gatti in Faenza, most probably during the 1950s or earlier.
The vase is hand painted, hand carved and glaz...
Category
1950s Italian Mid-Century Modern Vintage Continental Europe - Ceramics
Materials
Ceramic
A porcelain sculpture by Wayne Fischer, 2022
By Wayne Fischer
Located in Saint-Ouen, FR
A porcelain sculpture by Wayne Fischer.
Perfect original conditions.
Signed.
Unique piece.
2022.
How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions?
Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented.
He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution.
The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees.
The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world”. Femininity and sensuality are exalted. Inspired by the body, before and after birth, or simply the sea, the parts of the sculpture conjugate around a mysterious interior cavity, secret and troubling. The interior wall doesn’t correspond to the exterior, and has its own volumes, deformities, and intimacy. The pieces present two kinds of interior: one open, and partially uncovered, the other totally hidden inside. The differences of their respective deformation reinforce the impression of life : the subjective representation of muscles and bones, of bulges pushed by an interior force, like a visceral movement of respiration. The surface of the ceramic is crackled but soft and fine, even reflecting light like the skin. The nuances of color reinforce the expression of sensuality.
The alignment of technique and what it causes one to see and feel has rarely been so intimately successful.
Wayne Fischer perfected his technique in the 1970s and has remained faithful to it. He adds fibers to porcelain clay that has been chosen for its whiteness to create and accentuate volume around empty space, by assembling slabs or thrown pieces. Then, he makes another piece that takes its place inside; both parts are formed with no hand...
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Porcelain Sculpture "Solctice", by Mart Schrijvers, 2023
By Mart Schrijvers
Located in Saint-Ouen, FR
Porcelain sculpture entitled "Solstice" .
Unique piece.
Signed under the base.
2022.
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Porcelain
Big Ceramic Vase by Lucien Arnaud, to Saint- Amand-en-Puisaye, circa 1920
By Lucien Arnaud
Located in Saint-Ouen, FR
A ceramic vase by Lucien Arnaud with glaze decoration.
Signed under the base " Lucien Arnaud ".
Circa 1920.
Category
20th Century French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Handmade Ceramic Accessories Dragonfly Red
By Mambo Unlimited Ideas
Located in Lisbon, PT
These handmade decorative accessories combine the traditional Portuguese ceramic and glazing techniques in a modern approach of shapes and color, as they bring such brightness and jo...
Category
2010s Portuguese Modern Continental Europe - Ceramics
Materials
Brass
$1,058 / set
Big Ceramic Sculpture by Pierre Baey, circa 1990
By Pierre Baey
Located in Saint-Ouen, FR
A big ceramic sculpture by Pierre Baey.
Unique piece.
Perfect original conditions.
Circa 1990.
Category
20th Century French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Big Covered Ceramic Jar by Jean
Jacqueline Lerat, circa 1940
By Jean and Jacqueline Lerat
Located in Saint-Ouen, FR
A ceramic covered jar by Jean and Jacqueline Lerat to La Borne.
Perfect original conditions.
Signed under the base " JJ LERAT LA BORNE ".
Circa...
Category
20th Century French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Wedgwood Ceramic Jug, with Hunting Scenes, England 1940s
Located in Milan, IT
The jug is made of fine pottery with a cream colored glaze cover. The flared body shows elements in relief in the first elevation. Then a central band wit...
Category
Mid-20th Century British Continental Europe - Ceramics
Materials
Ceramic
Porcelain Sculpture by Wayne Fischer, 2022
By Wayne Fischer
Located in Saint-Ouen, FR
A porcelain sculpture by Wayne Fischer.
Perfect original conditions.
Signed.
Unique piece.
2022.
How can an inert object produce deeply unsuspecting, indecipherable, uncontrol...
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Stoneware Vase by Jeanne
Norbert Pierlot to Ratilly, circa 1970
By Jeanne et Norbert Pierlot
Located in Saint-Ouen, FR
A stoneware vase by Jeanne & Norbert Pierlot to Ratilly.
Perfect original conditions.
Artist monogram under the base "Pierlot."
circa 1970.
Unique piece.
Category
20th Century French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Cendrier Africaniste by Roger Capron
By Roger Capron
Located in LAMBLORE, FR
This striking black ceramic ashtray by French artist Roger Capron features a stylized Africanist figure with elongated forms and geometric lines. Combining functionality with sculptu...
Category
1960s Vintage Continental Europe - Ceramics
Materials
Ceramic
$1,683 / item
Porcelain Sculpture "Solctice", by Mart Schrijvers, 2022
By Mart Schrijvers
Located in Saint-Ouen, FR
Porcelain sculpture entitled "Solstice" .
Unique piece.
Signed under the base.
2022.
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Porcelain
Porcelain Sculpture by Wayne Fischer, 2022
By Wayne Fischer
Located in Saint-Ouen, FR
A porcelain sculpture by Wayne Fischer.
Perfect original conditions.
Signed.
Unique piece.
2022.
How can an inert object produce deeply unsuspecting, indecipherable, uncontrol...
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Midcentury Decorative Ceramic Dish by Phillip H. Paradise, California, 1950s
By Phillip Herschel Paradise
Located in La Teste-de-Buch, Nouvelle-Aquitaine
Rare decorative earthenware dish by renowned Californian artist Phillip Herschel Paradise.
Hand-painted decor,
circa 1955.
Signed.
Phil Paradise wa...
Category
Mid-20th Century American Mid-Century Modern Continental Europe - Ceramics
Materials
Ceramic
Stoneware Sculpture by Maarten Stuer, Entitled "Bloc in Motion", 2020
By Maarten Stuer
Located in Saint-Ouen, FR
A ceramic sculpture "Bloc in motion" by Maarten Stuer.
This piece can be put indoor or outdoor.
Artist monogram under the base.
2020.
Unique piece.
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Stoneware Sculpture by Maarten Stuer, Entitled "Bloc in Motion", 2020
By Maarten Stuer
Located in Saint-Ouen, FR
A ceramic sculpture "Bloc in motion" by Maarten Stuer.
This piece can be put indoor or outdoor.
Artist monogram under the base.
2020.
Unique piece.
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Big Ceramic Vase by Robert Heraud, circa 1970-1980
By Annie Maume
Robert Heraud
Located in Saint-Ouen, FR
A ceramic vase by Robert Heraud.
Wood firing.
Perfect original conditions.
Signed under the base.
Circa 1980.
Unique piece.
Category
20th Century French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Ceramic Vase with Blue Glaze Decoration by Accolay, circa 1960-1970
By Accolay Pottery
Located in Saint-Ouen, FR
A ceramic vase with blue glaze decoration by Accolay.
Perfect original conditions.
Signed "Accolay" under the base,
Circa 1960-1970.
Category
20th Century French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Pair of Ceramic Vases by Guieba, with Geometrical Decoration, 2022
By Charles-Henri Guiéba
Located in Saint-Ouen, FR
A pair of ceramic vases by Charles-Henri Guieba with geometrical decoration.
Wood firing.
Perfect original conditions.
Each piece is signed under the base.
Unique piece.
2022.
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Porcelain Sculpture by Wayne Fischer, 2022
By Wayne Fischer
Located in Saint-Ouen, FR
A porcelain sculpture by Wayne Fischer.
Perfect original conditions.
Signed.
Unique piece.
2022.
How can an inert object produce deeply unsuspecting, indecipherable, uncontrol...
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Porcelain Sculpture by Wayne Fischer, 2018
By Wayne Fischer
Located in Saint-Ouen, FR
A porcelain sculpture by Wayne Fischer.
Perfect original conditions.
Signed.
Unique piece.
2018.
How can an inert object produce deeply unsuspecting, indecipherable, uncontrol...
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
A porcelain sculpture by Wayne Fischer, 2022
By Wayne Fischer
Located in Saint-Ouen, FR
A porcelain sculpture by Wayne Fischer.
Perfect original conditions.
Signed.
Unique piece.
2022.
How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions?
Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented.
He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution.
The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees.
The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world...
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Porcelain Sculpture by Wayne Fischer, 2022
By Wayne Fischer
Located in Saint-Ouen, FR
A porcelain sculpture by Wayne Fischer.
Perfect original conditions.
Signed.
Unique piece.
2022.
How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions?
Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented.
He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution.
The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees.
The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world”. Femininity and sensuality are exalted. Inspired by the body, before and after birth, or simply the sea, the parts of the sculpture conjugate around a mysterious interior cavity, secret and troubling. The interior wall doesn’t correspond to the exterior, and has its own volumes, deformities, and intimacy. The pieces present two kinds of interior: one open, and partially uncovered, the other totally hidden inside. The differences of their respective deformation reinforce the impression of life : the subjective representation of muscles and bones, of bulges pushed by an interior force, like a visceral movement of respiration. The surface of the ceramic is crackled but soft and fine, even reflecting light like the skin. The nuances of color reinforce the expression of sensuality.
The alignment of technique and what it causes one to see and feel has rarely been so intimately successful.
Wayne Fischer perfected his technique in the 1970s and has remained faithful to it. He adds fibers to porcelain clay that has been chosen for its whiteness to create and accentuate volume around empty space, by assembling slabs or thrown pieces. Then, he makes another piece that takes its place inside; both parts are formed with no hand...
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Zoomorphic Ceramic Sculpture, Vase by Guerin, circa 1950
By Guerin
Located in Saint-Ouen, FR
A zoomorphic ceramic-sculpture- vase by Guerin.
Signed under the base.
Circa 1950-1960.
Category
20th Century French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Small Ceramic Dish by Robert Deblander, circa 1965-1970
By Robert Deblander
Located in Saint-Ouen, FR
A ceramic dish with an abstract glazes decoration by Robert Deblander.
Perfect original conditions.
Signed under the base.
Circa 1965-1970.
Category
20th Century French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Wall Ceramic Sculpture with White and Green Glazes Decoration, circa 1950-1960
By Sainte Radegonde
Located in Saint-Ouen, FR
A wall ceramic sculpture with white and green glazes decoration.
In the style of sainte radegonde.
Perfect original conditions.
Circa 1960.
Category
20th Century French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Big Ceramic Covered Jar by Alain Gaudebert, Vers 1990
By Alain Gaudebert
Located in Saint-Ouen, FR
A big ceramic covered jar with glazes decoration by Alain Gauderbert.
Perfect original conditions.
Signed under the base " Gaudebert ".
Circa 1...
Category
20th Century French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Abstract Stoneware Sculpture by La Borne Potters, circa 1970, Signed
By La Borne Potters
Located in Saint-Ouen, FR
An abstract stoneware sculpture, circa 1970 by La Borne Potters.
Signed.
Unique piece.
Category
20th Century French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Clement Massier, Art Nouveau Flower Spike, Vallauris, circa 1900
By Vallauris, Clement Massier
Located in Saint-Ouen, FR
Clement Massier, art nouveau flower spike, Vallauris circa 1900.
Category
Late 19th Century French Art Nouveau Antique Continental Europe - Ceramics
Materials
Ceramic
Big Ceramic Vase by Eugene Lion, to Saint- Amand-en-Puisaye, circa 1920
By Eugène Lion
Located in Saint-Ouen, FR
A big ceramic vase by Eugene Lion with glaze decoration.
Signed under the base " E. Lion".
Circa 1920.
Category
20th Century French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
A Decorative Ceramic Plate by Simone Picault Vallauris France 1970s
Located in HYÈRES, FR
A Decorative Plate by Simone Picault Vallauris France 1970s.
Wife of the famous artist Robert Picault.
In good condition.
Category
1970s French Vintage Continental Europe - Ceramics
Materials
Ceramic
Stoneware Sculpture by Maarten Stuer, Entitled "Bloc in Motion", 2020
By Maarten Stuer
Located in Saint-Ouen, FR
A ceramic sculpture "Bloc in motion" by Maarten Stuer.
This piece can be put indoor or outdoor.
Artist monogram under the base.
2020.
Unique piece.
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Stoneware Sculpture by Maarten Stuer, Entitled " Bloc in Motion ", 2020
By Maarten Stuer
Located in Saint-Ouen, FR
A ceramic sculpture " Bloc in motion" by Maarten Stuer.
This piece can be put indoor or outdoor.
Artist monogram under the base.
2020.
Unique piece.
Category
21st Century and Contemporary French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Ceramic bear paw by Georges Jouve, France, 1960
s
By Georges Jouve
Located in Paris, FR
Black bear paw by Georges Jouve, signed, 1960's
Category
1960s French Modern Vintage Continental Europe - Ceramics
Materials
Ceramic
Ceramic Pitcher with Glaze Decoration by Accolay, circa 1960-1970
By Accolay Pottery
Located in Saint-Ouen, FR
A ceramic pitcher with glaze decoration by Accolay.
Perfect original conditions.
Signed under the base,
Circa 1960-1970.
Category
20th Century French Beaux Arts Continental Europe - Ceramics
Materials
Ceramic
Blue Handmade Ceramic Jug Or Vase Slovakian Folk Art, circa 1950
Located in Zohor, SK
Beautiful blue ceramic jug in national folk ornaments in white color. Handmade in Czechoslovakia in 1950s. The jug shows off a typical folk pattern and colors. Original condition. Th...
Category
1950s Czech Folk Art Vintage Continental Europe - Ceramics
Materials
Ceramic
$158 Sale Price
50% Off
Uzech Artisans, Kaolin Painted Dourne Quercy Earthenware Water Jug, France 1800s
Located in PARIS, FR
Superb and rare earthenware Dourne Quercy water jug with comb decorations. Painted in the antique style with Kaolin clay. France late 1800s.
Dimensions in cm ( H x D ) : 29 x 42.5
Secure shipping.
The dourne is part of the family of head jugs intended to hold domestic water. Its shape is very large and not very open. It has a tubular spout and one or more flat handles. The Quercy dourne has four handles.
Its thin walls made it light and favored perspiration to refresh the water. The user would pierce a hole in the side. With a wooden peg, this opening allowed water to flow on demand over the sink...
Category
Late 19th Century French Antique Continental Europe - Ceramics
Materials
Earthenware, Kaolin
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