Continental Europe - Wardrobes and Armoires

Rare wardrobe by Alvar Aalto for the Varkaus Hospital. Manufactured by Oy Huonekalu- ja Rakennustyötehdas Ab, 1940s. Birch and birch plywood. Completely restored. Gorgeous condition,...

Italian Art Deco five-door Armoire produced around the 1950s in Cantù. Structure completely covered in parchment, profiles and details in fine maple wood. The central door features a...

Wonderful Art Deco wardrobe from the 1920s. High-quality solid teak corpus with three doors, four shelves, two internal drawers, shoe rack and a typical base. The top and one side ar...

Monolithic in stance yet intricate in surface, this tall French cabinet reveals a façade of concentric rosettes and squared panels, arranged with the solemn rhythm of a liturgical ob...

Armored jewelry armoire with inside safe. Numeric digital keypad and emergency key. Available in 4 finishing options; see information below for detail...

Wall unit, teak, maple, lacquered wood, brass, glass, Italy, 1950s. This Mid-Century Italian wall unit seamlessly integrates form and function, captivating with its aesthetic allure...

Giuseppe Rivadossi for Officina Rivadossi, bedroom divider or wardrobe unit, walnut, glass Italy, 1980s This exceptional piece by Italian sculptor and designer Giuseppe Rivadossi is a testament to his exquisite woodworking skills. This monumental wardrobe displays...

Bespoke wooden storage cabinet manufactured by GMD Berlin. Wood finish in various colors and finishes. Also available in veneered wood. Available on request in different amounts. De...

Louis XV Wardrobe Circa 1880 in Several Types of Wood Treat yourself to the timeless luxury of the Louis Features : Style: Louis XV Period: Circa 1880 Several species of wood Det...

Osvaldo Borsani in 1953, together with his brother Fulgenzio, realized his most complex project: a company idea named after the "techne" of the Greeks, which means both art and techn...

As soon as 1540 France's second Renaissance is in the making, intimately linked to the rediscovery of the Antique world. The development of the printing and engraving industry allows the spread of artworks and models in many cities and countries. The Italian influence can be perceived in every artistic field. While the French king entrust the most talented Italian artists with major projects such as Il Rosso or Primaticcio in Fontainebleau, French artists also travel to Italy to form themselves to this new style. In Italy they get acquainted with the work of Leo Battista Alberti the first to theorize perspective (De Pictura, 1435-36) and architecture (De re oedificatoria, 1541). Those two publications would have a revolutionary impact on arts. Furniture is marked by the work of the most famous Italian architects of the time as well as French architects. Indeed Philibert de l'Orme competes with Alberti and by the end of his life publishes several treaties including one devoted to a theory of architecture (1567). Unfortunately he would not live to complete the second volume. In this treaty he expresses his interest for mathematical norms applied to architecture, copied from the Antique. His journeys in Italy allowed him to accumulate the most sophisticated references. Jean Bullant, another architect of great talent also theorizes his practice. He establishes rules characterizing Greco-Roman art staying faithful to Vitruvius. Following this new inspiration the structure of furniture evolves. From then on appear columns, capitals, cornices, friezes and architraves. The ornamentation uses this inspiration as well with egg-and-dart, palm leaf and rose adorning the most beautiful pieces. In Lyon, crossroad where meet merchants from everywhere those new experiments are welcomed. Lyon florishing printing industry allows the spreading of models and treaties essential to the artist's work. Thus the first publication of Vitruvius' De Architectura in France would be printed in Lyon in 1532. Artists from Lyon rediscover and familiarize themselves with the Antique knowledge very early. They adopt those new ideas and use them in their own creations. Lyon cabinet-makers re interpret Antique architecture and Italian Renaissance palaces to give their pieces a pure and harmonious architectural structure. Grooved pilasters are particularly favored. They are topped by capitals of diverse orders always respecting the sequencing with simpler ones for the lower levels and the richest ones on the higher levels. As for the ornamentation, one of the great distinctiveness of Lyon workshops remains the architectural perspective illusions, drawing inspiration from Tuscany. True masterpiece of the Second French Renaissance this important cabinet illustrates Lyon workshops' taste for fine Italian architecture inspired by Antiquity. An architectural perspective of great quality is treated in symmetry on each panel. This two-bodied cabinet without recess stands on four rectangular feet. The base comprises a molding, a palm leaf frieze and is bordered by a braid. The lower body is divided by three grooved pilasters with Tuscan capitals framing two door-leaves. The two panels are encircled by a moudled frame with palm leaves. They are finely carved with a decor of fantasized architecture depicting an Italian Renaissance palace erected symmetrically on each side of a grooved pilaster. On the ground floor a door opens through a stilted arch while the stories are opened with mullioned windows, dormers and occuli. Two large pegged-boss cladded pillars support the entablature enriched by a palm leaf frieze upon which stands an arch whose coffered intrados is centred by a rose. Behind this arch a pyramid appears, standing in front of a second facade with a window topped by a broken curvilinear pediment under a cul-de-four with a shell. The checker flooring gives depth to the low-reliefs creating vanishing points structuring the panels and guiding the eye of the observer. A thin laurel braid highlights the belt of the cabinet where are located two drawers. Their facades are adorned by palm leaves in hoops. The upper body is encircled with palm leaves. The same ternary division as in the lower body appears. However, the pilasters are topped by Ionic capitals with volutes and egg-and-dart. The door-leaves are framed with flowers. On the panels the artist has designed another architectural decor. On the foreground open two arches on top of grooved pilasters with rectangular capitals adorned with palm leaves. The arches are enriched with braids and the coffered intrados bears a decor of roses. The spandrels also bear a flower decor. In the background another arcature hosts a fluted grooved column topped with double basket acanthus capital, characteristic of Corinthian order. The triangular pediment is interrupted by a choux bourguignon. A large cornice crowns the cabinet. It stands on pilasters and forms an entablature comprising a palm leaf frieze and an egg-and-dart, triglyph and palm leaf cornice. The cabinet's sides have also been carefully considered. The lower body's panels are enriched with an arch rising above a broken pediment portico hosting a twisted column. Flowers garnish the spandrels. An architectural facade completes the decor. The upper body's panels present two arches supported by a facade opened with dormers and mullioned windows as well as cartouches (one bears the inscription 1580 dating the cabinet) suggesting the interior of an Italian Renaissance palace, confirmed by the chandeliers. The flooring leads our gaze to a second arch with a broken curvilinear pediment where stands a flower vase. This arch opens onto a perspective of another facade along a road. Inside the cabinet, on the lower body door-leaves appear two designs. On the right door is depicted a Crucifixion. Saint Mary and Saint John flank the Christ on the cross. In the bottom part is inscribed « Dure uiator abis nihil haec spectacula curas / Pendenti cum sis unica cura Deo. / Tota suo moriente dolet natura Magistro. / Nil qui solus eras caussa dolenda doles. ». The signature [Christoff Swartz Monachiensis pinx[it] / Ioa[nnes] Sadeler sculp[it]] tells us it was made by Johan Sadeler I (1550-1600) after Christoph Schwartz (1548-1592). This engraving belongs to an ensemble depicting the Passion of Christ Johan Sadeler executed in 1589 after an altar piece painted by Christoph Schwartz for the private chapel of Renée of Loraine, wife of Duke William V of Bavaria. This altar piece made of nine copper panels has been destroyed during the 19th century. The Crucifixion panel once in the centre of the altar piece is the only one that survived and is today kept in Munich's Alte Pinakothek. On the left door appears Saint Francis receiving the stigmata. The inscription says : « Signastidomine Servum Tuum. Franciscum. Signis Redemptionis Nostrae ». This Renaissance cabinet with an architectural decor appearing as much in the structure faithful to Antique rules...

Mid-Century Modern wardrobe or wall unit, crafted in the 1960s. This striking piece features a bold red background framed by a wooden grid structure. Each grid unit is accented by sc...

A straight-cornice wardrobe with two doors and a false frame, made of molded oak with carved and gilded decoration of foliate scrolls, flowers and finials, arched uprights. Parisian ...

Magnificent and ultra rare Art Deco Modernist armoire or wardrobe. Design by Hendrik Wouda for H. Pander & Zonen Den Haag. Striking Dutch design from the 1920s. Solid oak base with o...

Large 5-door vintage wardrobe in rosewood with stylish adjustable legs in Italian style from the 60s. The wardrobe has two drawers, 4 shelves, 2 hanging rods and a mirror. The wardro...

Designed passionately and exquisitely by the incomparable talents, the Cabinet was created to grace the most regal of dining rooms with its elegance and splendor. Inspired by the aristocratic palaces of the Alexandrian pashas of Egypt, the mother of pearl Cabinet...

Walnut and Solnhofen slate (Austria) Vienna, circa 1820 Height 84 cm, width 39 cm, depth 39 cm Column-shaped nightstand or cabinet made of walnut with a circular top in Solnhofen...

Outstanding Art Deco Armoire or Wardrobe in black piano lacquer from France around 1930. Mahogany body, outside in black piano lacquer, polished to high gloss. Double metal trim on t...

Large 1930s art deco wardrobe in the style of Maurice Dufrène. This armoire has two hinged side doors opening onto a series of shelves and a central door with a large mirror opening...

Guillerme et Chambron for Votre Maison, highboard or cabinet, oak, glass, ceramic, France, 1960s This wardrobe is based on a well-designed structure where aesthetics and functionall...

Maison Regain, wardrobe, solid elm, brass, France, 1970s A rare armoire designed and crafted by Maison Regain. The wardrobe is sturdy and combines a simplified yet complex design wi...

Made around 1910 in France, this locker has three compartments to store all your belongings. The locker has a dark green-grey colour that goes perfectly with any style. The locker a...

The chrome parts have been cleaned and professionally restored. This wardrobe from the 1930s is a fine example of Bauhaus design, crafted in Czechoslovakia by the renowned company ...

Introducing a remarkable 19th-century Catalan Spanish Baroque wardrobe, skillfully hand-carved from solid walnut and featuring Tuscan-inspired ...

Guido Faleschini for i4 Mariani, cabinets from the 'Pace Collection', leather, fabric, chrome-plated steel, aluminum, mahogany, Italy, circa 1975 This captivating set of four cabin...

Large wardrobe unit attributed to Gio Ponti 1950s. Veneered wood structure, brass, mirrored glass, wool fabric, painted metal details. The wardrobe is composed of 2 overlapping unit...

Wardrobe or highboard, teak, Italy, 1950s Beautiful cabinet originating from Italy. This spacious 1950s piece showcases timeless modernist elegance. The graphic front of this cabine...

Giuseppe Rivadossi for Officina Rivadossi, wardrobe, Italy, 1980s A beautiful and grand wardrobe by Italian sculptor and designer Giuseppe Rivadossi, showcasing exquisite woodworkin...

exceptional and very rare Gothic 4 doors buffet or wardrobe in oak, 15th century period from the north of France. This rare gothic piece open with 4 stylized plant decoration door, each with its original entrance, lockand hinges each in their original condition. The sides of the cupboard have carved pannels typical of gothic style furniture...

- Carefully refurbished - Minor signs of use - Chrome plated legs with some signs of use - can be disassembled for transport

Guillerme & Chambron for Votre Maison, armoire or wardrobe, oak, brass, France, 1960s This charming wardrobe is a good example of excellent woodworking by virtue of the graphical de...

Tall Oak Cabinet in the Spirit of René Gabriel, France, 1950s Post-war pragmatism expressed in solid timber — a compact column of storage with quiet architectural presence. This tal...

Italian mid-century modern archive in wood and red metal, 1940s Office filing cabinet in solid wood with red painted metal strip in the middle. On the front it has 26 rectangular dra...

17th Century, Tuscany Solid Walnut Carved Wardrobe This charming solid walnut wardrobe was crafted in Tuscany in the 17th century. The structure features two large front doors adorne...

Gentleman's Wardrobe, Art Deco wardrobe 1920-1940. Particularly beautiful wardrobe, now nearly 100 years old. Entirely veneered in mahogany. The two doors at the front open to reve...

19th Century Biedermeier Wardrobe, Germany, 1820 Cherry wood, A remarkable 19th-century two-door wardrobe from the Biedermeier period, originating from Southern Germany around 1820....

Wardrobe, walnut burl and veneer, mirrored glass, glass, brass, Italy, 1950s A beautiful and luxurious Italian wardrobe or very large cabinet. With its seven doors this wardrobe has...

2 art deco wardrobes. The furniture from our workshop is manually covered with high-gloss shellac Laquer.

This lovely walnut wood shoe cabinet shows that practicality can be elegant. The cabinet features two walnut wood doors decorated with large, black G...

Custom made three-door wardrobe / armoire, designed and manufactured by GMD Berlin, exclusively presented in our Rudolf Vichr Collection. These high-quality, handmade furniture in a...

Custom made two-door wardrobe, designed and manufactured by GMD Berlin, exclusively presented in our Rudolf Vichr Collection. These high-quality, handmade furniture in a classic, ti...

Made-to-measure Bauhaus wardrobe designed by Hermann John Hagemann and Manufactured by GMD Berlin. The four door wardrobe is made of chrome plated metal and walnut veneer.

Walnut wood structure coat rack with brass table anchored to the structure, embellished with brass circles creating harmony in the wooden panel. Crystal hood with brass anchors. 1950...

Twenty lockable drawers are lined for all kinds of jewelry. The three large bottom ones do not have locks. The upper part has two pull-out necklace bars and two folding ones, adjustable mirror and secret compartment. Travel box, safety deposit box...

Vienna secession wardrobe still unrestored with small inlays made from different kind of veneer. This wardrobe consist of 3 parts (doors) on the middle door is a large mirror with f...

Beautiful early Biedermeier Armoire from Austria, circa 1820. This two-door neoclassical armoire or wardrobe has a beautifully selected, book-matched walnut veneer and ebonized full columns with carved capitals and bases. It has been fully restored and hand-polished with shellac (French Polished). Underneath the cornice, there is a skirting trim made of walnut roots veneer. Inside it has 5 shelf-plates covered in black fabric. The strict, straight lined design makes it an ideal...

Rare and important antique wardrobe in solid walnut made in the late seventeenth century in the seventeenth century Italian Baroque Louis XIV. The line is in fact typical of this per...

This is a unique and monumental Dutch Baroque cupboard called “Kussenkast" from the late 17th century, probably circa 1670-1680. Made of rosewoo...

"""La matière a une âme, il faut savoir l’écouter."" — Pierre Chapo " An authentic expression of French primitive craftsmanship, this 19th-century oak cabinet embodies the raw simpli...

Armoured jewelry armoire in polished white bird’s-eye maple and 24-karat gold hardware. Inside, safe with biometric opening device. Drawers and pull-out trays lined for jewelry. Six ...

Original, extraordinary and rare Bauhaus / Art Deco wardrobe from Germany or Czech Republic around 1930. Plywood painted in rosewood veneer look. At the front of the frame a circumfe...

Original lock and key This piece of furniture shows no recess on its upper part. It opens with four folding-doors and two drawers within the belt. The key bears the date 1524 above cross motifs. Burgundy and Lyon regions subordinated themselves to architecture in a different manner than the other french schools. Rather than using particularly columns and pediments pieces of furniture from Lyon borrow architecture’s organization principles and rigorous designs. On the upper body a strong feeling of balance and symmetry appears with the folding doors reliefs. Swags of flowers and fruits held with knot cloth centered by a man seating on his arms. Here profiles, masks and chou de Bourgogne mingle with the structuring scrolls. The two lateral terms wear draperies and the goddess Diana in the center wears a belt of fruits similar to Hugue Sambin’s designs (Termes de Diane et de Venus, 1554, BNF). The two palm-leaves enriched drawers and the alternating scrolls belt balance the weight of the cornice with its alternatings consoles and tops. The lower body is also adorned by three terms with a feminine one in the center, all three are wearing fruits on their heads. The folding doors are centered upon a motif of cut cuirs by a mask in high relief. Wearing a feathered tiara...

Small Biedermeier Wardrobe Austria Walnut Biedermeier circa 1830 Dimensions: H x W x D: 165 x 91 x 45 cm Description: Very small, single-door cabinet from the Austrian Biedermeier...

Small antique Biedermeier wardrobe Southwest Germany Walnut Biedermeier circa 1830 Dimensions: H x W x D: 171 x 99 x 52 cm Description: Two-door piece of furniture standing on rou...

This authentic Biedermeier two-door wardrobe originates from Bohemia from the early 19th century. Its carcass is crafted from solid spruce wood veneered with walnut, giving it a clas...

Designed by Luciano Frigerio, wardrobe with eleven doors in brass and walnut wood, Macassar ebony is a precious essence that is widely used in cabinet making, fine carpentry, turning...

Tito Agnoli for Caleido/Poltrona Frau wardrobe, patchwork cognac leather, stained birch, metal, Italy, 1970s. This is an eye-catching and rare wardrobe that is designed by Tito Agno...

Mid-Century Wardrobe Danish Teak. Günther Renkel for Rego Moebel, Göttingen Germany, 1960s. perfect vintage condition. shelves and coat hanger. match...

An elegant small wardrobe, Modernist, Bauhaus, Reconstruction, veneer wood structure in clear warm color, a large door opening on the shelving system, with four drawers, one writing desk and shelves with...

A sculptural piece of functional decor, this wardrobe boasts the dynamism and elegance typical of Karim Rashid's design. Frame, shelves, and doors are made of red-lacquered MDF, boas...