Continental Europe - Dining Room Sets

vintage bar table with chairs dining table bar stools 1950s Vintage bar table with 4 chairs. Oak table with inlaid tiles. Complete set in be...

Scuderia dining room set, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Composed of 5 mod. 783 “Kentucky” dining chairs...

A table from Denmark, made in the 1960s. The table has one additional 50 cm long insert. Furniture in very good condition, after professional renovation. Dimensions: height 74 cm /...

This rare table, accompanied by six matching stools, hails from the 1970s and stands as a notable creation by the Dutch Benedictine monk and architect Dom Hans van der Laan, alongsid...

A Dinning Room table set with eight ( 8 ) chairs: - An elegant Art Deco dining table crafted from walnut with a clear finishing of clear veneer with two extensions and chrome iron d...

Measures: Sideboard - H 95 x 300 x 51 Mirror - H 88 x 240 Bar cabinet - H 91 x 116 x 41 Mirror - H 122 x 78 x p5 Table - H 80 x 197 x 96 Chairs - H 91 x 48 x 50, seat H 47.

The “778” model is an example of solid wood boards arranged to form a C-shaped frame. The table, with a top that opens, is supported by four trestles, two of which are a few centimet...

Set of 4 Cognac XO Chairs & Matching Table by Eero Aarnio for Asko An iconic piece of Mid-Century design – this set of four Cognac XO Chairs and the matching table, designed by Eero...

Beautiful hand woven wicker and iron vintage dining room set including one table and 4 chairs. Great design and condition.

Dining room set with table and chairs, lacquered wood, fabric, Italy, 1970s A lovely dining set made in Italy in the 1970s. This Post-modern set stands as an exquisite centerpiece, ...

Dining room set consisting of a table and six chairs, pine, Italy, 1960s The substantial size, peculiar material use, and superb carvings, combine to form an exceptional ensemble pe...

Beautiful Dutch dining set manufactured by L.O.V. (Labor Omnia Vincit - Labor Overcomes Everything) in the mid-1920s. It was innovator Gerrit Pel...

Absolute marvelous Chinese Ceramic Table Set in very good condition. Set contains 1 table and 4 stools, all in bleu and red dragon figures. 1 stool has a little chip, as you can se...

Dining table and 4 Chairs This elegant dining set from the Bauhaus period was crafted in Czechoslovakia by the renowned company Hynek Gottwald. The set includes a dining table and f...

1970s dining set by Rainer Daumiller, crafted entirely from solid pine. This timeless ensemble comprises a robust round dining table and four accompanying stools, each bearing the un...

Elegant dining table, Paolo Buffa, 1950s. The piece is really rare and important. The marble top is supported by a center column on four bronze finished feet. Available as well the ...

From our hand-painted Furniture Collection, we are pleased to introduce you to our Provenza Bamboo Console with drawers. Finished in a timeless black backround with bamboo criss cross accents, this eclectic console...

When I made this table, the main challenge was to find really old walnut slabs. So that they would be dark, with a rich dark vein, a little rotten and with lots of holes and cracks. ...

A prestigious member of one of the most exclusive Gentlemen's clubs in London, Henry Portman, whose legacy is intertwined with the architectural heritage of London's Portman Estate. ...

Very rare dining room set by Gaetano Pesce featuring 6x chairs model Dalila and a table model Sansone I. Made by Polyurethane and urethane resin, pre -...

When an avant-garde tubular steel design meets a classic refectory table, the result is the double X. A large but elegant table whose X-shaped supports ensure optimal rigidity. Like ...

Brutalist set of chairs and dining table, maple, Europe, 1960s Beautiful and naturalistic set consisting of a table and two chairs made in Europe in the 1960s. The chair features a...

Individual items are not for sale separately. A very popular supplier and manufacturer of furniture, Maple & Co. It is a perfect example of the English aristocracy and is still in great demand. The whole set is remarkable in that it has been kept intact this entire time, including the original 12 chairs at the table. The table has a rare unfolding system with two double action screw table expanders. One person alone can easily unfold the table by turning the handle. The system is patented by the company Joseph Fitter...

Rare and very nice example of the "Bossche school" furniture by architect Jacques Uppelschoten, made for his own house at the Raffendonkstraat 20 in Oirschot. Dom Hans van der Laan s...

Very rare vintage, untouched and weathered dining set designed by Preben Fabricius and designed for Interplast. We offer 4 stackable chairs and a dining table. This cool space age ...

Handmade Walnut Dining Table Set with Matching Benches – Custom Solid Wood Furniture for Modern Dining Rooms A refined centerpiece for the contemporary dining room, this handmade wa...

Dining room in Louis XVI style. Late 19th century. It includes a sideboard, a sideboard, a table and eight chairs. All made of American walnut wood. In good condition except for a ch...

The antique set of chairs and a table in the Renaissance style were made of oak wood in the second half of the 19th century. Seats and backrests of chairs upholstered with fabric, wo...

Exceptional and rare entire dining set by david Rosen 'Futura-series' for Nordiska Kompaniet, 1950's. a Dining table expandable, with 8 dining chair, certains with armrest. Futura-...

Gijs Bakker is actually best known for his jewelry. This ‘Strip’ table and 6 Chairs is one of the few known pieces of furniture that he designed. Perhaps that is also the reason wh...

Art Deco dining room consisting of one large sideboard, a dining table and six side chairs. The furniture is ebonized. Decorative fluting on the frames and front of the sideboard uni...

Space Age period dining room set designed by Boris Tabacoff and manufactured for Mobilier Modulair Moderne in 1970s circa period, France. The set consists of the round dinning table...

Chair measurements : Depth: 41cm Width: 55cm Heigh: 70cm Height to the seat : 50cm

Set composed of four Medea dining chairs, designed by Vittorio Nobili for Fratelli Tagliabue in 1954. Made of teak plywood, excellent vintage condition. Reported at “Compasso d’Oro...

Oak dining chairs, Dutch Art Deco era, Hague school, 1928. Minimalist and modern for its time. Truly an Avant-Garde item. Certainly an inspiration for later Scandinavian Modern desig...

We present Art Deco dining furniture that includes a table and four chairs. A set from 1940, designed by a famous Czech designer Jindrich Halabala, (a Czech designer ranked among the...

Rare dining set designed by J.J.P. Oud and manufactured by Kollektor Perpetuel Den Haag, Holland 1979. This set was originally designed for eissenhof Siedlung Stuttgart in 1927. This...

Bamboo and Brass dining set from the 1960s attributed to Vivai del Sud. Table made from bamboo. The tabletop in a stunning herringbone motive. Perfect for use as an indoor use or...

Inlaid Salon Set by Vittorio Dassi and Piero Del Grande for Dassi Mobili Moderni, 1950s – Set of 12 An exceptional and extremely rare salon set design...

Extremely rare and unique tripod pine needle table with 5 matching tripod stools. Beautiful set that is made in a style that requires painstaking attention to detail and time to make...

Very rare and complete 1st edition dinner set by Pierre Paulin for Artifort, Netherlands – 1965. This is a rare and complete 1st edition set. The chairs swivel. The table top has been professionally refinished in the same colour. The fabric is still original but shows a lot of staining. The legs have some normal signs of age and us. This set is extremely rare and could feature in a Paulin / Artifort museum or dedicated art show. Reupholstery on request. Designer: Pierre Paulin (France) Manufacturer: ARTIFORT (Netherlands) Country: Netherlands Model: Tulip table and chairs...

6 chairs covered with red leather with matching table original leaves missing from the set but the table could be extended.

"Alanda" model coffee table, design Paolo Piva for B&B italia, 1980s inverted pyramid structure in black steel , light signs of wear due to age Size cm 120 x 120 x 26 will be shi...

Exceptional dining set by Hans J. Wegner, featuring the iconic PP75 dining table accompanied by 11 CH36 dining chairs. Crafted in solid oak with meticulous attention to detail, this ...

Dining table and set of six chairs is an original design furniture realized by Umberto Mascagni in the 1950s. The set is composed...

Beautiful expandable Art Deco dining room table from France, circa 1930. Thuja / Cedar roots or burl veneer at the plate and legs with excellent clear lacquer surface. Wonderful L...

Dining group consisting of a round extension table and four matching chairs in the faux bamboo style. The table extends to a length of 165 cm (65 in). Charming ensemble in unrestored...

- Good original condition with some signs of use - Leather upholstery in good condition with some signs of use - The table dimensions : H: 74 W: 121 D: 77 cm

A stunning dining table crafted by a Danish cabinetmaker in luxurious rosewood, featuring a Dutch extension mechanism, dating back to the 1960s. This dining table epitomizes the ele...

The T/5140-180 dining table is part of the new Classic collection by Zanaboni: veneered in citronnier and ebony woods, the direction of the veneer is ...

Hello, We would like to offer you this fine and rare mahogany Biedermeier suite consisting nine pieces. This suite of Continental Biedermeier (Northern Germany - circa 1825) mahogany dining room...

Amazing and original dining set featuring a round extendable table and four teak chairs, of Hans Olsen's "Roundette" set for Frem Røjle, an icon of mid-century Scandinavian modern de...

Rare dining set in patinated masur birch. Dining table (model 91) and four chairs (model 611). Maker Huonekalutehdas Korhonen Oy. Table size 125 cm diameter.

Dining table mod. ‘Samo’ by Studio Simon. Series ‘Ultrarazionale’. Italy, 1970. Made of granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p.180. Excellent vintage condition. The Samo table was designed in 1970 by the project office of Studio Simon. Carlo Scarpa was the brand's artistic director, and the Venetian architect's style inspired the shapes of this table. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how 20th century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this 20th century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Art Deco table with clean, rational lines. The rosewood base gives way on the front to green aniline-stained maple. The top is made of rosewood feather laid open. The piece showcases...

This dining set by Pierre Gautier Delaye, circa 1965, pairs one green beechwood table with eight matching “Coffee Bean” chairs for a striking look. The table’s design features two el...

Table with eight chairs, Italy 70s Measurement: table cm 216 x 88 x height cm 74 chairs cm 48 x 50 x height cm 95; seat height cm 47

Sturdy and handcrafted dining chairs with matching table produced by Depuydt Kunstmeubelen in Belgium. The entire set is made out of solid oak. It's rare to have the chairs and...

Atelier C. Demoyen, dining table with six dining chairs, solid elm, France, 1970s Atelier C. Demoyen (Claude de Moyen) gained prominence as a workshop recognized for crafting, among...

Rare furniture suite by Horst Romanus Wanke from the 1970s consisting of two chairs and a table. High-quality solid beech wood frame and table top lacquered in white. The chairs have...