Skip to main content

Continental US - Landscape Drawings and Watercolors

to
463
1,324
1,055
698
259
135
Overall Width
to
Overall Height
to
10
214
2,179
1,062
55
50
101
180
153
233
227
147
165
184
10
824
582
423
145
77
61
52
48
19
9
5
5
5
1
2,336
992
140
889
820
654
401
321
319
298
285
278
255
210
167
155
141
129
122
119
107
99
94
2,494
2,356
1,802
442
394
140
66
53
43
36
1,403
431
3,471
5,164
3,474
Item Ships From: Continental US
Ghost Ranch Encantado 11
By Elaine Holien
Located in Santa Fe, NM
Ghost Ranch Encantado 22 x 22" image size watercolor, unframed. Shrink-wrapped on poster board. I document the essence of the landscape everyday. I am interested in those untouched...
Category

21st Century and Contemporary Contemporary Continental US - Landscape Drawings and Watercolors

Materials

Watercolor

"Salt and Sky, " Abstract Landscape Watercolor Painting
Located in Westport, CT
This abstract landscape painting by Melissa Kircher is made with watercolor and ink on paper. It features intricate line work over washes of paint to create a whimsical coastal hill-scape scene in a cool and earthy palette. The painting itself is 11.5" x 8.5", and measures 18.5" x 16" framed. The paper is matted and professionally framed in a warm silver frame. It is wired and ready to hang. This piece pairs beautifully with Peaceful Tides and Sea View by the same artist. Please see the three hung together in the image gallery. Contact us for more information or to purchase the three paintings together. Melissa Kircher is a painter and illustrator who enjoys everything bold and beautiful. She works with acrylics, watercolor, and ink to create pieces that invoke her deep love of nature and the human spirit. Kircher graduated with a B.A. in Fine Arts from Gordon College...
Category

2010s Abstract Continental US - Landscape Drawings and Watercolors

Materials

Paper, Ink, Watercolor

South San Francisco
Located in San Francisco, CA
This artwork "South San Francisco" 2003 Is a watercolor on paper by Filipino artist Ephraim Samson, b.1947. It is signed and dated at the lower right co...
Category

21st Century and Contemporary Realist Continental US - Landscape Drawings and Watercolors

Materials

Watercolor

Rough Weather at Blatchington Pulling in the Fishing Nets on the English Coast
By Sir Frank Short
Located in Soquel, CA
Drypoint etching rawing of a coastal scene with figures drawing a net or boat form the sea by Sir Francis (Frank) Job Short (British, 1857 - 1945) Sir Frank Short, Royal Academy*, was a printmaker and teacher of printmaking. He revived the practices of mezzotint* and aquatint* engraving, and also wrote about printmaking to educate a wider public. Signed "Frank Short" lower right with monogram in the print "S within a shield" Titled lower left "Rough Weather at Blatchington" Lower left "Trial Proof" Image, 8.5"H x 10.88"W Mat, 16"H x 20"W x 0.13 Professionally cleaned and ph nuetral washed by our paper conservator. (new images posting) Francis Job Short was born on 19 June 1857 in Britain, at Stourbridge, Worcestershire. He was educated to be a civil engineer. He was engaged on various works in the Midlands until 1881, when he came to London as assistant to Mr Baldwin Latham in connection with the Parliamentary Inquiry into the pollution of the river Thames. In 1883 he was elected an associate member of the Institution of Civil Engineers. Having worked at the Stourbridge School of Art in his early years he joined the South Kensington School of Art*, in 1883. He also worked at the life class under Professor Fred...
Category

1870s Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Rag Paper, Drypoint, Etching, Gouache

Golden Gate Park "Den Rode Port" - Landscape
Located in Soquel, CA
Serene watercolor of Den Rode Port (The Red Gate) Overlooking the San Francisco Bay from the Golf Gourse by Alfred J. Garlin (Danish, 1866-1929). Artist's signature is integrated into the piece. Title and artist info on a plaque mounted to wood frame. Frame includes UV-resistant plexiglas. Image size: 18"H x25"W Alfred J. Garlin was a watercolorist born in Denmark in 1866. By 1910 Garlin had settled in San Francisco. An electrician, in his leisure he painted scenes of the Monterey Peninsula, Feather River Canyon, and Mount Tamalpais...
Category

Early 1900s Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Mid Century Abstracted Industrial Cityscape
By Erle Loran
Located in Soquel, CA
Bold mid century abstracted landscape by Erle Loran (American, 1905-1999). Unsigned, but was acquired from the estate of Ruth Loran (wife of artist). Presented in a new black mat with foam core backing. Provenance: Estate of Earle Loran; David Carlson...
Category

Mid-20th Century Abstract Geometric Continental US - Landscape Drawings and Watercolors

Materials

Paper, Pastel

Solo Race in a Catamaran - Adventure Illustration in Watercolor and Ink on Paper
Located in Soquel, CA
Detailed illustration of a sailor in a catamaran by Edward T. Liljenwall (American, 1943-2010). The sailboat is tilted at an extreme angle, with the sailor leaning out over the edge ...
Category

1980s Pop Art Continental US - Landscape Drawings and Watercolors

Materials

Ink, Color Pencil, Laid Paper

Margie Dickson "Pueblo 2" Original Pastel on Paper 20th Century
By Margie Dickson
Located in San Francisco, CA
Margie Dickson "Pueblo 2" Original Pastel on Paper 20th Century Dimensions 18.5" wide x 14.5" high The frame measures 29.25" wide x 25.25" high Signed and titled lower left Good ...
Category

Late 20th Century Post-Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Pastel

Hebron, 1969 Israeli Judaica Mixed Media Lithograph With Watercolor
By Baruch Nachshon
Located in Surfside, FL
Baruch Nachshon, was born in Mandatory Palestine in 1939, in the city of Haifa. Nachshon began to paint in early childhood, and developed his relationship to art and to artists throu...
Category

20th Century Modern Continental US - Landscape Drawings and Watercolors

Materials

Watercolor, Lithograph

Woodstock, Impressionist Watercolor by Eve Nethercott
By Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - Woodstock (P5.75), Year: 1950, Medium: Watercolor on Paper, Size: 15 x 22 in. (38.1 x 55.88 cm), Description: Looking out over rollin...
Category

1960s Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Watercolor

Paul Gattuso, (Italian Street Scene - Light)
By Paul Gattuso.
Located in New York, NY
Paul Gattuso attended the Art Students League and worked primarily in New York City. There is an old address with a Bronx, Grand Concourse address. Gattus...
Category

1930s Ashcan School Continental US - Landscape Drawings and Watercolors

Materials

Monotype

Maine Dock and House, Impressionist Watercolor by Eve Nethercott
By Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - Maine Dock and House (37), Year: 1959, Medium: Double-Sided Watercolor, Size: 11 in. x 15 in. (27.94 cm x 38.1 cm), Description: This d...
Category

1950s Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Watercolor

Temple by Michele Zalopany, Burmese temple charcoal and pastel landscape
By Michele Zalopany
Located in New York, NY
This black and white charcoal and pastel painting features a Burmese temple landscape. Rising from clouds of gnarled trees, the temple’s triangular shape thins to a pointed dome, wit...
Category

1980s Realist Continental US - Landscape Drawings and Watercolors

Materials

Charcoal, Pastel

Three Trees, Modern Watercolor on Paper by Emile Rampelberg
Located in Long Island City, NY
Emile Rampelberg, French (1911 - 2001) - Three Trees, Year: circa 1970, Medium: Watercolor on Paper, signed lower left, Size: 27 x 20 in. (68.58 x ...
Category

1970s Modern Continental US - Landscape Drawings and Watercolors

Materials

Watercolor

Brooklyn Bridge NYC American Scene Ashcan 20th Century Social Realism Modern
By John Marin
Located in New York, NY
Brooklyn Bridge NYC American Scene Ashcan 20th Century Social Realism Modern John Marin (1870-1953) Brooklyn Bridge 7 1/2 x 9 7/8 inches Graphite on paper Signed lower right, c. 1...
Category

1920s American Modern Continental US - Landscape Drawings and Watercolors

Materials

Paper, Graphite

Frozen Pond Landscape in Watercolor on Paper
Located in Soquel, CA
Frozen Pond Landscape in Watercolor on Paper Serene watercolor of a pond in winter by an unknown artist named Stow. Signed "Stow" in the lower right co...
Category

1980s American Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Whimsical Illustration Skiing Cartoon, 1938 Mt Tremblant Ski Lodge William Steig
By William Steig (b.1907)
Located in Surfside, FL
Lighthearted Illustration of Outdoor Pursuits This one being a Skiing scene, a boy and a girl on skis. signed W. Steig Provenance: from Mrs. Joseph B. Ryan, Commissioned by Joe Ryan for the bar at his ski resort, Mount Tremblant Lodge, in 1938. Mont Tremblant, P.Q., Canada Watercolor and ink on illustration board, sights sizes 8 1/2 x 16 1/2 in., framed. In 1938 Joe Ryan, described as a millionaire from Philadelphia, bushwhacked his way to the summit of Mont Tremblant and was inspired to create a world class ski resort at the site. In 1939 he opened the Mont Tremblant Lodge, which remains part of the Pedestrian Village today. This original illustration is on Whatman Illustration board. the board measures 14 X 22 inches. label from McClees Galleries, Philadelphia, on the frame backing paper. William Steig, 1907 – 2003 was an American cartoonist, sculptor, and, in his later life, an illustrator and writer of children's books. Best known for the picture books Sylvester and the Magic Pebble, Abel's Island, and Doctor De Soto, he was also the creator of Shrek!, which inspired the film series of the same name. He was the U.S. nominee for both of the biennial, international Hans Christian Andersen Awards, as a children's book illustrator in 1982 and a writer in 1988. Steig was born in Brooklyn, New York in 1907, and grew up in the Bronx. His parents were Polish-Jewish immigrants from Austria, both socialists. His father, Joseph Steig, was a house painter, and his mother, Laura Ebel Steig, was a seamstress who encouraged his artistic leanings. As a child, he dabbled in painting and was an avid reader of literature. Among other works, he was said to have been especially fascinated by Pinocchio.He graduated from Townsend Harris High School at 15 but never completed college, though he attended three, spending two years at City College of New York, three years at the National Academy of Design and a mere five days at the Yale School of Fine Arts before dropping out of each. Hailed as the "King of Cartoons" Steig began drawing illustrations and cartoons for The New Yorker in 1930, producing more than 2,600 drawings and 117 covers for the magazine. Steig, later, when he was 61, began writing children's books. In 1968, he wrote his first children's book. He excelled here as well, and his third book, Sylvester and the Magic Pebble (1969), won the Caldecott Medal. He went on to write more than 30 children's books, including the Doctor DeSoto series, and he continued to write into his nineties. Among his other well-known works, the picture book Shrek! (1990) formed the basis for the DreamWorks Animation film Shrek (2001). After the release of Shrek 2 in 2004, Steig became the first sole-creator of an animated movie franchise that went on to generate over $1 billion from theatrical and ancillary markets after only one sequel. Along with Maurice Sendak, Saul Steinberg, Ludwig Bemelmans and Laurent de Brunhofff his is one of those rare cartoonist whose works form part of our collective cultural heritage. In 1984, Steig's film adaptation of Doctor DeSoto directed by Michael Sporn was nominated for the Academy Award for Best Animated Short Film. As one of the most admired cartoonists of all time, Steig spent seven decades drawing for the New Yorker magazine. He touched generations of readers with his tongue–in–cheek pen–and–ink drawings, which often expressed states of mind like shame, embarrassment or anger. Later in life, Steig turned to children's books, working as both a writer and illustrator. Steig's children's books were also wildly popular because of the crazy, complicated language he used—words like lunatic, palsied, sequestration, and cleave. Kids love the sound of those words even if they do not quite understand the meaning. Steig's descriptions were also clever. He once described a beached whale as "breaded with sand." Throughout the course of his career, Steig compiled his cartoons and drawings into books. Some of them were published first in the New Yorker. Others were deemed too dark to be printed there. Most of these collections centered on the cold, dark psychoanalytical truth about relationships. They featured husbands and wives fighting and parents snapping at their kids. His first adult book, Man About Town, was published in 1932, followed by About People, published in 1939, which focused on social outsiders. Sick of Each Other, published in 2000, included a drawing depicting a wife holding her husband at gunpoint, saying, "Say you adore me." According to the Los Angeles Times, fellow New Yorker artist Edward Sorel...
Category

1930s Naturalistic Continental US - Landscape Drawings and Watercolors

Materials

Archival Ink, Watercolor, Illustration Board

Norman Barr, Coney Island (New York City)
By Norman Barr
Located in New York, NY
An idyllic scene at New York City's favorite beach, Coney Island. Before the year was over Barr was in the Army. It is ink and litho-crayon. Barr liked that medium because it didn't ...
Category

Mid-20th Century Ashcan School Continental US - Landscape Drawings and Watercolors

Materials

Mixed Media

Fishing Boats at Shore, 1940 s Seascape Watercolor
Located in Soquel, CA
Beautiful mid-century small-scale watercolor landscape of fishermen with their boats on the shore by unknown artist. Signed lower left corner illegibly. Circa 1940's. Unframed. Image...
Category

1940s American Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

PROVINCETOWN HOUSES
Located in Portland, ME
Cadmus, Egbert (American, 1868-1939). PROVINCETOWN HOUSES. Watercolor on heavy paper. Signed in watercolor, lower left. The scene depicts a dune with a group of houses beyond, and then, further away, the water. 18 x 22 1/8. inches (sheet). A small loss to the paper at the left edge, else in excellent condition. Egbert Cadmus is remembered as the father of Paul Cadmus, though he had a distinguished career in his own right. There is a portrait of Paul by Egbert dated 1926, and we've seen other Provincetown drawings dated 1927, so apparently the family summered there for several seasons. In 1931 Egbert Cadmus moved to Lyme Connecticut...
Category

Early 20th Century Continental US - Landscape Drawings and Watercolors

Materials

Watercolor

Big Red Barn, Impressionist Watercolor by Eve Nethercott
By Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - Big Red Barn (56), Year: circa 1961, Medium: Watercolor, Size: 15 in. x 22 in. (38.1 cm x 55.88 cm), Description: Eve Nethercott's hazy...
Category

1960s Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Watercolor

A view of Bridgetown, Barbados with the U.S.S Shamokin 1868
Located in Woodbury, CT
A very interesting scene off of the coast of Bridgetown, Barbados. The USS Shamokin at sea on one of its first voyages after being de-commisioned from the American Navy.
Category

1860s Victorian Continental US - Landscape Drawings and Watercolors

Materials

Carbon Pencil

"Train Station, " Max Kuehne, Industrial City Scene, American Impressionism
By Max Kuehne
Located in New York, NY
Max Kuehne (1880 - 1968) Train Station, circa 1910 Watercolor on paper 8 1/4 x 10 1/4 inches Signed lower right Provenance: Private Collection, Illinois Max Kuehne was born in Halle, Germany on November 7, 1880. During his adolescence the family immigrated to America and settled in Flushing, New York. As a young man, Max was active in rowing events, bicycle racing, swimming and sailing. After experimenting with various occupations, Kuehne decided to study art, which led him to William Merritt Chase's famous school in New York; he was trained by Chase himself, then by Kenneth Hayes Miller. Chase was at the peak of his career, and his portraits were especially in demand. Kuehne would have profited from Chase's invaluable lessons in technique, as well as his inspirational personality. Miller, only four years older than Kuehne, was another of the many artists to benefit from Chase's teachings. Even though Miller still would have been under the spell of Chase upon Kuehne's arrival, he was already experimenting with an aestheticism that went beyond Chase's realism and virtuosity of the brush. Later Miller developed a style dependent upon volumetric figures that recall Italian Renaissance prototypes. Kuehne moved from Miller to Robert Henri in 1909. Rockwell Kent, who also studied under Chase, Miller, and Henri, expressed what he felt were their respective contributions: "As Chase had taught us to use our eyes, and Henri to enlist our hearts, Miller called on us to use our heads." (Rockwell Kent, It's Me O Lord: The Autobiography of Rockwell Kent. New York: Dodd, Mead and Co., 1955, p. 83). Henri prompted Kuehne to search out the unvarnished realities of urban living; a notable portion of Henri's stylistic formula was incorporated into his work. Having received such a thorough foundation in art, Kuehne spent a year in Europe's major art museums to study techniques of the old masters. His son Richard named Ernest Lawson as one of Max Kuehne's European traveling companions. In 1911 Kuehne moved to New York where he maintained a studio and painted everyday scenes around him, using the rather Manet-like, dark palette of Henri. A trip to Gloucester during the following summer engendered a brighter palette. In the words of Gallatin (1924, p. 60), during that summer Kuehne "executed some of his most successful pictures, paintings full of sunlight . . . revealing the fact that he was becoming a colorist of considerable distinction." Kuehne was away in England the year of the Armory Show (1913), where he worked on powerful, painterly seascapes on the rocky shores of Cornwall. Possibly inspired by Henri - who had discovered Madrid in 1900 then took classes there in 1906, 1908 and 1912 - Kuehne visited Spain in 1914; in all, he would spend three years there, maintaining a studio in Granada. He developed his own impressionism and a greater simplicity while in Spain, under the influence of the brilliant Mediterranean light. George Bellows convinced Kuehne to spend the summer of 1919 in Rockport, Maine (near Camden). The influence of Bellows was more than casual; he would have intensified Kuehne's commitment to paint life "in the raw" around him. After another brief trip to Spain in 1920, Kuehne went to the other Rockport (Cape Ann, Massachusetts) where he was accepted as a member of the vigorous art colony, spearheaded by Aldro T. Hibbard. Rockport's picturesque ambiance fulfilled the needs of an artist-sailor: as a writer in the Gloucester Daily Times explained, "Max Kuehne came to Rockport to paint, but he stayed to sail." The 1920s was a boom decade for Cape Ann, as it was for the rest of the nation. Kuehne's studio in Rockport was formerly occupied by Jonas Lie. Kuehne spent the summer of 1923 in Paris, where in July, André Breton started a brawl as the curtain went up on a play by his rival Tristan Tzara; the event signified the demise of the Dada movement. Kuehne could not relate to this avant-garde art but was apparently influenced by more traditional painters — the Fauves, Nabis, and painters such as Bonnard. Gallatin perceived a looser handling and more brilliant color in the pictures Kuehne brought back to the States in the fall. In 1926, Kuehne won the First Honorable Mention at the Carnegie Institute, and he re-exhibited there, for example, in 1937 (Before the Wind). Besides painting, Kuehne did sculpture, decorative screens, and furniture work with carved and gilded molding. In addition, he designed and carved his own frames, and John Taylor Adams encouraged Kuehne to execute etchings. Through his talents in all these media he was able to survive the Depression, and during the 1940s and 1950s these activities almost eclipsed his easel painting. In later years, Kuehne's landscapes and still-lifes show the influence of Cézanne and Bonnard, and his style changed radically. Max Kuehne died in 1968. He exhibited his work at the National Academy of Design, the Art Institute of Chicago, the Carnegie Institute in Pittsburgh, the Memorial Art Gallery of the University of Rochester, and in various New York City galleries. Kuehne's works are in the following public collections: the Detroit Institute of Arts (Marine Headland), the Whitney Museum (Diamond Hill...
Category

1910s American Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

"Big Sky Country" - Landscape Original in Watercolor on Paper
Located in Soquel, CA
"Big Sky Country" - Landscape Original in Watercolor on Paper A cool and calming landscape watercolor in which the artist uses long, loose brushstrokes to create large, nebulous clo...
Category

20th Century Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

"The Winter Valley" Purple and Brown Toned Winter Landscape Townscape
By Wolf Kahn
Located in Houston, TX
Blue, purple, and green toned winter landscape pastel drawing by German-American painter, Wolf Kahn. Signed by the artist in the lower right corner. Framed and matted in a gold frame...
Category

1980s Abstract Continental US - Landscape Drawings and Watercolors

Materials

Paper, Pastel

Rocks and Lighthouse, Impressionist Watercolor by Eve Nethercott
By Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - Rocks and Lighthouse (P4.34), Year: 1959, Medium: Watercolor on Paper, Size: 14.5 x 21 in. (36.83 x 53.34 cm), Description: Crashing ...
Category

1950s Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Watercolor

On the Hunt - Early 20th Century Figurative Drawing with Dogs
Located in Soquel, CA
Figurative ink and wash drawing of beagles and a terrier leading the hunter to the quarry by an unknown artist (American, 20th Century). Unsigned. Displayed in a rustic black and bro...
Category

1930s American Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Paper, Ink, Watercolor

Paraguayan Ink Drawings from the Chaco #2 Paper Ink Indigenous Esteban Klassen
Located in Houston, TX
Jack Meier Gallery purchased and framed these drawings from the Indigenous artist Esteban Klassen in 2025. A percentage of the proceeds will be sent to Esteban Klassen's family in th...
Category

2010s Folk Art Continental US - Landscape Drawings and Watercolors

Materials

Paper, Ink

Modernist Rocky Californian Seascape in Watercolor on Paper
Located in Soquel, CA
Modernist Rocky Seascape in Watercolor on Paper A vibrant watercolor seascape by California artist Lucile Marie Johnston (1907-1994, American). Waves crash in among a group of brown...
Category

20th Century American Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

"Pathways - Rancho San Carlos" - California Trees Landscape
By Cheryl Trotter
Located in Soquel, CA
Soft watercolor and Cyanotype of oak trees at Rancho San Carlos by Cheryl Trotter (American, 20th century). Signed lower right "Cheryl Trotter." Displayed i...
Category

1980s Contemporary Continental US - Landscape Drawings and Watercolors

Materials

Watercolor, Laid Paper

A Walk in the Woods - Original Watercolor Painting 1983
Located in Soquel, CA
A Walk in the Woods - Original Watercolor Painting 1983 A watercolor of lush, variegated greens make up this forested trail of cypress and oak trees, a natural wonderland for any co...
Category

1980s Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

"MAGNOLIAS", acrylic painting on panel, flowers, geometry, nature, flora pattern
By Fleur Thesmar
Located in Toronto, Ontario
MAGNOLIAS is a new acrylic painting on panel by Fleur Thesmar. The artwork measures 18x24". The artist has written about an epiphany she had studying tre...
Category

21st Century and Contemporary Contemporary Continental US - Landscape Drawings and Watercolors

Materials

Acrylic, Panel

Autumn by the Stream, Early 20th Century Landscape Watercolor
Located in Soquel, CA
Subtly-toned autumn scene by Sydney Cooper (American, 19th-20th C.). This is piece is composed of subdued fall tones - tan, pale green, and coppery reds. A blue stream cuts through t...
Category

Early 20th Century American Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Charles Culver Landscape Winter Road Watercolor Signed Dated
Located in Detroit, MI
The idyllic atmosphere of this country scene falls within a couple of styles one being regionalism, an American realist modern art movement that included paintings, murals, lithographs, and illustrations depicting scenes of rural and small-town America primarily in the Midwest and frequently associated with Grant Wood and Thomas Hart Benton. The other style is romanticism wherein the scene depicted is a more desired or dramatic version of what actually is. “Untitled (Winter Road)” is a quiet country scene depicting a road leading into the distance either going to or coming from a local farm. The snow does not particularly seem fresh suggesting a melt and the coming of spring. This piece has been professionally reframed with acid-free matting and conservator glass. In a 1952 Detroit Free Press article, entitled “Artist Explains His Work,” Culver was asked why he painted the way he did. He stated: “I try to ‘see’ though not too exactly; I try to think though not too ponderously; I feel emotion yet I try not to become overwrought. I interpret rather than describe, and design rather than depict. I work with values, not light and shade; hence, when I am successful, I achieve substance rather than three-dimensional form, and this satisfies me as being wholly sufficient. In my work I wish to be serious without becoming a bore, exuberant without being frivolous, humorous without being silly. I believe that good paintings are conceived, not contrived; and I am interested in art much more than in pictures.” Charles...
Category

1940s Naturalistic Continental US - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

California Landscape with Farm
Located in San Francisco, CA
This artwork "California Landscape with Farm" 1943 is a watercolor on paper by noted California (German/American) artist Ernst Stolz, 1901-1989. It is signed and dated at the lower r...
Category

Mid-20th Century American Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Watercolor

Untitled
By Ralph Ledesma
Located in San Francisco, CA
Artist: Ralph Ledesma – American (1910-1993) Title: Untitled Year: circa 1960 Medium: Watercolor Sight size: 14.5 x 21.5 inches. Framed size: 21.75 x 28.75 inches Signature: Signed lower left Condition: Very good Frame: Framed in original frame. Frame in fair-good condition This evocative watercolor is by California watercolor artist...
Category

Mid-20th Century American Realist Continental US - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Beach Landscape, Impressionist Watercolor by Eve Nethercott
By Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - Beach Landscape (P2.66), Year: 1958, Medium: Watercolor on Paper, Image Size: 10.5 x 14 inches, Size: 11 x 15 in. (27.94 x 38.1 cm), ...
Category

1950s Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Watercolor

Queensdown Warren, Kent - Autumn Forest Interior Landscape in Watercolor
Located in Soquel, CA
Queensdown Warren, Kent - Autumn Forest Interior Landscape in Watercolor Colorful forest landscape by L.B.H. Cremer (20th Century). Layers of color cr...
Category

1980s Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Opel
By Sandra Phipps MacDiarmid
Located in San Francisco, CA
Artist: Sandra Phipps MacDiarmid (American, born 1937) Title: Opel Year: Circa 1990 Medium: Acrylic, with silver and gold embellishment Paper: Wove Size image: 29.5 x 39.5 ...
Category

Late 20th Century Abstract Expressionist Continental US - Landscape Drawings and Watercolors

Materials

Acrylic

Winter Landscape
By Bart Perry
Located in San Francisco, CA
Artist: Bart Perry (American, 1906-1992) Title: Winter Landscape Year: Circa 1950 Medium: Watercolor Paper: Watercolor Size of image: 15 x 20 inches ...
Category

Mid-20th Century American Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Watercolor

4 French 19th century Pen and Ink landscapes from a sketch folder
By Emile Cagniart
Located in Woodbury, CT
Interesting and well-drawn French late 19th-century landscape sketch in pen and ink . Emile Cagniart was born in Paris where he would remain for his sixty years. Like many young asp...
Category

1890s Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Ink

From Buena Vista Park , SWA, St. Ignatius Church, California Watercolor Society
Located in Santa Cruz, CA
Signed lower right, 'Pamela Della S.W.A' ( American, 20th century), titled, 'From Buena Vista Park' and painted circa 1985. A painterly, Post-Impressionist sketch of San Francisco's...
Category

1980s Continental US - Landscape Drawings and Watercolors

Materials

Watercolor, Laid Paper

Cypress
By Frank Serratoni
Located in San Francisco, CA
Artist: Frank Serratoni (American, 1908-1970) Title: Cypress Year: Circa 1950 Medium: Watercolor Paper: Watercolor Size of image: 15 x 21.75 inches Size of paper: 15 x 21.75 inches S...
Category

Mid-20th Century Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Watercolor

Landscape with Houses
Located in San Francisco, CA
This artwork "Landscape with Houses" c.1970 is a watercolor on Arches paper by California artist Robert Holdeman, 1912-1994. It is hand signed at the l...
Category

Late 20th Century American Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Watercolor

Junction of Woodland and Esopus Creek
By Reynolds Beal
Located in Los Angeles, CA
This work is watercolor on paper and is signed and dated 1919 lower right along with title. Born in New York City, Reynolds Beal's year of birth is reported as being 1866 as well as ...
Category

1910s Post-Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Watercolor

Landscape
By Merton Clivette
Located in San Francisco, CA
Artist: Merton Clivette (American, 1868-1931) Title: Landscape Year: Circa 1925 Medium: Gouache Paper: Heavy Bristol type Size image: 22.75 x 28 inches Paper size: 22.75 x 28 inches Signature: Signed lower left by the artist Condition: Excellent Frame: Unframed About the artist. Clivette was born in Portage, Wisconsin, in 1868 as Merton Clive Cook, the youngest of five (four sons and one daughter). His father was a retired British sea captain, and his mother was an American of French, Scottish and Iroquois Indian stock. He stayed with a circus for about five years, traveling all over the Western United States, Canada and Mexico. They did shows for the army forts, for railroad workers and on Indian Reservations. Clivette settled in San Francisco in 1886, when he was offered a job as a reporter and theatrical writer for the San Francisco Call. He met Frederic Remington during this period. He was the first serious artist Clivette had met and he was an inspiration to him. Clivette had done some drawing and painting on the road during his vaudeville years, he had a natural facility for it, and he had had some formal art training as well. He had had some training in Europe and was aware of the modern art movement in Europe. Later in New York he participated in symposiums and workshops at the Art Students League. Around 1910 he gave up his stage career and began to paint full time. He was about 40 years old and was to continue to paint vigorously and prolifically for the remaining 22 years of his life, His style can be identified with the Expressionist Movement, His subjects include portraits (some quite realistic, others more generalized) Indians and horsemen, laborers, gentlemen and vamps, jungle animals and birds, fish, seascapes and landscapes. He was an active participant in the art world of New York. He was a member of the Society of Independent Artists. In 1923 he showed at the Ainslee Art Gallery at 677 Fifth Ave., in 1925 at the Spanish Society in Brooklyn and in 1927 he had a solo show at the New Gallery, 600 Madison Ave. That same year there was also a solo show of his work in Paris at the Bernheim-Jeune Gallery, which included a catalogue. In 1929 he exhibited at the Art Center of the Roerich Museum in a group show of work from the collection of George Hellman. In 1930 he was in a show at the Museum of Modern Art in New York, "Painting and Sculpture by Living Americans" which also included the work of Stuart Davis, Arthur Dove, William Glackens, Marsden Hartley, Childe Hassam, George Luks and Mark Tobey and sculptors Gaston Lachaise and William Zorach among others. A description and critical analysis of his work in included in the book by Henry Rankin Poore...
Category

Early 20th Century Abstract Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Gouache

Napa Vineyard
Located in San Francisco, CA
This artwork "Napa Vineyard" c.2000 is a color pastel on paper by noted American artist Reif Ray Charles Erickson, 1949-2015. It is signed at the lower left corner by the artist. The artwork size is 12.25 x 19.25 inches, Framed size is 24.5 x 31.5 inches. Custom framed in a wooden gold and black frame, with gold color bevel and fabric matting. It is in excellent condition, the frame has very minor restorations, practically invisible. About the artist: Reif Erickson...
Category

21st Century and Contemporary American Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Pastel

American ships being re-supplied possibly off the coast of Brazil or Barbados
Located in Woodbury, CT
American ships off either the coast of Brazil or Barbados from the 1860's
Category

1860s Victorian Continental US - Landscape Drawings and Watercolors

Materials

Carbon Pencil

Abstract Expressionist Rue de Paris Oil on paper - Transfer Monotype
Located in Soquel, CA
Abstract Expressionist Rue de Paris Original transfer Monotype painting by California artist Heather Speck (American 20th C) abstract scene using oil and...
Category

1990s Abstract Expressionist Continental US - Landscape Drawings and Watercolors

Materials

Paper, Oil, Monotype

Landscape V
By Bart Perry
Located in San Francisco, CA
Artist: Bart Perry (American, 1906-1992) Title: Landscape V Year: c.1975 Medium: Watercolor Paper: Watercolor paper Image size: 14 x 17 inches paper size: 14 x 17 inches Signature: Signed lower right in pencil by the artist Condition: Excellent, some glue residue remaining on the back at the sheet edge. About the artist. Bart Perry studied at the California School of Fine Arts, MFA, 1928. Fine Arts, Mills College, Berkeley, CA. 1955. Selected Exhibitions: Lucien Labaudt Gallery with Wm. Mayo, 1946; California School of Fine Arts, Roy DeForest...
Category

Mid-20th Century American Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Watercolor

"Gift of Love", Waterfall Landscape Watercolor on Rice Paper
Located in Soquel, CA
Abstracted watercolor landscape of a peaceful waterfall by an unknown artist (20th Century). Chinese watercolor school. This piece is on rice paper, laid down on heavier paper. Incl...
Category

1990s Other Art Style Continental US - Landscape Drawings and Watercolors

Materials

Paper, Ink, Watercolor, Rice Paper

Pond #4
By Ursula Schneider
Located in San Francisco, CA
This artwork titled "Pond #4" 1984 is an original soft pastel on paper by Swiss/American artist Ursula Schneider, b.1943. It is unsigned. The artwork size is 15 x 22 inches, framed size is 17.25 x 24.5 inches. Custom framed in a black metal frame. It is in excellent condition. About the artist: The work of Ursula Schneider include pastel drawings, paintings, small-scale sculptural paintings and woodcuts, working on one medium at a time. These processes complement and enrich each other by stimulating a fresh approach and allowing for experimentation. Drawing from observation in the landscape has been the basis for the work. She attended Kunstgewerbeschule in Zurich and Keramische Fachschule in Bern and holds an Undergraduate Degree in Ceramics from Switzerland. In 1968 she moved to the United States and graduated in 1972 with an MFA in Painting from the San Francisco Art Institute. She lived and worked in New York from 1980-2004 and taught painting at the San Francisco Art Institute, Cooper Union and Sarah Lawrence College. Grants And Awards: 1985 National Endowment for the Arts. Major Fellowship Grant 1976 San Francisco Art Festival Award 1974 The Oakland Museum. The New Talent Award 1968 Swiss Government Grant: Kunststipendium Selected Solo Exhibitions: Kunstmuseum Bern Switzerland UC Art Museum Berkley, CA Oakland Museum, CA Forum Febicus, Switzerland Selected Group Exhibitions: Museum of Fine Arts, Forth Worth, TX Biennial Exhibition Whitney Museum, NY San Francisco Museum, CA Los Angeles Institute of Contemporary Art, CA Rockland Center for the Arts, NY. Collections: UC Berkley Art Museum, Di Rosa Preserve in CA, U.S. Department of State, Auditorium Netzwerk, Germany, The Union Bank of Switzerland, UBS Security, Bell Savings Art Plus, Security Pacific Bank, CA, Swiss Bank...
Category

Late 20th Century Modern Continental US - Landscape Drawings and Watercolors

Materials

Pastel

Untitled (Surrealist rendering of Pyramids at Giza with alligator)
By Beni E. Kosh
Located in Fairlawn, OH
Untitled (Surrealist rendering of Pyramids at Giza with alligator) watecolor and gouache on paper, 1960 Unsigned Beni Kosh estate stamp No. 717 verso, unsigned. (see photo) Condition: Minor condition issues minor folds Not objectionable Image/Sheet size: 18 1/4 x 24 inches Provenance: Estate of the Artist Bingham Vance, Shaker Heights...
Category

1960s Surrealist Continental US - Landscape Drawings and Watercolors

Materials

Watercolor, Gouache

Modernist Abstract Expressionist Watercolor Painting Bauhaus Weimar Pawel Kontny
By Pawel Kontny
Located in Surfside, FL
Abstract watercolor composition bearing the influence of the earlier color-block compositions of Paul Klee. Pawel August Kontny, (Polish-German-American artist) He was born in Laurahuette, Poland, in 1923, the son of a wealthy pastry shop owner. In 1939 he began studying architecture in Breslau where he was introduced to the European masters and to the work of some of the German Expressionists, soon afterward banned as "degenerate artists" and removed from museums throughout Germany by the Nazi regime. His studies were interrupted by World War II. Drafted into the German army, traveling in many countries as a soldier, he sketched various landscapes but in 1945, he was captured and held as a prisoner of war in Italy. After the war, he studied at the Union of Nuremberg Architects to help design buildings to replace ones destroyed in the war. He recorded his impressions of the local population and the landscapes through his watercolors and drawings. Pawel Kontny thereafter moved to Nuremberg, Germany, becoming a member of the Union of Nuremberg Architects and helping to rebuild the city's historic center. He soon decided to concentrate on his professional art career. He married Irmgard Laurer, a dancer with the Nuremberg Opera. Pavel Kontny 's career as an artist was launched with his participation in an all German exhibition, held at the Dusseldorf Museum in 1952. He held one-man shows in Germany, Switzerland and the United States. During his trip to the United States in 1960, Kontny became instantly enamored with Colorado, and decided to relocate to Cherry Hills with his wife and two children. He quickly established himself in the local art community, being affiliated for a time with Denver Art Galleries and Saks Galleries. His subject matter became the Southwest. During this time he received the Prestigious Gold Medal of the Art Academy of Rome. His extensive travel provided material for the paintings he did using his hallmark marble dust technique. he also worked equally in pastel, watercolor, charcoal and pencil-and-ink. in a style which merged abstraction and realist styles, influenced by Abstract Expressionist painting and South Western American landscapes. This one bears the influence of Sam Francis. In the early 1960s he was one of only a few European-born professional artists in the state, a select group that included Herbert Bayer (1900-1985), a member of the prewar Bauhaus in Weimar and Dessau, Germany, and Roland Detre...
Category

20th Century American Modern Continental US - Landscape Drawings and Watercolors

Materials

Watercolor, Archival Paper

Rio Del Mar, California Coast Landscape
By Virginia J Hughins
Located in Soquel, CA
Charming and bright watercolor of the coastal village of Rio Del Mar by Aptos, California artist Virginia J Hughins, (Virginia Brubaker DeWolf), (American, 1923-2004). Signed "Virgin...
Category

Late 20th Century American Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Horseshoe Cloisters, Windsor Castle, Original Signed Watercolor, c. 1910
Located in New Orleans, LA
A lovely watercolor of the Horseshoe Cloisters at Windsor Castle, with three Edwardian figures having a chat near the stairway. There's an inscription and the signature "Herbert" but...
Category

Early 1900s Continental US - Landscape Drawings and Watercolors

Materials

Watercolor

Over the Pastel Garden Wall - New England - Original Oil Pastel on Paper 1998
Located in Soquel, CA
Over the Pastel Garden Wall - New England - Original Oil Pastel on Paper Bright New England watercolor by New Hampshire artist Eileen Belanger (Amer...
Category

1990s Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Paper, Oil Pastel

Contemporary Mid Century Inspired Blue Green Toned Neighborhood Aerial Pastel
Located in Houston, TX
Mid century inspired aerial landscape pastel drawing by contemporary artist R. Michael Wommack. The work features a birds eye view of a planned neighborhood at night with glowing swi...
Category

2010s American Modern Continental US - Landscape Drawings and Watercolors

Materials

Paper, Pastel

Grand Canyon Plateau - Line Drawing Landscape in Ink on Paper
By Laurence Sisson
Located in Soquel, CA
Grand Canyon Plateau - Line Drawing Landscape in Ink on Paper Bold landscape line drawing by listed Maine artist Laurence Sisson (American, 1928-2015). Towering canyon walls frame a river snaking round a central plateau. This drawing was likely a preparatory sketch for a larger painting. This piece is unsigned, but was acquired from David Sisson, the artist's son. Copy of the letter of authentication included. Presented in a new black mat with foam-core backing. Mat size: 8"H x 10"W Image size: 3.38"H x 6.63"W Laurence Sisson, was a student of Herbert Barnett (1910-1972), he was one of America's preeminent realist painters today. His work may be found in the permanent collections of museums nationwide including the Museum of Fine Arts, Boston, and the Portland Museum of Art, Maine. Laurence Sisson painted landscapes for sixty years. He was known for his paintings of the Maine coast and landscapes of the southwest. His style ranges from plein air watercolors to large oil landscapes...
Category

Late 20th Century American Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Paper, Permanent Marker

Accabonac Harbor, East Hampton”
Located in Southampton, NY
Original watercolor on archival paper of Accabonac Harbor in East Hampton, Long Island by the regional artist Susan Deutscher. Signed lower left. Circa 1985. Condition is excellent. Professionally matted and framed in a thin natural birch wood frame. Overall framed measurements are 18 by 24...
Category

1980s Post-Modern Continental US - Landscape Drawings and Watercolors

Materials

Watercolor, Archival Paper

Still Thinking About These?

All Recently Viewed