Continental US - Landscape Drawings and Watercolors

A sweeping view of Tallinn, Estonia by an unknown artist (20th Century). This detailed charcoal landscape drawing shows a panorama of the beautiful coastal city on the Baltic Sea, complete with small figures walking on a pier, boats in the harbor, and the iconic Alexander Nevsky...

Eve Nethercott, American (1925 - 2015) - Rockport (P6.4), Year: 1948, Medium: Watercolor on Paper, Size: 18 x 23 in. (45.72 x 58.42 cm), Description: Eve Nethercott's view of...

Beautifully executed black and white watercolor and gouache drawing on archival paper of the Spanish colonial town of Taxco, Mexico. Circa 1960. Condition is excellent. Signed low...

A ca. 1940s graphite on paper mural study of a Chicago city scene by notable Modern artist Rudolph Weisenborn. Artwork size: 12 1/2" x 9 1/4". Archivally matted to 18" x 16". Provenance: Estate of the artist. Rudolph Weisenborn was born in Strassburg, Germany in 1881, but was orphaned at the age of nine. He was taken-in by Mid-Western farmer Thomas Westaby and spent his early years in Wisconsin, Iowa and North Dakota. Weisenborn first attended the University of North Dakota in 1898, then the Students School of Art in Denver. Various accounts have him working out west as a gold miner and cowboy. Around 1912, he settled in Chicago and worked as a window designer for Marshall Field’s. Weisenborn is best known as the founder of the Chicago No-Jury Society of Artists. The group was founded because many artists could not get their work accepted into the mainstream Art Institute shows. Weisenborn is quoted as saying that he harbored feelings of disdain for any jury and that his own paintings were frequently rejected by conservative jurors. He was also involved and helped found other radical artist’s groups such as the Salon des Refuses, Cor Ardens and Neo-Arlimusic. In 1936, he helped found the New York-based American Abstract Artist’s Group. He created the only abstract mural for the 1933 Century of Progress Exhibition in Chicago and also worked for the Federal Arts Project in the Easel Division. His WPA murals can be found in Crane Technical High School and Nettlehorst Elementary School in Chicago, IL. In 1945, Chicago businessman Herman Spertus...

Large Scale Ocean Seascape Abstract Monoprint - Acrylic and Pastel on Paper A dynamic large-scale vintage abstracted seascape Monoprint by Dennis Frings...

"Natalie's" - Plein Aire Pastoral Landscape in Pastel on Sandpaper Serene plein aire landscape with cows by Clive R. Tyler (American, b. 1958). This composition depicts a farm in Fort Collins, Colorado, with a large white barn at the top of the hill. There are several cows grazing in a bright green pasture. A partially broken fence is directly in front of the viewer - a symbol of the artist's desire to portray the realism of the scene, including imperfections. This piece is executed on sandpaper, a trademark of Tyler's work. Signed "CL Tyler" in the lower left corner Signed, notated, titled, and dated on verso (see photo). Presented in a silver colored frame. Frame size: 11.25"H x 14"W Paper size: 9.5"H x 12"W Clive R. Tyler (American, b. 1958) studied Fine Art and Design at Kent State University (Ohio) with a double major and was awarded a Bachelor of Fine Art degree. Twenty years later after a successful design career, he is now known as one of the best Pastelists on a national level. Master Member of the Plein Air Painters of New Mexico Signature Member of the American Impressionist Society 2016 Honorable Mention, Santa Fe Plein Air Festival, NM 2015 Best Quick Draw Award, Buffalo Bill Museum Art Auction, Cody Wy 2015 Best of Pastel Award, American Impressionist Society 2015 Brinton Museum, Invitational Miniature show. Sheridan. Wy 2015 Invitational Heart of the West, Masters art show. Coeur d’Alene Resort, Id 2014 Booth Museum Cartersville Ga. Acquisition and Teaching 2014 Coors Foundation purchase Aspen 3 series. Corporate Collection Denver, Co 2013 American Impressionist National Show, Award of Excellence. 2013 Artist Choice Award Easton Maryland...

This artwork 'Landscape" c.1950, is a watercolor on paper by noted British/Canadian artist Hilda Stewart, 1892-1978. It is signed at the lower right corner by the artist. The artwork...

Artist: Ian Hornak (1944-2002) Title: Gabriel’s Pavilion Variation II Year: 1980 Medium: Pencil on Arches paper Size: 29 x 41 inches Condition: Good Provenance: Fischbach Gallery, Ne...

House Beautiful Cover Proposal. American Scene Social Realism Industrial WPA Antonio Petruccelli (1907 – 1994) Mixing Mortar 12 1/2 X 14 3/4 inche...

In this contemporary landscape in black sumi ink on Mylar, a peaceful forest scene is intricately detailed, beautifully capturing the serenity of a walk in the woods. This ink drawi...

George Tzannes's Olive Trees in Field is a 7.5 x 14.5 inches black and white monotype representing a Greek landscape. Olive trees populate the landscape....

Signed lower left, 'J. W. Nicoll' for John W. Nicoll (American, 1865-1943), titled lower left, 'Santa Barbara' and painted circa 1925. Sheet dimensions: 9 x 12.75 inches. A luminou...

This artwork "Landscape with Village" c.1940, is a watercolor on paper by noted Colorado artist Irene Fowler, 1884-1967. It is signed at the lower right corner by the artist. The siz...

Signed lower right, 'Arthur Dawson' (American, 1857-1922) and painted circa 1915; additionally inscribed, verso, 'The Stream'. Bearing old framing label: Ferguson Art Shop, Flint, Mi...

Discover A Small City Park, an original mid-century modern abstract painting by acclaimed Denver artist Edward Marecak (1919–1993). Executed in acrylic and watercolor on paper, this ...

Edward Dufner (1872 - 1957) Monhegan Island, Maine Watercolor on paper Sight 16 x 20 inches Signed lower right With a long-time career as an art teacher and painter of both 'light' and 'dark', Edward Dufner was one of the first students of the Buffalo Fine Arts Academy to earn an Albright Scholarship to study painting in New York. In Buffalo, he had exchanged odd job work for drawing lessons from architect Charles Sumner. He also earned money as an illustrator of a German-language newspaper, and in 1890 took lessons from George Bridgman at the Buffalo Fine Arts Academy. In 1893, using his scholarship, Dufner moved to Manhattan and enrolled at the Art Students League where he studied with Henry Siddons Mowbray, figure painter and muralist. He also did illustration work for Life, Harper's and Scribner's magazines. Five years later, in 1898, Dufner went to Paris where he studied at the Academy Julian with Jean-Paul Laurens and privately with James McNeill Whistler. Verification of this relationship, which has been debated by art scholars, comes from researcher Nancy Turk who located at the Smithsonian Institution two 1927 interviews given by Dufner. Turk wrote that Dufner "talks in detail about Whistler, about how he prepared his canvasas and about numerous pieces he painted. . . A great read, the interview puts to bed" the ongoing confusion about whether or not he studied with Whistler. During his time in France, Dufner summered in the south at Le Pouleu with artists Richard Emil Miller...

Very well executed original pastel on archival paper of New York City at night with beacon by the well known American artist, Leon Dolice. Signed lower right. Circa 1930. Condition is excellent. Beautifully gallery framed with stained mahogany wood frame. Under glass. Overall framed measurements are 21 by 30 inches. Birham Wood Galleries, East Hampton, New York provenance. Exhibited artwork. See photo gallery labels verso. Leon Dolice was born in Vienna, Austria on August 14, 1892, the son of a machinest/welder. He went on to study art in Europe and viewing the works of the Masters. Dolice immigrated to the United States in 1920, finding a retreat in the European Bohemianism of Greenwich Village, he picked the streets of this landmark neighborhood as his first subjects. Concentrating on etching and with the encouragement of new found friends and artists such as George Luks and Herb Roth, he soon ventured out and devoted all his time to chronicling the architecture, back streets, dock scenes and other nostalgia that was fast disappearing from the face of Manhattan, mainly in copperplate etchings. A favorite subject for him was the Third Avenue El near one of his New York City studios on Third Avenue. He won accolades for his work, and although he traveled the East Coast recording landmarks in other cities including Washington DC, Baltimore, Chicago and Philadelphia, he always returned to his new home Manhattan. A decline in popular favor for etchings led him to put aside his plates in the late 1930s and devote some ten years to pastels, linocuts and painting. His subject matter was almost exclusively New York City street scenes, but figurative works, country scenes, and even experiments with Abstract Expressionism at the height of its new found favor in the 1940s punctuated his career. In 1953, after learning of the forthcoming demise of the Third Avenue El, in the shadow of which he had maintained his studio for over a decade, he once again took to his plates and press and created a final series of Third Avenue and or other New York City landmarks that were then threatened with extinction. His work brings to light aspects of nostalgic New York that survives today only in small part, whether in architecture or in spirit. Dolice's works are in a number of notable museums and private collections, including the Museum of the City of New York; The New York Public Library Print Collection; The New York Historical Society; Georgetown University Lauinger Library; The Print Club of Philadelphia and others. In the past few years, his work has been exhibited at Hofstra Museum, Long Island, NY; with the Montauk...

Original watercolor on archival paper by the well known Tennessee artist, Jim Gray. Circa 1995. Signed middle bottom. The painting depicts a typical Tennesse...

"The Humming of Cicadas at Chenequa" is an original pastel drawing on Canson paper by Peggy Leonard. The artist signed the piece lower left. This piece depicts a view into dense vegetation, likely the edge of a forest, in green, orange, yellow, and blue. 19 1/2" x 25 1/2" art 26" x 32" frame Peggy Leonard received her BFA in painting and drawing and an associate’s degree in nursing from Miami University in Oxford, Ohio. She is both a registered nurse, and accomplished artist, residing in Milwaukee, WI. From the artist: “These paintings are my prayers,” muses Leonard, reflecting on her driving need to express herself through her art. “We are made of the stuff that requires us to respond with our hearts and hands. Often, it requires terrible sacrifice and suffering, something not everyone can understand. But it is done with reverence of life, not irreverence.” Leonard’s pastels and oil paintings capture her reverence of life and reflect her own life’s journey, including earlier forays into the wilderness. Her venture into art began in early childhood, as childless neighbors nurtured her natural ability to draw; concurrently, Leonard’s parents instilled a respect for academic excellence and the higher order of nurturing others. As a young nurse, Leonard “heard and saw poignant messages to travel while one was young and free…while one had one’s health.” Consequently, she took to the open road and public lands, camping across America for months at a time. During these years, her “celebration of the natural splendor of this country” helped shape her sense of artistic expression. She was moved by such sights as the sunset on St. Mary’s Lake...

Exquisite original watercolor of Warwick Castle by the famous British artist, Edmund John Niermann. Signed lower right. Circa 1850. Condition is very ...

Kae Dorn Cass was born in 1901 and remained a life-long Clevelander. She was a survivor of the 1908 Collinwood Elementary School fire which killed her sister and 171 other children. ...

Lloyd Lozes Goff, American (1918 - 1982) - Westerly, Year: circa 1970, Medium: Watercolor and Ink, Size: 22 in. x 28 in. (55.88 cm x 71.12 cm)

The White Cloud, Salem, A Classic Watercolor from his Magic Year, 1917 Modern Charles Burchfield (1893-1967) The White Cloud, Salem, 1917 21 1/2 x 17 12 inches Watercolor on paper S...

Signed lower left, 'James March Phillips' (American, 1913-1981) and painted circa 1965. Born in California, James March Phillips first studied in San Francisco at the Jean Turner Ar...

Legendary Tony Bennett "NYC Traffic" Original Contemporary Drawing Cityscape Tony Bennett (1926-2023) "New York City Traffic" 11 x 12 ¼ inches Scratchboard India Ink on Board, 1997 Signed “Benedetto” lower right Framed 18 x 15 inches Provenance: Tony Bennett Estate BIO Tony Bennett is known as a vocal musician, but he is also known as Anthony Dominick Benedetto, an American visual artist. Benedetto was born August 3, 1926. He is the son of Italian immigrants from the Astoria section of Queens, New York. At the age of five Anthony was drawing pictures. He attended public schools and The High School of Industrial Arts in Manhattan where he studied art and music. Art was his first passion. In the 19th century artists like Vincent van Gogh searched for an expressive balance in art and music, but Benedetto/Bennett makes an impressive balance in both forms of artistry. The family name Benedetto means, "Blessed one", and Benedetto is how his art is signed. His paintings are impressions of the beauty throughout the world from his many music tours and travels...

Signed lower left, 'Michel Kady' (Hungarian-American, 1901-1977) and painted circa 1965 A substantial watercolor landscape showing a view of a dirt road in California Gold Country l...

An original watercolor on paper by American modernist Charles E. Burchfield, created in 1916. This work comes in an archival frame presentation and has been authenticated by the Bur...

Signed lower right, 'DeMartis' for James Joseph DeMartis (American, 1926-1996) and dated 1964. Born in Queens, New York, James Joseph DeMartis served with distinction in World War I...

Mill with Masted Ships in a Harbor Original Watercolor Early Watercolor of a coastal Mill with Schooners in a harbor, by an unknown artist. 1890-1915. The image depicts a watercolor...

George Tzannes's Landscape with Olive Tree is a 21.5 x 28.5 inches black and white monotype representing a Greek landscape. Olive trees populate the landscape. Tzannes is an American painter of Greek origins. In his twenties he visited Kythira, the Greek island of his father's birth. Since that time, the island has become the major reference of his creativity. The choice of using black and white to represent this landscape gives the mighty hundred-years old olive trees a monumental presence. The viewer is drawn into the timeless, spiritual quality of the Greek landscape. Despite the absence of color, Tzannes' mastery of drawing creates a tangible effect of the Greek light...

Very well executed watercolor on archival paper of a New England homestead nestled in a picturesque valley. Early fall with the tress just starting to change colors. The watercolor was done by the American artist Hilton Leech...

This rare 1924 colored pencil drawing by renowned American artist George Elbert Burr (1859–1939) beautifully captures the raw, untamed drama of the Arizona de...

Vintage Minimalist Sand Dunes Landscape in Watercolor on Laid Paper Wonderful minimalist watercolor of sand dune with grass and birds by Ed Walaitis (Amer...

Mid-century watercolor painting by artist C. Heintz, circa 1950. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-sized frame. Archival pla...

This artwork "Tayside Sheep Farm, Scotland" c.1930, is a watercolor on paper by British artist Ken Cherrington, 1886-1969. It is signed at the lower left corner by the artist. The ar...

"Tobacco Road" Mid 20th Century Realism 1940 Drawing from the Novel WPA Literary 19 1/4 x 11 1/2 (sight), Signed David Fredenthal lower right. Framed by ...

A waterclolor and gouache painting depicting a traditional Parisian street scne on paper by French artist Eugene Galien-Laloue. Presented in an appropriate frame and signed in the lo...

Eve Nethercott, American (1925 - 2015) - Tree (P1.31), Year: circa 1960, Medium: Watercolor on Paper, Size: 15 x 22 in. (38.1 x 55.88 cm), Description: Rendered in watercolor...

Boldly lined pencil drawing of farm workers harvesting and bailing hay by French artist Jean Baptiste Grancher, circa 1950. Original artwork on paper displayed on a white mat with ...

This artwork is a watercolor on paper by noted artist Carolyn Bullis Blish, born 1928. It is signed at the lower right corner by the artist. The artwork size is 17 x 26 inches, framed is 28 x 37 inches. Framed in his original wooden gold and mahogany color frame. The artwork is in excellent condition, the frame is in very good condition, with very minor small dents and scratches, hardly visible. About the artist. A former model, actress, and newscaster, artist Carolyn Blish is known primarily for her watercolor landscapes. She received a very short training in painting under the tutelage of artist Edgar...

Mountain Trail John Wade Hampton, American (1918–1999) Date: 1969 Ink and Watercolor on board, signed lower left Size: 9 x 13.75 in. (22.86 x 34.93 cm)

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally dropped and broke a porcelain pla...

This appears to be dated 1927. It came in with a piece dated 1929. A very early, rare work. Framed 22.5 x 18. Image 14.5 x 9 A great New York city street scene with an El train (elev...

Charles Burchfield, 1893-1967 Wallpaper Design No.2, 1922-28 Watercolor and gouache on paper

This artwork titled "Village by a Road" c 1940 is a watercolor on paper by noted artist Donald Jeffries Bear 1905-1952. It is signed in pencil at the lower right corner by the artist. The artwork size is 10.65 x 14.5 inches, framed size is 17 x 21 inches. Framed in original frame. The artwork is in good condition, paper is toned by time, the four extreme corners are slightly discolored by hanging tape. The frame is also in good condition with minor dents, the linen is slightly discolored by time. The item is over all in good condition. About the artist. Donald Jeffries Bear, the Santa Barbara Museum of Art's founding director from 1940 to 1952, was born on this day, February 5, 1905, in Terre Haute, Indiana. He previously served as the Director of the Denver Art Museum (1935-1940), regional advisor for the Federal Art Project (1935-38), and as principal of the World's Fair in New York (1938-39). While director of the SBMA, Bear served as president of the Western Association of Art Directors from 1943 to 1946. He was also an art critic and, last but not least, an artist. Bear was well travelled, spoke numerous foreign languages, and as a Renaissance man, he was a singular match for another local polymath, Wright S. Ludington. In addition to his duties as director, Bear was also the curator and was responsible for producing over 600 exhibitions during his tenure. The exhibitions were as remarkable for their quality as well as their quantity, including SBMA's inaugural exhibition, Painting Today and Yesterday in the United States (June 5―September 1, 1941), which featured pieces from George Bellows, Mary Cassatt, Robert Harnett, Childe Hassam, Robert Henri, Winslow Homer, Edward Hopper, Yasuo Kuniyoshi, Georgia O'Keefe, and numerous others. Perhaps most remarkably, the SBMA displayed two of the most influential paintings of the 20th century, Pablo Picasso’s Guernica (1937) and Marcel Duchamp’s revolutionary Nude Descending a Staircase, No. 2 (1912) as part of the “Free France” exhibition in 1942. He was also responsible for producing numerous solo artist exhibitions, many of which were the first of their careers, including: William Dole, Clarence Hinkle...

An early Devonshire landscape, ex-collection West Collection of British Watercolors & the Fine Art Society, London. Circa 1800 Ink and brown wash on paper, 7 1/8 x 10 1/4 inches (...

"A Kind of Paradise" (2024) by Mo Myra is a watercolor painting on paper that depicts a landscape in the foothills with the focus being on a river. Mo Myra, born in 1990, is a Conne...

Delicate Vintage Winter Watercolor Landscape Simple and beautifully rendered landscape depicting a field with trees in the wintertime. A few evergreens are visible while the rest o...

Serene landscape by J. B. Schock. Several trees line the banks of a river, bursting with fall colors. Across the river on the far bank, the roof and chimneys of a house can be seen beyond the trees. California painter...

WOODED LANDSCAPE WITH HOUSES Signed original brush and ink on wove paper, circa 1950. WOODED LANDSCAPE WITH HOUSES is an original watercolor brush and ink on paper, hand signed in ink pen by African-American artist, teacher, and printmaker Ronald Joseph (1910--1992) Artwork depicts an abstract landscape, is in good condition, paper tape remaining on reverse side edges, mounted in an archival acid-free mat, unframed. Artwork paper size - 18 x 21.5 in. Year created - c. 1950 About the artist - Ronald Joseph (1910 -1992) was born on the island of St. Kitts, West Indies In 1910. When he was very young, his mother decided to move to the United States but she could not afford to take him with her. Mr. and Mrs. Theophilus Joseph, a childless couple who were friends of Joseph’s mother, adopted him. Afterwards, the Joseph family moved to the Island of Dominica, where they stayed for ten years. In 1921, his foster parents also decided to come to the United States. In New York, Joseph met his mother but remained living with his foster parents. In 1926 Ronald Joseph received a scholarship for the Ethical Culture School, were he spent two and half years of his high school period. At this time he obtained an art scholarship through Dr. Henry Fritz, with whom he became acquainted through his art teacher in public school. Joseph was taken into the Saturday art class, where he was the only black participant. An artistic prodigy, Ronald Joseph had his student works shown at the Metropolitan Museum of Art. Ronald Joseph graduated from Ethical Culture Fieldston School in 1929. He was honored as “the most promising” young artist in New York City’s schools. He began his study at Pratt Institute in 1931 and graduated in 1934. During the 1930s and 1940s, Joseph participated in many exhibitions of African-American art, the Works Progress Administration mural project, and the Harlem Artists Guild. Ronald Joseph enlisted in the U.S. Army Air Corps at the declaration of World War II and was posted as a member of the ground crew in Tuskegee, Alabama, and in Michigan. At the end of the war in 1945, he received his G. I. Bill of Rights scholarship. In 1948, he was presented with the Rosenwald Fellowship. The funds allowed him to live and work abroad – first in Peru for two years, then in Paris. Joseph used the G.I. bill to study in Paris at the Grande Chaumière. He described this period of his life as being “independent of economy”. His work from these travels is largely undocumented; according to Rosenwald scholar, Daniel Schulman, many pieces of art are undated or simply dated “1948-1952”. After this period he came back to New York without money and work and indicated this as period of hardship. Ronald Joseph left the U.S. in 1956, disappointed in the unreceptiveness of the art world to his work with mixed feelings about this. On the one hand, he felt guilty for having left the U.S. during a period when blacks were struggling for their civil rights; on the other, he felt “lucky” to have been able to live and work in place where he did not feel discrimination as intensely. He emigrated to Belgium and later settled permanently in Brussels. Ronald Joseph was married to Claire Joseph and they had a son, Robin Joseph. In 1989 Joseph returned to the United States after an absence of thirty-three years to attend the Lehman College exhibition and symposium and to renew his old friendships. Afterward, he returned to Brussels where he continued to work as a painter, living there for the remainder of his life. Ronald Joseph started his artistic career in Harlem, New York City at the Harlem Community Arts Center, where he was one of the youngest pupils. Joseph studied lithography and other printmaking techniques with Riva Helfond, who taught him many aspects of the process based on simple techniques, including how to operate the press, and how to prepare the stones. Helfond played a significant role as a teacher of lithography at the Harlem Art Center. Joseph produced his first lithographs under her supervision, and this was at a time when she was just beginning to learn the medium herself. At the Harlem Community Arts Center Joseph met Robert Blackburn, who was his classmate. In 1937 Ronald Joseph depicted Blackburn, in one of his most famous works, that is now located at The Metropolitan Museum collection. Experimenting with lithography and etching, as well as woodblock and silkscreen printing, Joseph explored the techniques of printmaking alongside his friend Robert Blackburn. Joseph described the Harlem Art Center as a “healthy and lively” place, where he had made wonderful friends. In the late thirties, he also served as a teacher at the Harlem Community Arts Center. There Joseph met younger artist Jacob Lawrence and Gwendolyn Knight. They formed a friendship, where they enjoyed conversations and visiting museums together. Both Joseph and Knight would hire Lawrence to pose for them. Jacob Lawrence considered Ronald Joseph to be a very intellectual artist. In the 1930s, Joseph became chairman of the Harlem Artists Guild and represented it in Washington with Stuart Davis and Hugo Gellert. Ronald Joseph was also a participant in the mural section of WPA and a representative of the Harlem Artists’ Guild to the New York World’s Fair (1939-1940). Joseph’s early oil paintings were influenced by Picasso, Braque and other European artists while most of his contemporaries focused on social realism. By 1943, he was hailed by art historian James Porter as New York’s “foremost Negro abstractionist painter”. His pastels and gouaches from the late forties and early fifties showed a highly structured abstraction combined with a studied spontaneity. Ronald Joseph’s finely tuned abstractions often incorporated representational elements along with apparently “purer” forms. He described this aspect of his work in these terms: “It’s not abstract and abstract at the same time. It’s pure creation.” His works from the 1950s employed both still life and landscape as pretexts for masterly exercises in nearly abstract pictorial construction related to cubism and fauvism. During World War II, Joseph was drafted. After the war he formed “a kind of a group” with Robert Blackburn, Charles White, Larry Potter, and Reginald Gammon...

A beautiful antique original watercolor of the Dutch landscape. I apologize for the reflections on the glass - this piece comes already framed and behind glass, in an antique wood fr...

Signed lower right 'Fies', for Gladys Bowman Fies (American, 1909-2005) and painted circa 1960. Gladys Fies was born in Texas and studied in California with Millard Sheets, Rex Bra...

Paul Feeley Rafina II Greece, 1961 Watercolour on paper Hand Signed, titled and dated lower front In 1961, color field painter Paul Feeley created a series of watercolors - Rafina an...

This artwork titled "Market Street, San Francisco" c.1960 is a watercolor on paper by noted California artist William Jack Laycox, 1921-1984. It is signed at he lower right corner by...

Thon, William (American, 1906-2000) UNTITLED SKETCHBOOK DRAWING #4. Ink on paper, not dated, but circa 1960s. Unsigned.The sketchbook identified by an Estate label on its cover. 5 x ...

Cowboys Horses Cattle WPA American Scene Social Realism Mid 20th Century Modern Jo Cain (1904 – 2003) Cowboy 33 3/4 x 36 inches Oil on paper, c. 1930s Signed...

This artwork "Landscape with House" 1973 is a watercolor on paper by American artist Rachel Bentley, 1894-1991. It is signed and dated at the lower righ...

Spectacular watercolor seascape of boats in a old world harbor under a dusk colored sky, circa 1860. Original artwork on paper displayed on a whit...

Lovely mid-century French watercolor barn by artist Raymond Segond, circa 1960. Original artwork on paper displayed on a white mat with a gold border. Archival plastic sleeve and...