Continental US - Figurative Photography

"Playboy Surf Club" Photography 24 x 32 in Ed. of 7 by Brendan North Signed and numbered by the artist. Comes with COA issued by the Artist Available sizes: Edition of 15: 18" x 24...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features a couple sunbathing by the sea at Palm Beach, Florida. This is an estate stamped and hand ...

Hatay is a visual artist, a healer and a former Rock and Roll photojournalist. Her past greatly contributes to the woman she is today. Born in Scotland of a Hungarian physicist/inve...

This late 1950s landscape photograph, captured by society photographer Slim Aarons, features holidaymakers on a cafe terrace in Nice on the French Riviera. This is an estate stamped...

This late 1950s landscape photograph, captured by society photographer Slim Aarons, features holidaymakers on a cafe terrace in Nice on the French Riviera. This is an estate stamped...

This mid-1960s aerial seascape photograph, captured by society photographer Slim Aarons, features a high angle view of people swimming next to the ketch 'Traveler II' , Stocking Isla...

This late 1970s landscape photograph, captured by society photographer Slim Aarons, features spectators dining in the open air as the horses go by at Baden Baden racecourse, Germany....

This late 1950s landscape photograph, captured by society photographer Slim Aarons, features holidaymakers on a cafe terrace in Nice on the French Riviera. This is an estate stamped...

This late 1950s portrait photograph, captured by society photographer Slim Aarons, features a woman sitting at the edge of a swimming pool in Kenya, December 1958. This is an estate...

White Stoops, West 88th Street, NYC by Ruth Orkin is a black and white gelatin silver print of cars parked along the street, with a layer of snow covering the scene. Gelatin Silver ...

This late 1950s portrait photograph, captured by society photographer Slim Aarons, features a woman sitting at the edge of a swimming pool in Kenya, December 1958. This is an estate...

This late 1950s portrait photograph, captured by society photographer Slim Aarons, features a woman sitting at the edge of a swimming pool in Kenya, December 1958. This is an estate...

This late 1950s portrait photograph, captured by society photographer Slim Aarons, features a woman sitting at the edge of a swimming pool in Kenya, December 1958. This is an estate...

Series: Hydrid Souls Archival Pigment Print Edition of 2 + 2 AP Available Size: 47.24" x 36.61" 55.11" x 42.51" 62.99" x 48.81" Born in Istanbul in 1978, Ali Alışır started his g...

Series: Hydrid Souls Archival Pigment Print Edition of 2 + 2 AP Available Size: 47.24" x 33.07" 55.11" x 38.58" 62.99" x 44.09" Born in Istanbul in 1978, Ali Alışır started his g...

Musei Vaticani,Museo Pio Clementino,Sala a Croce Greca, 2014 Chromogenic print Edition of 5 Signed, dated, and numbered on verso label 39.5 x 47.5 inches, edition of 5 47....

Series: Hydrid Souls Archival Pigment Print Edition of 2 + 2 AP Available Size: 50" x 78.74" 55.11" x 86.61" 59" x 92.51" Born in Istanbul in 1978, Ali Alışır started his graphic...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

Fabien Mara Stephanie Seymour and Linda Evangelista / Chanel, 1990 Silver gelatin print 40 x 60 cm Edition of 11 Signed, numbered, and dated Fa...

For Members only (Suburbia) - 2004 28x37cm, Edition of 10, digital C-Print based on the Polaroid. Signature label with Certificate, Not mounted. Artist Inventory # 400. THE GREA...

'On Hold' (The Girl behind the White Picket Fence) - 2013 98x97cm, Edition of 5, analog C-Print, hand-printed by the artist, based on the Polaroid Certificate and Signature label a...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features American swimmer and actress Esther Williams (1921 - 2013) lounging on a trampoline. This ...

This late 1950s landscape photograph, captured by society photographer Slim Aarons, features a family enjoying a quiet beach on Andros Island. This is an estate stamped and hand num...

Greater Roadrunners by Cheryl Medow is a limited edition archival pigment print featuring two birds in a desert landscape. Archival Pigment Print Ed. of 25 Paper size: 14.5 x 18 in....

Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's ...

This exquisite heliogravure after Erwin Blumenfeld (1897–1969), titled Juliette Greco, originates from the 1981 folio Erwin Blumenfeld, Electa Editrice Portfolios. Published by Grupp...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features a group of friends squeeze onto an inflatable raft at the Venice Lido, Venice, Italy. This...

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover...

This mid-1950s landscape photograph, captured by society photographer Slim Aarons, features skiers at the Cranmore Mountain Resort, North Conway, New Hampshire, USA This is an estat...

Gstaad, Switzerland, Estate Edition, Landscape Photograph This early 1960s landscape photograph, captured by society photographer Slim Aarons, features a helicopter arriving at a mo...

Limited edition framed figurative photograph titled "Shirin Neshat" by Laurina Paperina - Edition 3/3 Laurina Paperina, the artistic alter ego of Laura Scottini, pokes fun at art a...

This late 1960s portrait photograph, captured by society photographer Slim Aarons, features a crew member tending to the rigging on a yacht in Lyford Cay, Bahamas. This is an estate...

Archival pigment print Signed, titled, dated, and numbered, verso 11 x 14 inches (Edition of 15) 20 x 24 inches (Edition of 10) This photograph is offered by ClampArt, located in N...

This early 1970s landscape photograph, captured by society photographer Slim Aarons, features guests relaxing by the swimming pool at John Young's villa 'Plantana', Ocho Rios, Jamaic...

This early 1970s landscape photograph, captured by society photographer Slim Aarons, features guests relaxing by the swimming pool at John Young's villa 'Plantana', Ocho Rios, Jamaic...

This early 1970s landscape photograph, captured by society photographer Slim Aarons, features guests relaxing by the swimming pool at John Young's villa 'Plantana', Ocho Rios, Jamaic...

This late 1960s portrait photograph, captured by society photographer Slim Aarons, features a crew member tending to the rigging on a yacht in Lyford Cay, Bahamas. This is an estate...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features some friends preparing for a day snorkelling by Andros Island, Bahamas. This is an estate ...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features some friends preparing for a day snorkelling by Andros Island, Bahamas. This is an estate ...

This late 1960s portrait photograph, captured by society photographer Slim Aarons, features a crew member tending to the rigging on a yacht in Lyford Cay, Bahamas. This is an estate...

This entire series was inspired by a piece of graffiti by the street artist Banksy in the UK. Nick Stern - who ironically has been called the Banksy of Los Angeles and goes by the street name "Plastic Jesus" -decided to set himself the challenge to recreate the original Banksy graffiti with as much accuracy as possible, including the texture of the walls where the stencils were on and the windows on the buildings here in Los Angeles. Most were recreated “in situation”, without any photo shop. Only two works “The Maid” and “The Lovers” required minimal photoshop. Nick is English as is Banksy but based in Los Angeles so finding brick walls or a sash window was fun to find for the shoots. All photographs are printed to order and signed, with a certificate of authenticity signed by Wallspace. They are printed on 20”x16”paper with a border included - be aware that images may not all be exactly the same size as the imagery has different layouts. The paper size will be framed to the same size. The paper is a heavy weight fine art paper Entrada. fine art print...

Boys Play with Hoops by Steve McCurry depicts two children running along a dirt path in Madagascar, with Baobab trees towering in the distance. 24 x 20 in. Edition of 30 Printed on ...

This entire series was inspired by a piece of graffiti by the street artist Banksy in the UK. Nick Stern - who ironically has been called the Banksy of Los Angeles and goes by the s...

Series: Hydrid Souls Archival Pigment Print Edition of 2 + 2 AP Available Size: 47.24" x 40.94" 55.11" x 47.63" 62.99" x 62.99" Born in Istanbul in 1978, Ali Alışır started his g...

Palazzo di Ostankino, Mosca, 2015 Chromogenic print Edition of 5 Signed, dated, and numbered on verso label Mounted on aluminum framing options available 39.5 x 47.5 inches edit...

An exquisite meditation on knowledge and architectural splendor, Reinhard Görner’s The Blue Books invites the viewer into the hallowed halls of Oxford’s Upper Library. The interplay ...

This entire series was inspired by a piece of graffiti by the street artist Banksy in the UK. Nick Stern - who ironically has been called the Banksy of Los Angeles and goes by the street name "Plastic Jesus" -decided to set himself the challenge to recreate the original Banksy graffiti with as much accuracy as possible, including the texture of the walls where the stencils were on and the windows on the buildings here in Los Angeles. Most were recreated “in situation”, without any photo shop. Only two works “The Maid” and “The Lovers” required minimal photoshop. Nick is English as is Banksy but based in Los Angeles so finding brick walls or a sash window was fun to find for the shoots. All photographs are printed to order and signed, with a certificate of authenticity signed by Wallspace. They are printed on 20”x16”paper with a border included - be aware that images may not all be exactly the same size as the imagery has different layouts. The paper size will be framed to the same size. The paper is a heavy weight fine art paper Entrada. fine art print...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features a woman sunbatheing, wearing a novelty straw sun hat with built-in sunglasses, Venice. Th...

When we were friends (Suburbia) - 2004 28x37cm, Edition of 10, digital C-Print based on the Polaroid. Signature label with Certificate, unmounted. The project "Suburbia" was shot...

From The Jon Gould Collection of Andy Warhol Photographs This work is not signed by the artist, however, each photo is unique and blind embossed “Andy Warhol” in the lower right co...

2014, pigment print, 43 1/2 x 33 1/2 inches, edition of 7 An original photograph from the artist's "Cubism and other Isms" series in which brightly painted geometric cubes are arran...

'Caitlin aka Jane Bond III' (Heavenly Falls) - 2016 20x20cm, Edition of 10, Archival C-Print based on the Polaroid, Not mounted. Certificate and signature label, artist inventor...

Series: The Western Collection Archival Pigment Print Unframed Sizes: 40" x 32" - $6,250.00 60" x 48" - $9,500.00 75" x 60" - $12,250.00 Framed Sizes: 47" x 39" - $7,750.00 67" x 5...

Series: The Western Collection Archival Pigment Print Unframed Sizes: 32" x 40" - $6,250.00 48" x 60" - $9,500.00 75" x 60" - $12,250.00 Framed Sizes: 39" x 47" - $7,750.00 55" x 6...

Available sizes and editions: 53.93 in (137 cm), 114.17 in (290 cm), Edition of 3 with 2 Artist Proofs 48.43 in (123 cm), 102.36 in (260 cm), Edition of 3 with 2 Artist Proofs 44.88...

This late 1960s landscape photograph, captured by society photographer Slim Aarons, features a family enjoying a picnic on the bank of the Whiting River near Campbell Falls, Massachu...

Allan Tannenbaum "John Lennon & Yoko Ono, Central Park, 1980" Ink jet print Paper size: 13 x 19 Inches Image Size: 8.5 x 13 Edition Number: From the second edition of 200 Editions: First edition of 200 (C-print Colors, Silver gelatin print - Black & white) 1988 Second edition of 200 - Ink Jet Print (Giclee) - 2000 Third edition of 50 - C-Print & Silver gelatin print - 2007 - 2008 Signed, Numbered, Titled & dated in pencil by the artist. Condition: In Excellent Condition Provenance: All of our Allan Tannenbaum prints come from The Williams Gallery (via William Back) which was the exclusive representative of Allan Tannenbaum from 1980 to 2006. About the John Lennon collection: In November 1980...

Archival pigment print Signed, titled, numbered, and dated, verso 22 x 17 inches, sheet (Edition of 15) 44 x 32 inches, sheet (Edition of 9) This photograph is offered by ClampArt...

"Life at the top isn’t always easy, especially for those not accustomed to it. Head north—far north—from Oslo, and you’ll be greeted by conditions that are anything but hospitable. ...