Continental US - Figurative Photography

Marilyn Monroe (1926 - 1962), wearing a red negligee trimmed with black lace, sorts out her fan mail shortly after her film 'The Asphalt Jungle' had been released. This exquisite ph...

Listing is for UNFRAMED print. Inquire within for framing. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase...

Collotype print. Animal Locomotion, Eadweard Muybridge, Copyright 1887, Plate number 291 and all right reserved all printed on the back of the print.

Untitled (Portrait of Roberta Kimmel Cohn) Silver gelatin print on photographic paper c. 1981 Signed with the photographer's hand stamp verso From a presentation portfolio given the ...

Slim Aarons Social Call, Las Brisas, Acapulco, 1972 Chromogenic lambda print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Char...

Gelatin silver print Signed, titled, and dated in pencil, verso 16 x 20 inches, sheet 15 x 19.25 inches, image This photograph is offered by ClampArt, located in New York City. Expl...

From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 7 x 7.5 inches, image 15 x 12 inches, mount This photograph is offered by ClampArt, located in New York City. An optician by trade, Ralph Eugene Meatyard was a self-described “dedicated amateur” photographer. He pursued his own vision to produce an exquisitely enigmatic, widely admired body of work. Meatyard began taking photographs in 1950, roaming the backwoods and towns in Kentucky, experimenting with framing, multiple exposures, and blurring to produce haunting, abstracted images of natural and manmade environments. In the late 1950s, he began incorporating monstrous, oversized latex masks...

'Great Minds' Duchess Anna Amalia Library Weimar, Germany 2017 55 x 50 inches ed. of 10 $6,000 66 x 60 inches ed. of 7 $9,000 77 x 70 inches ed. of 5...

This early 1970s portrait photograph, captured by society photographer Slim Aarons, features a surfer in the sea at Laguna Beach, California. This is an estate stamped and hand numb...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features guests at the La Jolla Beach and Tennis Club, La Jolla, San Diego. This is an estate stamp...

Archival pigment print Signed and numbered, verso 24 x 30 inches (Edition of 6) 30 x 40 inches (Edition of 6) This photograph is offered by ClampArt, located in New York City. Plea...

El Venero, the Moorish villa of Hector and Chico de Ayala in Marbella, Spain, 1971. El Venero 1971 Chromogenic Lambda Print Estate stamped and hand numbered edition of 150 with cert...

Snowy Egret in the Bayou by Cheryl Medow is a color portrait of a white bird perched on a branch, in front of a swampy landscape. Edition of 25 Signed and numbered in pencil, and bl...

Skiers walk up a mountain in Cortina D'Ampezzo, a ski resort in northern Italy, 1962. Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estat...

Domino Players, Lawn, TX by Chris Regas is a black and white gelatin silver print of cowboys playing dominos at the back of a bar. Gelatin Silver Print 8 1/2 x 11 3/8 in. Signed on ...

This early 1950s portrait photograph, captured by society photographer Slim Aarons, features Marilyn Monroe (1926 - 1962), wearing a red negligee trimmed with black lace, sorts out h...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features guests at the La Jolla Beach and Tennis Club, La Jolla, San Diego. This is an estate stamp...

Tim Engelland (American, 1950-2012) Untitled, 1988 Woodcut 8 1/2 x 11 in. Signed, dated, and numbered bottom: 92/250, T. Engelland, 1988 A lifelong artist, Engelland specialized in oil portraits and landscapes, and also worked extensively in woodcuts and linocuts. He was born on Jan. 5, 1950, in Ames, Iowa, the son of Charles Wilbur “Will” Engelland and Patricia Fairman Engelland.. Tim grew up in Terre Haute, IN, attending Fairbanks Elementary School and Indiana State University’s Laboratory School. He knew he wanted to be an artist from an early age, and was mentored by Lab School’s John Laska, graduating in 1968. He received a BFA from Temple University’s Tyler School of Art; was a Norfolk Fellow at Yale University; and received his MFA from Cornell University, teaching there for two years after graduation. He spent the majority of his career, from 1976-2004, at Deerfield Academy...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features guests at the La Jolla Beach and Tennis Club, La Jolla, San Diego. This is an estate stamp...

Tim Engelland (American, 1950-2012) Untitled, 1989 Woodcut 11 x 8 1/2 in. Signed and dated lower right Numbered lower left 29/250 A lifelong artist, Engelland specialized in oil po...

Gelatin silver print Signed, titled and dated, verso of mount This photograph is offered by ClampArt, located in New York City. Over the course of more than two decades, Bruce Crats...

This late 1950s maritime photograph, captured by society photographer Slim Aarons, features the British ocean liner 'SS Queen of Bermuda' in Hamilton Harbour, Bermuda. This is an es...

This Photograph features a beautiful Geisha walking it the rain holding a red umbrella. Geisha are Japanese women who entertain through performing the ancient traditions of art, danc...

Leonard Dalsemer and his family at their villa in Lyford Cay, New Providence Island, April 1974. Complimentary dealer shipping to your framer, worldwide. Undercurrent Projects is p...

Boy and Hawk by Keith Carter Signed limited edition 11/35, 2005 Silver gelatin, vintage print made by the artist Signed au verso in pencil by the artist Printed image 15" x 15" Pap...

Hand Signed by Lynn Goldsmith Limited Edition of 20 ...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features the race driver Gordon C. MacKenzie in Franconia, New Hampshire. This is an estate stampe...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features the race driver Gordon C. MacKenzie in Franconia, New Hampshire. This is an estate stampe...

Pinhole camera Chromogenic print (Unique) Signed and dated, verso This artwork is offered by ClampArt, located in New York City. Robert Calafiore employs a hand-built pinhole camer...

"Just Echoes" is a compelling piece of contemporary urban photography by James Chadwick, weaving together the fragmented memories of city life through layers of texture, faded symbol...

Slim Aarons Las Brisas Slim Aarons Estate Edition Apartments and pools at the La Concha Beach Club in Las Brisas resort in Acapulco, Mexico, January 1968 ...

signed in ink and with photographer stamp verso and hand written title.. Jack Kerouac, He called himself Jean-Louis Lebris de Kérouac); 1922 – 1969 was an American novelist and poet ...

Spanish actress and singer Carmen Sevilla. (Photo by Slim Aarons/Getty Images) Slim Aarons Carmen Sevilla Chromogenic Lambda print 1957, Printed Later Slim Aarons Estate Edition Com...

This 1970 portrait photograph, captured by society photographer Slim Aarons, features a poolside party at a desert house, designed by Richard Neutra for Edgar J. Kaufmann, in Palm Sp...

This 1970 portrait photograph, captured by society photographer Slim Aarons, features a poolside party at a desert house, designed by Richard Neutra for Edgar J. Kaufmann, in Palm Sp...

Doug Rickard (American b.1968) Limited Edition Archival Pigment Print. Features the work titled; A New American Picture - Detroit. Signed on verso and numbered 4/5. Work: 26 in. x 41 1/2 in. Frame: 26 1/2 in. x 42 in. Doug Rickard’s A New American Picture offers a startling and fresh perspective on American street photography. All of the images are appropriated from Google Street View; over a period of two years, Rickard took advantage of the technology platform’s comprehensive image archive to virtually drive the unseen and overlooked roads of America, bleak places that are forgotten, economically devastated, and abandoned. With an informed and deliberate eye, Rickard finds and decodes these previously photographed scenes of urban and rural decay. A New American Picture depicts American street scenes, located using the internet platform Google Street View. Over a four-year period, Rickard took advantage of Google’s massive image archive to virtually explore the roads of America looking for forgotten, economically devastated, and largely abandoned places. After locating and composing scenes of urban and rural decay, Rickard re-photographed the images on his computer screen with a tripod- mounted camera, freeing the image from its technological origins and re-presenting them on a new documentary plane. The low-resolution images that Rickard favors have a dissolved, painterly effect, and are occasionally populated with figures who acknowledge the camera, but whose faces are blurred, masking their identity. The photographs are thus imbued with an added surrealism and anonymity, which reinforces the isolation of the subjects and emphasizes the effects of an increasingly stratified American social structure. Rickard’s work evokes a connection to the tradition of American street photography, with knowing references to Walker Evans, Robert Frank and Stephen Shore. He both follows and advances that tradition, with a documentary strategy that acknowledges an increasingly technological world—a world in which a camera mounted on a moving car can generate evidence of the people and places it is leaving behind. Collectively, these images present a photographic portrait of the socially disenfranchised and economically powerless, those living an inversion of the American Dream.Doug Rickard (born 1968) is an American artist and photographer. He uses technologies such as Google Street View and YouTube to find images, which he then photographs on his computer monitor. His photography has been published in books, exhibited in galleries and held in the permanent collection of the San Francisco Museum of Modern Art. Rickard is best known for his book A New American Picture (2010). He is founder and publisher of the website on contemporary photography, American Suburb X, and the website These Americans which publishes some of his collection of found photographs. This work features a black, African American man in the foreground walking in a bleak neighborhood in Detroit, Michigan. Rickard was born in San Jose, California and brought up in Los Gatos in the San Francisco Bay Area. His father was a prominent pastor and many family members were preachers and missionaries, with a "very Reaganesque, patriotic view of America", a country "special and unique". Rickard studied United States history—slavery, civil rights—and sociology, at University of California, San Diego, and "lost his faith in this family vision. His adult view of America was a land not just of great achievement but also of massive injustice." At age 12 he witnessed his father having a secret extramarital affair, that years later in 1988 he confessed to his congregation. Rickard says this experience prompted him "to look for the fault lines in the American dream." He lives in Shingle Springs, near Sacramento, California. For his series A New American Picture, Rickard "wanted to look at the state of the country in these areas where opportunity is non-existent and where everything is broken down", where "the American dream was shattered or impossible to achieve". It is said that this work comments on United States politics, poverty, racial equality and the socioeconomic climate, class; the use of technology in art, privacy, surveillance, and the large quantity of images on the web. He cites as influences the photobooks American Photographs (1938) by Walker Evans, The Americans (1958) by Robert Frank, Uncommon Places (1982) by Stephen Shore and American Night (2003) by Paul Graham. The work was first exhibited as part of Anonymes: Unnamed American in Photography and Film, curated by David Campany and Diane Dufour at Le Bal, Paris, in 2010. To mark that occasion Rickard produced the first edition of the book, with the publisher White Press. Its first American museum show was at New York's Museum of Modern Art. Select Publications: Aperture Remix. New York: Aperture, 2012. A series of books made in homage to another Aperture publication, each in an edition of 5 copies. Rickard's was a response to Uncommon Places by Stephen Shore. The other publications were by Rinko Kawauchi, Vik Muniz, Alec Soth, Taiyo Onorato & Nico Krebs, Martin Parr, Viviane Sassen, Penelope Umbrico and James Welling. Produced in conjunction with the exhibition Aperture Remix. A New American Picture. Nazraeli Press Six by Six, set 4 v. 5. Portland, OR: Nazraeli, 2012. Edition of 100 copies. The other volumes are by Robert and Kerstin Adams, Edward Burtynsky, Kenro Izu, Catherine Opie and Issei Suda. Staking Claim: a California Invitational. San Francisco: Modernbook, 2013. Photographs by Rickard as well as Matthew Brandt, Susan Burnstine, Eric William Carroll, John Chiara, Chris Engman, Robbert Flick, Todd Hido, Siri Kaur, Mona Kuhn, Matt Lipps, David Maisel, Klea McKenna, Mark Ruwedel, Paul Schiek and Christina Seely. Catalogue of an exhibition held at the Museum of Photographic Arts, San Diego, CA. Select Exhibitions: Solo exhibition 2012: Yossi Milo Gallery, New York, October–November 2012. Group Exhibitions 2010: Anonymes: L’Amérique sans nom: Photographie et Cinéma (Anonymous: Unnamed America in Photography and Film), Le Bal, Paris, September–December 2010. A thematic exhibition with works by Rickard as well as Jeff Wall, Walker Evans, Chauncey Hare, Lewis Baltz, Standish Lawder, Sharon Lockhart...

This mid-1960s portrait photograph, captured by society photographer Slim Aarons, features American socialite Wendy Vanderbilt at home in Palm Beach, Florida, USA. This is an estate ...

This mid-1960s portrait photograph, captured by society photographer Slim Aarons, features American socialite Wendy Vanderbilt at home in Palm Beach, Florida, USA. This is an estate ...

This mid-1960s portrait photograph, captured by society photographer Slim Aarons, features American socialite Wendy Vanderbilt at home in Palm Beach, Florida, USA. This is an estate ...

This 1970 portrait photograph, captured by society photographer Slim Aarons, features a poolside party at a desert house, designed by Richard Neutra for Edgar J. Kaufmann, in Palm Sp...

"Almost Human Pt. 1" Photography 40" x 40" inch Edition 1/3 by Brendan North Available sizes: Edition of 15: 18" x 18" inch Edition of 7: 30" x 30" inch Edition of 3: 40" x 40" inc...

"The Creation of Champagne" Photography 18" x 24" in Ed. of 15 by Brendan North Available sizes: Edition of 15: 18" x 24" inch Edition of 3: 27" x 36" inch Edition of 3: 45" x 60" i...

This early 1970s portrait photograph, captured by society photographer Slim Aarons, features a surfer in the sea at Laguna Beach, California. This is an estate stamped and hand numb...

Available Sizes: 18 x 18 Edition of 3 30 x 30 Edition of 3 45 x 45 Edition of 3 60 x 60 Edition of 3 Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing...

Gelatin silver print (Edition of 10) Stamped and numbered, verso 16 x 20 inches, sheet 12 x 15.75 inches, image From the series, "Gymnasium" This photograph is offered by ClampArt,...

Slim Aarons Skiers At Gstaad 1969 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Skiers at Gstaad, Switzerland, 1969. Slim Aa...

This mid-1950s portrait photograph, captured by society photographer Slim Aarons, features a group of friends squeeze onto an inflatable raft at the Venice Lido, Venice, Italy. This...

Skiers on the slopes at Courchevel, France, 1963. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Slim Aarons Estate Modern estate edit...

Sunscreen II (Beachshoot) - 2005 48x46cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 1394. ...

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

In 1971, three hundred hippies set off from California in a convoy of 90 trucks and schoolbuses to find a new life. The pregnant women amongst them, out a desire to treat birth as a normal part of proceedings, passed around birth manuals and learnt to deliver each others' babies on the road. It was the memory of the very first woman, calmly and tenderly birthing in the arms of her husband in the back of a bus on a pitstop, that was to change the lives of two watching women...

Gondolas moored in Venice, 1957. In the background is the Church of San Giorgio Maggiore, on San Giorgio Maggiore island. Captured with the exquisite clarity and charm that epitomiz...

Edition # 1/4 This is the framed, varnished giclee print on Museo wax price listed. The photograph is only available for purchase framed. Quiescence - 2009 A mixture of portraits...

Skiers walk up a mountain in Cortina D'Ampezzo, a ski resort in northern Italy, 1962. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Sl...

This early 1950s portrait photograph, captured by society photographer Slim Aarons, features Marilyn Monroe (1926 - 1962), wearing a red negligee trimmed with black lace, sorts out h...

This early 1950s portrait photograph, captured by society photographer Slim Aarons, features Marilyn Monroe (1926 - 1962), wearing a red negligee trimmed with black lace, sorts out h...

1957: John Albert Edward Spencer Churchill, the 10th Duke of Marlborough (1897 - 1972) and his wife Mary relax on a bench in the grounds of Blenheim Palace, the family seat in Oxford...

Guests at a beach hut at the Hotel du Cap-Eden-Roc in Antibes on the French Riviera, August 1969. (Photo by Slim Aarons/Getty Images) Estate stamped and hand numbered edition of 150...

Gelatin silver print (Edition of 6) Signed and numbered, verso This artwork is offered by ClampArt, located in New York City.

Dust Storm (Vertical) by Steve McCurry is a 30 x 24 inch Digital C-Print on FujiFlex Crystal Archive Supergloss Paper, available in an edition of 75. This photograph features a group...