Continental US - Landscape Photography

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential among ...

Shot on a dramatic plateau high above the Atlantic Ocean north of Lisbon, Portugal. Available in a wide variety of sizes, mounts, printing and framing options.

Castello di Rivoli 2007 Chromogenic print Edition of 5 Italian, b. 1954, Florence, Italy, based in Florence, Italy Massimo Listri travels his native Italy and the world with his ca...

ABOUT THIS ARTIST: Merve Türkan and Ulaş Kesebir, are a self taught photography duo based in London. They have been working professionally since 2014 and in the end of the 2020 they ...

ABOUT THIS ARTIST: Samuel Escobar is an architect by trade, a hobbyist photographer and an all-round creative who loves to express his art and ideas through different mediums. Samuel...

"Retreat" This structure has stood the test of time to survive in Grand Teton National Park below the mountains of Wyoming. Experience the ...

Pete Kasprzak’s passion for city life is expressed in his dynamic urban artworks. Kasprzak’s artworks express energy and life with animated brush strokes. He adds dynamic movement an...

Untitled (Fairytales) - 2006, 48x59cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, matte finish, based on the original Polaroid. Certi...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: French photographer Ludwig Favre recently visited New York City. His ...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

A unique original silver gelatin black and white photography. Blagny France, the War Memorial, April 6, 1926. This photograph features a view of an automobile and a man in front of ...

Trees, Yosemite, California, USA by Michael Kenna presents tall, slender trees against a stark white background. This photograph is listed as a 6 x 8.75 inch sepia toned silver gelat...

These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. Amer...

A unique original silver gelatin black and white photography. The Town Hall street in Lyon, France, March 1927. A view of the town hall street in Lyon, France, dated March 13th, 192...

Untitled (Stage of Consciousness) - 2008 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #6328 Not mounted. ...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

This mid-1980s landscape photograph, captured by society photographer Slim Aarons, features guests relaxing on the terrace at the villa of Umberto and Pucci Nordio, Portofino This i...

From the Vanishing Vernacular series. Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and ...

Day or Night??, Original Landscape Photography, 2017 19" x 10" Artist Commentary: This photo was an un-expected surprise. In January 20...

"Prologue" Landscape Nude Photography 18" x 24" in Ed. 1/15 by Aaron Mcpolin Archival Giclee Print & Museum Framed Signed and numbered by the artist. Comes with COA issued by the ar...

It doesn’t matter if it’s Bermuda, Hawaii or Costa Rica, if there are palm trees and crystal clear water you’re daydreaming of hopping on the next flight out. However, your daily lif...

“The hovering installations featured in this ongoing series of photographs are inspired by self-organizing, "emergent" systems in nature such as termite mounds, swarming locusts, sch...

Massimo Listri Biblioteca di Ottobeuren in Germania 1994 c print edition of 5 Massimo Listri is a Florence-based photographer whose work often presents interiors of great architectu...

Towering monterey pines lean into the blue mist of the valley beyond.These iconic Monterey Pines are in the woods across the bay from San Francisco. A larger framed edition of this ...

A unique original silver gelatin black and white photography. Paris, Faubourg du Temple, view of one of the numerous cafés in Paris, 1926. Features: Original Silver Gelatin Print Pho...

ABOUT THIS ARTIST: "My name is Yura and I was born and live in the most beautiful city in Russia, St. Petersburg. The city will inspire and it is impossible not to create here. I love architecture and try to show its beauty to others." Yura Ukhorskiy...

"Plaza Hotel from Central Park in Autumn" Urban Photography by Allen Singer Archival pigment print on museum fine art paper Edition of 7 Includes certificate of authenticity. Signe...

'The Pilgrimage to the Black Rock' (Burning Man) Edition 2/10, 20x30cm, 2016, Color-Print, printed on Velvet Watercolor, 310gsm, Bright White, Acid Free, Signature label and Certificate. About Tao Ruspoli (born 7 November 1975) is an Italian-American filmmaker, photographer, and musician. Background He is the second son of occasional actor and aristocrat Prince Alessandro Ruspoli, 9th Prince of Cerveteri by Austrian-American actress Debra Berger. Tao was born in Bangkok, Thailand and raised in Rome and Los Angeles. He graduated from the University of California, Berkeley with a Bachelor of Arts in Philosophy. Career Moviemaker magazine singled out Ruspoli as one of the 10 Young Filmmakers To Watch in its spring 2008 issue. His feature narrative debut, Fix, was one of 10 feature films to screen in competition at the 2008 Slamdance Film Festival and soon afterward at the Santa Barbara International Film Festival where Ruspoli was awarded the Heineken Red Star Award for 'most innovative and progressive filmmaker.' Fix also won the Festival Award for Best Film at the 2008 Brooklyn Film Festival, Vail Film Festival and the 2008 Twin Rivers Media Festival, as well as other prizes at several international festivals. His most well-known documentary is Just Say Know, a personal discussion of his family's drug addiction. His other films include Flamenco: A Personal Journey, a feature length documentary about the flamenco way of life as it is lived by Gypsies in the south of Spain. He has directed a number of other short documentaries, including El Cable (also about Flamenco), and This Film Needs No Title: A Portrait of Raymond Smullyan (a portrait of the renowned logician, mathematician and concert pianist Raymond Smullyan). Tao founded LAFCO in 2000. The Los Angeles Filmmakers Cooperative, is a bohemian collective of filmmakers and musicians who work out of a converted school bus. Through LAFCO, Tao has produced several films and helped dozens of filmmakers to make their first films and discover the wonders of digital media. His producing credits include the feature film Camjackers, which he also acted in and co-edited. Camjackers won the best editing award at the 44th Ann Arbor Film Festival. Tao is an accomplished flamenco guitar player, and his first CD, FLAMENCO, was released on Mapleshade Records in 2005. He married actress Olivia Wilde in 2003. They divorced in 2011. He currently lives and works in the High Desert, California. He is the co-founder of the Bombay Beach Biennale. The Exaltation of Imagination Photographs and Musings in Defense of Burning Man by Tao Ruspoli The press around Burning Man had gotten so bad that I almost felt embarrassed to be going this year. Even Daniel Pinchbeck, famed psychonaut and burner par excellence, had written a thoughtful piece explaining why, after 15 consecutive years, he wasn’t going back this year: the festival had changed too much-the rich had taken over, it had gone from a relevant and fascinating social experiment to epitomizing the worst elements of capitalist excess. Besides, he seemed to be saying, the world is going through too many crises, both ecological and humanitarian, to justify the extravagance of an event like this. Keith Spencer...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California....

Rebecca Skinner’s "Trolley Car #3309" is part of her "End of the Line" series taking us back to the days of riding the railways and trolleys for transportation. The color photo is of...

Marie Craig’s “Warming 1” is a 10 x 13 inch color photograph, a part of the artist’s “ Natural Consequences” series. Rich blues dominate this photo, which is surrounded by a white ma...

a large scale photograph of lush emerald green nature biotope, a highly detailed observation of the natural beauty of the Northern California redwood forest Redwoods by Erik Pawassa...

Marie Craig's 'Knotweed’ is an original deep blue photograph of leaves and branches of the Japanese Knotweed plant. This piece was created using cyanotype, an early photographic proc...

Palm Springs Palm Trees (Californication) - 2023 40x40cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist I...

A Vision you can't Capture #04 (29 Palms, CA) - 2007 A piece from the 29 Palms, CA project 40x50cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. A...

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential among...

Winter Pool, 2013 50 x 75 cm, Edition of 1/5 plus 2 Artist Proofs. Digital Photography printed on Canson Barita 310gr (not mounted) Signed on back with Certificate. About myself I w...

Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and evolving features of the western roadsi...

Alexandre Manuel’s work captures landscapes at the delicate intersection of absence and presence, where nature unfolds with quiet drama. Through refined long-exposure techniques, eac...

Series: ORGANIC LANDSCAPE AERIAL All available sizes and editions: 40" x 30" editions of 10 60" x 45" editions of 5 80" x 60" editions of 3 Archival Pigment Print on Fine Art Baryt...

"Ashore" Ancient spruce trees revealed by a storm dot this remote stretch of the Pacific Coast. Inspired by this once-in-a-lifetime sunrise, the print series Ephemeral Shores is D...

Oleander (Life on Mars) - 2024 20x20m, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 22313....

Pete Kasprzak’s passion for city life is expressed in his dynamic urban artworks. Kasprzak’s artworks express energy and life with animated brush strokes. He adds dynamic movement an...

Ed. of 25, includes white frame. "Surf Dog" is part of Christophe von Hohenberg's ongoing series of minimal, dreamlike images captured on the beaches of America’s Northeastern shore...

Alexandre Manuel’s work captures landscapes at the delicate intersection of absence and presence, where nature unfolds with quiet drama. Through refined long-exposure techniques, eac...

Palazzo Hercolani, Bologna 2011 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. Mounted and framed The photographer is based in Florence, and is ...

Ochre Room, Havana, Cuba, 2014 Edition of 10 + 2AP Archival Pigment Print Framed “These works present my abiding interest in the thresholds that divide and connect the sea to land. ...

Alexandre Manuel’s work captures landscapes at the delicate intersection of absence and presence, where nature unfolds with quiet drama. Through refined long-exposure techniques, eac...

Frames that capture the transformation from everyday life into another reality. Images that explore how the future will look. The proposal comes from the contemporary but goes beyond...

Guests in the pool at the Algarve Hotel, the Algarve, Portugal, 1970 Slim Aarons Algarve Hotel Pool 1970. (printed later) C print Estate stamped and numbered edition of 150 with ...

A horseshoe beach on Great Harbour Cay, Bahamas, March 1973. Slim Aarons Great Harbour Cay 1973 C print (Printed later) Estate signature stamped and hand numbered edition of 150 wit...

Somewhere in Australia, 1995 - 46x20cm, Edition of 10, digital C-Print based on a 35mm negative. Signed on back with Certificate. Not mounted.

Untitled (The Last Picture Show), 2005 38x36cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the original SX-70 Polaroid. Inventory No. 781.02. Signature label and Certificate. Not mounted. LIFE’S A DREAM (The Personal World of Stefanie Schneider) by Mark Gisbourne Projection is a form of apparition that is characteristic of our human nature, for what we imagine almost invariably transcends the reality of what we live. And, an apparition, as the word suggests, is quite literally ‘an appearing’, for what we appear to imagine is largely shaped by the imagination of its appearance. If this sounds tautological then so be it. But the work of Stefanie Schneider is almost invariably about chance and apparition. And, it is through the means of photography, the most apparitional of image-based media, that her pictorial narratives or photo-novels are generated. Indeed, traditional photography (as distinct from new digital technology) is literally an ‘awaiting’ for an appearance to take place, in line with the imagined image as executed in the camera and later developed in the dark room. The fact that Schneider uses out-of-date Polaroid film stock to take her pictures only intensifies the sense of their apparitional contents when they are realised. The stability comes only at such time when the images are re-shot and developed in the studio, and thereby fixed or arrested temporarily in space and time. The unpredictable and at times unstable film she adopts for her works also creates a sense of chance within the outcome that can be imagined or potentially envisaged by the artist Schneider. But this chance manifestation is a loosely controlled, or, better called existential sense of chance, which becomes pre-disposed by the immediate circumstances of her life and the project she is undertaking at the time. Hence the choices she makes are largely open-ended choices, driven by a personal nature and disposition allowing for a second appearing of things whose eventual outcome remains undefined. And, it is the alliance of the chance-directed material apparition of Polaroid film, in turn explicitly allied to the experiences of her personal life circumstances, that provokes the potential to create Stefanie Schneider’s open-ended narratives. Therefore they are stories based on a degenerate set of conditions that are both material and human, with an inherent pessimism and a feeling for the sense of sublime ridicule being seemingly exposed. This in turn echoes and doubles the meaning of the verb ‘to expose’. To expose being embedded in the technical photographic process, just as much as it is in the narrative contents of Schneider’s photo-novel exposés. The former being the unstable point of departure, and the latter being the uncertain ends or meanings that are generated through the photographs doubled exposure. The large number of speculative theories of apparition, literally read as that which appears, and/or creative visions in filmmaking and photography are self-evident, and need not detain us here. But from the earliest inception of photography artists have been concerned with manipulated and/or chance effects, be they directed towards deceiving the viewer, or the alchemical investigations pursued by someone like Sigmar Polke. None of these are the real concern of the artist-photographer Stefanie Schneider, however, but rather she is more interested with what the chance-directed appearances in her photographs portend. For Schneider’s works are concerned with the opaque and porous contents of human relations and events, the material means are largely the mechanism to achieving and exposing the ‘ridiculous sublime’ that has come increasingly to dominate the contemporary affect(s) of our world. The uncertain conditions of today’s struggles as people attempt to relate to each other - and to themselves - are made manifest throughout her work. And, that she does this against the backdrop of the so-called ‘American Dream’, of a purportedly advanced culture that is Modern America, makes them all the more incisive and critical as acts of photographic exposure. From her earliest works of the late nineties one might be inclined to see her photographs as if they were a concerted attempt at an investigative or analytic serialisation, or, better still, a psychoanalytic dissection of the different and particular genres of American subculture. But this is to miss the point for the series though they have dates and subsequent publications remain in a certain sense unfinished. Schneider’s work has little or nothing to do with reportage as such, but with recording human culture in a state of fragmentation and slippage. And, if a photographer like Diane Arbus dealt specifically with the anomalous and peculiar that made up American suburban life, the work of Schneider touches upon the alienation of the commonplace. That is to say how the banal stereotypes of Western Americana have been emptied out, and claims as to any inherent meaning they formerly possessed has become strangely displaced. Her photographs constantly fathom the familiar, often closely connected to traditional American film genre, and make it completely unfamiliar. Of course Freud would have called this simply the unheimlich or uncanny. But here again Schneider almost never plays the role of the psychologist, or, for that matter, seeks to impart any specific meanings to the photographic contents of her images. The works possess an edited behavioural narrative (she has made choices), but there is never a sense of there being a clearly defined story. Indeed, the uncertainty of my reading here presented, acts as a caveat to the very condition that Schneider’s photographs provoke. Invariably the settings of her pictorial narratives are the South West of the United States, most often the desert and its periphery in Southern California. The desert is a not easily identifiable space, with the suburban boundaries where habitation meets the desert even more so. There are certain sub-themes common to Schneider’s work, not least that of journeying, on the road, a feeling of wandering and itinerancy, or simply aimlessness. Alongside this subsidiary structural characters continually appear, the gas station, the automobile, the motel, the highway, the revolver, logos and signage, the wasteland...

Plane (Vegas) - 2000 Edition 4/10, 44x59cm. Analog C-Print, hand-printed and enlarged by the artist, based on the Polaroid. Certificate and Signature label. Artist Inventory #54...

Alexandre Manuel’s work captures landscapes at the delicate intersection of absence and presence, where nature unfolds with quiet drama. Through refined long-exposure techniques, eac...

Giacomo and Stefania Mantegazza welcome guests arriving by boat at their villa, La Casinella, on Lake Como. Slim Aarons Giacomo Mantegazza, Villa La Casinella, Lake Como Slim Aarons...

Second Edition 1/10 Printed to Order Also available in 20"x30" . Photo taken in Amagansett NY *Photography: U Wash Truck, Death Valley and Mulford Lane, Amagansett 2012 have been...

*22x30" editions and 24x36" editions are platinum prints. Editions with a width of 60" or greater are archival pigment prints* Baobabs are one of Africa’s natural wonders: they can live more than 2,500 years, and their massive, water-storing trunks can grow to more than one hundred feet in circumference. They also serve as a renewable source of food, fiber, and fuel, as well as a focus of spiritual life. But now, suddenly, the largest baobabs are dying off , literally collapsing under their own weight. Scientists believe these ancient giants are being dehydrated by drought and higher temperatures, likely the result of climate change. Photographer Beth Moon, already responsible for some of the most indelible images of Africa’s oldest and largest baobabs, has undertaken a new photographic pilgrimage to bear witness to this environmental catastrophe and document the baobabs that still survive. In this oversize volume, she presents breathtaking new duotone tree portraits of the baobabs of Madagascar, Senegal, and South Africa. She also recounts her eventful journey to visit these fantastic trees in a moving diaristic text studded with color travel photos.

California Dreaming by Frank Schott from a series of photographs capturing the Golden State's vast desert landscapes 27 x 40 inches / 68cm x 102cm edition of 25 signed 48 x 72 inches / 122cm x 183cm edition of 7 signed archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity ________________________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Michael Wolf, Gregory Crewdson, William Eggleston and Joel Sternfeld, Schott's images successfully blend technical, conceptual and formal rigor with a decisive sense of composition and color. Schott's images have an iconic sensibility and give us a bird's eye view onto humanity and its constructs. The specific is edged towards the abstract, often revealing the compelling and disjunctive moment where nature meets man. Frank Schott was born in Cologne, Germany in 1962. He currently lives and works in San Francisco...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: French photographer Ludwig Favre recently visited La Muralla Roja in ...