Continental US - Prints and Multiples

Zapata David Alfaro Siqueiros (After), Mexican (1896–1974) Date: Printed 1966 of original: 1913 Lithograph, signed in the plate Image Size: 18 x 13.5 inches Size: 23 x 17 in. (58.42...

Artist: Peter Max (1937) Title: Cosmic Flyer in Space Year: 2003 Edition: 497/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.5 x 3 inches Condition: Excellent Ins...

Jackson Pollock 400% & 100% Bearbrick Vinyl Figure (set of 2): A rare highly collectible Bearbrick Jackson Pollock statue piece, splattered from head to toe in Pollock’s signature a...

Paper Size: 25 x 20 inches ( 63.5 x 50.8 cm ) Image Size: 23.75 x 19.5 inches ( 60.325 x 49.53 cm ) Framed: No Condition: A: Mint Additional Details: This vibrant offset lithograph ...

This screen print depicts one of Celmins' signature subjects, the spider web, which she has represented in various media, including charcoal, oil paint, and multiple printmaking tech...

Artist: Keith Haring Title: Apocalypse 2 Size: 38 × 38 in 96.5 × 96.5 cm Medium: Screenprint in colors on Lenox Museum Board Edition: 22 of 90 Year: 1988 Notes: Hand-signed by artist, Signed, numbered, and dated in pencil. Published by George Mulder Fine Arts, New York. Catalog Raisonne: Littmann, 98. Text: Willliam S. Burroughs Page 2 The planet is pulling loose from its moorings, careening into space, spilling cities and mountains and seas into the Void, spinning faster and faster as days and nights flash by like subway stations. Iron penis chimneys ejaculate blue sparks in a reek of ozone, tunnels crunch down teeth of concrete and steel, flattening cars like beer cans...

Large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles, and hand painting in grey. Hang in contemporary...

Flower Vase, Red Camellia, white plum, white daffodils and orchids Color woodcut, c. 1950 Signed "B. Ohno" (see photo) Seal: Bakufu (see photo) Series: Flowers of the Four Seasons Ca...

Zladku Oliver Small Cabin Color Lithograph Year: Unknown Signed by hand and inscribed Size: 7.8 × 11.7 on 10.9 × 14.8 inches COA provided (gallery issued) ------------------ Zladk...

Copper-plate engraving, hand-colored, 1608 - c.1630 and published by Joannes Jansonius, Amsterdam. Image size 15.75 x 21.19 inches (40 x 53.9 cm). A classic example of a world ma...

Paper Size: 23.5 x 31 inches ( 59.69 x 78.74 cm ) Image Size: 23.5 x 31 inches ( 59.69 x 78.74 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Deta...

Artist: Joan Mitchell (American, 1925-1992) Title: "Untitled" (Page 92-93) Portfolio: One Cent Life *Unsigned edition Year: 1964 Medium: Original Lithograph on wove paper Limited edi...

Paper Size: 33 x 23.5 inches ( 83.82 x 59.69 cm )_x000B_Image Size: 33 x 23.5 inches ( 83.82 x 59.69 cm )_x000B_Framed: No_x000B_Condition: A-: Near Mint, very light signs of handlin...

SABBATH ANGELS is an original hand drawn lithograph(not a photo reproduction or digital print) by the American artist/sculptor Chaim Gross, presenting an impressive sculptural drawing of two majestic female angels welcoming the sabbath as two lit candlesticks glow beneath the wings of the yellow angel. SABBATH ANGELS was hand proofed and printed from lithographic plates on archival Arches paper, 100% acid free. SABBATH ANGELS is a contemporary style angel portrait measuring 14 x 20.5 inches, image size is 9.25 x 15 inches, a very fine impression pulled from hand drawn lithography plates. Printed in transparent watercolor shades of light blue, light brown red, yellow and graphite black for the pencil drawing using the age-old hand printing methods first used in fine art lithography printmaking. Chaim Gross,(1904 - 1991) was a sculptor, artist, and teacher, known for his wood carvings, sculptures of moving human figures, religious imagery, acrobats, mothers and children. Chaim was born on March 17, 1904 to a Jewish family in Austrian Galicia, in the village of Wolowa in the Carpathian Mountains. In 1911, his family moved to Kolomyia. During World War I, Russian forces invaded Austria-Hungary; amidst the turmoil, the Grosses fled Kolomyia. They returned when Austria retook the town in 1915, refugees of the war. When World War I ended, Gross and brother Avrom-Leib went to Budapest, where Gross attended the city's art academy and studied with painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna shortly before emigrating to New York City in 1921. In the U.S., Gross's studies continued at the Beaux-Arts Institute of Design, where he studied sculpture with Elie Nadelman and others, and at the Art Students League, with sculptor Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky. In the late 1920s and early 1930s Gross exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club (the precursor to the Whitney Museum of American Art). In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. Also in 1932, Gross married Renee Nechin (1909-2005), and they had two children, Yehuda and Mimi (Mimi Gross is a New York-based artist, and was married to the artist Red Grooms from 1963-1976). In 1933, Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration). Under these programs Gross taught and demonstrated art, made sculptures for schools and public colleges, and created works for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the 1937 Exposition universelle in Paris. Chaim Gross, Sculptor by Josef Vincent Lombardo, the first major book on Gross, came out in 1949 and included a catalogue raisonne of his sculpture. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1963, Gross and his family moved from their longtime residence at 30 W. 105th Street to Greenwich Village, following the purchase of a four-story historic townhouse at 526 LaGuardia Place, which is now the Renee Chaim Gross Foundation. In 1974, the Smithsonian American Art Museum held the exhibition, Chaim Gross: Sculpture and Drawings, and in 1976, a selection from Gross's important collection of historic African...

This atmospheric landscape framed monotype print by Kris Ekstrand, depicts marshland, mountains and sky in the Pacific Northwest. Preserved in a custom frame with archival matte, sig...

Artist: Robert Indiana Title: The Book of Love 5 Medium: Serigraph Date: 1996 Edition: Trial Proof (aside from the edition of 200) Frame Size: 30" x 28 1/4" Sheet Size: 24" x 20" Sig...

Claude Renoir, la Tete Baisee (Claude Renoir, Head Lowered) Lithograph, 1904 Edition 1,000, this one of 950 on wove paper with the stamp signature (there were also 50 impressions pri...

Sam Francis Untitled Abstract Expressionist lithograph (Hand Signed from the Carnegie Museum Deluxe Edition), 1972 Catalogue Raisonné: 155, Lembark Hand signed and numbered 25/30 on...

The Coronation of Gala (The Empress) from Visions Surrealiste Salvador Dali, Spanish (1904–1989) Portfolio: Visions Surrealiste Date: 1976 Lithograph, signed and numbered in pencil E...

Mikio Watanabe created "Confident", a side view of a sensuous female nude, exclusively for Stone and Press Gallery. The 2004 black and white mezzotint was issued in an edition of on...

Monoprint with screenprint, collage, acrylic, stitching and embossing in colors on handmade paper, 1994, signed, dated, titled, and numbered 10/40 (each unique) in black and silver i...

This exquisite lithograph, titled Sans titre (Untitled), by Leonor Fini, from the folio Parallelement (Parallel), Illustre de lithographies originales de Leonor Fini (Illustrated with Original Lithographs by Leonor Fini), 1969, was published and printed by Pierre de Tartas, Paris-Bievres, Paris, 1969. Executed as a lithograph on grand velin d'Arches paper, this work exemplifies the technical refinement and sophisticated aesthetic that defined the finest Parisian printmaking of the mid-twentieth century. Measuring 15.94 x 11.61 inches, the work is unsigned and unnumbered as issued. Printed on grand velin d'Arches paper, the composition reveals Finis distinctive blend of psychological intensity, theatrical sensuality, and symbolic mysticism. Artwork Details: Artist: Leonor Fini (1907–1996) Title: Sans titre (Untitled), from the folio Parallelement (Parallel), Illustre de lithographies originales de Leonor Fini (Illustrated with Original Lithographs by Leonor Fini) Medium: Lithograph on grand velin d'Arches paper Dimensions: 15.94 x 11.61 inches (40.5 x 29.5 cm) Inscription: Unsigned and unnumbered as issued Date: 1969 Publisher: Pierre de Tartas, Paris-Bievres, Paris Printer: Pierre de Tartas, Paris-Bievres, Paris Catalogue Raisonne Reference: Monod, Luc. Manuel de L'amateur de Livres Illustres Modernes: 1875-1975. Ides and Calendes, 1992, No. 11122. Condition: Well preserved, consistent with age and medium Provenance: From the folio Parallelement, published and printed by Pierre de Tartas, Paris-Bievres, Paris, 1969 Notes: Excerpted from the folio (translated from French), Justification of draw: a unique example on Japon nacre, including two original watercolors specially executed for the work, two vouchers to shoot, a suite of all the plates on grand velin d'Arches, a continuation of all the plates on Japon nacre, signed by the Artist, as well as a series of the plates refused on grand velin d'Arches; a unique example. XX examples on Japon nacre with an original watercolor of the Artist executed for the work, a suite of all the plates on grand velin d'Arches, a continuation of all the plates on Japon nacre, signed by the Artist, as well as a series of the plates refused on grand velin d'Arches; lettered from A to T; XXX examples on Japon nacre including a suite of all the boards on grand velin d'Arches, as well as a suite of the plates refused on grand velin d'Arches; numbered from I to L. LX examples on grand velin d'Arches, including a suite of the six double-boards on grand velin d'Arches, as well as a series of the plates refused on grand velin d'Arches; numbered from XXXI to XC. CCC grand velin d'Arches, with the definitive state of the illustrations; numbered from XCI to CCXC; In addition, some examples were drawn, all nominative, reserved for the Artist, the Publisher and those who contributed to the production of this album. All examples are signed by the Artist on the colophon, the publisher, and endorsed by Ministere d'Huissier de Justice. On Japon nacre, it was taken from the sequels of the plates numbered and signed by the Artist. About the Publication: Parallelement (Parallel), published and printed in 1969 by Pierre de Tartas, Paris-Bievres, is one of the most refined and luxurious livres d'artiste of the late twentieth century, uniting Paul Verlaines celebrated poetry with the visionary imagery of Leonor Fini. Produced with uncompromising standards of printing, paper, and typographic craftsmanship, the folio exemplifies the golden era of French limited-edition printmaking. Issued in multiple paper states—from Japon nacre to grand velin d'Arches—the album reflects the meticulous care, material richness, and artistic ambition characteristic of Pierre de Tartas' finest publications, affirming its status as a masterwork in the tradition of French illustrated albums. About the Artist: Leonor Fini (1907–1996) was an Argentine-born Italian-French painter, illustrator, author, and stage designer whose electrifying fusion of myth, mysticism, eroticism, and psychological depth established her as one of the most unmistakable and influential artistic voices of the twentieth century. Celebrated for depicting women as sovereign, enigmatic, and psychologically commanding beings, Fini rejected the patriarchal hierarchy of Surrealism even as she exhibited alongside its foremost figures, forging instead a fiercely independent path defined by theatricality, female autonomy, and visionary imagination. Her richly symbolic universe filled with sphinxes, priestesses, witches, and androgynous guardians was shaped by a broad constellation of influences including Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, while also drawing deeply from Symbolist painting, Renaissance portraiture, and Venetian colorism. Moving among artists such as Max Ernst, Giorgio de Chirico, Leonora Carrington, Dorothea Tanning, Meret Oppenheim, and Pavel Tchelitchew, she nevertheless maintained a singular vision whose impact reverberates through the work of later creators including Kiki Smith, Cindy Sherman, Marlene Dumas, Tracey Emin, Pierre et Gilles, Laurie Simmons, and numerous feminist and queer artists who embraced her exploration of gender, identity, and psychological mythology. A prolific illustrator and designer, Fini also shaped European performance culture through celebrated costumes and stage designs, while her paintings entered major museum collections worldwide, including the Metropolitan Museum of Art, the Tate Modern, Centre Pompidou, the Museum of Modern Art in Buenos Aires, and the Moderna Museet. Known for her imaginative freedom, elaborate personal style, and legendary Parisian salon, she remains a defining figure in feminist and avant-garde art history. The highest auction record for Leonor Fini was achieved when her self-portrait Autoportrait au Scorpion sold for 2,319,000 USD at Sotheby's New York on May 12, 2021, underscoring the dramatic rise in appreciation for her visionary legacy. Keywords: Leonor Fini print, Parallelement Fini, Leonor Fini lithograph...

Paper Size: 25 x 19.5 inches ( 63.5 x 49.53 cm ) Image Size: 19 x 14 inches ( 48.26 x 35.56 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional De...

Medium: original lithograph. This lithograph is from the rare 1953 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1953 Spr...

Artist: Albert Hirschfeld Title: Kabuki Kyo Medium: Lithograph, signed and numbered in pencil Edition: 1116/275 Size: 30 x 21.75 in. (76.2 x 55.25 cm)

Artist: (after) Ellsworth Kelly (American, 1923-2015) Title: "Fondation Maeght (Red, Yellow, Blue)" *Issued unsigned Year: 2005 Medium: Original Litho...

Artist: Joan Mitchell (American, 1925-1992) Title: "Fields I" Portfolio: Fields *Signed and numbered by Mitchell in pencil (on second sheet) lower right Year: 1992 Medium: Original E...

One of the most acclaimed artists to emerge from post-war Asia, Takashi Murakami is known for his signature “Superflat” aesthetic: a colorful, two-dimensional style that straddles th...

Artist: (after) Roy Lichtenstein (American, 1923-1997) Title: "Yale University Art Gallery (Thinking of Him)" Series: Yale University Art Gallery Posters Year: 1991 Medium: Original Offset-Lithograph, Poster on smooth wove paper Limited edition: Unknown Printer: Springdale Graphics, Springdale, CT Publisher: Yale University Art Gallery, New Haven, CT Sheet size: 27" x 26" Image size: 22.25" x 22.5" Condition: Never framed, has been professionally stored away for decades. In excellent condition Notes: Provenance: acquired directly from the printer Springdale Graphics, Springdale, CT. Comes from the 1991 "Yale University Art Gallery" series of three offset-lithograph, posters: "Thinking of Him", "Blam", and "Washing Machine". The image featured on this poster is Lichtenstein's 1963, 68" x 68", magna on canvas painting "Thinking of Him" which is part of the Yale University Art Gallery's permanent collection. GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: American artist Roy Lichtenstein was born in New York City on October 27, 1923, and grew up on Manhattan's Upper West Side. In the 1960s, Lichtenstein became a leading figure of the new Pop Art movement. Inspired by advertisements and comic strips, Lichtenstein's bright, graphic works parodied American popular culture and the art world itself. He died in New York City on September 29, 1997. Lichtenstein was committed to his art until the end of his life, often spending at least 10 hours a day in his studio. His work was acquired by major museum collections around the world, and he received numerous honorary degrees and awards, including the National Medal of Arts in 1995. In 2013 the painting "Woman with Flowered Hat" set another record at $56.1 million as it was purchased by British jeweler Laurence Graff...

This limited edition print, titled Composition, May 1953, is a striking work on thick paper, showcasing the artist's distinctive style. The print is hand-numbered 30 out of a limited...

Lithograph and original issue World Federation of United Nations Associations postage stamp on vélin paper. Inscription: Signed in the plate, as issued. Good condition. Notes: Publis...

KAWS Clean Slate (grey) new & unopened in its original packaging. A well-received work and variation of KAWS' large scale Clean Slate sculpture - a key highlight of KAWS’ major mus...

Yayoi Kusama MoMa Skateboard Deck: This Kusama skateboard deck features Kusama's Dots Obsession imagery and makes for standout Kusama wall art that hangs with ease. Published by MoMa...

Artist: Louis Icart, French (1888 - 1950) Title: Conchita Year: 1929 Medium: Etching, signed in pencil Image Size: 20 x 13 inches Frame Size: 32.5 x 25 inches Reference: Figure 361 ...

This reproduction poster of Mark Rothko's Green on Purple, created for the Thyssen-Bornemisza National Museum in Spain, is published from their permanent collection. Originally paint...

A colorful geometric screenprint by American artist Barbara Lynch Zinkel inspired by the Josef Albers "Homage to the Square". Date: 1994 Medium: Screenprint, estate stamped verso an...

Artist: Ellsworth Kelly (American, 1923-2015) Title: "Galerie Maeght" Year: 1964 Medium: Original Lithograph, Exhibition Poster on light wove paper Limited edition: Unknown Printer...

Untitled XXVI Piero Dorazio, Italian (1927–2005) Date: 1970 Screenprint, signed and numbered in pencil Edition of 37/80 Size: 28.5 x 38.5 in. (72.39 x 97.79 cm) Printer: Erker Presse...

“Cicada” is a color lithograph by American abstract expressionist artist, Jasper Johns from 1981. The work is edition 31/58 and signed lower right, "J J ’91” with framed dimensions o...

Keith Haring ‘Kutztown Connection’ 1984: This rare vintage 1980s Keith Haring poster was illustrated by Haring in conjunction with the Benefit Performances for the New Arts Program o...

TallerOr Screen print printed on "card board" (cream poster board), 1968 Signed and numbered in pencil Edition: 150 (54/150), plus 11 for the Vasarely Fou...

Lithograph on Van Gelder Zonen Bütten paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Der Mensch ist kein Haustier, 1937. Published by...

Etching printed in brownish black on light tan Chine collé, 1861. Image measures 6 x 5 inches, displayed in a 15.5 x 12.5 inch frame. Etched signature and date lower left. A very goo...

Title Julie Curtiss Woman In High Heels Small Edition Of Only 10 - 17 X 11 Pristine Condition Year 2019 Classification Limited edition Medium Type Print ...

Andy Warhol, Jean-Michel Basquiat boxing pictorial, 1985. Rare vintage 1985 large sized magazine advertisement for the historic Andy Warhol and Jean-Michel Basquiat collaborations sh...

Earl Horter, 'The Woolworth Building Under Construction', etching, c. 1912, edition not stated. Signed in pencil. A fine, richly-inked impression, in warm black ink, with selectively...

Artist: Andy Warhol Title: Wayne Gretzky #99 Medium: Screenprint on Lenox Museum Board Date: 1984 Edition: AP 32/50 Sheet Size: 40" x 32" Signature: Hand signed by Andy Warhol and Wa...

Henri de Toulouse-Lautrec, French (1864 - 1901) - Ta Bouche, Year: Of Original: 1893 Printed: circa 1901, Medium: Lithograph, Image Size: 10 x 7 inches, Size: 14.75 x 11 in. (37.4...

VICTOR VASARELY – "ZEBRES 1" ⚜ Serigraph ⚜ Hand Signed and Numbered ⚜ Edition of 120 VASARELY’S ICONIC ZEBRAS Created in 1976 and published by the Foundation Vasarely in an edition ...

This exquisite lithograph after Georges Braque (1882–1963), titled L’Oiseau volant (The Flying Bird), from Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, origina...

Sonia Delaunay 1885–1979 Composition with Semicircles 1970 etching and aquatint in colors on Arches signed in pencil l.r. and numbered also in pencil 8/125 l.l. image: 19½ h × 15½...

Artist: Hans Bellmer, German Title: Petit traite de Morale Year: 1968 Medium: Color Etching, signed in pencil Image Size: 10.5 x 8.5 inches Frame Size: 20 x 16 inches

Pablo Picasso may be best known for pioneering Cubism and fracturing the two-dimensional picture plane in order to convey three-dimensional space. Inspired by African and Iberian art...

Adolf Frohner, Austrian (1934 - 2007) - Woman, Year: circa 1978, Medium: Etching, signed and numbered in pencil, Edition: E.D.A, Image Size: 7.75 x 7 inches, Size: 11.5 x 8.5 in. (...

This exquisite lithograph by Joan Miro (1893–1983), titled La femme au miroir (Woman with a Mirror), from the folio Derriere le miroir, 10 Ans d'Edition 1946–1956, No. 92–93, origina...

This is an original 19th century duotone lithograph entitled "Approach of the Simoon, Desert of Gizeh" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, ...

"Citadine en Tenue de Ménagère" translated to "Townwoman Dressed For Housework" is plate number 9 in Jean Besancenot's stunning portraits and depictions of the people of Morocco from...

Ella Fort St. Raphael (Provence, seascapes, countryside art, Impressionist) Color lithograph Signed, numbered or inscribed Edition: 390 + 10 E.A. size:...

Sagittarius, 2018, digital collage print, surreal figurative, astrology, astrological sign, metallic gold edge, on glossy heavy card stock with pink art deco design on reverse.

Artist: Keith Haring Title: Growing I Size: 40 1/8 x 29 7/8 in. (101.9 x 75.9 cm) Medium: Screenprint in colors, on Lenox Museum Board, with full margins. Edition: 85 of 100 Year:...