Continental US - Prints and Multiples

Pot Heads (Humans) is a lithograph on paper, 9 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 205/275 (there were ...

This is an original 19th century duotone lithograph entitled "Interior of the Temple of Aboo Simbel" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, pu...

Laura Moriarty's Ex Uno Plures 7 is a contemporary encaustic monotype on Japanese kozo paper. Layers of pigmented beeswax on lightweight paper create an undulating composition sugges...

LIMITED EDITION PRINT - Edition of 75 signed by the artist. Price for unframed. Ask us for custom framing options for this piece. Craig Alan is a Pop Surrealist, internationally rec...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

Medium: original lithograph. Catalogue reference M 141. This beautiful color lithograph was printed by Mourlot and published in Paris by Teriade for Verve in 1956 for a special editi...

This artwork "Mother and Children" c.1970, is a colors lithograph on paper by American artist Edna Hibel, 1917-2014. It is signed and numbered II 3/10 Ed. 200 in pencil by the artist. The The artwork (sheet ) size is 34 x 23 inches, framed size is 40 x 29 inches. Custom framed in original wooden decorated grey/silver frame. It is in excellent condition. About the artist: Edna Hibel, a painter of sentimental pictures of children, has had a more than 60-year career as painter and lithographer and promoter of peace through exhibitions of her artwork. She was born in 1917 in Boston, Massachusetts. Her parents were Abraham and Lena Hibel, and she was raised in the Boston area and educated at Brookline High School where she met her future husband, Theodore Plotkin. She began to paint when she was nine years old and learned watercolor during summers at the shore where her family vacationed in Maine and Hull, Massachusetts. Hibel studied at the Boston Museum School of Fine Arts, from 1935-39, receiving a Sturtevant Traveling Fellowship to Mexico. In Boston, in 1966, she began lithography, continuing in 1970 in Zurich, where she still works every year. She has created lithographic works with up to 32 stones (or colors) on paper, silk, wood veneer and porcelain. The latter pieces are called lithographs on porcelain and result from a complicated process, that she keeps a secret, whereby she transfers stone lithographic color separations onto Bavarian hard paste porcelain. Hibel has created the "Arte Ovale" series and various plaques with this technique. She organized the Edna Hibel Museum of Art, in Jupiter, Florida, to display and promote her work and also created a United Nations stamp, "Mother Earth." In 1995, she was commissioned by the Foundation of the U.S. National Archives to commemorate the 75th anniversary of women receiving the universal right to vote. At the ceremony, Ms. Lucy Baines Johnson referred to Hibel as the "Heart and Conscience of America." In November, 2001, the World Cultural Council based in Mexico City gave her the Leonardo da Vinci World Award of Arts. Hibel's work has been exhibited in museums and galleries in more than 20 countries including Russia, Brazil, China, Costa Rica, and the United States, and under the royal patronage of Count and Countess Bernadotte of Germany, Count Thor Bonde of Sweden, Prince and the late Princess Rainier of Monaco and Her Majesty Queen Elizabeth II of England. Pope John Paul II gave her a medal of honor as did the late Belgian King Baudouin. She also received honorary Doctoral degrees including from Eureka College, and Northwood University of Florida, Michigan and Texas. She also has received many humanitarian honors for her charitable efforts for children's and medical charities. Her exhibitions "Golden Bridge" and " Peace Through Wisdom" were efforts to promote peace and cultural understanding between China, the United States, Yugoslavia and Russia, and a television documentary titled "Hibel's Russian Palette" was based on her trips and art shows in Leningrad, now St. Petersburg. In 2001, Edna received a Lifetime Achievement Award from "Women in the Visual Arts," an organization of artists in the South Florida area. Works in Permanent Collections: Harvard University Boston University Museum of Fine Arts, Boston Springfield Museum of Arts, Massachusetts University of New Hampshire Fleischmann Collection, Cincinnati Detroit Art Institute Milwaukee Art Museum Phoenix Art Museum La Jolla Museum, California Lowe Gallery, University of Miami, Florida Columbus Museum of Arts and Crafts, Georgia WarrenHall Coutts, Ill, Memorial Museum of Art, El Dorado, Kansas Palais des Nations,Geneva, Switzerland United Nations Headquarters, New York City Norton Gallery, West Palm Beach, Florida de Saisset Museum, Santa Clara, California Russian Academy of Art, St. Petersburg, Russia Hibel Museum of Art, Lake Worth, Florida One Artist Exhibitions: Shacknow Museum of Fine Arts, Plantation, Florida, 2000 Cornell Museum of Art and History, Delray Beach, Florida, 1999 (and 1993) Klutznick National Jewish Museum, Washington, D.C., 1999 The Museum of Printing History, Houston, Texas, 1999 (and 1998) Mitsukoshi Fine Art Gallery, Tokyo, Japan, 1995 (and 1994) Lyme Academy of Fine Art, Old Lyme, Connecticut, 1994 Grenchen Art Museum, and Galerie BrechbUhl, Grenchen, Switzerland, 1992 Soviet Union Academy of Art, and Exhibition Hall of the Russian Union of Artists, Leningrad (St. Petersburg), Russia, U.S.S.R., 1990 Northern Indiana Arts Association Gallery, Munste~ Indiana, 1990 Galerie Vindobona, Bad Kissingen,West Germany, 1988 The National Museum of Women in the Arts, Washington, D.C., 1989 St. Peter An...

Medium: serigraph / silkscreen. This magnificent print was published in Milan in 1954 by Groupe Espace for the very rare Documenti d'arte d'oggi. A beautiful, rich impression! Sheet ...

Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Marc Chagall created a series of posters at the atelier of Mourlot Freres...

Medium: original lithograph. Printed by Mourlot and published in Paris by Teriade for the art revue Verve in 1960 for a special edition devoted exclusively to Chagall's original Bibl...

Medium: original lithograph. Printed for XXe Siecle (No. 39) in 1972 and published in Paris by San Lazzaro. Size: 12 1/4 x 9 1/2 inches (310 x 240 mm). Not signed.

Erwin Rambow, American (1925 - 2013) - Owl, Medium: Poster, Image Size: 15 x 15 inches, Size: 19.5 x 15.5 in. (49.53 x 39.37 cm), Frame Size: 21.5 x 17.75 inches

ARTIST: Salvador Dali TITLE: Imaginations & Objects of The Future Cybernetic Lobster Telephone MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali PUBLISHER: Merrill Chase, Chi...

A German Expressionist woodcut, with original hand-coloring in watercolor, depicting a parent and child watching a theatrical production; ...

Artist: Lichtenstein, Roy Title: Red Lamp Date: 1992 Medium: Original lithograph on Rives BFK paper Unframed Dimensions: 21.5" x 24" Framed Dimensions: 32" x 34.5" Signature:...

The contemporary pop art cherry blossom landscape ‘Politeness' is one of the eight from the iconic ‘Virtues’ series by Damien Hirst, the laminated giclée print on aluminum panel was ...

John McNulty, Irish/American (1949 - ) - Headland II, Year: 1982, Medium: Etching with Aquatint, signed and titled in pencil, Edition: AP, Size: 22 in. x 30 in. (55.88 cm x 76.2 cm)

Collotype in colors on paper. Unsigned. Title and copyright info in typeset lower margin. Artwork is in excellent condition. All reasonable offers will be considered.

Paul Sample The Slope Near the Bridge, 1950 Signed in pencil lower left Lithograph on wove paper Image 8 15/16 x 12 15/16 inches Sheet 11 5/16 x 15 1/16 inches From the edition of 25...

Medium: pochoir (after the drawing). A soft and delicate impression, printed in Paris in 1948 and published in an edition of 1200 by Braun et Cie. Size: 6 1/2 x 4 1/2 inches (164 x 1...

This exquisite lithograph after Henri Matisse (1869–1954), titled Madame L.D. (Mrs. L.D.), from the album Portraits par Henri Matisse (Portraits by Hen...

Medium: Intaglio and Chine Colle Year: 2025 Image Size: 24" H x 18" W Edition of 10 Yuji Hiratsuka’s Feathered Bot transforms human perception into surreal allegory. A monumental bi...

23 x 22 inch. Handmade Paper, Textured Lithograph. Signed in Pencil: Bottom Right. Numbered in Pencil: Bottom Left "111/150" A meditative and serene, abstract piece made of a combin...

Michel Rauscher's "Morning Ritual" is an offset lithograph created in 2007, measuring 27.5 x 27.5 inches. The artwork portrays three figures standing before colorful houses, capturin...

Elyse Ashe Lord (1900-1971), Celestial Nymph I, c. 1930, color etching, soft ground, drypoint; signed lower right in pencil and numbered by the artist lower left. In very good condition, the full sheet, 8 1/4 x 10, the sheet 17 x 13 1/2 inches. A fine impression, with strong color and plate tone on the nymph and surrounding decorations, and with pencil additions in various places on the nymph by the artist (using the same pencil as with signing). Printed on a light laid ivory Japan paper. Provenance: Kennedy Galleries, New York (with their stock number A 32064) Elyse Ashe Lord developed her unique artistic style exclusively around oriental subject matter. Her art was inspired by both Chinese art and various aspects of oriental culture. Although E.A.Lord never actually travelled to China, she used Chinese paintings, embroideries and wall hangings, together with objects from surrounding Eastern countries, as the sources for her images. The highly individual style which Elyse Lord created reflects both this source material and the influences of Art Deco and early 1920’s fashion. In particular, Elyse Lord is unusual in combining the technique of drypoint with woodcut colour printing. She uses the drypoint design almost as the Japanese would have used a key block in multiple block colour printing. The colours would then be added by over-printing the drypoint design using colour-inked wood blocks, precisely as displayed by this unique series of progressive proofs. Elyse Lord would always supervise the difficult process of printing her plates and blocks, in person. [I am indebted to Michael Campbell...

Artist: Ralph Steadman Title: White Rabbit Medium: One color silkscreen on White Rising Stonehenge Deckle Edge Paper Size: 30 x 22 Inches Edition: of 250 Year: 2006 Notes: Custom Fr...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...

Artist: Cris Cristofaro, American Title: Untitled - Green and Blue Rectangles Year: 1978 Medium: Silkscreen on Arches Paper, signed and numbered in pencil Edition: 50 Size: 22 x...

Medium: offset lithograph (after the monotype). This is an offset lithograph reproducing one of Jasper Johns' Savarin monotypes, and it was printed by Norman Lithographers in 1982 an...

This exquisite lithograph after Marc Chagall (1887–1985), titled Das Bett des Odysseus (The Bed of Odysseus), from Homer, Die Odyssee (The Odyssey), originates from the 1989 German-l...

Keith Haring Tony Shafrazi Gallery 1982: The much historic early Keith Haring exhibition poster, illustrated by Haring on the occasion of: 'Keith Haring Drawings' Oct. 9 - Nov. 13 - ...

PINK HOUSE is a hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Arche...

Jean Michel Basquiat Andy Warhol Keith Haring Bearbrick 400%: set of 6 individual works: A set of 6 unique, timeless pop art collectibles trademarked & licensed by the estates of Jea...

Keith Haring handwritten letter 1989: A rare 1989 handwritten letter by Keith Haring executed on the artist's personal stationary. An endearing personal response by Haring to a young...

Ursula Von Rydingsvard Working (Hand signed and inscribed twice by Ursula von Rydingsvard), 2011 Hardback monograph with no dust jacket as issued (Hand signed and inscribed twice by ...

John Baldessari Love and Work 1991: Baldessari’s Love Work 1991, photogravure and color aquatint, features clasped hands clutching surrealistically amidst a black background. Classic, timeless Baldessari imagery that is sure to work well in any setting. Medium: Color photogravure and aquatint on wove paper. 1991. Dimensions: 26 x 11.5 inches. Well-preserved and in very good overall condition. Framed in acrylic plexiglass. One of the 15 numbered artist's proofs, aside from the general edition of 60. Signed, inscribed "A.P." and numbered 12/15 in pencil, lower margin. Published by Brooke Alexander, Inc., New York. Collections: MoMa New York John Baldessari: It is hard to characterize John Baldessari's varied practice—which includes photomontage, artist’s books, prints, paintings, film, performance, and installation—except through his approach of good-humored irreverence. Baldessari is commonly associated with Conceptual or Minimalist art, though he has called this characterization “a little bit boring.” His two-dimensional works often incorporate found images, composed in layers or presented as distinct pieces with an element of surprise, like a brightly colored geometric shape in the place of a face or a starkly printed sardonic caption. Baldessari has demonstrated a lasting interest in language and semantics, articulating these concerns through the use of puns or the juxtaposition of seemingly unrelated images and words, as in his 1978 work Blasted Allegories. His self-referencing photomontages and use of text have been sources of inspiration for countless artists, including Cindy Sherman, David Salle, and Barbara Kruger. Baldessari identifies his own artistic lineage, saying, "I would prefer to go to the source with Duchamp rather than credit Warhol as an influence." Related Categories: Surrealist. Ed Ruscha. Los Angeles. Conceptual art. Photography. Minimalist. John Baldessari prints.

Medium: original linoleum cut. Printed in 1938 for the art revue XXe Siecle (issue number 4) and and published in Paris by San Lazzaro. Sheet size: 12 1/2 x 9 5/8 inches (317 x 243 m...

This is an original John James Audubon hand-colored lithograph entitled "Migratory Squirrel, No. 7, Plate XXXV", from John James Audubon's Quadrupeds of North America, published in P...

Rockwell Kent, 'Diver', wood engraving, 1931, edition 150, Burne Jones 88. Signed, and titled 'The Diver' in pencil.. A brilliant, black impression, on cream, wove Japan paper; the f...

Medium: original lithograph. Printed in 1966 for the art revue Derriere le Miroir (issue number 160) and published in Paris by Maeght. Size: 15 x 22 inches (378 x 557 mm). Published ...

Martin Creed Everything's Going to be Alright (Work No. 3531), 2022 Color giclee print; unframed and housed in a bespoke archival box from Hauser Wirth 11 3/4 × 16 1/2 inches P...

Paper Size: 15 x 22 inches ( 38.1 x 55.88 cm ) Image Size: 15 x 22 inches ( 38.1 x 55.88 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Additi...

An iconic image satirizing the Prime Minister at the 1832 London Conference. The Cat's Paw (Charles Maurice de Talleyrand-Périgord, Prince de Benevento & Henry John Temple...

Paper Size: 14 x 7.5 inches ( 35.56 x 19.05 cm ) Image Size: 8.5 x 5.75 inches ( 21.59 x 14.605 cm ) Framed: Yes Frame Size: Condition: A-: Near Mint, very light signs of handling ...

Joan Miro is known for his abstract, expressive, and child-like Modern style. Original lithograph published in Miro Lithographe I Catalogue Raisonne. Nicely framed. Lithograph I (10...

A farmer invests in his future by buying war bonds in this dynamic and effective WWII poster that was created by the U.S. Treasury. With bonds in hand, he also carries the hopes of h...

Artist: Donald Sultan Title: Mimosa with Green, Jan 25, 2023 Year: 2023 Medium: Archival pigment ink print on 315 gsm fine art paper Edition: 100; signed, titled, dated and numbered ...

Signed and dated "55" in pencil. Otto Neumann (1895-1975) was a German Expressionist painter and printmaker. His monotypes evolved from sharp, angular, black and whites to late abst...

Medium: lithograph (after the original menu illustration). Printed in 1897 on smooth wove paper and published in Paris by Librairie Nilsson. Sheet size: 12 1/4 x 9 inches (310 x 230 ...

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Three Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Reference: Upcott III, page 1330 Sheet size (each): approx. 10.13" x 16.75" Image size (each): approx. 7" x 11.88" Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All three works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". All three, "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" have an unidentified watermark in the center of their sheets resembling "XV". Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Keith Haring (American, 1958-1990) Barking Dog from ICONS, 1990 Silkscreen with embossing 21 x 25 in. unframed 31 x 35 in. framed Edition of 250 Provenance Martin Lawrence Galleries ...

Medium: original zincograph (a lithograph which was printed from a zinc plate rather than a stone). This original Henri Michaux was executed in 1958 for the hard-to-find XXe Siecle (...

Medium: original etching. This impression on laid paper was printed in 1904 and published in Paris for the Revue de l'art ancien et moderne. Image size: 8 5/8 x 6 7/8 inches (220 x 1...

At the Theatre: Golden Calf by Erté, Russian (1892–1990) Date: 1983 Screenprint on Arches, signed and numbered in pencil Edition of AP Image Size: 21.5 x 16.75 inches Size: 26.5 x 20...

Piero Dorazio Abstract Composition (Bank of New York Corporate Collection), 1971 Lithograph on wove paper Pencil signed, numbered 73/75 and dated on the front. The back bears a label...

Naftali Bezem (Hebrew: נפתלי בזם‎‎; born November 27, 1924) is an Israeli painter, muralist, and sculptor. Bezem was born in Essen, Germany, in 1924. His early adolescence was spent...

Sol Lewitt Benefit Concert (Hand signed by Sol Lewitt, Philip Glass and Meredith Monk), 1978 Offset lithograph 19 1/2 × 21 1/2 inches Limited Edition of 75 (unnumbered) Hand signed b...

Artist: Arnold Hoffman, Jr., American (1915 - 1991) Title: Intermesh Year: circa 1970 Medium: Screenprint, signed and numbered in pencil Edition: 90 Ima...

Julio Le Parc Untitled (Rainbow I) from La Longue Marche, 1974 Screenprint Ed 81 of 200 29 x 29 in

Original vintage poster Algeciras Feria 1948 vintage Spanish travel poster. Archival linen backed in very fine condition, ready to frame. N...