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Item Ships From: Continental US
"Looking Up", Contemporary, Abandoned, Metal Print, Black and White Photograph
By Rebecca Skinner
Located in Franklin, MA
Rebecca Skinner’s “Looking Up” was photographed at an abandoned asylum and is part of her “Forgotten” series raising mental health awareness. A fisheye lens gives the ornate, iron st...
Category
2010s Contemporary Continental US - Interior Prints
Materials
Metal
Ethel Katz, Fur Tailors, New Deal-era lithograph of sweatshop
Located in New York, NY
This is a classic New-Deal image: claustrophobic sweatshop with a row of hunched tailors. The windows and lamps offer light at least. But there is a major difference between this and...
Category
1930s American Modern Continental US - Interior Prints
Materials
Lithograph
VICTOR VASARELY - OEUVRES PROFONDES CINETIQUES I - 1973
By Victor Vasarely
Located in Pembroke Pines, FL
Artist: Victor Vasarely
Title: Profound Works I
Year: 1973
Not signed or numbered, as published
Dimensions: 12 in. by 12 in. Framed
Edition: From the Rare Limited Edition
Publisher: Editions du Griffon Neuchatel
Suite: Profound Works
Medium: 3D, Serigraph on Acitate Over Serigraph on Paper
Condition: Excellent
Victor Vasarely (French/Hungarian, 1906–1997) is known as the father of the Op Art movement. As a painter, he created intricate abstractions that suggested depth and dimensionality using a variety of optical illusions, with surfaces seeming to bulge out of the canvas. His works present color, form, and pattern as a single interconnected element—a concept that was critical to the foundation of the Op Art movement and the focus of his mature works.
Vasarely initially studied medicine at the Budapest University in his early 20s, only to abandon his medical studies to attend to the Muhely Academy, the center of the Bauhaus movement in Budapest. While there, he was profoundly influenced by the work of color theorist and artist Josef Albers, as well as the Constructivist methods promoted by artists such as Wassily Kandinsky. While Vasarely’s earlier work was concerned more with color theory, during the 1950s and 1960s his work became more focused on the optical potential of the two-dimensional surface. He began to use complex and colorful patterns to actively engage the viewer’s eye, and to convey a sense of kinetic energy across the two-dimensional surface.
Vasarely’s work was heavily influenced by his time spent at Breton Beach of Belle Isle...
Category
1970s Op Art Continental US - Interior Prints
Materials
Screen
II Cup of Joe
Located in San Francisco, CA
This artwork titled "II Cup of Joe" c.1990, is an original color serigraph by American artist Rickey Jewell Hohimer, 1946-2021. It is hand signed, titled and numbered 250/300 in pencil by the artist. The image size is 19.5 x 23.5 inches, framed size is 26.75 x 30 inches. The artwork is in excellent condition, the frame is slightly damaged at the top, and will be replaced by a new similar black frame when sold. This will bring the over all condition to excellent.
About the artist:
Although formally trained with a MFA in painting, Rickey Jewell Hohimer has used the styles of Van Gogh and Gaughin to reach for the spontaneity and simplicity of today's folk art. Hohimer creates figures which are not photos of reality; they are romantically stylized to encourage straightforward emotional responses both to the colorful images and to the situations in which they find themselves. Each of Hohimer's paintings lays out a basic story line to which viewers add their own details. "I want the viewer to become personally involved. My paintings offer a change from those which encourage extensive intellectualizing about what the artist is trying to convey. I want viewers to smile -- to enjoy the whimsical nature of what they are experiencing -- to feel it, not to analyze it!. His jazz paintings are stories on canvas of inspired musicians spontaneously making music of the moment. Life in the jazz age is clubs and nightlife beckoning to musicians to produce jazz art...
Category
Late 20th Century American Modern Continental US - Interior Prints
Materials
Screen
"Grande Hall", Contemporary, Abandoned Architecture, Staircase, Color Photograph
By Rebecca Skinner
Located in Franklin, MA
Rebecca Skinner’s “Grande Hall” portrays intricate classical architecture, high ornate ceilings, arched doorways, and a striking green-carpeted staircase, evoking historic elegance. ...
Category
2010s Contemporary Continental US - Interior Prints
Materials
Archival Pigment, Color
CRUSADERS FOR JUSTICE Signed Linocut Portrait, Thurgood Marshall, Civil Rights
By Elizabeth Catlett
Located in Union City, NJ
CRUSADERS FOR JUSTICE is a hand pulled original limited edition relief print created using linocut printmaking techniques on white archival heavyweight paper, 100% acid free. Penci...
Category
Early 2000s Contemporary Continental US - Interior Prints
Materials
Linocut
All Alone in the Museum of Modern Art Howard Hodgkin abstract black painting
By Howard Hodgkin
Located in New York, NY
Large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles, and hand painting in grey. Hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, emotional, expressionist, and abstract.
Paper: 29.5 x 38.75 in. / 74.7 x 98.2 cm.
Soft-ground etching with hand coloring in black gouache on grey BFK Rives mould made paper. Signed by the artist, dated 79, and numbered 59/100 lower center in red crayon. Printed from the same plate as 'Thinking Aloud in the Museum of Modern Art', this print was previously titled "Not Quite Alone in the Museum of Modern Art," suggesting an erotic dalliance in the museum.
This print depicts an abstracted scene, perhaps a window and a door, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Beside bold black strokes, his fingerprints form areas of texture. Always seeking greater richness in his prints, Hodgkin layered ink and hand coloring in this print, rendering each print in the edition unique.
Howard Hodgkin was introduced to the etching technique used in 'All Alone in the Museum of Modern Art' at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s.
Part of a series of four prints reflecting on a visit to the Museum...
Category
Late 20th Century Abstract Continental US - Interior Prints
Materials
Etching
WAITING IN THE WINGS Signed Lithograph, Ballerinas in Stairwell, Pink Blue Tutus
By Douglas Hofmann
Located in Union City, NJ
WAITING IN THE WINGS is an original hand drawn lithograph by the photorealist American painter Douglas Hofmann printed using hand lithography techniques on archival Arches paper, 100...
Category
1990s Photorealist Continental US - Interior Prints
Materials
Lithograph
THE DOOR OF JUSTICE Hand Signed Lithograph, Lawyer and Clients, Civil Rights
By Elizabeth Catlett
Located in Union City, NJ
THE DOOR OF JUSTICE is an original, hand drawn, limited edition lithograph by the highly acclaimed African-American woman artist Elizabeth Catlett, master printmaker and sculptor bes...
Category
Early 2000s Contemporary Continental US - Interior Prints
Materials
Lithograph
VICTOR VASARELY - OEUVRES PROFONDES CINETIQUES VIII - 1973
By Victor Vasarely
Located in Pembroke Pines, FL
Artist: Victor Vasarely
Title: Profound Works VIII
Year: 1973
Not signed or numbered, as published
Dimensions: 12 in. by 12 in. Framed
Edition: From the Rare Limited Edition
Publisher: Editions du Griffon Neuchatel
Suite: Profound Works
Medium: 3D, Serigraph on Acitate Over Serigraph on Paper
Condition: Excellent
Victor Vasarely (French/Hungarian, 1906–1997) is known as the father of the Op Art movement. As a painter, he created intricate abstractions that suggested depth and dimensionality using a variety of optical illusions, with surfaces seeming to bulge out of the canvas. His works present color, form, and pattern as a single interconnected element—a concept that was critical to the foundation of the Op Art movement and the focus of his mature works.
Vasarely initially studied medicine at the Budapest University in his early 20s, only to abandon his medical studies to attend to the Muhely Academy, the center of the Bauhaus movement in Budapest. While there, he was profoundly influenced by the work of color theorist and artist Josef Albers, as well as the Constructivist methods promoted by artists such as Wassily Kandinsky. While Vasarely’s earlier work was concerned more with color theory, during the 1950s and 1960s his work became more focused on the optical potential of the two-dimensional surface. He began to use complex and colorful patterns to actively engage the viewer’s eye, and to convey a sense of kinetic energy across the two-dimensional surface.
Vasarely’s work was heavily influenced by his time spent at Breton Beach of Belle Isle...
Category
1990s Op Art Continental US - Interior Prints
Materials
Screen
Pantheon (Rome) - large scale photograph of iconic architectural elements
By Frank Schott
Located in San Francisco, CA
Pantheon (Rome) by Frank Schott
from a series of monochromatic and timeless photographic observances of iconic architectural and interior references around Rome's historical center
...
Category
21st Century and Contemporary Contemporary Continental US - Interior Prints
Materials
Archival Paper, Photographic Paper, Archival Pigment, Giclée
“The Missing Suitors” by SHAG aka Josh Agle
By Josh Agle
Located in Hudson, NY
The Missing Suitors is a limited edition 13 color hand-pulled Serigraph by artist Josh Agle aka SHAG. Hand signed and numbered 214/300 by the artist. Comes with a Certificate of authenticity (C.O.A.).
Shag is an American born painter, designer and illustrator working in Southern California. His distinctive artistic style draws from commercial illustration and has an attitude and sly sense of humor which is unmistakably of our time. His paintings celebrate consumerism and consumption on vividly colored sharply rendered panels; the characters drink, smoke and eat in lavish, stylish surroundings.
Shag's work is categorized as lowbrow art...
Category
Early 2000s Pop Art Continental US - Interior Prints
Materials
Screen
$1,080 Sale Price
20% Off
Gossip, Itzchak Tarkay
By Itzchak Tarkay
Located in Fairfield, CT
Artist: Itzchak Tarkay (1935-2012)
Title: Gossip
Year: Circa 2000
Medium: Silkscreen on wove paper
Size: 13.5 x 11.5 inches
Edition: 493/750, plus 100 Remarques
Condition: Excellent
...
Category
Early 2000s American Impressionist Continental US - Interior Prints
Materials
Screen
$876 Sale Price
20% Off
Two Women Playing Sugoroku from "Comparison of the Customs of Beauties."
Located in Middletown, NY
A scene from a vanishing Japan.
Two Women Playing Sugoroku from "Comparison of the Customs of Beauties."; The Customs and Manners of Women
Japan: Matsuki Heikichi, 1891.
Woodblock ...
Category
Late 19th Century Edo Continental US - Interior Prints
Materials
Watercolor, Handmade Paper, Woodcut
Sweeny and A Nightingale - Original Bay Area Etching inspired by T.S. Eliot
Located in Soquel, CA
Sweeny and A Nightingale - Original Bay Area Etching
Lively etching based on T.S. Eliot's poem "Sweeney among the Nightingales" by John S. Cheatham (American.) A woman who is nude e...
Category
1990s Contemporary Continental US - Interior Prints
Materials
Paper, Printer s Ink, Etching
Original Have You a Red Cross Service Flag? vintage WW1 poster
By Jessie Willcox Smith
Located in Spokane, WA
Original 1918 Red Cross Poster - "Have YOU a Red Cross Service Flag?" - Illustrated by Jessie Willcox Smith, Linen Backed. Restored horizontal fold mark and restored small tears along the bottom. This poster is, after all, more than 107 years old.
Own a Piece of History! 1918 "Have You a Red Cross Service Flag?" Poster ✨
Step back into history with this original 1918 Red Cross poster. It is a poignant and touching piece of WWI-era Americana, beautifully preserving a time of nationwide unity and heartfelt service. Illustrated by the celebrated artist Jessie Willcox Smith, this lithograph captures the tender moment of a child hanging a Red Cross service flag in the window—a symbol of hope, sacrifice, and pride in supporting humanitarian efforts during World War I.
The poster radiates warmth, with Smith’s signature style of innocence and emotional depth shining through in the delicate depiction of the boy, the adorned window, and the serene winter backdrop. The vibrant red and white cross emblem on the service flag is a focal point of the artwork, inspiring viewers to reflect on the values of compassion and generosity that the Red Cross championed during this period.
As a significant historical artifact and a beautiful piece of early 20th-century American illustration, this poster would be an exceptional addition to any serious collection of WWI memorabilia...
Category
1910s American Modern Continental US - Interior Prints
Materials
Lithograph
The Great Fire of London, 1666
By James Stow
Located in Middletown, NY
A rare early 19th century view of the Great Fire of London over Ludgate, enhanced with hand coloring.
London: Robert Wilkinson, 1811.
Copperplat...
Category
Early 19th Century English School Continental US - Interior Prints
Materials
Handmade Paper, Engraving, Watercolor
Chez, Pop Art Screenprint by Hunt Slonem
By Hunt Slonem
Located in Long Island City, NY
Artist: Hunt Slonem, American (1951 - )
Title: Chez
Year: 1980
Medium: Serigraph, signed and numbered in pencil
Edition: AP 30
Image Size: 22 x 29 inches
Size: 26 in. x 30 in....
Category
1970s Contemporary Continental US - Interior Prints
Materials
Screen
Jesus and the Woman at the Well,
by Amand-Durand, Engraving
By Armand Durand
Located in Oklahoma City, OK
This early 19th century framed 35" x 31" engraving by artist Amand-Durand depcits an etching of 'Jesus and the Woman at the Well,' after the Dutch master, Rembrandt van Rijn. This poignant Biblical story is depicted by Arman-Durand in Rembrandt style...
Category
Early 19th Century Old Masters Continental US - Interior Prints
Materials
Engraving
$1,200 Sale Price
20% Off
Carcere ascura
By Giovanni Battista Piranesi
Located in Fairlawn, OH
Carcere ascura
Etching, 1743
Signed in the plate bottom left corner
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
This image foretells Piranesi's famous set, Carceri (Prisons) which is his next creative effort.
Condition: Horizontal crease midway in the sheet associated with the manufacture of the paper.
Visible watermark verso
Small printer crease in the bottom right below the caption plate.
Image size: 14 1/2 x 9 1/2 inches
Reference: Robison 3 iii/VI
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
1740s Old Masters Continental US - Interior Prints
Materials
Etching
Visit our Toy Department original vintage chromolithograph poster
Located in Spokane, WA
Original vintage poster: TOY DEPARTMENT. Chromolithographed illustration of a mother and four young children surrounded by a ball, blocks, and dolls, and with two young girls reading a book. No publishing information, but with a Shirley Temple doll...
Category
1920s Art Nouveau Continental US - Interior Prints
Materials
Lithograph
$199 Sale Price
20% Off
Bambalina (Are ornaments, decorations mere backdrop for true Christmas story)
By Francisco Souto
Located in New Orleans, LA
Souto named this image Bambalina (backstage). It is an exclusive publication of Stone and Press Gallery.
Francisco Souto was born in Venezuela. He received a BFA from Herron Schoo...
Category
21st Century and Contemporary American Modern Continental US - Interior Prints
Materials
Mezzotint
Rare Albright Knox museum poster (hand signed and inscribed to renowned curator)
By Dan Flavin
Located in New York, NY
Dan Flavin
Dan Flavin at Albright Knox Gallery (hand signed and inscribed to renowned curator)
Offset Lithograph. Hand signed and inscribed by Dan Flavin
18 × 22 inches
Provenance: Estate of artist and collector Rick Collar
Unframed
Uniquely inscribed and hand signed 1972 Dan Flavin exhibition poster from his Albright Knox exhibition. Dan Flavin hand signs and inscribes it to Paulus Hendrik Hefting, the curator of the Neue Nationalgalerie in Berlin. The inscription reads: "Best regards and best wishes to you especially in "diagrams and drawings". What Flavin is referring to is the important exhibition also in 1972, "Diagrams & Drawings" curated by Hefting, at the Rijksmuseum Kröller-Müller (Netherlands), which featured Carl Andre, Christo, Walter De Maria, Dan Flavin, Michael Heizer, Don Judd, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Richard Serra, Robert Smithson.
An extremely rare signed poster with a unique inscription to a major European curator referencing an historic Minimalist exhibition in the early 1970s.
We may not see the likes of something like this anytime soon!
Dan Flavin Biography
From 1963, when he conceived the diagonal of May 25, 1963 (to Constantin Brancusi), a single gold fluorescent lamp installed diagonally on the wall, until his death in 1996, Dan Flavin (1933-1996) produced a singularly consistent and prodigious body of work that utilized commercially available fluorescent lamps to create installations (or “situations,” as he preferred to call them) of light and color. Through these light constructions, Flavin was able to establish and redefine space.
Flavin’s first solo exhibitions were held at the Judson Gallery in 1961 and the Green Gallery in 1964, both in New York. His first European exhibition was in 1966 at Galerie Rudolf Zwirner in Cologne, Germany; and in 1969, the National Gallery of Canada, Ottawa, organized his first major museum retrospective. His work was included in a number of key early exhibitions of Minimal art in the 1960s, among them Black, White, and Gray (Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 1964); Primary Structures (The Jewish Museum, New York, 1966); and Minimal Art (Gemeentemuseum, The Hague, 1968). Flavin’s work would continue to be presented internationally over the course of the pursuant decades at venues including the St. Louis Art Museum, Missouri (1973); Kunsthalle Basel (1975); Museum Boymans-van Beuningen, Rotterdam (1975); Stedelijk Museum, Amsterdam (1986); and the Solomon R. Guggenheim Museum, New York (1992), among others.
A major museum retrospective devoted to Flavin’s work was organized, in cooperation with the Estate of Dan Flavin, by the Dia Art Foundation in association with the National Gallery of Art, Washington, DC, where it was first on view in 2004. The exhibition traveled from 2005 to 2007 to the Modern Art Museum of Fort Worth, Texas; Museum of Contemporary Art, Chicago; Hayward Gallery, London; Musée d’Art Moderne de la Ville de Paris...
Category
1970s Abstract Geometric Continental US - Interior Prints
Materials
Pencil, Lithograph, Offset
THE DOOR OF JUSTICE Rare Poster Edition Lithograph, Black Lawyers, People
By Elizabeth Catlett
Located in Union City, NJ
THE DOOR OF JUSTICE is a rare poster edition lithograph printed in seven colors using traditional hand lithography techniques (not a photo reproduction or digital print) on heavyweig...
Category
Early 2000s Contemporary Continental US - Interior Prints
Materials
Lithograph
$1,450 Sale Price
25% Off
Vivaldi, Modern Lithograph by Lev Meshberg
Located in Long Island City, NY
Lev Meshberg, Soviet-American (1933 - 2007) - Vivaldi, Year: 1986, Medium: Lithograph on Arches, signed, numbered and dated in pencil, Edition: Presentation Proof, Size: 30 x 22 ...
Category
1980s Modern Continental US - Interior Prints
Materials
Lithograph
Original Eat Less . Share with those who fight vintage 1918 poster, linen backed
Located in Spokane, WA
Original “Eat Less” 1918 vintage First World War poster. This is a less seldom seen poster variation. The other version has the wording, "This is What God Gives Us." The image i...
Category
1910s American Realist Continental US - Interior Prints
Materials
Lithograph
ROOM SERVICE Signed Lithograph, Hotel Bellhop Portrait, Champagne Bottle, Flutes
By Robin Morris
Located in Union City, NJ
ROOM SERVICE by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques on archival Coventry Rag paper, 100% acid free. ROO...
Category
1980s Art Deco Continental US - Interior Prints
Materials
Lithograph
Blue Mood, Itzchak Tarkay
By Itzchak Tarkay
Located in Fairfield, CT
Artist: Itzchak Tarkay (1935-2012)
Title: Blue Mood
Year: 2000
Medium: Silkscreen on wove paper
Size: 13.5 x 10.75 inches
Edition: 178/750, plus 100 Remarques
Condition: Excellent
In...
Category
Early 2000s American Impressionist Continental US - Interior Prints
Materials
Screen
$876 Sale Price
20% Off
"Les valeurs personnelles (Personal Values), " Lithograph after Rene Magritte
By René Magritte
Located in Milwaukee, WI
"Les valeurs personnelles (Personal Values)" is a color lithograph after the original 1952 painting by Rene Magritte. This interior scene has objects of various sizes. A comb, match, brush, and glass are bigger than typically larger objects like a queen bed and chest of drawers. The walls are a bright cloudy sky.
Art: 19.63 x 4.75 in
Frame: 34.13 x 38.88 in
René-François-Ghislain Magritte was born November 21, 1898, in Lessines, Belgium and died on August 15, 1967 in Brussels. He is one of the most important surrealist artists. Through his art, Magritte creates humor and mystery with juxtapositions and shocking irregularities. Some of his hallmark motifs include the bourgeois “little man,” bowler hats, apples, hidden faces, and contradictory texts.
René Magritte’s father was a tailor and his mother was a miller. Tragedy struck Magritte’s life when his mother committed suicide when he was only fourteen. Magritte and his two brothers were thereafter raised by their grandmother.
Magritte studied at the Brussels Academy of Fine Arts from 1916 to 1918. After graduating he worked as a wallpaper designer and in advertisement. It was during this period that he married Georgette Berger, whom he had known since they were teenagers.
In 1926, René Magritte signed...
Category
Early 2000s Surrealist Continental US - Interior Prints
Materials
Lithograph
"Labor in a Diesel Plant" Machine Age American Scene Industrial Mid 20th Century
By Letterio Calapai
Located in New York, NY
"Labor in a Diesel Plant" Machine Age American Scene Industrial Mid 20th Century
Letterio Calapai (American 1902-1993)
''Labor in A Diesel Plant''
Wood engraving, 1940
17 x 10 1/2...
Category
1940s American Modern Continental US - Interior Prints
Materials
Lithograph
La Jolla, Framed Art Deco Screenprint by Thomas McKnight
By Thomas McKnight
Located in Long Island City, NY
La Jolla
Thomas McKnight, American (1941)
Date: 1987
Screenprint, signed and numbered in pencil
Edition of AP 6/40
Image Size: 26 x 29 inches
Frame Size: 37 x 39 inches
Category
1980s Art Deco Continental US - Interior Prints
Materials
Screen
Kabuki actor Nakamura Shikan II by Utagawa Kunisada Edo Japanese Woodblock Print
By Utagawa Kunisada (Toyokuni III)
Located in Soquel, CA
Kabuki actor Nakamura Shikan II by Utagawa Kunisada Japanese Woodblock Print
Wonderful portrait of Nakamura Shikan II, a prominent kabuki actor, in the role of Kisen Hoshi Toyokuni ...
Category
1820s Realist Continental US - Interior Prints
Materials
Printer s Ink, Rice Paper, Woodcut
The Big Picture, Pop Art Lithograph by Mark Kostabi
By Mark Kostabi
Located in Long Island City, NY
This lithograph was created by American surreal-pop artist Mark Kostabi. Kostabi is most known for his paintings of faceless figures which often comment on contemporary political, so...
Category
Early 2000s Pop Art Continental US - Interior Prints
Materials
Lithograph
SHOUT Signed Lithograph, Preacher Black Church, African American Culture
By Samella Lewis
Located in Union City, NJ
SHOUT by the African American woman artist Samella Lewis, is an original hand drawn lithograph printed using hand lithography techniques on archival Rives BFK paper, 100% acid free. ...
Category
Early 2000s Contemporary Continental US - Interior Prints
Materials
Lithograph
$4,800 Sale Price
20% Off
Aquazena
By Ludwig Favre
Located in New York, NY
ABOUT THIS PIECE: Ludwig continues his exploration of his favorite city, Paris with a new series featuring stunning Parisian pools. These public and private spaces display the beauti...
Category
2010s Continental US - Interior Prints
Materials
Photographic Paper
Golf Players Limited Edition Textured Canvas Print
By Irena Orlov
Located in Los Angeles, CA
Title: Golf Players - Limited Edition Textured Canvas Print
Immerse yourself in the world of golf with "Golf Players," a limited edition textured canvas print that celebrates the spirit of the sport. This captivating artwork captures the essence of golfing moments...
Category
2010s Cubist Continental US - Interior Prints
Materials
Canvas, Paint, Cotton Canvas, Mixed Media, Acrylic, Digital, Inkjet, Giclée
$3,840 Sale Price
20% Off
Column Study from Capital Ideas 4 by Clayton Pond
By Clayton Pond
Located in Long Island City, NY
Artist: Clayton Pond, American (1941 - )
Title: Column Study from Capital Ideas Portfolio
Year: 1974
Medium: Serigraph on Museum Board, signed and numbered in pencil
Edition: 150
Ima...
Category
1970s Pop Art Continental US - Interior Prints
Materials
Screen
Original
Penelope" vintage 1913 opera poster
Located in Spokane, WA
Original linen-backed stone lithograph opera poster for Penelope. Done in 1913 by the great lithographer Georges Rochengrosse who created several opera ...
Category
1910s Art Nouveau Continental US - Interior Prints
Materials
Lithograph
$599 Sale Price
20% Off
Camera sepolcrale
By Giovanni Battista Piranesi
Located in Fairlawn, OH
Camera sepolcrale
Etching 1743
Signed in the bottom left corner
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
Condition: Excellent
Image size: 14 5/8 x 9 3/4 inches
Reference: Robison 20 iii/V
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
1740s Old Masters Continental US - Interior Prints
Materials
Etching
Marquis de Marigny: An 18th C. Wille Engraved Portrait after a Tocque Painting
By Louis Tocqué
Located in Alamo, CA
This is a mid 18th century engraved portrait of Abel François Poisson de Vandières, Marquis de Marigny by Jean Georges Wille after a painting by Louis Tocque...
Category
Mid-18th Century Continental US - Interior Prints
Materials
Engraving
$2,060 Sale Price
20% Off
S. Paolo Fuori Le Mura (Vedute della Basilica di S. Paolo fuor della mura)
By Giovanni Battista Piranesi
Located in Fairlawn, OH
S. Paolo Fuori Le Mura (Vedute della Basilica di S. Paolo fuor della mura)
Etching, 1748
From: Vedute di Roma, Plate 8
An early Roman printing, published by Bouchard e Gravier
Watermark: Fleur de Lys in a double circle
Signed in the plate
Condition: Small margins as are common with Bouchard published impressions.
Centerfold (as usual)
Rich impression with good contrasts
Plate/Image size: 15 7/8 x 24 1/8 inches
Sheet size: 17 3/8 x 24 3/4 inches
Reference: Focillon 723
Wilton-Ely 138
Hind 6 ii/VI, Bouchard e Gravier printing, before the price and numbers in later states
This image is Piranesi’s second interior scene from the Vedute di Roma. The first interior is a less complex composition of the Interior of St. Peters which lacks the challenging perspective that the artist masters in this image.
The Papal Basilica of St. Paul Outside the Walls...
Category
1740s Old Masters Continental US - Interior Prints
Materials
Etching
Chez Panisse 21st Birthday Celebration: Limited Ed. Goines Graphic Art Poster
By David Lance Goines
Located in Alamo, CA
This original limited edition graphic art lithographic poster entitled "Chez Panisse Twenty-First Birthday" was created by David Lance Goines in 1992 in h...
Category
Late 20th Century Continental US - Interior Prints
Materials
Lithograph
A Framed 18th C. Piranesi Etching of an Ancient Marble Vase from Hadrian
s Villa
By Giovanni Battista Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi is entitled "Vaso antico di Marmo adornato di eccellenti Sculture si nella parte anteriere che nell' opposta, le ...
Category
1770s Old Masters Continental US - Interior Prints
Materials
Etching
Strawberries
By Pati Bannister
Located in San Francisco, CA
This artwork titled "Strawberies" c.1985, published 1996 is a color off set lithograph by British/American artist Pati Bannister, 1929-2013. It is hand signed, titled and numbered 656/950 in pencil by the artist. Published by Masters Publishing INC, New York. The image size is 16.5 x 21 inches, sheet size is 22.25 x 26 inches. It is in excellent condition.
About the artist:
Pati Bannister was born in Highgate, England, overlooking London in 1929. Growing up, both of her parents were artists. Her mother painted watercolor landscapes, while her father painted portraits. To help further her natural talents, she took art lessons as a young girl and ultimately went to work for J. Arthur Rank, the movie maker, as an animator.
At 22 years old, she came to the United States as a governess for a family in Connecticut. Later she became a flight attendant in Florida where she met her future husband, Glynn. Little did she know, he would become the strongest influence in her life as he inspired her to pursue and share her artistic abilities with the public.
In 1958, Pati and Glynn moved to New Orleans and she started painting portraits in Jackson Square. Eventually, she opened two art galleries located in the French Quarter. In the late 1960's, they moved to the Mississippi Gulf Coast...
Category
Late 20th Century Romantic Continental US - Interior Prints
Materials
Lithograph
"Coffee" the Perfect Meal - Menu - Beverages - Intaglio by Raymond Perez
Located in Soquel, CA
"Coffee" the Perfect Meal - Menu - Beverages - Intaglio by Raymond Perez
The artwork "Second Course Fish" by Raymond Perez, created one of a group show at San Francisco State Univer...
Category
1980s American Modern Continental US - Interior Prints
Materials
Watercolor, Laid Paper, Intaglio
Cosmic Embrace
, San Francisco Bay Area Modernist, Atelier 63 Woman Artist
By Jane Voitle Mellin
Located in Santa Cruz, CA
Stamped verso with certification of authenticity for Jane Voitle Mellin (American, born 1952). and created circa 1975.
An atmospheric, sugar-lift aquatint showing a young woman, nud...
Category
1970s Continental US - Interior Prints
Materials
Paper, Aquatint
Japanese Living Room - Modern Geometric Screen Print
By Yuichiro Kato
Located in Soquel, CA
A minimal geometric silkscreen of a traditional Japanese living room with cushions and a portable hand warmer by Yuiichiro Kato (Japanese, b- 1926). Displayed in a metal frame. Image...
Category
1970s Post-Modern Continental US - Interior Prints
Materials
Printer s Ink, Laid Paper, Screen
$639 Sale Price
20% Off
BIG OLIVES, LITTLE OLIVES Lithograph Piano Bar Cocktails, Singing, British Humor
By Beryl Cook
Located in Union City, NJ
BIG OLIVES, LITTLE OLIVES is a hand drawn, pencil signed limited edition lithograph by the well known and loved British artist and humorist, Beryl Cook(1926-2008). Printed in 1986 using hand lithography techniques on archival Arches paper, 100% acid free. BIG OLIVES, LITTLE OLIVES presents a humorous piano bar scene depicting a lively group of night club patrons enjoying their cocktails as they enthusiastically sing along with the debonair piano player giving the viewer a true feeling of merriment in this quintessential Beryl Cook image. BIG OLIVES, LITTLE OLIVES is a warm, colorful interior scene printed in shades of golden brown, black, red, blue, lavender, purple, green, orange, pink, peach, gray, and beige. BIG OLIVES, LITTLE OLIVES is one of Beryl Cook's most loved images - the edition is SOLD OUT, this is a rare unsigned printers proof aside from the numbered edition from the master printers private collection, stamped legend on verso with provenance information.
Print size - 27 x 27 inches, UNSIGNED Printers Proof, unframed, excellent condition
Edition size - 300 plus proofs
Year published - 1990, printed at JK Fine Art Editions Co. NYC
Beryl Cook's unique artistic humor documented familiar social situations...
Category
1990s Contemporary Continental US - Interior Prints
Materials
Lithograph
$1,500 Sale Price
25% Off
College of Physicians, from Ackermann
s "Microcosm of London."
By Thomas Rowlandson
Located in Middletown, NY
Pugin, Augustus Charles & Rowlandson, Thomas (after).
College of Physicians, from Ackermann's "Microcosm of London."
London: Rudolph Ackermann, 1808. Hand-colored lithograph, 9 1/4 ...
Category
Early 19th Century English School Continental US - Interior Prints
Materials
Watercolor, Handmade Paper, Lithograph
Quiet Afternoon, Itzchak Tarkay
By Itzchak Tarkay
Located in Fairfield, CT
Artist: Itzchak Tarkay (1935-2012)
Title: Quiet Afternoon
Year: Circa 2000
Medium: Silkscreen on wove paper
Size: 13.5 x 10.75 inches
Edition: 123/750, plus 100 Remarques
Condition: ...
Category
Early 2000s American Impressionist Continental US - Interior Prints
Materials
Screen
$1,036 Sale Price
20% Off
Parmigiani Amica: An 18th Century Engraving and Etching by Strange After Mazzola
Located in Alamo, CA
This is an 18th century engraving and etching entitled "Parmigiani Amica" by Robert Strange after a painting by Girolamo Francesco Maria Mazzola, better known as Parmigianino, who lived during the Renaissance period. It was published in London in 1774. As the inscription states, the painting was in the collection of the King of Naples at the time the engraving was made. The engraving depicts a half-length portrait of a young woman, known as Parmigiani's Amica (meaning "female friend" in Italian). She is depicted wearing a simple but elegant dress with a low-cut neckline, which reveals her delicate features and graceful neck. Her hair is arranged in a simple yet stylish manner. She is turning to the right to look lovingly at her infant, which she is holding with her right arm. She is touching the baby's mouth with her left hand. The background of the engraving is plain and unadorned, allowing the viewer to focus entirely on the subject of the portrait. The result is a beautiful and timeless image that captures the essence of Renaissance portraiture.
The engraving is printed on watermarked paper. The sheet measures 16.25" high and 12' wide. The sheet is adhered to paper in its upper corners and it has been removed from the paper in its lower corners. There is some mild discoloration and some wrinkling in the margins, including the lower inscription area, and a small dark spot in the upper margin, which may represent a drop of ink occuring at the time of printing. These issues do not involve the image, which is in very good condition. The print is held by several museums and institutions, including: The Metropolitan Museum of Art in New York, The British Museum in London, The Royal Museums of the UK, The British National Trust...
Category
Late 18th Century Continental US - Interior Prints
Materials
Engraving, Etching
$1,500 Sale Price
20% Off
Home 4
Located in New York, NY
ABOUT THIS ARTIST: Ana Popescu is a French visual artist born in Romania. Her work has a modern charm, celebrating interior and exterior spaces with color ...
Category
2010s Continental US - Interior Prints
Materials
Photographic Paper
VICTOR VASARELY - OEUVRES PROFONDES CINETIQUES - 1973
By Victor Vasarely
Located in Pembroke Pines, FL
Artist: Victor Vasarely
Title: Profound Works
Year: 1973
Not signed or numbered, as published
Dimensions: 12 in. by 12 in. Framed
Edition: From the Rare Limited Edition
Publisher: Ed...
Category
1970s Op Art Continental US - Interior Prints
Materials
Screen
Newspapers on the Table - Still Life Etching on Heavy Paper
Located in Soquel, CA
Newspapers on the Table - Still Life Etching on Heavy Paper, #20/150
Black and white etching by Darien Payne (American, b. 1951). This piece is a meticulously detailed depiction of ...
Category
1990s Photorealist Continental US - Interior Prints
Materials
Archival Paper, Drypoint, Etching
Ancient Roman Marble Vase: 18th C. Piranesi Etching Vaso Cinerario di Gran Mole
By Giovanni Battista Piranesi
Located in Alamo, CA
"Vaso Cinerario di Gran Mole. Le Teste dei Giovenchi mostrano di reggere it pesante Festone composto di Frutti Fiori Grans ed use. Il tuto Necefsario all Vita Umana. Il Restante degl...
Category
1760s Old Masters Continental US - Interior Prints
Materials
Etching
YOUNG BARMAN Signed Lithograph, Man Making Drinks, Nostalgic Paris Bar Scene
By David Azuz
Located in Union City, NJ
Artist - David Azuz, Israeli/French (1942 - 2014)
Medium - Lithograph
Print size - 28.5 x 21.5 in.
Image size - 25.25 x 19 in.
Edition size - 200, plus proofs
Year published - 1979
P...
Category
1970s Contemporary Continental US - Interior Prints
Materials
Lithograph
Le Legacy from Historia de Don Quichotte de la Mancha, Etching by Salvador Dali
By Salvador Dalí
Located in Long Island City, NY
Artist: Salvador Dali, Spanish (1904 - 1989)
Title: Le Legacy from Historia de Don Quichotte de la Mancha
Year: 1981
Medium: Etching on Arches, signed and numbered in pencil
Edition:...
Category
1980s Surrealist Continental US - Interior Prints
Materials
Etching
An Election Ball
By George Cruikshank
Located in Middletown, NY
London: Thomas Mclean, 1835. Etching with hand coloring in watercolor on cream wove paper. 5 3/8 x 7 3/4 inches (135 x 195 mm), full margins. A lovely well inked impression with fres...
Category
Mid-19th Century Victorian Continental US - Interior Prints
Materials
Watercolor, Etching
Home 1
Located in New York, NY
ABOUT THIS ARTIST: Ana Popescu is a French visual artist born in Romania. Her work has a modern charm, celebrating interior and exterior spaces with color ...
Category
2010s Continental US - Interior Prints
Materials
Photographic Paper
Jar from Samarkland, Alice Neel
By Alice Neel
Located in Fairfield, CT
Artist: Alice Neel (1900-1984)
Title: Jar from Samarkland
Year: 1982
Medium: Lithograph on Arches paper
Edition: A.P. 24/25; 175, plus proofs
Size: 38 x 28 inches
Condition: Good
Ins...
Category
1980s Expressionist Continental US - Interior Prints
Materials
Lithograph
$11,600 Sale Price
20% Off