Continental US - Nude Prints

This cheeky, pastel pink print depicts a range of intimate styles, a tongue-in-cheek recollection of the gridded haircuts displayed outside barber shops. It is from the Oo La La portfolio of 15 lithographs printed offset from zinc plates, drawn by both artists. Produced in collaboration with Ron Padgett...

Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. A signed Certificate of Authority will be included with all photographs. A nude m...

Frantisek Kupka, Czech (1871 -1957) - Femme Debout II, Year: circa 1912, Medium: Etching on Pur Fil du Marais, stamp signed, Image Size: 15.75 x 9.75 inches, Size: 25.75 x 19.5 i...

Nu Rouge Á L'Oiseau is an original hand drawn limited edition lithograph printed in vivid colors on archival Somerset paper 100% acid, free, by the Dutch artist known as CORNEILLE(Gu...

Alvin Carl Hollingsworth, American (1928 - 2000) - Equis Equitude, Medium: Lithograph, signed and numbered in pencil, Edition: PP, Image Size: 9 x 4.5 inches, Frame Size: 18.5 x ...

This exquisite lithograph after Henri Matisse (1869–1954), titled Baigneuse dans les Roseaux (Bather in the Reeds), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, or...

This exquisite lithograph after Henri Matisse (1869–1954), titled Rosace (Rosette), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, originates from the 1958 issue pub...

Wayne Ensrud, American (1934 - ) - Nude #2, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 45, Size: 36 in. x 25 in. (91.44 cm x 63.5 cm)

Artist: Mel Ramos (American, b. 1935) Title: Hav a Havana #8 Year: 2011 Medium: Lithograph, signed and numbered in pencil Edition: 199 Image Size: 22 x 37 inches Size: 29.5 in....

This is an extraordinary collection of Linoleum Cuts by master printmaker Tom Huck. The Suite of 13 linocuts is encased in a homemade glory hole cover and also include a protective centerfold cover. This artwork could be framed to hang in a grouping. Contact gallery for details. Tom Huck, also spelled Hück, (born 1971), is an American printmaker best known for his large-scale satirical woodcuts. He lives and works in St. Louis, Missouri, where he runs his own press, Evil Prints. He is a regular contributor to BLAB! of Fantagraphics Books. His work is influenced by Albrecht Dürer, José Guadalupe Posada, R. Crumb, and Honoré Daumier. Huck’s illustrations have appeared in publications such as The Village Voice, The Riverfront Times, and the Minneapolis City Pages. Huck's woodcut prints are included in numerous public and private collections, including the Whitney Museum of American Art, Library of Congress, Spencer Museum of Art, Nelson Atkins Museum of Art, Saint Louis Art Museum, Milwaukee Art Museum, Minneapolis Institute of Art, Art Institute of Chicago, Fogg Art Museum, Michael C. Carlos Museum, and New York Public Library. Huck has been represented by David Krut Art Projects in New York, Sherry Leedy Contemporary Art in Kansas City, Missouri, Duane Reed Gallery in St. Louis, Missouri, Gallery Victor Armendariz, Chicago and Eli Ridgway Gallery in San Francisco. Beginning in October 2017 Huck’s gallery representation is C. G. Boerner in New York. In September 2011 Huck was awarded a Pollock-Krasner Foundation grant. Huck is best known for creating large-scale woodcuts acting as both satirical narratives and social criticism.[1] He says in his artist statement: "My work deals with personal observations about the experiences of living in a small town in southeast Missouri. The often Strange and Humorous occurrences, places, and people in these towns offer a never-ending source of inspiration for my prints. I call this work 'rural satire'".[2] From 1995 to 2005, Huck created two woodcut folios: 2 Weeks in August: 14 Rural Absurdities and The Bloody Bucket. 2 Weeks in August: 14 Rural Absurdities, a thematically unified suite of 14 large woodcut prints, depicted 14 bizarre folk tales that allegedly occurred in Huck's hometown of Potosi, Missouri. The suite was produced in three years from 1995 to 1998. His second body of work, The Bloody Bucket, was based on violent legends surrounding a bar of that name in or around his hometown of Potosi. It comprises 10 large-scale woodcuts, executed between 1999 and 2005. In December 1999, Huck's work represented the United States in an exhibition entitled From Kandinsky To Corneille: Linoleum in the Art of the 20th Century held at the Cobra Museum in Amstelveen, Holland. Featured in the exhibition was a large scale linoleum cut by Huck entitled "Attack of the 50ft. Yard Ornament". The piece was commissioned specifically for the exhibition by the linoleum company Forbo-Krommenie in Amsterdam. The Whitney Museum of American Art in September 2003 featured two works by Huck in an exhibition entitled To Be Human. Both the works featured were woodcuts from the series 2 Weeks in August. Huck is currently working on a 14-triptych cycle of woodcut prints entitled Booger Stew. The first installment of the series, a triptych entitled "The Transformation of Brandy Baghead Pts. 1, 2, & 3", was completed in March 2009. An exhibition entitled Tom Huck and the Rebellious Tradition of Printmaking opened on August 28, 2009 at the Saint Louis Art Museum. Prints by Albrecht Dürer, William Hogarth, Jose Guadalupe Posada, and Max Beckmann were featured alongside Huck's "The Transformation of Brandy Baghead Pts. 1, 2, & 3". Electric Baloneyland On December 19, 2011, Huck announced the April 1, 2012, release of The Hillbilly Kama Sutra. This new suite of 15 linoleum cut prints is Huck's first portfolio of prints since 1998's 2 Weeks in August: 14 Rural Absurdities. On April 12, 2012, a selection of prints from the new series were released in the St. Louis weekly publication The Riverfront Times. On May 4, 2012, Sherry Leedy Contemporary Art in Kansas City, Missouri, hosted the debut exhibition of The Hillbilly Kama Sutra. In February 2013, Huck illustrated a cover story entitled "The 10 Weirdest Members of Congress" written by Caleb Hannan. The feature article appeared in The Riverfront Times and four other Voice Media Group publications: the Houston Press, Dallas Observer, Broward-Palm Beach New Times, and Minneapolis City Pages. All five had a cover caricature of Michele Bachmann's head on a snake, referencing the "Don't Tread On Me" motif. The story featured 9 politicians in caricature. In early spring of 2014 Huck completed work on his second major woodcut triptych from "Booger Stew" entitled "The Tommy Peeperz". "The Tommy Peeperz" debuted in a show of The Outlaw Printmakers entitled "The Dirty Dozen...

Unknown Artist - Lament for Aubrey Beardsley - Garden of Dreams, Year: 1952, Medium: Etching, signed, titled and dated in the plate, Image Size: 7 x 9 inches, Size: 9 x 10 in. (22....

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...

Carole Feuerman Shower Profile (Blue), 2012 Mixed media: two color silkscreen with Diamond Dust, mounted to linen Canvas Hand signed, dated and numbered on the back of the canvas Sig...

Michael Knigin, American (1942 - 2011) - Blind Trust, Portfolio: Vintage Nudes, Year: 2001, Medium: Giclee signed, numbered, dated, and titled in pencil, Edition: AP, Image Size:...

"Neptune" (2021) by SarahGrace Digital art print on archival paper, Figurative drawing, Portrait, Woman, Nude, Purple, Pink and Blue-Purple Hand-signed by ...

"Pink Lady V" (2019) by SarahGrace Archival ink on archival paper, block print; woman, nude, figurative portrait Hand-signed by artist Certificate of Authentici...

"Pink Lady X" (2019) by SarahGrace Archival ink on archival paper, block print; woman, nude, figurative portrait, hot pink pigment Hand-signed by artist Certificate of Authenticity I...

"Pink Lady IX" (2019) by SarahGrace Archival ink on archival paper, block print; woman, nude, figurative portrait, pink & purple pigment Hand-signed by artist Certificate of Authenti...

Dimitri Petrov, American (1919 - 1986) - After Picasso II, Year: 1976, Medium: Etching with Watercolor, signed in pencil, Edition: 99, Image Size: 16 x 23.5 inches, Size: 22 x ...

Dimitri Petrov, American (1919 - 1986) - This is Not an Idea for a Machine that Martyrs Pale Dissidents, Year: 1976, Medium: Etching with Watercolor, signed in pencil, Edition: 82...

Dimitri Petrov, American (1919 - 1986) - This is Not an Idea for a Machine that Digests Clues And Avoids Obvious Conclusions, Year: 1976, Medium: Etching with Watercolor, signed in...

Dimitri Petrov, American (1919 - 1986) - After Picasso III, Year: 1976, Medium: Etching with Watercolor, signed in pencil, Edition: 74/99, Image Size: 16 x 23.5 inches, Size: 22...

Dimitri Petrov, American (1919 - 1986) - This is Not an Idea for a Machine that Increases Incidence, Year: 1976, Medium: Etching with Watercolor, signed in pencil, Edition: 82/99,...

Dimitri Petrov, American (1919 - 1986) - Untitled - Standing Nudes, Year: 1976, Medium: Etching with Watercolor, signed in pencil, Edition: 96/99, Image Size: 16 x 23.5 inches, S...

Dimitri Petrov, American (1919 - 1986) - Untitled - Nudes Jumping Rope, Year: 1976, Medium: Etching with Watercolor, signed in pencil, Edition:, Image Size: 16 x 23.5 inches, Size...

Dimitri Petrov, American (1919 - 1986) - Untitled - Two Columns with Nudes, Year: 1976, Medium: Etching with Watercolor, signed in pencil, Edition: 62/99, Image Size: 16 x 23.5 i...

Dimitri Petrov, American (1919 - 1986) - Untitled - Nudes and Men in Suits, Year: 1976, Medium: Etching with Watercolor, signed in pencil, Edition: 68/99, Image Size: 16 x 23.5 i...

Artist: André Masson (French, 1896-1987) Title: "Le Fil d'Ariane (Ariadne's Clew)" Portfolio: For Meyer Schapiro *Signed by Masson in pencil lower right Year: 1973 Medium: Original E...

This sensuous and playful scene is characteristic of Oldenburg’s printmaking ouevre: a woman peeks out from loops and knots of thick cord, a modern-day Laocoön and His Sons. She seem...

Artist: Dan May (American, 1955-) Title: "Home Early" *Signed by May in pencil lower left Year: 1995 Medium: Original Linocut on white Hosho handmade paper Limited edition: test prin...

Artist: Le Corbusier (Charles-Édouard Jeanneret) (Swiss-French, 1887-1965) Title: "Unité, Planche 10" (Set of 2) Portfolio: Unité *Signed by Le Corbusier in pencil lower right. It is...

Pablo Picasso (1881-1973), Le Couple, 1951, drypoint on chine volant, signed lower right margin and numbered (5/XI) lower left margin. References: Bloch 690,...

Julio Girona (Cuba, 1914-2002) 'Genevieve' collagraph on paper Guarro Geler 27.6 x 19.7 in. (70 x 50 cm.) Edition of 75 ID: GIR-301 Unframed

Isolina Limonta (Cuba, 1955) 'La Hoja', 2001 etching on paper Velin Arches 300 g. 29.6 x 21.5 in. (75 x 54.5 cm.) ID: LIM-201 Unframed

Auguste Rodin, After, French (1840 - 1917) - Jardin Des Supplices III, Year: 1920, Medium: Lithograph, Image Size: 13 x 8 inches, Size: 17.75 x 12.5 in. (45.09 x 31.75 cm), Descrip...

Raul Anguiano (Mexican, 1915-2006) 'Desnudo doble', 2005 Etching, aquatint and sugarlift 103 x 73 cm. (40.6 x 28.7 in.) Edition of 50 Unframed Pristine condition Hand-signed in penc...

This artwork "Seven Nudes" 1982, is an original etching on wove paper by noted American artist Charles Eckart, b.1935. It is hand signed and numbered 6/10 in pencil by the artist. Th...

Artist: After Pablo Picasso (1881-1973) Title: Sculpteur au Repos avec Modèle démasqué et sa Représentation sculptée (after Bloch 159) Year: 1992 Medium: Reproduced from the original...

STANDING NUDE an original hand drawn lithograph by Raphael Soyer, the renowned Russian-born American realist painter, draftsman, and printmaker. Printed on archival Arches paper 100%...

After Hans Bellmer (German, 1902-1975) Surrealist engraving, etching after drawings from a 1942 notebook, engraved in 1974-75 by Cecile Reims Printed by L'Atelier de Chalcographie du Louvre, Paris, Having printed monogram lower left in plate, pencil notations and #7/10 and 'Musee du Louvre' blindstamp verso Dimensions: Sheet 11 X 7.5, Plate size 6.5 X 4 Hans Bellmer ( 1902 – 1975) was a Polish born German artist, best known for his drawings, etchings that illustrates the 1940 edition of Histoire de l’œil, and the life-sized female sculpture mannequin dolls he produced in the mid-1930s. Historians of art and photography also consider him a Surrealist photographer. Bellmer was born in the city of Kattowitz, then part of the German Empire (now Katowice, Poland). Up until 1926, he worked as a draftsman for his own advertising company. Bellmer is most famous for the creation of a series of dolls as well as photographs of them. He was influenced in his choice of art form in part by reading the published letters of Oskar Kokoschka (Der Fetisch, 1925) and Surrealism. Bellmer's puppet doll project is also said to have been catalysed by a series of events in his personal life. Hans Bellmer takes credit for provoking a physical crisis in his father and brings his own artistic creativity into association with childhood insubordination and resentment toward a severe and humorless paternal authority. Perhaps this is one reason for the nearly universal, unquestioning acceptance in the literature of Bellmer's promotion of his art as a struggle against his father, the police, and ultimately, fascism and the state. Events of his personal life also including meeting a beautiful teenage cousin in 1932 (and perhaps other unattainable beauties), attending a performance of Jacques Offenbach's Tales of Hoffmann (in which a man falls tragically in love with an automaton), and receiving a box of his old toys. After these events, he began to actually construct his first dolls. In his works, Bellmer explicitly sexualized the doll as a young girl (his work bears connection to the works of Bathus). Hirschfeld has claimed (without further argumentation) that Bellmer initiated his doll project to oppose the fascism of the Nazi Party by declaring that he would make no work that would support the new German state. Represented by mutated forms and unconventional poses, his dolls (according to this view) were directed specifically at the cult of the perfect body then prominent in Germany. He visited Paris in 1935 and made contacts there, such as Paul Éluard, but returned to Berlin because his wife Margarete was dying of tuberculosis. He was part of the circle of Surrealist luminaries such as Man Ray, Marcel Duchamp, Max Ernst, Joan Miro, André Masson, René Magritte, Alberto Giacometti and Salvador Dali as well as women artists—such as Frida Kahlo, Dorothea Tanning and Leonora Carrington. Bellmer produced the first doll in Berlin in 1933. Long since lost, the assemblage can nevertheless be correctly described thanks to approximately two dozen photographs Bellmer took at the time of its construction. Standing about fifty-six inches tall, the doll consisted of a modeled torso made of flax fiber, glue, and plaster; a mask-like head of the same material with glass eyes and a long, unkempt wig; and a pair of legs made from broomsticks or dowel rods. One of these legs terminated in a wooden, club-like foot; the other was encased in a more naturalistic plaster shell, jointed at the knee and ankle. As the project progressed, Bellmer made a second set of hollow plaster legs, with wooden ball joints for the doll's hips and knees. There were no arms to the first sculpture, but Bellmer did fashion or find a single wooden hand, which appears among the assortment of doll parts the artist documented in an untitled photograph of 1934, as well as in several photographs of later work. Bellmer's 1934 anonymous book, The Doll (Die Puppe), produced and published privately in Germany, contains 10 black-and-white photographs of Bellmer's first doll arranged in a series of "tableaux vivants" (living pictures). The book was not credited to him, as he worked in isolation, and his photographs remained almost unknown in Germany. Yet Bellmer's work was eventually declared "degenerate" (entartete kunst) by the Nazi Party, and he was forced to flee Germany to France in 1938, where Bellmer's work was welcomed by the Surrealists around Andre Breton. He aided the French Resistance during the war by making fake passports. He was imprisoned in the Camp des Milles prison at Aix-en-Provence, a brickworks camp for German nationals, from September 1939 until the end of the Phoney War in May 1940. After the war, Bellmer lived the rest of his life in Paris. Bellmer gave up doll-making and spent the following decades creating erotic drawings, etchings, sexually explicit photographs, paintings, and prints of pubescent girls. In 1954, he met Unica Zürn...

Auguste Rodin, French (1840 - 1917) - Nude Woman Lying on her Stomach, Year: 1899-1905, Medium: Lithograph, signed in the plate lower left, Size: 12....

Antonio Diaz Cortes (Mexico, 1935) 'Encuentro' (meeting), 2006 woodcut on paper Velin Arches 300 g. 27.6 x 19.7 in. (70 x 50 cm.) P/A (Artist Proof), unique piece Unframed ID: DIA-10...

This exquisite lithograph after Henri Matisse (1869–1954), titled Nu Bleu I (Blue Nude I), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, originates from the 1958 is...

Reza Yahyaei (born 1948, France). Three nude females crouching against bold color strokes. Matisse like simplicity of lines. A very striking piece, unframed though within a mattin...

Black and white figurative nude linocut by contemporary artist Karin Broker. The work features a central headless female nude figure surrounded by stereotypically "girl" icons such a...

Artist: After Pablo Picasso (1881-1973) Title: Deux Modèles se regardant (after Bloch 209) Year: 1992 Medium: Reproduced from the original edition using the grain Autotype halftone s...

Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...

This artwork "Deux Femmes Nues" 1979 is an original color lithograph by noted Belgian artist Guillaume Cornelis Van Beverloo, A.K.A. Corneille, 1922-2...

Artist: Peter Phillips, British (1939 - ) Title: Custom Print I from 11 Pop Artists Year: 1965 Medium: Silkscreen, signed and numbered in pencil Edition: 200, XXII/L Size: 24 x 19.5...

Alberto"El Cuervo" Bustillos (Mexico, 1950) 'Con la mirada fija en tu paisaje ', 2007 etching, aquatint on paper Deponte 300 g. 12.3 x 10.3 in. (31 x 26 cm.)...

Philip Pearlstein Untitled Nudes in bathtub, ca. 1971 Lithograph on paper with Deckled Edges Numbered from the limited edition of only 19. Unframed Hand signed in graphite pencil and...

Alvin Carl Hollingsworth, American (1928 - 2000) - Torso, Medium: Lithograph, signed, titled and numbered in pencil, Edition: AP, Image Size: 22.25 x 17.5 inches, Frame Size: 37....

This exquisite lithograph after Henri Matisse (1869–1954), titled Bateau (Boat), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, originates from the 1958 issue publis...

Male nude etching by Trevor Southey. Medium: etching Year: 1988 Edition of 150 Image Size: 8 x 6 inches Trevor Southey was born in Rhodesia, Africa (now Zimbabwe) in 1940. His Afric...

This artwork "The Photographer II" c.1990 is an original color seigraph on Bristol paper by noted American artist Charles Bragg, 1931-2017. It is hand signed and numbered 158/300 in pencil by the artist. The image size is 8 x 13.25 inches,sheet size is 14.75 x 22 inches. It is in excellent condition, two small pieces of hanging tape remaining on the back. About the artist. Charles Bragg was born in St. Louis, Missouri to two Vaudeville performing parents that he traveled with throughout his childhood. He attended New York’s High School of Music and Art in Harlem and ran away with his sweetheart when he turned 18. He studied at the Art Students League in New York and later resided in Los Angeles. Before he decided to truly pursue painting, Bragg was a cab driver, a truck driver, a stand-up comedian, and a factory worker. When he arrived in California, he began painting for the wealthy and even gave lessons. It was during this time that he began to develop satirical feelings for the upper-class he was painting. Considered the foremost social satire artist in America, Charles Bragg is highly acclaimed for his cryptic and humorous portraits. Bragg is a spiritual descendent of Bosch, Brueghel and Daumier His work is found in the collections of at least 20 international museums, including thePushkin Museum, Moscow, USSR - Galleria d' Arte, Moderna de Milano Stedelijk Museum, Amsterdam, Holland - Dayton Art Museum, Ohio - DowneyMuseum of Art, California - Long Beach Museum of Art, California - Wichita State University Collection - Roswell Museum Collection, New Mexico - Canton Art Institute, Ohio - Loch Haven Art Center, Orlando Florida - University of Wyoming Museum of Art - The Albrecht Museum of Art, St Joseph, Mo - St Lawrence University, Canton, NY - Gibbes Art Center, Charleston, SC - Kalamazoo Institute of Arts, Michigan ¬University of Judaism, Los Angeles, Ca - Joslyn Art Museum, Omaha, Nebraska - Tyler Museum of Art, Tyler, Texas - Joseph Hirshhorn Collection, National Gallery of Design...

Hans Jürgen Diehl Vorfuehrung Year: 1972 Medium: Color Etching Edition: 15 Size: 33.5 x 25.5 in. Publisher: Ketterer, Germany Signed, numbered and/or titled Hans-Jürgen Diehl was bo...

This artwork "Nude Woman with Cat" c.1990, is an original colors etching with aquatint on Wove paper by noted Mexican artist Jose Esteban Martinez, b.1951. It is hand signed in penci...

Standing Woman Andre Minaux, French (1923–1986) Etching, signed and numbered in pencil Edition of EA 8/10 Image Size: 17.5 x 15.25 inches Frame Size: 29.7...

This exquisite lithograph after Henri Matisse (1869–1954), titled Femme nue (Nude Woman), originates from the 1952 folio Derriere le Miroir, No. 46–47, published by Maeght Editeur, P...

Alvin Carl Hollingsworth, American (1928 - 2000) - Nude #3, Medium: Lithograph, signed in the plate lower right, Size: 13.25 x 9.75 in. (33.66 x 24.77 cm), Frame Size: 21 x 17 inc...