Continental US - Prints

Chinese ink rubbing printing depicting Panthaka Arhat, no.4 of the 16 arhat images immortalized in stone at the former stupa at Shengyin Temple. Depicted here sitting on a rock with a book in his left hand and snapping his fingers in his right hand, symbolic of the speed at which he obtained enlightenment, accompanied by a beggar’s bowl and an incense burner, complete with colophons and silk scroll mounting. The Emperor Qianlong ordered the stone stele to be carved in 1764 after the arhat designs painted by the famed artist Guanxiu (832-912). Even though the temple was destroyed in the Taiping rebellion, the steles remain and have been reinstalled at the Hangzhou Stele Forest. Condition: Creases from rolling, otherwise fine condition. Mounting: 58” x 22”. 19th Century. Ex Collection: Frank “Till” & Peggy Durdin, San Diego. For other rubbings of this stele see: Penn Museum, object number 2010-26-4 The Metropolitan Museum of Art AN#: 59.195.15 Fine Arts Library of Harvard University, record id: W280021_urn-3:FHCL:478850 For another example of this image rendered in jade and lacquer see: “Screen Paintings of Guanxiu’s Sixteen Arhats in the Collection of the Palace Museum” Luo Wehhua translated by Bruce Doar, Orientations, September 2010, p. 104. In this article the image is identified as the sixteenth arhat Abheda, It is explained in this article that Qianlong re-identified the arhats, thus the 16th Arhat attribution for this image. Also in this article the identical colophon by Qianlong above the image is translated as: “These accurate portraits of the Sixteen Arhats were created by the Tang Dynasty painter Guanxiu, as recorded in Xuanhe Huapu (Record of paintings in the Xuanhe Reign), and during the millennium from the Guangming reign period to the present day, the original works were to be found in Zhejiang, where they were housed in the collection of Shengyin Temple in Qiantang (Huangzhou). In spring of the dingchou year (1757) of his reign, the Qianlong emperor undertook a southern tour of inspection and stayed at an imperial lodge on the West Lake. He went to the temple to pay his respects and there he saw the arhats on display and wrote a description of these marvels. The sequence of the arhats and their names had been passed down since ancient times, but they did not correspond to their Sanskrit titles; the sequence of the arhat names conformed instead to the interpretation of the Sanskrit classics by the Zhangjia State Preceptor. The emperor penned the original names and positions in the sequence below each of the figures in accordance with the readings supplied in Tongwen Yuntong (Unified Rhymes), and below each he penned an encomium, which he signed. Then the images were returned to the collection, to be passed down as a perpetual treasure. Now, the fourth great arhat had long gone missing and we did not know where his painting was. But it was merely a trifling matter of matching the images with the names, and now surely we have found him! This I, the emperor, believe.” All 16 of these rubbings can be found in the Rubel Chinese Rubbings Collection at the Fine Arts Library of Harvard University with the following descriptive historical note: “Rubbing from stele depicting No. 4 of 16 arhats (Lohans, Buddhist saints) -- Nan ti mi duo luo qing you, Panthaka Arhat. Original painting attributed to Guanxiu, 832-912. Inscriptions written by Hongli, Emperor Qianlong (Gaozong, 1711-1799) of Qing Dynasty. 7 seals of Qianlong follow the inscriptions. Script style: in xing shu. Shi liu zun zhe -- "The 16 noble ones" are 16 lohans. Lohans are also called "a-lo-han" based on the transliteration of the Sanskrit term "arhat." (Japanese: Rakan; Chinese: Lohan; Tibetan: Gnas-brtan). Arhats or Arahants are saints or sages said to have renounced nirvana (freedom from the cycle of suffering and rebirth), vowed to remain in the world to protect the Dharma and propagate the Law of the Buddha in order to devote themselves more effectively to the relief of human misery, like the Bodhisattvas. These 16 Arhats, personal disciples distinguished by the Buddha, formed part of the 500 claimed by tradition to have attended the First Council in Rajagrha. The names and abodes of these 16 arhats are given in a work entitled "Record on the Duration of the Law, spoken by the Great arhat Nadimitra," which was translated into Chinese by the famous pilgrim Xuanzang (596-664) in 654. 16 lohans are quite often represented, especially in China and Japan, in sculpture and painting, in poses and with attributes. Every lohan can be easily with special icongraphic characteristics. Guanxiu (Jiang Deyin or Deyuan, a Buddhist monk also named Master Chan Yue, 832-912) -- painter during late Tang to Five Dynasties, specialized in painting lohan figures. Legend has it that the first portraits of the 18 Lohans...

Antique Japanese Woodblock Reprint Of “Suited To Tie-dyed Fabrics Stocked by Matsuzakaya” Advertisement By Kitagawa Utamaro C1920. Measures - 15.5"H x 10.25"W x .25"D. This is...

A wonderfully composed and subtly colored Japanese woodblock print featuring a beautifully decorated kimono-clad woman, likely a Geisha, with striking yellow hairpins (matching the b...

This exceptional and stunning, limited edition woodblock print is considered by many experts to be one of Sekino's masterpiece works (along with "Eiza and Matsuomaru"). The print of bunraku puppeteer master Kiritake Monjûrô is sealed, signed in pencil and numbered (76/100) by the artist and is also matted and framed. The print is circa 1953. A scarce and rare print. Junichiro Sekino was largely considered, along with Kiyoshi Saito, to be one of Japan's paramount 20th century master print artists. Both were prominent leaders of the Sosaku Hanga movement. Sekino's works can be found in many museums including: The Museum of Modern Art, N. Y., the Art Institute Chicago...

Jane Wooster Scott signed and numbered Serigraph framed art "Carefree Days". Item features an original signature and number, plexiglass front, nice frame, very nice item, great style...

A gorgeous and quite radiant print by Japanese artist/printmaker Isamu Sakamoto titled "Morning Light." The work features the dawn ("Reimei") light reflecting off a traditional build...

A wonderful and quite rare woodblock print by unique master Japanese artist/ printmaker Tsuruya Kokei. This work is titled "Nakamura Tokizo V, as the kep...

A wonderful and quite rare woodblock print by unique master Japanese artist/ printmaker Tsuruya Kokei. This work is titled "Ichikawa Monnosuke VII as Cou...

A beautifully composed and subtly colored Japanese woodblock print featuring two women, likely Geishas, with one leaning on a banister languidly with an opium pipe in hand. This wor...

A beautiful work by famed Japanese artist Kaoru Kawano who was known for his whimsical portrayals of women, children, and animals. Stylistically, he was one of the first Japanese art...

A beautifully composed, relatively rare woodblock print by famed Japanese Sosaku Hanga printmaker Kiyoshi Saito. Many consider Saito to be one of the most important, if not the most ...

A truly wonderful and exceedingly rare abstract limited edition woodblock print by famed Japanese artist/printmaker Junichiro Sekino. This print, which appears to be titled "Tori & ...

A wonderful and quite rare woodblock print by unique master Japanese artist/ printmaker Tsuruya Kokei. This work is titled "Onoe Kikugoro VII as Kirare Y...

A wonderfully composed and colored, limited edition woodblock print by famed Japanese artist Junichiro Sekino. This print, which is titled "Profile/ Portrait of Young Girl in Kimono", is signed and sealed/ stamped in red at the lower right. It was created in 1957 and comes from a limited edition of 100 prints (the exact number of this particular print is likely listed in pencil below the matt but we have not removed the print from the frame to confirm the exact number). An exquisite and rare/hard-to-find work. The detail in the girl's kimono is quite beautiful. Junichiro Sekino was largely considered, along with Kiyoshi Saito, to be one of Japan's paramount 20th-century master print artists. Both were prominent leaders of the Sosaku Hanga movement. Sekino's works can be found in many museums including: The Museum of Modern Art, N. Y., the Art Institute Chicago, the Museum of Fine Art, Boston, the British Museum, and the Portland Art Museum among many other Fine museums throughout the world. A version of this image can be found in the Harvard Art...

Early 19th century hand colored engraving of Chinese life. Original print from "The punishments of China" illustrated by twenty-two engravings by Mason, George Henry; Dadley, J. P. P...

Mandarin Taoist Chinese ceremonial scroll portrait painting in custom plexiglass frame. Exuding an air of spiritual significance and artistic mastery, this Mandarin Taoist Chinese ce...

A wonderful and quite rare woodblock print by unique master Japanese artist/ printmaker Tsuruya Kokei. This work is titled "Onoe Baiko VII as the wet nur...

An antique Indian print from the 19th century depicting Guanyin the Bodhisattva of Compassion. Created in India during the 19th century, this larg...

A truly wonderful and extremely rare limited edition woodblock print by famed Japanese artist Junichiro Sekino This print of a pensive young girl dressed in a poncho and hat (likely in Mexico or Central/ South America) is hand pencil signed, sealed/ stamped in red, and numbered (appears to be 12/98 or 19/98) by Sekino. The image features a uniquely sparse composition and rich vibrant colors - very representative of the country this was likely initially conceived in. An exquisite and very rare/hard-to-find work. We have not seen this particular image ever come to the marketplace. Junichiro Sekino was largely considered, along with Kiyoshi Saito, to be one of Japan's paramount 20th-century master print artists. Both were prominent leaders of the Sosaku Hanga movement. Sekino's works can be found in many museums including: The Museum of Modern Art, N. Y., the Art Institute Chicago, the Museum of fine Art, Boston, the British Museum, and the Portland Art Museum among many other fine museums throughout the world. Would be a fantastic addition to any modern Japanese print...

A truly wonderful and exceedingly rare early limited edition woodblock print by famed Japanese artist/printmaker Junichiro Sekino. This print, titled "Yosaku Feeling Ill", is one of Sekino's earliest known works. A very dramatic image done in black and white, this work features the artist himself in a self-portraiture as he comforts his young son (who evidently does not feel well) in an almost playful and knowing manner. The print is double signed - once in white ink within the image and also hand pencil signed and numbered (9/30) by Sekino in the lower margin. The image features a focused and rather direct composition emphasized by the use of just the two colors. It is an exquisite and very rare/hard-to-find work. Quite engaging. A must for collectors of Sekino's work. Junichiro Sekino was largely considered, along with Kiyoshi Saito, to be one of Japan's paramount 20th-century master print artists. Both were prominent leaders of the Sosaku Hanga movement. Sekino's works can be found in many museums including: The Museum of Modern Art, N. Y., the Art Institute Chicago, the Museum of Fine Art, Boston, the British Museum, and the Portland Art Museum among many other Fine museums throughout the world. Would be a fantastic addition to any modern Japanese print...

A beautifully designed and colored work by Japanese artist Joichi (Joshi) Saito. The print is pencil signed and numbered (16/20) by the artist. A very eye-catching work overall...

A Japanese Woodblock print by Paul Jacoulet (French, 1896-1960) entitled Une Histoire Tres Drole, Mongols (A Very Funny Story, Mongols). Created in 1949, based on an earlier painting...

Japanese Collagraph Print by Tsuguo Yanai (b. 1953, Hagi, Yamaguchi), titled “Broken Heart” in Japanese with the printing number 2/30 under the image on the left and pencil signatur...

A pair of Chinese Deity colored prints in giltwood frames, mid-20th century. Measures - 47.5"h x 32"w x 2.5"d. Catalogue Note: Ask about DISCOUNTED DELIVERY RATES available to most...

A Japanese Woodblock print by Paul Jacoulet (French, 1896-1960) entitled Retour de la Jungle Tondana Celebes (Return from the jungles Tondana Celebes). Created in 1948, this print wa...

Asian Chinese horse print in a red wood frame. Chinese lithograph print study of a horse. Well framed, no glass. Size: 21" x 15". From an esta...

The product is an original French lithograph poster. This piece of art is a unique and authentic representation of French art history, featuring int...

Giltwood framed Pablo Picasso Lithograph. Picasso (1881-1973) Title: Mujer Con Mono Size: 18 inches x 13 inches Medium: Lithograph ...

A Japanese folk art woodblock print by Shozan Takahashi of the Otsu-e School. This figural print is an excellent example of Takahashi Shozan's adept knowledge of traditional block pr...

Picasso (1883-1973) Title: Le Oiseau Size: 17 inches x 12 inches Medium: Lithograph Publisher: Mourlot, Paris Printer: Mourlot, Paris Year: 1973 Edition: 150, this is example ...

Robert Cariola (American, b. 1927) "See not, Hear not, Speak not" Serigraph Framed Print Mid Century Art. Circa Mid 20th Century. Measurements: (Frame):16.5" H x 20.5" W x 1" D. (Art...

Vintage Helen Siegl (1924 - 2009) "Noah's Ark" 1958 Woodcut Print Framed Mid Century Art. Circa Mid 20th Century. Measurements: (Frame) 21" H x 36" W x 1" D. (Art work) 12" H x 27" W.

A beautiful and alluring limited edition mezzotint print by Japanese artist Ushio Takahashi (born 1944). This work is titled "Reflecting". Ushio is widely known for his captivating ...

Influenced by Western advertising, commercial posters featuring beautiful women in modern settings gained popularity in China in the 1920s and 1930s. Posters like this one came to symbolize prosperity and fortune and were often purchased by Chinese consumers to decorate their homes. This 1930s advertisement...

This framed advertising poster for Nanyang Brothers Tobacco dates to the 1920-30s and melds the meticulous detail of traditional Chinese painting with the nuanced color and fine resolution of color lithography. Known as yuefenpai, or calendar posters, these advertisements depicted fashionable women and intriguing scenery alongside annual calendars and product placements. Evolved from traditional nianhua paintings (New Year pictures), these advertising posters were strongly influenced by the Art Deco movement in the west and recall the economic boom of early 20th century Shanghai, an international center of business and trade. In this example, a young woman dressed in fine clothing and jewelry strolls through a traditional courtyard garden, surrounded by stone statues and towering pagodas. In the lower left corner is an open pack of Golden Dragon Cigarettes and below an array of cigarette brands, each a product of Nanyang Brothers Tobacco. The scene is surrounded by trailing vine scrollwork and text suggesting the poster may have been given as a corporate gift...

Detailed original blueprint for Project 209 from John G Alden, Naval Architect, 148 State St., Boston. This is a cabin plan for an auxiliary cruisin...

Five posters from Chinese cultural revolution era circa 1970s. Four depicts scenes from modern revolutionary opera, two with music scores and lyrics. Two from "the Story of Red Lanten", one from "The Red Female Army" and one from "Sha Family Village". Some with publication date and origin. These are from a New England Collection purchased directly in Beijing in the 80s. They are in a simple black poster frame. These stylized posters served as a wide range of propaganda during the cultural revolution in China. For history and background as well as many similar posters, see" Chinese Posters...

Vintage Helen Siegl (1924 - 2009) "Piggy Back" 1950s Woodcut Print Framed Mid Century Art. Circa Mid 20th Century. Measurements: (Frame) 23" H x 14" W x 1" D. (Art work) 17.5" H x 9" W.

Vintage Artistic Innovations Gold Framed Wall Art Print "Plate and Cups" - 3 Pc Set. Item features ornate gold frames, glass fronts, one print with plate and 2 others with cups, orig...

An antique Japanese woodblock print from the 19th century depicting monks having tea. Created in Japan during the 19th century, this woodblock print showcases an indoor scene featuri...

Mixing Western and traditional pictorial styles, this vintage ad depicts a young family on a garden stroll. A cheongsam-clad woman nods to tradition in cont...

L'ABCdaire de la calligraphie arabe (ABCDAIRES) (French Edition) Paperback – May 16, 2002 French Edition by Massoudy Hassan (Author) The basics of Arabic calligraphy paperback - may 21, 2002 by Hassan Massoudy...

Leroy Neiman Olympic runner print. Signature and edition are signed in pencil on the piece. 13/175.

Phenomenal vintage Japanese or Asian Fine Art Lithograph Prints by Tesshu Tokusai titled “Reeds with Geese Resting” and “Reeds with Geese in Flight.” Composed of grass cloth mattes &...

Joseph Hutchcroft "Radiant Flux" Abstract color serigraph c. 1972 Joseph Hutchcroft was born in Missouri and studied at Drake University in Iowa. He was a Chicago-based designer, w...

Japanese Wood Block Print Artist: Eisho Narazaki (1864-1936) Title: Asakusa Kannon-do no naido (Interior of the Kannon Temple at Asakusa) Year of Creation: 1932 Pencil marked title ...

Artist: Utagawa Hiroshige (1797 - 1858) Series: The Fifty-three Stations of the Tokaido (Upright) Number: 40 Chiryu: The Former Site of the Irises at Eightbridge Village (Chiryu, Yatsuhashimura kakitsubata no koseki) Medium: Woodblock Print Date: 1855 Format: Vertical Oban Size (H x W): 14" x 9.25" print only. Publisher: Tsutaya Kichizo Seals: Aratame and date Signature: Hiroshige hitsu...

A Japanese signed woodblock print by Chikanobu Toyohara (Chikanobu Yoshu), 1838-1912, titled "Start of an Archery Tournament", a tript...

A large vintage hand-painted Indian woman dancer mounted on a bamboo style frame. Created in India during the midcentury period, this large painting depicts a woman, possibly Rhada companion of Krishna, engaged into a lively dance. Pulling her hair back, bare chested and wearing ornate jewelry...

Influenced by Western advertising, commercial posters featuring beautiful women in modern settings gained popularity in China in the 1920s and 1930s. Commercial companies presented posters, like this one, to their clients for Chinese New Year. This poster depicts a woman luxuriously dressed in a western style fur-trimmed coat holding a purse that also indicates Art Deco influences. This brand of Chinese advertisement draws on the classic American advertisements...

An antique Japanese woodblock print from the 19th century depicting a ceremonial tassel. Created in Japan during the 19th century, this woodblock print attracts our attention with it...

Japanese Diptych Woodblock by Toyohara Kunichika (1835-1900) 豐原國周 published in 1881 by Yamamoto Heikichi Dimension: with frame, 24.75" x 20.75" with...

Original woodblock work " The Geisha" unsigned Dimension: Image 4.5" x 6.5": with frame 11.25" x 13.5", Professional Framing with highly skillful worker and material.

A silk parchment scroll with a Camellia Flower painting, by Japanese artist Matsumura Keibun (1779-1843). The younger half-brother to Matsumura Goshun, founder of the Shijo schoo...

This poster from the 1930s draws from a well known Chinese opera scene. It melds the meticulous detail of traditional Chinese painting with the craft of color lithography. These advertisements, influenced by the Art Deco movement in the west, recall the economic boom of early 20th century Shanghai, an international center of business and trade. Layered with imagery of traditional Chinese life, the poster is nonetheless an advertisement for the modern cigarette industry, with several brands displayed in the top left corner, including Lan Ting, Hong Chun, and Jade Rabbit...

This 1930s advertising poster for the Gold Bar Cigarettes company draws from a well known Chinese opera scene. It melds the meticulous detail of trad...

This framed advertising poster for Hatamen Cigarettes from the late 1920s melds the meticulous detail of traditional Chinese painting with the Craft of color lithography. These adver...

This vintage poster from the 1930s features a fashionably dressed young mother posing with her son and daughter. The poster may have been given as a g...

Chinese extraordinary natural stone "painting" with hardwood frame Sea and Mountains IV This Chinese extraordinary natural stone "painting" of a mountain range in white and gray colors is called a dream stone Shih-hua. They are cut from historic Dali marble found in the Cangshan mountains of western China. These mysterious mountains, unique in the world, are known for yielding incredible and fantastic natural landscaped works of art created over tens of millions of years from mineral inclusions that affected the process of ancient organic material which transformed into limestone and finally resulted in marble- a metamorphic hard stone. This art form is centuries of years old since the Ming dynasty. Dream stones became favored art in the west particularly since the 19th century when French collectors named them Pierres de reve. This thin marble stone "painting" is approximately 1/4" thick and is cut from a large slab of rough material revealing incredible patterns in soft white and gray colors. Its weight is surprisingly modest- easily hung with standard hardware. On occasion, private collectors would invite an artisan to inscribe a poetic description onto their more important dream stones and in this case the artists' seal mark and calligraphy translation reads: Dimensions: Frame 12 inches high and 20 inches wide. Site 7.5 inches high and 16.25 inches wide. Provenance: Private Chinese collection, Yunnan, China. History of "White and Gray" dream stone paintings...

Collection of abstract Japanese calligraphy prints, possibly after Sofu Teshigahara, Japan, circa 1970s. These were from a collection that we purchase...