England - Animal Drawings and Watercolors

The Anatomy of a Horse by Robert Ladou (French 1929-2014) original drawing stuck on card in blue folder/ thick paper, unframed top drawing: 7.25 x 9...

A really super image of a beautiful pussy cat by one of the keystones of the British Modern Art movement, Philip Wilson Steer. The relationship between artists and their pets has oft...

LIONEL DURIEU (Born 1865) The Tournay of the Lily and the Rose Signed and dated 1898 Watercolour and gold and silver paint on vellum Framed 19 by 31 cm., 7 ½ by 12 ¼ in. (frame ...

Title: Original French Illustrations of an Equine Skeletal and Dental Structures Artist: Robert Ladou (French, 1929-2014) Medium: Pencil and Pen on Paper Size: 19.75 (Height) x 25.75...

Title: Original French Anatomical Study of Horse's Pelvic Girdle Artist: Robert Ladou (French, 1929-2014) Medium: Pencil on Paper Size: 19.75 (Height) x 12.75 (Width) Signed: No Cond...

Title: Original French Anatomical Pencil Study of a Horse's Eye's and Nose Artist: Robert Ladou (French, 1929-2014) Medium: Pencil on Paper Size: 20 (Height) x 13.75 (Width) Signed: ...

Title: Original French Anatomical Study of a Horse's Leg Artist: Robert Ladou (French, 1929-2014) Medium: Pen and Pencil on paper Size: 20 (Height) x 13.25 (Width) Signed: No Conditi...

Title: Original French Anatomical Study of a Horse's Shoulder Artist: Robert Ladou (French, 1929-2014) Medium: Pencil on paper Size: 20 (Height) x 13.5 ...

Orange Kittens watercolour painting on artist paper painting: 9.5 x 12.5 inches provenance: private collection condition: very good and sound condition

Cornelius Pearson b.1805 – d.1891 & Thomas Francis Wainewright, b.1794 – d.1883 English Crymlyn Bog And Neath River Estuary Swansea Bay, 1872 Watercolor. Signed & Dated 1872. Image size 7.9 inches x 15.9 inches ( 20cm x 40.5cm ). Frame size 15.2 inches x 23 inches ( 38.5cm x 58.5cm ). Available for sale; this original painting is by Cornelius Pearson with a significant contribution by Thomas Francis Wainewright, and is dated 1872. The watercolor is presented and supplied in a sympathetic pinned corner frame dating from the 1950s or 1960s (which is shown in these photographs), mounted and behind glass. This antique painting is in very good condition whilst the frame is in a good condition, commensurate with age. It is ready to hang and display. The watercolor is signed by both artists and dated 1872 lower left. The mount is titled and attributed by hand. Cornelius Pearson was an accomplished landscape artist. He was born in Boston, Lincolnshire but moved at an early age to London where he became apprenticed to a copper-plate engraver. He soon abandoned engraving however to devote himself to being a watercolor painter. Although he lived in London throughout his career, he travelled for his work to paint in Kent, Ireland, Wales, the Lake District, Scotland, on the Thames and Devon. He was a regular exhibitor at the Suffolk Street Galleries, and also exhibited at the Royal Academy, the New Watercolor Society and elsewhere. He was one of the oldest members of the Langham...

An expressive early 20th-century sporting still life depicting a brace of red grouse set against rocky Scottish moorland. The artist captures this composition in watercolour, heighte...

A wonderful sepia watercolor depicting a tired workhorse resting in the yard, surrounded by a raft of ducks. Well presented in a complementing dark wood frame. Signed. On paper.

Pink Flamingo's Frank Duffield (British, 1908-1982) original watercolor painting on thick artist paper, unframed size: 10.5 x 11.5 inches condition: overall very good, minor wear to the edges as is normal for an unframed work, minor staining from age/ light to the surface provenance: from a large private collection of this artists work in the UK The artist: Born in Warwick in 1901, Duffield came to Bristol at the age of 23 as an artist at the studio of Mardon Son and Hall. He worked as an illustrator producing designs for cigarette cards, remaining with the company for 37 years until his retirement. He was elected an Artist Member of the Bristol Savages in 1946. He was an extremely keen and regular attender not only in the studio but at all other Savage functions. He was noted for his friendly demeanour and seldom seen without a pipe in his mouth. He was a good pianist and would play popular tunes after the Wednesday evenings’ entertainment for members to join in singing and always with his pipe in his mouth. In 1965 he was commissioned by the Gloucester Regiment to paint a portrait of Brigadier Manley Angell James, VC, DSO, MBE, MC, a Bristol man who won his VC during the first World War. The painting is now in the Imperial War Museum. Frank was made a Life Member in 1973 and died in 1982. Frank Duffiled was a member of the artist group, known as "The Bristol Savages": Founded in 1894 by Ernest Ehlers, he invited his fellow Bristol based artists to spend a friendly evening in his studio to work and talk. At first, meetings were held in their private studios, then as their numbers grew, in rented premises. By 1904 this led to the official founding of the Bristol Savages and the holding ever since, of similar weekly meetings between October and May each year. In 1905 the first exhibition of paintings was held at the premises of George Nichols & Co., an auctioneer in Broad Street, Bristol. During the next 14 years exhibitions were held annually in Bristol and their first permanent home was Brandon Cottage which was made available to them through the good offices of fellow member James Fuller Eberle. When the Red Lodge...

'Forever Love'' by Paddy McCormack (Irish, contemporary) signed on front and to the reverse watercolour/acrylic/oil on canvas 15 x 18 inches unframed provenance: private collector, U...

The Anatomy of a Horse by Robert Ladou (French 1929-2014) original drawing stuck on card in blue folder/ thick paper, unframed drawing: 12 x 19 inch...

A wonderful pastel portrait of a liver and white cocker spaniel by British artist Edith Honor Earl (1901-1996). Signed and dated to the lower right. Well-presented in a lime-washed f...

'Nature Love' by Paddy McCormack (Irish, contemporary) signed to the reverse watercolour/acrylic/oil on canvas 16 x 13 inches unframed provenance: private collector, UK The painting ...

The March Hare by Paddy McCormack (Irish, contemporary) signed to the reverse watercolour on artist paper 15 x 18 inches unframed provenance: private collec...

A really charming and skillfully executed study of a chimpanzee by this very talented artist. A most attractive picture which captures the personality and essence of the chimp. Raf...

The Anatomy of a Horse by Robert Ladou (French 1929-2014) original drawing stuck on card in blue folder/ thick paper, unframed drawing: 11.75 x 14.5...

Mona Alizon Edmonds (British, circa 1944) Black and tan terriers Watercolour on paper Signed, inscribed and dated ‘Black and tan terriers (minature) Dogs and Bitch. AM Edmonds. 19...

Original Pastel of Mallards flying over Wetlands in the English Countryside by 20th Century British Artist, Wendy Reeves. Art measures 20 x 14 inches F...

Original Pastel Drawing on Paper of Horse Race at Royal Ascot 2002 with Golan & Nayef Art measures 25 x 18 inches Frame measures 33 x 26 inches Nayef was pipped by Golan in the 2...

Fox amidst the Hay Bales on a Misty Morning in a Field in the English Countryside, by British Artist Andrew Hutchinson Art measures 22 x 10 inches F...

A fine study of a pair of magpies by the artist Steve Shotter. The artist has paid great attention to the details of the feathers, capturing the birds in stunning realism. Titled and...

An evocative late 19th-century watercolour depicting two dead plovers. The artist masterfully captures the textures and subtle colour variations of the birds' feathers against the gr...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative takes the audience on a journey into the imagination. In October 2023 Isabel won the Evelyn Williams Drawing Award at the Trinity Buoy Wharf Drawing Prize. Known as the UK’s most prestigious annual open exhibition for drawing; part of the prize is a solo show at Hastings Contemporary, scheduled for 2024. Whilst Isabel always has a tale to tell for each of her images, you may or may not choose to go on the journey with her or you may indeed have a different story, one of your own that jumps off the page at you, that that you decide to follow. Artwork Details: Isabel Rock , 'Maud' 200 x 107cm, collaged woodblock print and acrylic ink on 410gsm Somerset Satin paper. *Please note we are happy to ship this work rolled in an art tube. Whilst the work is on heavy duty art paper and mixed media, the artist is happy that the painting will be fine rolled in a tube. This is a more cost effective and environmentally sound method of shipping. Shipping via this method is free In Rock's own words, Maud 'Maud was a legend in the city. A legend that walked the streets and lived and breathed in the minds of the townsfolk so strongly that no one was sure any more if she was real or not.  The tap...

A framed watercolour by Walshe. Known more for his works in other mediums this is a bit of a departure for Walshe, but still displays his unique style and concern for the environment. Lilac Fish is an intricate work showing happy little reef fish...

John Rabone Harvey ( 1966 - 1922) graphic and chalk deep green artist paper , unframed artist paper : 5.5 x 7 inches Provenance: private collection Condition: very good condition Ha...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative take...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative takes the audience on a journey into the imagination. Hugely inspired by Paula Rego, Isabel Rock is part of a formidable group of women artists (Leonora Carrington and Eileen Agar amongst others) working with Surrealism. In October 2023 Isabel won the Evelyn Williams...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative take...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative take...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences whi...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative take...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative take...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences whi...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative takes the audience on a journey into the imagination. In October 2023 Isabel won the Evelyn Williams Drawing Award at the Trinity Buoy Wharf Drawing Prize. Known as the UK’s most prestigious annual open exhibition for drawing; part of the prize is a solo show at Hastings Contemporary, scheduled for 2024. Whilst Isabel always has a tale to tell for each of her images, you may or may not choose to go on the journey with her or you may indeed have a different story, one of your own that jumps off the page at you and that that you decide to follow. Shipping: Please note this artwork will be shipped in a professional, wide art tube and will be sent rolled. The cost for shipping will therefore be considerably cheaper than that quoted Artwork Details: Isabel Rock, The Dancing Horse of the Day, mixed media on archival paper , 153cm x 122cm, unframed, 2013 The Long Story of the Dancing Horse of the Day In Rock's own words, 'With seven long strides I traversed a might ocean, the salt spray dried my throat and crusted my lips with crystals. With eight huge hops I vaulted a vast desert of sand dunes, hot sand blew in my eyes, blocked my nostrils and burnt my hooves. With nine large leaps I scaled a stone wall that stretched to the skies, the cold grey lumps seemed to penetrate my heart with their silent indifference. I had come to dance before the Queen who had heard rumours of my beauty. I knelt before her in the great long throne room. 'Your majesty,' I said, 'I will dance for you but you must know that this comes with a price. How great the price will be I cannot tell, it will depend on your deepest heart.' 'Dance,' she commanded, 'I care not for such things. There is no price, I am the Queen.' So I tapped my hooves and jiggled my legs, I tossed my mane and I shook my head. I danced and I danced. My body shimmered and shone, radiant in the light of the chandeliers. As I danced a rumble began, it got louder and louder as the walls of the castle crumbled and fell around me. I carried on dancing until nothing was left and the Queen was nowhere to be seen. I assumed she was crushed under the rocks, but I had given her fair warning...

Sven Berlin (British, 1911 - 1999) Equus Pen and ink 7.7/8 x 12.3/4 in. (19.7 x 32.4 cm.) Sven Berlin, born in Sydenham, London on 14th September 1911, was an English painter, draug...

A charming watercolour painting by R.J. Brooks, depicting a seated dog, entitled 'Freya'. Signed, titled, and dated to the lower left-hand corner. Well-presented in a double card mou...

A fine watercolour by George Hamilton Constantine, depicting cattle grazing in a field, with farmhouse and agricultural buildings in the background. Monogrammed by the artist to the ...

Gipsies with Horses & Covered Wagons in the Wild Moorland Landscape of England. An Original Watercolour Painting by 19th Century British Artist, James Walter Gozzard...

A finely painted still life in the style of British painter Oliver Clare (1853-1927). Well-presented in a gilt frame with card mount. Unsigned. On paper.

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative take...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative takes the audience on a journey into the imagination. Hugely inspired by Paula Rego, Isabel Rock is part of a formidable group of women artists (Leonora Carrington and Eileen Agar amongst others) working with Surrealism. In October 2023 Isabel won the Evelyn Williams...

A fine watercolour study of two dead pheasants. With delicate brushstrokes and fine pen and ink detail, Charballard captures the detailed features of the birds. Signed to the lower l...

A fine study in watercolour and gum arabic depicting a bullfinch and its nest, surrounded by woodland vegetation and white blossom. Signed lower right. Presented in a gilt frame. On ...

Sven Berlin (British, 1911 - 1999) The alpaca herd Pen, ink and bodycolour on paper 14.1/8 x 14.1/8 in. (36 x 36 cm.) (18) Sven Berlin, born in Sydenham, ...

John Rattenbury Skeaping. English ( b.1901 - d.1980 ). Into The Final Furlong, 1965. Pastel On Buff Paper. Signed & Dated 1965. Image size 18.9 inches x 27.6 inches ( 48cm x 70cm )...

William Heath Robinson (British, 1872-1944) 'The Friendly Dog' Signed 'W. Heath Robinson.' (lower right) Pen and ink on paper 11 X 8.1/2in. (28 X 21.7cm.) (excluding frame) 46 x 38cm. (18.1/4 x 15in. (including frame) Literature: 'Old Time Stories', Constable and Co. 1921, P. 143 William Heath Robinson was an artist and illustrator mainly associated with his gloriously complicated inventions for simple objectives. The name Heath Robinson has become commonplace in the English language as a result to describe anything mechanical that is eccentric, ridiculously complex and ingenious at the same time . Interestingly one of the automatic analysis machines built for Bletchley Park...

A fine portrait of a terrier presented in a double card mount and gilt frame. Signed by London artist Dorothy S. Hallett who is RA exhibited. Signed. On wove.

Dame Elisabeth Frink. English ( b.1930 - d.1993 ). Hawk, 1969. Watercolor. Signed & Dated Lower Right. Image size 25.4 inches x 19.5 inches ( 64.5cm x 49.5cm ). Frame size 34.4 inches x 28.1 inches ( 87.5cm x 71.5cm ). Available for sale; this original painting is by Dame Elisabeth Frink and is dated 1969. The painting is presented and supplied in a glazed frame and mount dating from June 1997. This vintage watercolor is in very good condition, commensurate with its age. The watercolor is signed and dated lower right. Previously with Beaux Arts, London and Bath in 1999. Dame Elisabeth Frink was one of Britain’s most important post-war sculptors, an accomplished draughtsman, illustrator and teacher. She was part of the post-war school of expressionist British sculptors dubbed the Geometry of Fear, and enjoyed a highly acclaimed career that was commercially successful, broke boundaries and contributed greatly to bringing wonderful sculpture to public places. She was born on 14 November 1930 in Thurlow, the daughter of a cavalry officer, and brought up in rural Suffolk near to an active airbase. She was brought up a Catholic and educated at the Convent of the Holy Family, Exmouth. She then studied at the Guildford School of Art from 1947-1949 under Willi Soukop and Henry Moore’s assistant, Bernard Meadows, and then at the Chelsea School in London 1949-1953. She taught at Chelsea School of Art 1951-61, St. Martin’s School of Art 1954-62 and was a visiting instructor at the Royal College of Art 1965-1967, after which she lived in France until 1973. Frink first came to the attention of the public in 1951 at an exhibition at the Beaux Arts Gallery, London. In 1952 she represented Britain at the Venice Biennale, being described by Herbert Read as “the most vital, the most brilliant and the most promising of the whole Biennale”. The same year the Tate bought its first work by her, and she began to enjoy commercial success. Thereafter she exhibited regularly and was for 27 years associated with Waddington’s, London. The subjects which Frink was most concerned with were man, dog and horses, with and without riders. Interestingly she seldom sculpted the female form, drawing on archetypes of masculine strength, struggle and aggression. Her work has the recurring themes of the vulnerable and the predatory, in the spirit of an authentic post-war artist. It has been said that she was more concerned with representing mankind that portraits of individuals. The appeal of her work lies in its directness, provoking a frank statement of feeling. The anatomy is often exaggerated or incorrect; the impact growing more out of her interest in the spirit of the subject. Her animals and birds may be drawn from nature but verge on the abstract, conveying raw emotion and character rather than a realistic depiction. Her unique style is characterised by a rough treatment of the surface which embeds each piece with vitality and her personal impression. In her later work even the distinction between human and bird figures becomes blurred. Commentators have noted that the often rugged, brutal and contorted surfaces of her work reflect the destruction and terror of the six-year world-wide conflict that she witnessed as a child. Frink was an active supporter of Amnesty International. In the 1960s and early 1970s Frink produced a notable series of falling figures and winged men. Later, living in France during the Algerian war, she began making heads, blinded by goggles which had a threatening facelessness. Frink produced many notable public commissions, including Wild Boar for Harlow New Town, Blind Beggar and Dog for Bethnal Green, Noble Horse and Rider for Piccadilly, London, a lectern for Coventry Cathedral, Shepherd for Paternoster Square beside St. Paul’s Cathedral and a Walking Madonna for Salisbury Cathedral. In the early 1980s she produced a set of three larger than life figures The Dorset Martyrs which stand on the edge of the old walled town of Dorchester on the site of the old gallows, as a memorial to those who had been executed there ‘for conscience sake’. Frink’s Canterbury Tales was a collection of 19 etchings drawn directly on to copper plates and etched by her. The ‘book’ was issued in three limited editions. Her illustrations have been praised as “amongst the most successful illustrations of the century, encompassing the mood of the text in concise delineations and disarmingly ribald humour”. She illustrated other books with colored lithographs or drawings. Frink was on the Board of Trustees, British Museum from 1976, and was a member of the Royal Fine Art Commission 1976-81. CBR (1969), DBE ((1982), Associate of the Royal Academy (1971), Royal Academy (1977). She was made a Companion of Honour in 1992. She died on 18 April 1993, but not before completing her last commission, a monumental but unusual figure of Christ for the front of the Anglican Cathedral in Liverpool, unveiled a week before her death. For several decades Frink exhibited widely in the UK and abroad. In her later years she lived and worked in Dorset where her home and garden became an arena for her work. In 1985 she had a retrospective at the Royal Academy. She died on 18 April 1993, but not before completing her last commission, a monumental but unusual figure of Christ for the front of the Anglican Cathedral in Liverpool, unveiled a week before her death. There was a memorial show at Yorkshire Sculpture Park, Bretton Hall in 1994. Today Frink is venerated as one of the great twentieth century British sculptors. Her unique work is represented in the Tate Gallery and major public and private collections world-wide. © Big Sky Fine Art This original watercolor on paper painting of a hawk by Dame Elizabeth Frink...

George Alfred Boden (British, 1888 – 1956) Eagle sunrise Gouache on paper Signed ‘G. A. Boden.’ (lower right) 19.3/4 x 12.1/2 in. (50 x 32.1cm.) Now in a new white mount

Elin Siân Blake. Welsh ( b.1981). Polo Match, Cirencester, The First Chukka. Watercolor On Paper. Signed Lower Right. Image size 11.2 inches x 15.6 inches ( 28.5cm x 39.5cm ). Frame size 16.9 inches x 20.7 inches ( 43cm x 52.5cm ). Available for sale; this original painting is by the contemporary Welsh artist Elin Sian Blake. The watercolor is presented and supplied in a glazed sympathetic frame (which is shown in these photographs) and is supplied ready to hang and display. The watercolor is signed lower right. Elin Siân Blake is a contemporary Brecon-based artist, originally from the South Wales valleys, whose work delves deeply into the rich tapestry of Welsh heritage. Through various mediums, she creates poignant reflections of societal and cultural issues that have shaped the Welsh identity. Born in 1981, Elin Siân Blake began producing commissioned artwork from an early age, focussing on the traditional Welsh ponies and landscapes of her childhood. She was particularly inspired by the agricultural and equestrian events she attended. As a teenager she spent all her spare money on art supplies. Blake graduated from the University of Glamorgan in 2002 with a degree in graphic design and illustration, but quickly realised that she wanted to create conventional paintings, rather than producing digital images. She then spent several years living on the road in vintage vehicles, painting the scenes and characters she encountered on her travels. Blake taught herself oil painting using library...

A sombre watercolour sketch of a hen skeleton by Exmoor artist Mary Chugg (1935-2024). Well presented in a glazed gilt-effect frame. Signed in the lower right and dated 1954. On paper.

Oswald Garside. English ( b.1879 - d.1942 ). Beasts Of Burden, 1904. Watercolor. Signed & Dated Lower Right. Image size 13 inches x 16.7 inches ( 33cm x 42.5cm ). Frame size 20.1 i...

John Sargeant (British, 1937 – 2010) Studies of a tabby cat Mixed media Signed and dated ‘John Sargeant 1974 (lower right) 8.7/8 x 12in. (22.6 x 30.5 cm.)

Geoffrey Key. English ( b.1941 ). Horse With Rising Sun, 1989. Watercolor & Ink On Paper. Signed & Dated Lower Right. Image size 13.6 inches x 9.7 inches ( 34.5cm x 24.5cm ). Frame size 20.5 inches x 16.5 inches ( 52cm x 42cm ). Available for sale; this original painting is by Geoffrey Key and is dated 26th September 1989. The watercolor is presented and supplied in a sympathetic and contrasting contemporary frame (which is shown in these photographs) to suit the subject coloration, mounted using conservation materials and behind glass. This artwork and its presentation is in excellent condition. It wants for nothing and is supplied ready to hang and display. The watercolor is signed and dated lower right. Geoffrey Key is a leading figure in Northern contemporary art, widely regarded as Lancashire’s greatest living artist, noted for his realism, his expressive use of bold color and his graphic, linear style. His striking works, now much in demand, have established him as a major player of post war British figurative art. Geoffrey Key was born in Rusholme, Manchester in 1941. His mother, Marion, worked as an illustrator and encouraged him to draw and he took to this easily and with great enthusiasm. He was educated at Manchester's High School of Art, whose headmaster, Ernest Goodman, established the Salford Art Club. It is fitting that many years later, after Goodman's death, its members chose Geoffrey Key as Honorary President. In 1958 Key enrolled at the Manchester Regional College of Art, where he was tutored by the sculptor Ted Roocroft and the painter Harry Rutherford, both of whom influenced him greatly. After gaining the National Diploma of Design and the Diploma of Associateship of Manchester, the latter with distinction, Key took up a postgraduate scholarship in sculpture. His academic awards include the Heywood Medal in Fine Art and the Guthrie Bond Travelling Scholarship. Geoffrey Key’s early work included an important period of development during which he concentrated on painting and drawing a specific area of the Derbyshire landscape, the Whiteley Nab hill, south of Glossop. Key created literally hundreds of images of this one landscape and later revealed that the sole purpose of this dedicated period of study, was to build upon the firm foundation established by his academic training, whilst divesting himself of the influences he had absorbed in order to arrive at his own personal artistic language. In other words, this is where he found his own style. After graduating Key worked as a teacher at Duke Street Secondary Modern in Broughton, Salford, which later became Broughton Modern. In every spare moment though he painted and his talent was quickly recognised. As the likes of Salford Art Gallery, The Rutherston Loan Collection and North West Arts began to acquire his work he made the decision to relinquish his salary and to become a full time artist. Key was elected to membership of the Manchester Academy of Fine Arts in 1968 and was a prize winner in 1971. During this time he was also commissioned by three North West England based companies – Mather & Platt, Richard Johnson & Nephew, and Wilson’s Brewery. The Richard Johnson & Nephew pictures are now held by the Museum of Science and Industry, Manchester. In the 1980s the French company Société des Caves de Roquefort also commissioned Key’s work and further successful exhibitions were held in both the UK and abroad. In 1987 the Manchester Evening News asked Key to write an article on L. S. Lowry, who Key had known well, for a feature marking the centenary of the artist's birth. This article was accompanied by a contemporary drawing of Lowry by Key. Apart from LS Lowry, Key is arguably Lancashire’s best-known and most collected contemporary artist. Key says ‘I knew Lowry and he was a lovely...

Elin Siân Blake. Welsh ( b.1981). Black Welsh Cob. Charcoal On Paper. Signed Lower Right. Image size 7.7 inches x 10.4 inches ( 19.5cm x 26.5cm ). Frame size 16.5 inches x 18.1 inches ( 42cm x 46cm ). Available for sale; this original charcoal drawing is by the contemporary Welsh artist Elin Sian Blake. The drawing is presented and supplied in a glazed sympathetic frame (which is shown in these photographs) and is supplied ready to hang and display. The drawing is signed lower right. Some damage to the paper is apparent in the top right hand corner where the sheet of paper was torn from the sketchbook. Elin Siân Blake is a contemporary Brecon-based artist, originally from the South Wales valleys, whose work delves deeply into the rich tapestry of Welsh heritage. Through various mediums, she creates poignant reflections of societal and cultural issues that have shaped the Welsh identity. Born in 1981, Elin Siân Blake began producing commissioned artwork from an early age, focussing on the traditional Welsh ponies and landscapes of her childhood. She was particularly inspired by the agricultural and equestrian events she attended. As a teenager she spent all her spare money on art supplies. Blake graduated from the University of Glamorgan in 2002 with a degree in graphic design and illustration, but quickly realised that she wanted to create conventional paintings, rather than producing digital images. She then spent several years living on the road in vintage vehicles, painting the scenes and characters she encountered on her travels. Blake taught herself oil painting using library...

Kate Greenaway (British, 1846 – 1901) ‘Prince Finikin and his Mamma sat sipping their bohea..’; and ‘You see, merry Phyllis, that dear little maid, Has invited Belinda to tea..’ Penc...