Europe - Animal Drawings and Watercolors

Bucolic Scene is a beautiful original pencil drawing on ivory-colored paper realized by the Austrian master Oskar Kokoschka, with monogram and autograph ...

A charming watercolour painting by R.J. Brooks, depicting a seated dog, entitled 'Freya'. Signed, titled, and dated to the lower left-hand corner. Well-presented in a double card mou...

Bird is a drawing in pastel on paper realized by Benn (Bencjon Rabinowicz) in 1970. Hand signed on the lower, dated. Good conditions. Benn (Bencj...

Magdalena Rytel-Skorek (born in 1976) She studied at the Faculty of Graphic Design at the European Academy of Arts in Arts in Warsaw. She graduated in 2001 from the studio of prof. J...

John Rattenbury Skeaping. English ( b.1901 - d.1980 ). Into The Final Furlong, 1965. Pastel On Buff Paper. Signed & Dated 1965. Image size 18.9 inches x 27.6 inches ( 48cm x 70cm )...

Sven Berlin (British, 1911 - 1999) Equus Pen and ink 7.7/8 x 12.3/4 in. (19.7 x 32.4 cm.) Sven Berlin, born in Sydenham, London on 14th September 1911, was an English painter, draug...

The Bird is an original drawing in pencil on paper realized by Leo Guida in the 1970s. Good condition with some sign of stick on the lower. Leo Guida (1992 - 2017). Sensitive to c...

Bears is a drawing realized in the Mid-20th Century. Charcoal ivory-colored paper Good conditions with slight foxing. The artwork is realized through deft expressive strokes.

Dame Elisabeth Frink. English ( b.1930 - d.1993 ). Hawk, 1969. Watercolor. Signed & Dated Lower Right. Image size 25.4 inches x 19.5 inches ( 64.5cm x 49.5cm ). Frame size 34.4 inches x 28.1 inches ( 87.5cm x 71.5cm ). Available for sale; this original painting is by Dame Elisabeth Frink and is dated 1969. The painting is presented and supplied in a glazed frame and mount dating from June 1997. This vintage watercolor is in very good condition, commensurate with its age. The watercolor is signed and dated lower right. Previously with Beaux Arts, London and Bath in 1999. Dame Elisabeth Frink was one of Britain’s most important post-war sculptors, an accomplished draughtsman, illustrator and teacher. She was part of the post-war school of expressionist British sculptors dubbed the Geometry of Fear, and enjoyed a highly acclaimed career that was commercially successful, broke boundaries and contributed greatly to bringing wonderful sculpture to public places. She was born on 14 November 1930 in Thurlow, the daughter of a cavalry officer, and brought up in rural Suffolk near to an active airbase. She was brought up a Catholic and educated at the Convent of the Holy Family, Exmouth. She then studied at the Guildford School of Art from 1947-1949 under Willi Soukop and Henry Moore’s assistant, Bernard Meadows, and then at the Chelsea School in London 1949-1953. She taught at Chelsea School of Art 1951-61, St. Martin’s School of Art 1954-62 and was a visiting instructor at the Royal College of Art 1965-1967, after which she lived in France until 1973. Frink first came to the attention of the public in 1951 at an exhibition at the Beaux Arts Gallery, London. In 1952 she represented Britain at the Venice Biennale, being described by Herbert Read as “the most vital, the most brilliant and the most promising of the whole Biennale”. The same year the Tate bought its first work by her, and she began to enjoy commercial success. Thereafter she exhibited regularly and was for 27 years associated with Waddington’s, London. The subjects which Frink was most concerned with were man, dog and horses, with and without riders. Interestingly she seldom sculpted the female form, drawing on archetypes of masculine strength, struggle and aggression. Her work has the recurring themes of the vulnerable and the predatory, in the spirit of an authentic post-war artist. It has been said that she was more concerned with representing mankind that portraits of individuals. The appeal of her work lies in its directness, provoking a frank statement of feeling. The anatomy is often exaggerated or incorrect; the impact growing more out of her interest in the spirit of the subject. Her animals and birds may be drawn from nature but verge on the abstract, conveying raw emotion and character rather than a realistic depiction. Her unique style is characterised by a rough treatment of the surface which embeds each piece with vitality and her personal impression. In her later work even the distinction between human and bird figures becomes blurred. Commentators have noted that the often rugged, brutal and contorted surfaces of her work reflect the destruction and terror of the six-year world-wide conflict that she witnessed as a child. Frink was an active supporter of Amnesty International. In the 1960s and early 1970s Frink produced a notable series of falling figures and winged men. Later, living in France during the Algerian war, she began making heads, blinded by goggles which had a threatening facelessness. Frink produced many notable public commissions, including Wild Boar for Harlow New Town, Blind Beggar and Dog for Bethnal Green, Noble Horse and Rider for Piccadilly, London, a lectern for Coventry Cathedral, Shepherd for Paternoster Square beside St. Paul’s Cathedral and a Walking Madonna for Salisbury Cathedral. In the early 1980s she produced a set of three larger than life figures The Dorset Martyrs which stand on the edge of the old walled town of Dorchester on the site of the old gallows, as a memorial to those who had been executed there ‘for conscience sake’. Frink’s Canterbury Tales was a collection of 19 etchings drawn directly on to copper plates and etched by her. The ‘book’ was issued in three limited editions. Her illustrations have been praised as “amongst the most successful illustrations of the century, encompassing the mood of the text in concise delineations and disarmingly ribald humour”. She illustrated other books with colored lithographs or drawings. Frink was on the Board of Trustees, British Museum from 1976, and was a member of the Royal Fine Art Commission 1976-81. CBR (1969), DBE ((1982), Associate of the Royal Academy (1971), Royal Academy (1977). She was made a Companion of Honour in 1992. She died on 18 April 1993, but not before completing her last commission, a monumental but unusual figure of Christ for the front of the Anglican Cathedral in Liverpool, unveiled a week before her death. For several decades Frink exhibited widely in the UK and abroad. In her later years she lived and worked in Dorset where her home and garden became an arena for her work. In 1985 she had a retrospective at the Royal Academy. She died on 18 April 1993, but not before completing her last commission, a monumental but unusual figure of Christ for the front of the Anglican Cathedral in Liverpool, unveiled a week before her death. There was a memorial show at Yorkshire Sculpture Park, Bretton Hall in 1994. Today Frink is venerated as one of the great twentieth century British sculptors. Her unique work is represented in the Tate Gallery and major public and private collections world-wide. © Big Sky Fine Art This original watercolor on paper painting of a hawk by Dame Elizabeth Frink...

Bird is an original modern artwork realized by Artist of the mid-20th Century. Mixed colored tempera on board. Includes frame: 33 x 40 cm

George Alfred Boden (British, 1888 – 1956) Eagle sunrise Gouache on paper Signed ‘G. A. Boden.’ (lower right) 19.3/4 x 12.1/2 in. (50 x 32.1cm.) Now in a new white mount

Elin Siân Blake. Welsh ( b.1981). Polo Match, Cirencester, The First Chukka. Watercolor On Paper. Signed Lower Right. Image size 11.2 inches x 15.6 inches ( 28.5cm x 39.5cm ). Frame size 16.9 inches x 20.7 inches ( 43cm x 52.5cm ). Available for sale; this original painting is by the contemporary Welsh artist Elin Sian Blake. The watercolor is presented and supplied in a glazed sympathetic frame (which is shown in these photographs) and is supplied ready to hang and display. The watercolor is signed lower right. Elin Siân Blake is a contemporary Brecon-based artist, originally from the South Wales valleys, whose work delves deeply into the rich tapestry of Welsh heritage. Through various mediums, she creates poignant reflections of societal and cultural issues that have shaped the Welsh identity. Born in 1981, Elin Siân Blake began producing commissioned artwork from an early age, focussing on the traditional Welsh ponies and landscapes of her childhood. She was particularly inspired by the agricultural and equestrian events she attended. As a teenager she spent all her spare money on art supplies. Blake graduated from the University of Glamorgan in 2002 with a degree in graphic design and illustration, but quickly realised that she wanted to create conventional paintings, rather than producing digital images. She then spent several years living on the road in vintage vehicles, painting the scenes and characters she encountered on her travels. Blake taught herself oil painting using library...

A sombre watercolour sketch of a hen skeleton by Exmoor artist Mary Chugg (1935-2024). Well presented in a glazed gilt-effect frame. Signed in the lower right and dated 1954. On paper.

A fine portrait of a terrier presented in a double card mount and gilt frame. Signed by London artist Dorothy S. Hallett who is RA exhibited. Signed. On wove.

Oswald Garside. English ( b.1879 - d.1942 ). Beasts Of Burden, 1904. Watercolor. Signed & Dated Lower Right. Image size 13 inches x 16.7 inches ( 33cm x 42.5cm ). Frame size 20.1 i...

Charcoal drawing on archival, 100% cotton paper by Dutch contemporary artist and art teacher Rubins J. Spaans. His drawings are elaborated sketches for his paintings. ***FREE SHIPPI...

Geoffrey Key. English ( b.1941 ). Horse With Rising Sun, 1989. Watercolor & Ink On Paper. Signed & Dated Lower Right. Image size 13.6 inches x 9.7 inches ( 34.5cm x 24.5cm ). Frame size 20.5 inches x 16.5 inches ( 52cm x 42cm ). Available for sale; this original painting is by Geoffrey Key and is dated 26th September 1989. The watercolor is presented and supplied in a sympathetic and contrasting contemporary frame (which is shown in these photographs) to suit the subject coloration, mounted using conservation materials and behind glass. This artwork and its presentation is in excellent condition. It wants for nothing and is supplied ready to hang and display. The watercolor is signed and dated lower right. Geoffrey Key is a leading figure in Northern contemporary art, widely regarded as Lancashire’s greatest living artist, noted for his realism, his expressive use of bold color and his graphic, linear style. His striking works, now much in demand, have established him as a major player of post war British figurative art. Geoffrey Key was born in Rusholme, Manchester in 1941. His mother, Marion, worked as an illustrator and encouraged him to draw and he took to this easily and with great enthusiasm. He was educated at Manchester's High School of Art, whose headmaster, Ernest Goodman, established the Salford Art Club. It is fitting that many years later, after Goodman's death, its members chose Geoffrey Key as Honorary President. In 1958 Key enrolled at the Manchester Regional College of Art, where he was tutored by the sculptor Ted Roocroft and the painter Harry Rutherford, both of whom influenced him greatly. After gaining the National Diploma of Design and the Diploma of Associateship of Manchester, the latter with distinction, Key took up a postgraduate scholarship in sculpture. His academic awards include the Heywood Medal in Fine Art and the Guthrie Bond Travelling Scholarship. Geoffrey Key’s early work included an important period of development during which he concentrated on painting and drawing a specific area of the Derbyshire landscape, the Whiteley Nab hill, south of Glossop. Key created literally hundreds of images of this one landscape and later revealed that the sole purpose of this dedicated period of study, was to build upon the firm foundation established by his academic training, whilst divesting himself of the influences he had absorbed in order to arrive at his own personal artistic language. In other words, this is where he found his own style. After graduating Key worked as a teacher at Duke Street Secondary Modern in Broughton, Salford, which later became Broughton Modern. In every spare moment though he painted and his talent was quickly recognised. As the likes of Salford Art Gallery, The Rutherston Loan Collection and North West Arts began to acquire his work he made the decision to relinquish his salary and to become a full time artist. Key was elected to membership of the Manchester Academy of Fine Arts in 1968 and was a prize winner in 1971. During this time he was also commissioned by three North West England based companies – Mather & Platt, Richard Johnson & Nephew, and Wilson’s Brewery. The Richard Johnson & Nephew pictures are now held by the Museum of Science and Industry, Manchester. In the 1980s the French company Société des Caves de Roquefort also commissioned Key’s work and further successful exhibitions were held in both the UK and abroad. In 1987 the Manchester Evening News asked Key to write an article on L. S. Lowry, who Key had known well, for a feature marking the centenary of the artist's birth. This article was accompanied by a contemporary drawing of Lowry by Key. Apart from LS Lowry, Key is arguably Lancashire’s best-known and most collected contemporary artist. Key says ‘I knew Lowry and he was a lovely...

Julian Ruddock. British ( b.1965 ). The Thief. Pastel On Paper. Signed Lower Left. Image size 29.1 inches x 21.3 inches ( 74cm x 54cm ). Frame size 38.4 inches x 29.9 inches ( 97.5c...

Elin Siân Blake. Welsh ( b.1981). Black Welsh Cob. Charcoal On Paper. Signed Lower Right. Image size 7.7 inches x 10.4 inches ( 19.5cm x 26.5cm ). Frame size 16.5 inches x 18.1 inches ( 42cm x 46cm ). Available for sale; this original charcoal drawing is by the contemporary Welsh artist Elin Sian Blake. The drawing is presented and supplied in a glazed sympathetic frame (which is shown in these photographs) and is supplied ready to hang and display. The drawing is signed lower right. Some damage to the paper is apparent in the top right hand corner where the sheet of paper was torn from the sketchbook. Elin Siân Blake is a contemporary Brecon-based artist, originally from the South Wales valleys, whose work delves deeply into the rich tapestry of Welsh heritage. Through various mediums, she creates poignant reflections of societal and cultural issues that have shaped the Welsh identity. Born in 1981, Elin Siân Blake began producing commissioned artwork from an early age, focussing on the traditional Welsh ponies and landscapes of her childhood. She was particularly inspired by the agricultural and equestrian events she attended. As a teenager she spent all her spare money on art supplies. Blake graduated from the University of Glamorgan in 2002 with a degree in graphic design and illustration, but quickly realised that she wanted to create conventional paintings, rather than producing digital images. She then spent several years living on the road in vintage vehicles, painting the scenes and characters she encountered on her travels. Blake taught herself oil painting using library...

Elin Siân Blake. Welsh ( b.1981). Polo Match, Cirencester, Player And Pony. Watercolor On Paper. Signed Lower Right. Image size 15.2 inches x 11.6 inches ( 38.5cm x 29.5cm ). Frame size 20.3 inches x 16.3 inches ( 51.5cm x 41.5cm ). Available for sale; this original painting is by the contemporary Welsh artist Elin Sian Blake. The watercolor is presented and supplied in a glazed sympathetic frame (which is shown in these photographs) and is supplied ready to hang and display. The watercolor is signed lower right. Elin Siân Blake is a contemporary Brecon-based artist, originally from the South Wales valleys, whose work delves deeply into the rich tapestry of Welsh heritage. Through various mediums, she creates poignant reflections of societal and cultural issues that have shaped the Welsh identity. Born in 1981, Elin Siân Blake began producing commissioned artwork from an early age, focussing on the traditional Welsh ponies and landscapes of her childhood. She was particularly inspired by the agricultural and equestrian events she attended. As a teenager she spent all her spare money on art supplies. Blake graduated from the University of Glamorgan in 2002 with a degree in graphic design and illustration, but quickly realised that she wanted to create conventional paintings, rather than producing digital images. She then spent several years living on the road in vintage vehicles, painting the scenes and characters she encountered on her travels. Blake taught herself oil painting using library...

Elin Siân Blake. Welsh ( b.1981). Polo Match, Cirencester, Player Leading Pony. Watercolor On Paper. Signed Lower Right. Image size 11.2 inches x 15.4 inches ( 28.5cm x 39cm ). Frame size 16.9 inches x 20.9 inches ( 43cm x 53cm ). Available for sale; this original painting is by the contemporary Welsh artist Elin Sian Blake. The watercolor is presented and supplied in a glazed sympathetic frame (which is shown in these photographs) and is supplied ready to hang and display. The watercolor is signed lower right. Elin Siân Blake is a contemporary Brecon-based artist, originally from the South Wales valleys, whose work delves deeply into the rich tapestry of Welsh heritage. Through various mediums, she creates poignant reflections of societal and cultural issues that have shaped the Welsh identity. Born in 1981, Elin Siân Blake began producing commissioned artwork from an early age, focussing on the traditional Welsh ponies and landscapes of her childhood. She was particularly inspired by the agricultural and equestrian events she attended. As a teenager she spent all her spare money on art supplies. Blake graduated from the University of Glamorgan in 2002 with a degree in graphic design and illustration, but quickly realised that she wanted to create conventional paintings, rather than producing digital images. She then spent several years living on the road in vintage vehicles, painting the scenes and characters she encountered on her travels. Blake taught herself oil painting using library...

Kate Greenaway (British, 1846 – 1901) ‘Prince Finikin and his Mamma sat sipping their bohea..’; and ‘You see, merry Phyllis, that dear little maid, Has invited Belinda to tea..’ Penc...

Lioness is an artwork realized by Marino Lenci (Naples 1874 - 1939). Pastel on paper. Signed at the bottom to the left. 36 x 36 cm, not framed. Good conditions.

A wonderful sepia watercolor depicting a saddled hunter and hound waiting by a doorway. Well presented in a complementing dark wood frame. Signed. On ...

Sven Berlin (British, 1911 - 1999) The alpaca herd Pen, ink and bodycolour on paper 14.1/8 x 14.1/8 in. (36 x 36 cm.) (18) Sven Berlin, born in Sydenham, ...

Flying ladybug Paper, mixed media, 21x30 cm Juris Utāns (1959-2022) was a Latvian painter. Worked in the field of critical realism, socially active and political art. Juris Utans'...

Geoffrey Key. English ( b.1941 ). Horse and Rider, 1988. Watercolor & Ink On Paper. Signed & Dated Lower Left. Image size 10 inches x 6.7 inches ( 25.5cm x 17cm ). Frame size 16.1 inches x 12.6 inches ( 41cm x 32cm ). Available for sale; this original painting is by Geoffrey Key and is dated 1988. The painting is presented and supplied in a sympathetic and contrasting contemporary frame (which is shown in these photographs) to suit the subject coloration, mounted using conservation materials and behind glass. The artwork and its presentation is in very good condition. It wants for nothing and is supplied ready to hang and display. The watercolor is signed and dated lower left. Geoffrey Key is a leading figure in Northern contemporary art, widely regarded as Lancashire’s greatest living artist, noted for his realism, his expressive use of bold color and his graphic, linear style. His striking works, now much in demand, have established him as a major player of post war British figurative art. Geoffrey Key was born in Rusholme, Manchester in 1941. His mother, Marion, worked as an illustrator and encouraged him to draw and he took to this easily and with great enthusiasm. He was educated at Manchester's High School of Art, whose headmaster, Ernest Goodman, established the Salford Art Club. It is fitting that many years later, after Goodman's death, its members chose Geoffrey Key as Honorary President. In 1958 Key enrolled at the Manchester Regional College of Art, where he was tutored by the sculptor Ted Roocroft and the painter Harry Rutherford, both of whom influenced him greatly. After gaining the National Diploma of Design and the Diploma of Associateship of Manchester, the latter with distinction, Key took up a postgraduate scholarship in sculpture. His academic awards include the Heywood Medal in Fine Art and the Guthrie Bond Travelling Scholarship. Geoffrey Key’s early work included an important period of development during which he concentrated on painting and drawing a specific area of the Derbyshire landscape, the Whiteley Nab hill, south of Glossop. Key created literally hundreds of images of this one landscape and later revealed that the sole purpose of this dedicated period of study, was to build upon the firm foundation established by his academic training, whilst divesting himself of the influences he had absorbed in order to arrive at his own personal artistic language. In other words, this is where he found his own style. After graduating Key worked as a teacher at Duke Street Secondary Modern in Broughton, Salford, which later became Broughton Modern. In every spare moment though he painted and his talent was quickly recognised. As the likes of Salford Art Gallery, The Rutherston Loan Collection and North West Arts began to acquire his work he made the decision to relinquish his salary and to become a full time artist. Key was elected to membership of the Manchester Academy of Fine Arts in 1968 and was a prize winner in 1971. During this time he was also commissioned by three North West England based companies – Mather & Platt, Richard Johnson & Nephew, and Wilson’s Brewery. The Richard Johnson & Nephew pictures are now held by the Museum of Science and Industry, Manchester. In the 1980s the French company Société des Caves de Roquefort also commissioned Key’s work and further successful exhibitions were held in both the UK and abroad. In 1987 the Manchester Evening News asked Key to write an article on L. S. Lowry, who Key had known well, for a feature marking the centenary of the artist's birth. This article was accompanied by a contemporary drawing of Lowry by Key. Apart from LS Lowry, Key is arguably Lancashire’s best-known and most collected contemporary artist. Key says ‘I knew Lowry and he was a lovely...

Henry Charles Fox. English ( b.1855 - d.1929 ). Driving Sheep. Plaisters Lane, Sutton Poyntz, Weymouth, Dorset 1918. Watercolor On Paper. Signed & Dated 1918. Image size 18.9 inche...

The Feline is an original pencil drawing on paper realized by Ernest Rouart by the turn of the XX century. This drawing is hand-signed by the artist in red pen on the lower left. In...

Monkeys is an original pencil drawing on paper realized by an anonymous artist in the XX century. Including a white cardboard passepartout: 49 x 34 cm. Good conditions, except for a light shading of paper. This fine modern artwork represents different sketches of monkeys in various poses. On the back of the drawing, the artist drew other monkey sketches. Ernest Rouart (Paris, 1874 – Paris, 1942) was a French painter, illustrator, engraver, and art collector. He was the son of Henri Rouart...

Horse's Head is an original pencil drawing on paper, attributed to Luigi Galli and realized in the late 19th Century. With another drawing of hands...

Acrylic & watercolor on paper with wood panel Minako Asakura is a Japanese artist born in 1973 who lives & works in Tokyo, Japan. As graphic designer & art director, she was involv...

HENRY STACY MARKS, RA, RWS (1829-1898) Hyacinth Macaw Signed with initials l.r.: H.S.M. Watercolour heightened with bodycolour over traces of pencil on paper 18 by 7 cm., 7 by 2 ...

William Heath Robinson (British, 1872-1944) 'The Friendly Dog' Signed 'W. Heath Robinson.' (lower right) Pen and ink on paper 11 X 8.1/2in. (28 X 21.7cm.) (excluding frame) 46 x 38cm. (18.1/4 x 15in. (including frame) Literature: 'Old Time Stories', Constable and Co. 1921, P. 143 William Heath Robinson was an artist and illustrator mainly associated with his gloriously complicated inventions for simple objectives. The name Heath Robinson has become commonplace in the English language as a result to describe anything mechanical that is eccentric, ridiculously complex and ingenious at the same time . Interestingly one of the automatic analysis machines built for Bletchley Park...

To stay is a beautiful drawing realized by the Italian artist KEZIAT in 2022. Pen on newspaper. Hand-signed by the artist . Perfect conditions....

Horse and Carriage is a charcoal sketch made by the Hungarian artist Nicolas Czinober in the mid-20th century. The state of preservation is very good. The paper presents some small s...

Les Poissons is an original Contemporary artwork realized in the 1970s in Italy. Watercolor on paper. Passepartout is included: dimensions 50 x 35 cm. E...

Owl is a pencil drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition on a yellowed paper, monogrammed by the artist on the lower right corner. The dra...

Susan Pomery Wilks. English ( b.1945 - d.2023 ). Flock Of Sheep. Pastel & Charcoal On Paper. Signed Lower Right. Image size 13.6 inches x 23 inches ( 34.5cm x 58.5cm ). Frame size 2...

Knight and Horse is an original China Ink Drawing realized by Mino Maccari in mid-20th Century. Good condition on a yellowed paper. Hand-signed by the artist with pencil. Mino Mac...

Animal is a Color Marker Drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition on a white sheet of a notebook No Signature. Reynold Arnould was born i...

L’amour Croise des Races (Agence matrimoniale) is an original drawing with watercolor, Ink, pencil on paper, realized by Jean-Jacques Grandville in 1833, from provenance by descent...

The Bird is an original drawing in Ink and Watercolor, realized by Maria Ginzburg the 2000s. The status of preservation Good. The artwork is depicted skillfully through confident a...

The Bird is an original artwork realized in the 1970s by the Italian Contemporary artist Leo Guida (1992 - 2017). Original drawings in pencil on paper. Good conditions but aged....

Black Neoexpressionist Painting. This is an original artwork realized by TUSET in 2018. We can frame it in natural wood or black on request. The dimensions of the painting are 65 x ...

Bird is an original drawing in ink realized by Leo Guida in 1970. Good condition. Leo Guida (1992 - 2017). Sensitive to current issues, artistic movements and historical technique...

Donkey with bells is an original drawing in pen, realized by an anonymous artist of the Early 20th century. Monogrammed on the lower. artist name on the rear, illegible. Good condi...

The Cat is an original drawing in pen on ivory-colored paper, realized by Marie Paulette Lagosse (1921-1996). Hand-signed on the lower right in pen. The state of preservation of t...

Study of lion is a beautiful original drawing on ivory-colored paper realized in 1932 by the German artist Wilhelm Lorenz, also known as Willi Lorenz. Hand-signed on the lower left...

The Cats is a drawing in pen on ivory-colored paper, realized by Marie Paulette Lagosse (1921-1996). Hand-signed on the lower right in pen. With a drawing of another sleeping cat on...

Bird is an original drawing in pen realized by an Anonymous artist of the Mid-20th Century, the state of preservation of the artwork is good and aged with some foldings. Hand-signed on the lower left, unreadable. The artwork represents the study of bird...

Chats is a black and white watercolor realized by Anonymous artists in the second half of the XX century. The artwork depicts silhouettes of sinuous cats also on both sides of the ...

The fairy tale of the little mouse is an original modern artwork realized in the early 20th century by an Anonymous artist. Mixed colored pencil, ink and watercolor realized for a fairy tale book...

The Dream is an original Watercolour realized by Mino Maccari in mid-20th century. Good condition on a colored cream paper, with other sketch on rear. No signature. Mino Maccari (...

American artist Chris Maynard gives homage to nature through the plumage of birds -using feathers acquired from legal sources such as zoos and private aviaries all naturally shed by ...

Insetto is an original artwork realized by Ivan Mosca in 1945. Original Drawing. Colored pencils on cardboard. Hand-signed and titled by the artist on the lower right corner. Very good conditions. Very fresh and delicate artwork representing an insect in foreground realized with colored pens. Ivan Mosca (Parma, 1915 - Rome, 2005) was an Italian artist and painter. He moved to Milan where he attended the School of Book and the Istituto Superiore per le Industrie Artistiche in Monza. He was interested by the abstract art and met the artists of the Gallery "Il Milione", such as Osvaldo Licini...

The Sketch is an original drawing realized by the italian Artist Luigi Galli in the Late 19th Century. Stamped," Coll. Amadeo" Good conditions but aged. ...

Monkey is an original drawing in ink and watercolor realized by Leo Guida in 1971. Good condition. Leo Guida (1992 - 2017). Sensitive to current issues, artistic movements and his...

Monkey is an original drawing in ink realized by Leo Guida in the 1970s. Good condition. Leo Guida (1992 - 2017). Sensitive to current issues, artistic movements and historical te...

Loneliness is an original drawing in china ink, watercolor, and pastel realized by Leo Guida in 1971. Good condition. Leo Guida (1992 - 2017). Sensitive to current issues, artisti...