Europe - Nude Prints

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

Woman With horse is an original artwork realized by Enzo Assenza. Original print in etching technique. Hand-signed by the artist in pencil on the lo...

Three Seated Figures, 1981 Colour lithograph on paper. Hand-signed and numbered by the artist. 55.9 x 44.8 cm - sheet size H.C. aside from an edition of 50 Henry Moore's (1898-1986)...

Reclining Male and Female Nude, Entwined is a beautiful, original, and colored lithograph from the portfolio "Erotica" by Egon Schiele. It is a reproduction of the homonym original ...

Le Corbusier (1887-1965) Three Nudes, 1938 Original lithograph Signature printed in the plate Dated in the plate On light vellum 21 x 27 cm (c. 8 x 11 inch) Very good condition, pa...

Willibrord Haas (*1936 Schramberg), Rising, 1980. Etching, 35 cm x 22 cm (plate size), 53.5 cm x 38 cm (sheet size). Signed “Willibrord Haas” in pencil by the artist, dated “1980”, t...

Marc Chagall, Original Lithograph depicting an instant of the Bible. Technique: Original lithograph in colours Year: 1956 Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet) Published by: Éditions de la Revue Verve, Tériade, Paris Printed by: Atelier Mourlot, Paris Documentation / References: Mourlot, F., Chagall Lithograph [II] 1957-1962, A. Sauret, Monte Carlo 1963, nos. 234 and 257 Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish...

Harem is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” by La Fontai...

Lithograph realized in 1990s. Hand signed in pencil. Unnumbered, as issued. Excellent condition.

Lithograph realized in 1970s. Hand signed in pencil. Not numbered, as issued. Excellent condition.

Woodcut shunga print attributed to Keisai Eisen and realized in the early 19th century. Good condition except for some signs of time.

Rare print handsigned by surrealist artist Leonor Fini, inscreasingly esteemed with the movement of rediscovering art by women. This silkscreen is in perfect condition and from a ver...

Seated figure is an original modern artwork realized by Henri Matisse in 1929. Etching on Chine appliquè on Arches Velin paper. Original title: Figure assise, le bras droit appuye ...

Henri Matisse La Persane 1929 Lithograph on Arches Velin paper, Edition of 50 Paper size: 63 x 44.5 cms (24 3/4 x 17 1/2 ins) Image size: 44.8 x 29 cms (1...

TSUGOUHARU FOUJITA 1886-1968 Edogawa Tokyo 1886-1968 Zurich (French/Japanese) Title: Two Reclining Nudes / Deux Nus Allonges, 1930 Technique: Original Hand Signed and Numbered Etc...

after Henri MATISSE Edition of 200 with the printed signature, as issued 76 x 56 cm With stamp of the Succession Matisse References : Artvalue - Succession Matisse

Paul DELVAUX Dreaming Nude, 1950 Original lithograph (Mourlot workshop) Printed signature in the plate On Lana vellum 19 x 13,6 cm (c. 8 x 5.5 in) Excellent condition

Hans BELLMER Dreamy Nude Original etching Handsigned in pencil Numbered by Artist, limited to 70 copies On Japanese paper 67.5 x 51.5 cm (26.5 x 20") Excellent condition

Nude of Woman is a Lithograph realized by Carlo Marcantonio in 1970s. This original print is hand signed. This is an edition of 50 prints plus some artist's proofs. Prints are the ...

Suzanne VALADON (1865-1938) Grandma and Little Boy, 1932 Original etching Signed in pencil On BFK Rives vellum 47 x 37 cm (c. 18.5 x 14.5 in) INFORMATION : Printed in 1932, this et...

Nude of Woman is a Lithograph realized by Carlo Marcantonio in 1970s. This original print is hand signed. This is an edition of 50 prints plus some artist's proofs. Prints are the ...

Original lithograph. Allen Jones "High Society". From first owner. Numbered and signed. Dimensions including original frame.

Suzanne VALADON (1865-1938) Women Wiping Themselves, 1932 Original etching Signed in pencil On BFK Rives vellum 47 x 37 cm (c. 18.5 x 14.5 in) INFORMATION : Printed in 1932, this e...

Henry MOORE Three reclining nudes, 1971 Original lithograph (Printed in Desjobert Workshop). On wove paper 31 x 24 cm (c. 12 x 10 in) Edited by San Lazarro, 1971 REFERENCES : Henry...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

Archival digital print on Hänemuhle etching paper. This piece is part of a limited edition of 250 prints.

Pair of erotic lithographs realized in France in the early 20th century. In very good condition, each has a contemporary frame cm. 43x33.

Suzanne VALADON (1865-1938) Young Woman and Old Woman, 1932 Original etching Signed in pencil On BFK Rives vellum 47 x 37 cm (c. 18.5 x 14.5 in) INFORMATION : Printed in 1932, this...

Le Corbusier Surrealist Dream, 1964 Original lithograph Limited to 250 copies On Arches vellum 42.5 x 35.5 cm (c. 16.5 x 13.7 in) Edited by Forces-Vives (Paris) in 1964 Excellent ...

Suzanne VALADON (1865-1938) Two Women Wiping Lithograph enhanced with stencil after a drawing Signed in the plate On Lana vellum, 32 x 25 cm (c. 13 x 10 in) INFORMATION: Lithograph...

Construction d’un temple – Plate n. 4  is a b/w original etching and dry-point  realized in 1971 (as reported on plate on the lower right margin) by Paul Delvaux. From the collection “ Construction d’un temple en ruine à la déesse Vanadé ”, this original print originated from the collaboration that lasted four years among the French author, a member of the Nouveau-Roman group  Alain Robbe-Grillet (1922-2008), and the Belgian artist Paul Delvaux (1897-1994). Firstly, Robbe-Grillet wrote a text, to which Delvaux replied with a wonderful engraving; Robbe-Grillet then responded with a second text. This is how the building blocks of this outstanding book merged together:  it was constructed like a temple.  The book was printed in an edition of 187 copies, of which  only 40 contain the illustrations by Paul Delvaux.   Our copy is unnumbered and printed on  “Arches”  ivory colored paper with the  Bateau Lavoir watermark  (on the lower right corner), and  “Richard Bas ” watermark (on the lower left margin). This beautiful artwork, representing an enigmatic composition with seven women pictured like ancient Greek marble...

Europa is an original artwork realized in the 1970s by the Italian Contemporary artist Leo Guida (1992 - 2017). Original etching on paper. Hand-signed on the lower right in penci...

Henry MOORE Lying Nude (Tribute to San Lazzaro), 1975 Original lithograph (Printed in Curwen Studio, London) Unsigned Limited edition of 575 unnumbered copies On Arches vellum paper...

Suzanne VALADON (1865-1938) Mother and Son, 1932 Original etching Signed in pencil On BFK Rives vellum 47 x 37 cm (c. 18.5 x 14.5 in) INFORMATION : Printed in 1932, this etching is...

Jean-Baptiste Valadie Sensuality, 1976 Original etching Handsigned in pencil Numbered / 199 On vellum 37 x 52 cm (c. 15 x 21 inch) Excellent condition

Kate II - Oversize limited edition - Kate Moss Beautiful archival pigment print of the supermodel and fashion icon by the London based contemporary pop art image creator and artist...

I Was Left Sleeping is part of a series created for Tracey Emin’s exhibition A Fortnight of Tears at the White Cube Gallery. This print explores all elements of life at a pivotal tim...

1998 Colour lithograph on wove paper 20 x 25 cm Signed 'Tracey Emin' in the plate Printed by Alan Cox at Sky Editions, with their blindstamp Published by Contemporary Visual Arts Mag...

2015 Patinated bronze 37.5 x 42.3 x 2.6 cm The edition number, date, Tracey Emin's initials and foundry mark stamped on the reverse The edition previously exhibited at Galleria Lorca...

2016 Offset lithographic poster 70 x 50 cm Edition of 500 Hand signed by Emin Published by Emin International Tracey Emin (born 1963) is best known for her intimate, authentic, auto...

2016 Offset lithographic poster. 70 x 50 cm Edition of 500 Hand signed by Emin Published by Emin International Framed Tracey Emin (born 1963) is best known for her intimate, authen...

Created for Emin's 2017 exhibition Surrounded By You at Château La Coste in France as part of her Reclining Nudes series of work. 2017 Lithograph on Somerset paper with deckled edge...

Tracey Emin’s Another Beautiful Morning captures a fleeting moment of intimacy, rendered with the artist’s characteristic rawness and immediacy. The composition, marked by expressive...

A rare, unique hand-signed printers proof lithograph aside from the main release with a printed signature. This print was produced for the Contemporary Visual Arts Magazine in assoc...

2013 A complete set of five inkjet prints on wove paper 15 x 21 cm each Edition of 200 Each Signed and dated by Tracey Emin Mint condition housed in the original Emin International p...

Lithograph realized in 1970s. Hand signed in pencil. Not numbered, as issued. Excellent condition.

Etching realized by Pierre Guillaume Metzmacher in the mid-19th Century after Ingres. Not signed, as issued. Published by Marchant, édit. Alliance des Arts, 140, rue de Rivoli (Par...

Henri Clement-Serveau Art Deco : Women with Doves, 1925 Original woodcut Handsigned in pencil Numbered /160 On Perrigot vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp o...

Suzanne VALADON (1865-1938) Naked Women Under the Trees, 1932 Original etching Signed in pencil On BFK Rives vellum 47 x 37 cm (c. 18.5 x 14.5 in) INFORMATION : Printed in 1932, th...

LESZEK RÓZGA (1924-2015) He studied painting at Maria Skarbek-Kruszewska private atelier in 1945-46. In 1948, he began studies at the art school in Łódź (later: Academy of Fine Arts)...

Erotic Scene is an original xilography artwork realized by Mino Maccari in 1945. Hand-signed in the pseudonym of "Jean Baschie" which is the artist's signature in 1944-45 ca. erotic ...

Suzanne VALADON (1865-1938) Woman Naked on the Sofa, 1932 Original etching Signed in pencil On BFK Rives vellum 47 x 37 cm (c. 18.5 x 14.5 in) INFORMATION : Printed in 1932, this e...

Adam and Eve is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” by La...

Nude is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” by La Fontain...

Suzanne VALADON (1865-1938) Mary in the Tub Sponging Herself, 1932 Original etching Signed in pencil On BFK Rives vellum 47 x 37 cm (c. 18.5 x 14.5 in) INFORMATION : Printed in 193...

Suzanne VALADON (1865-1938) Naked Woman in the Bath, 1932 Original etching Signed in pencil On BFK Rives vellum 47 x 37 cm (c. 18.5 x 14.5 in) INFORMATION : Printed in 1932, this e...

Il Crollo (The Collapse) is an original Contemporary artwork realized by the italian Contemporary artist Leo Guida (1992 - 2017), in 1975s. Original black and white etching on pap...

Raphael COLLIN The Departure : Woman Alone, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Lithogr...

Suzanne VALADON (1865-1938) Women and Children by the River, 1932 Original etching Signed in pencil On BFK Rives vellum 47 x 37 cm (c. 18.5 x 14.5 in) INFORMATION : Printed in 1932...

Italian 1980s Ugo Attardi Signed Work on Paper Nude of Woman A beautiful "Prova d'Artista" Pop Art-inspired graphic work by one of Italy's greatest modern artists, Ugo Attardi. It d...