Europe - Portrait Prints

Original silver gelatin print on Ilford Multigrade fibre base 255 gsm paper, numbered in black pen to verso from the edition of 35, artist’s name blindstamp lower right, publisher’s ...

Original silver gelatin print on Ilford Multigrade fibre base 255 gsm paper, numbered in black pen to verso from the edition of 35, artist’s name blindstamp lower right, publisher’s ...

FEDOR LOEVENSTEIN LOWENSTEIN 1901-1947 (Czech / French) Title: Uncle Vanja, early 1920’s Technique: Original Hand Signed, Inscribed and Titled Woodcut on thin wove paper Paper Size: 27.5 x 21 cm / 10.8 x 8.2 in Plate Size: 14.8 x 10 cm / 5.8 x 3.9 in Additional Information: This work is hand signed in pencil by the artist "F. Loevenstein" at the lower right margin. It is also tilted "Onkel Wanja" (Uncle Vanja) and inscribed "Handabzug" (Hand printed) in pencil at the lower left margins. This work was printed in the early 1920's in a small edition. Originally from Czechoslovakia, Fédor Löwenstein (Munich, 1901 - Nice, 1946) studied art in Germany before moving to Paris in 1923, attracted by its artistic influence. There he mixed with the painter André Lhote from Bordeaux and joined the Groupe des Surindépendants in 1936. His style evolved from Cubism to a form of Romantic abstraction. In 1938, he painted La Chute (The Fall), inspired by the signing of the Munich Agreement ratifying the dismantling of the Czechoslovakia created in 1918. France’s entry into the war drove him to leave the capital for Mirmande, a ruined village in the Drôme region, where Lhote held a summer academy. Löwenstein then divided his time between Mirmande and Nice where his mother and sister lived, but had to take refuge for a time in the Abbey of Aiguebelle. He fell ill in the autumn of 1943 and went to Paris to see a doctor; he died in Nice in 1946. Exhibited: Fédor Lowenstein...

Tracey Emin A Journey To Death (Portfolio of 10) 2021 2 colour lithograph on Somerset Velvet Warm White 400 gsm 94 × 74 cm (37 × 29.1 in) Each signed, numbered and dated by the artis...

Lithograph in two colours: grey and black. 1976. Worked on two aluminium plates with crayon. Printed on Laurence Barker handmade paper. Signed, dated and numbered in pencil from an e...

Signed in pencil, from the edition of 20 to 25 that accompanied Max Jacob's 'Le Phanérogame' in December 1918. With wide margins (the version issued with the...

Rembrandt van Rijn (1696-1669), La circoncision dans l’étable, 1654 Etching on watermarked paper. Beautiful artist’s proof, signed and dated in plate higher-left : “Rembrandt 1654”...

Salvador Dali, Dix Recettes d'Immortalité Very Good Condition Audouin-Descharnes, Paris, 1973 Reference: M. & L. 567-577, Field 73-20 The complete set of 11 signed, numbered and not...

Salvador Dali - Fruits With Holes - Original Hand-Signed Lithograph 1969 Dimensions: P. 57 x 37 cm Sheet: 75 x 56 cm Handsigned, EA (Epreuve d'Artiste) Excellent Condition Reference...

Framed Salvador Dali's Lithograph Wild Blackberries 1970 Dimensions: P. 57 x 37 cm Sheet: 75 x 56 cm Handsigned, EA (Epreuve d'Artiste) Excellent Co...

Photo-offset lithograph, collage, screenprint from two stencils, and pochoir, retouched with cosmetics by the artist. Signed in pencil and numbered from the edition of 70. On Fabrian...

Salvador Dali - Apricot - Original Hand-Signed Lithograph 1969 Dimensions: P. 57 x 37 cm Sheet: 75 x 56 cm Handsigned, EA (Epreuve d'Artiste) aside from the edition of 200. Paper :...

Salvador Dali - Currant's Reverence - Original Hand-Signed Lithograph Dimensions: P. 57 x 37 cm Sheet: 75 x 56 cm Handsigned Edition: XIV/XXXV Lithograph with drypoint in colours, 1...