Europe - Figurative Sculptures

eternAL I is an aluminium sculpture by contemporary Czech sculptor Ondřej Oliva, dimensions are 100 × 100 × 12 cm (39.3 × 39.3 × 4.7 in) This artwork is a unique piece, and it is sol...

KAWS x Dior by KAWS 2020 Gold plated

Wilhelm Albermann (1835 Werden an der Ruhr - 1913 Cologne), The Blacksmith of Solingen, after 1895. Bronze-color patinated zinc cast on plinth, 47 cm (height) x 20 cm (width) x 16 cm (depth), weight 5.5 kg. Signed “Albermann.” on the plinth and identified as a cast by “AKT.[TIEN] GES.[ELLSCHAFT] GLADENBECK BERLIN”. Dedication on the front: “Mr. Ing. F. Kuhlmann to the wedding. Management and officials of the Hannoversche Waggonfabrik. Aircraft construction department". - The zinc showing through in spots, the patina somewhat stained, the right upper arm under the sleeve retouched in black. - The Double-edged Sword - The figure is a reduction of Wilhelm Albermann's 1895 fountain figure of the armourer of Solingen, who has always been identified with the historical blacksmith Peter Hahn. In 1839, Karl Simrock wrote the poem “The Blacksmith of Solingen" and thus coined the legendary figure. The first and penultimate verses read: A blacksmith spoke to Solingen With every bayonet, That came to his diligence: "Oh, that Fritz had it!" The war took its course, Many battles were fought, Which often made him fearful and anxious In his soul. The blacksmith had given up his trade to fight for Frederick the Great. Not least because of his strength and will to fight, the battles were won. With his fountain sculpture, Albermann has given the legendary blacksmith a figurative form and at the same time created a landmark for the city of Solingen, which was once famous for the art of sword forging and today still stands for the production of high-quality knives. During the bombing raid in November 1944, the fountain was destroyed along with the entire old town of Solingen. Only the head remained. The broad-shouldered blacksmith stands securely behind his anvil, his leather apron tied around him, and has just finished a sword blade with his own "weapon" - the blacksmith's hammer. His entire body shows the strength with which he wields the hammer, but also the strain of this activity, as evidenced by the wide open shirt, the somewhat 'untidy' apron, and especially the furrowed face. However, the blacksmith does not look at the finished work, but resolutely and at the same time thoughtfully into the distance, in line with the quoted verse from Simrock's poem that the battles "often made him fearful and anxious in his soul". There is certainly something melancholy in his gaze, fed by the knowledge of the necessity of forging swords and taking up arms and their deadly use - experiences Albermann had to make during his own war missions. The flowing full beard gives his gaze into the distance an almost prophetic character. In keeping with the craft of the perfectly formed art of blacksmithing, the detailed casting reproduces the respective materials depicted in perfect form: the leather apron convincingly conveys the impression of leather and lies - also in the back view - like a second formed layer over the body, while the shirt and trousers illustrate their own textile qualities. Due to its masterful execution and profound content, the “Blacksmith of Solingen”, which has survived in its cast reproductions, remains Albermann's most famous work to this day. About the artist The son of a carpenter, Wilhelm Albermann began an apprenticeship as a joiner, but then followed his artistic calling and trained as a sculptor in Elberfeld. In 1855, at the age of twenty, he was drafted into the army in Berlin, where he served until 1857. Albermann attended the Berlin Art Academy on the side and began regular studies after his service. While still a student, he completed commissioned works for his teachers August Fischer and Hugo Hagen. His first independent commissions followed, enabling him to establish a flourishing sculpture studio in Cologne in 1865. His artistic activities were repeatedly interrupted by military service, and he took part in the German-Danish War in 1864, the war against Austria in 1866, and the Franco-Prussian War in 1870/71. After his last war service, Albermann, already a respected artist, founded a commercial drawing school at the request of the city government, where he taught the modeling class and served as director until 1896. In 1890 he also worked for the "Society for the Promotion of Sculpture in the Rhineland and Westphalia". Albermann was one of the most prolific sculptors in Cologne in the second half of the 19th century. He created numerous monuments, fountains, tomb sculptures, architectural ornaments, and domestic statues. At its peak, his workshop employed up to thirty sculptors and stonemasons at a time. GERMAN VERSION Wilhelm Albermann (1835 Werden an der Ruhr - 1913 Köln), Der Schmied von Solingen, nach 1895. Bronzefarben patinierter Zinkguss auf gegossener Plinthe, 47 cm (Höhe) x 20 cm (Breite) x 16 cm (Tiefe), Gewicht 5,5 kg. Auf der Plinthe mit „Albermann.“ signiert und als Guss der „AKT.[TIEN] GES.[ELLSCHAFT] GLADENBECK BERLIN“ ausgewiesen. Schauseitige Widmung: „Herrn Ing. F. Kuhlmann zur Vermählung. Direktion und Beamte der Hannoverschen Waggonfabrik. Abt. Flugzeugbau“. - Punktuelles Durchscheinen des Zinks, Patina etwas fleckig, der rechte Oberarm unter dem Ärmel schwarz retuschiert. - Die Zweischneidigkeit des Schwertes - Die Figur ist eine Reduktion von Wilhelm Albermanns 1895 geschaffener Brunnenfigur des Waffenschmieds von Solingen, der seit jeher mit dem historischen Schmied Peter Hahn identifiziert wurde. 1839 hatte Karl Simrock das Gedicht „Der Schmied von Solingen“ verfasst und damit die legendäre Figur geprägt. Die erste und die vorletzte Strophe lauten: Zu Solingen sprach ein Schmied Bei jedem Bajonette, Das seinem Fleiß geriet: »Ach, daß der Fritz es hätte!« Der Krieg ging seinen Gang, Man schlug noch viele Schlachten, Die oft ihm angst und bang' In seiner Seele machten. Der Schmied hatte sein Handwerk ruhen lassen, um selbst für Friedrich den Großen zu kämpfen. Nicht zuletzt durch seine Kraft und seinen Kampfeswillen verliefen die Schlachten siegreich. Dem legendären Schmied verlieht Albermann mit seiner Brunnenskulptur eine bildliche Gestalt und schuf damit zugleich ein Wahrzeichen der Stadt Solingen, die einst für die Kunst des Schwerterschmiedens berühmt war und bis heute für die Herstellung qualitätvoller Messer einsteht. Beim Bombenangriff im November 1944 wurde mit der gesamten Solinger Altstadt auch der Brunnen zerstört. Einzig der Kopf blieb erhalten. Mit sicherem Stand und umgebundener Lederschürze steht der breitschultrige Schmied hinter seinem Amboss und hat gerade mit seiner eigenen ‚Waffe‘ – dem Schmiedehammer – eine Schwertklinge fertiggestellt. Seinem gesamten Körper ist die Kraft abzulesen, mit der er den Hammer führt, aber auch die Anstrengung dieser Tätigkeit, wovon das weit geöffnete Hemd, die etwas ‚unordentlich‘ arrangierte Schürze und vor allem das zerfurchte Gesicht zeugen. Der Schmied schaut aber nicht auf das vollendete Werk, sondern entschlossen und zugleich sinnierend in die Ferne, entsprechend der zitierten Zeile von Simrocks Gedicht, dass die Schlachten „oft ihm angst und bang‘ in seiner Seele machten“. Der Blick hat durchaus etwas Melancholisches, dass sich aus dem Wissen um die Notwendigkeit, Schwerter zu schmieden und zu den Waffen zu greifen und deren tödlichem Einsatz speist – Erfahrungen, die Albermann bei seinen eigenen Kriegseinsätze machen musste. Der wallende Vollbart verleiht dem in die Ferne schauenden Blick einen beinahe prophetischen Charakter. Dem Handwerk der formvollendenden Schmiedekunst entsprechend, gibt der detaillierte Guss die jeweils dargestellten Materialien in vollendeter Ausformung wieder: Die Lederschürze vermittelt überzeugend den Eindruck des Leders und liegt – auch in der Rückenansicht – wie eine zweite ausgeformte Schicht über dem Körper, während das Hemd und die Hose...

Richard Orlinski is the best-selling French contemporary artist worldwide since 2015 (according to Artprice). This panther sculpture is an original work of art created in 2025. It i...

Grayson Perry Piggy Bank, 2017 White ceramic piggy bank painted in blue and glazed, with a rubber stopper, contained in the original cardboard box.
 9 × 21 × 9 cm
 Grayson Perry is ...

Lapin assis, tête tournée, circa 1919-1921 Fondry Susse, Ed. 3/5 pcs circa 1919-1921 Rare bronze proof with a brown patina 8.5 x 5.5 x 6.5 cm Certificate of authenticity issued by th...

Vliegende Uil no. 9 Flying Owl Bronze Sculpture Animal Bird Wild Life In Stock Evert den Hartog (born in Groot-Ammers, The Netherlands in 1949) followed his education to be a sculpt...

About the artist : Naor is a French artist from Lyon born in 1988. Completely anchored in his time, he has always traveled a lot around the world. If travels form youth, Naor was ins...

Finely carved mythological subject in white Carrara marble of Apollo bust .

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

ALBERT-ERNEST CARRIER-BELLEUSE French 1824 - 1887 signed: A. CARRIER Bronze Marmor Albert-Ernest Carrier-Belleuse (1824–1887) was a prominent French sculptor of the 19th centur...

"At the Water" is a larger free-standing bronze sculpture, suitable both for the inside and outside. Edition 18, signed, numbered and dated on the bottom. Certificate. The sculptress Susanne Kraisser is to be considered as part of the great modern figurative tradition. She was born in 1977 in Rosenheim, Southern Germany. She studied both at the Academy of Fine Arts Nuremberg and the University of Arts in Bremen. She graduated with distinction in 2007 in Nuremberg and received her Diploma with distinction in 2008 in Bremen. She has won numerous awards and exhibits nationally as well as internationally. Artist Statement: For me, sculpture is particularly shape and material, volume and size, space, movement and statics. I focus on the ‘female body’, presenting it either as an intimate miniature or on a monumental scale – each time as a solitary figure. In terms of content, my work focuses on identifying and combining polarities, such as instability and strength, fragility and solidity, activity and passivity, movement and statics, balance and volume, and dependence and autarchy. I work predominantly with the materials bronze, aluminium and wood. The small miniatures are made from wax and are then cast in bronze as part of what is known as the wax smelting process. Large-scale pieces are similarly cast in aluminium or created directly out of wood. The various work processes and tools determine the appearance of the surface; for wax, it’s my hands, and for wood, it’s my chainsaw. Each material is a new challenge for me. My previous wood-sculpting studies involved respecting the material’s limits to create craft of solid quality in keeping with the material. But this is where the intense discussion and its limit become clear. I fight with the material, and a lot of things go wrong. It becomes my opponent, whose limits I test out and reset if necessary. Cautious movements requiring a lot of physical tension are maintained without losing their inner dynamics. Amidst the often harmonious external form is a harsh dissonance evidenced by the rough, fragmented design...

Contemporary bronze sculpture on marble base by Polish artist Stan Wysocki. Artwork comes from limited edition of 8. Sculpture depicts female figure filtered through geometric, synth...

Reclining Doe by Antoine-Louis Barye (1796-1875) Bronze sculpture with a nuanced dark brown patina signed "Barye" on the base old edition cast – probably from the Barye's workshop (...

"Summer Coolness" is a large free-standing bronze sculpture, suitable both for the inside and outside. Edition 8, signed, numbered and dated on the bottom. Comes with Certificate and...

Wandering Light is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 41 × 10 × 16 cm (16.5 × 3.9 × 6.3 in). The sculpture is signed and numbered, it is...

This is an outstanding bronze statue of Eutrope Bouret, signed on the base, by the very well-known French artist Eutrope Bouret (1833-1906). French antique bronze sculpture by Eutro...

Numbered and limited to 8 copies Artwork signed Authenticity: Sold with certificate of Authenticity Invoice from the gallery Sculpture: bronze, metal, bronze patina Display: The s...

Lapin, modèle 6, circa 1944-1949 Edition Leblanc-Barbedienne Bronze with a brown patina 7.5 x 4 x 2.5 cm Sandoz : Sculpteur Figuriste et Animalier 1881-1971, Catalogue Raisonné de l...

Young girl from Bou-Saada by Louis-Ernest BARRIAS (1841-1905) Rare bronze sculpture with a triple, dark brown, nuanced brown and gilded patina Signed on the base " E. Barrias " Cast...

Evi is an elegant figurative bronze sculpture by Nando Kallweit. Nando carved the marque for the body from a piece of oak using a small chain saw. The marque is then used to make th...

Virgin and Child with Goldfinch Workshops of Metz, Lorraine, circa 1330 Limestone carved in the round with remains of polychromy Height: 61 cm The sculpture of the Virgin and Child ...

Dancer With Long Tutu is a bronze sculpture by contemporary artist Yann Guillon, dimensions are 25 × 15 × 8 cm (9.8 × 5.9 × 3.1 in). Height of the sculpture with the metal base: 45 c...

Picador, Pablo Picasso, Ashtray, Design, Sculpture, Ceramic, White, Edition Picador Ed. 500 pcs 1952 White earthenware clay, oxidized paraffin decoration, white enamel D. 15.2 cm St...

Even though Helle Rask Crawford often refers to classic myths in her sculptures, sh is not a classical sculptor in the neoclassical sense. Rather, Helle Crawford could be defined as ...

Sculpture Don Quixote (on horseback, holding spear); Unique original work, handcrafted, carved, chiseled, patinated, polished, and mounted on a pedestal by the artist. Artist state...

Naor is a French artist from Lyon born in 1988. Completely rooted in his time, he has always traveled a lot around the world. If travel trains youth, Naor was inspired by it. From th...

Bronze Numbered 1/10 66cm × 26cm × 36cm (incl. base) Ian Rank-Broadley is one of the foremost sculptors working today. His effigy of the late Queen Elizabeth II appears on all UK an...

Relief with saint Georges France, 15th Century limestone 26 x 20 cm (10 1/4 x 7 3/4 in) without base

This piece gradually transitions in tone from white through grey into black, creating a delicate and intricate structure that houses small artifacts of memory. The found objects and ...

Limited Edition of 3.500 Presentation box with signed and numbered certificate. Produced by Bernardaud Jeff Koons is an American pop artist, born in York, Pennsylvania in 1955 to a mother who was a seamstress and a father who worked as an interior decorator. He is known for working with popular culture subjects and for his reproductions of banal objects. His works have sold for important amounts, including one world record auction price for a work by a living artist. Jeff Koons had an early interest in art and as a teenager he admired Salvador Dalí. He studied painting at the Maryland Institute College of Art in Baltimore and the School of the Art Institute of Chicago. As a student he met the artist Ed Paschke who became a major influence and for whom he worked as a studio assistant in the late 1970’s. In 1977 Jeff Koons moved to New York City where he worked at the Museum of Modern Art whilst establishing himself as an artist. In the 1980’s he began working as a Wall Street commodities broker in order to finance his art projects. He wanted to be independent from the art market and has expressed that: ”I could make exactly what art I wanted to make. And I would always know that I didn’t need the art market.” In the mid-1980’s Jeff Koons gained prominence and recognition as part of a generation of artists who explored the meaning af art in a media-saturated era. He set up a factory-like studio in a SoHo loft with over 30 assistants. Since his first solo exhibition in 1980 Jeff Koon's work has been shown in major galleries and institutions throughout the world. His work was the subject of a major exhibition organized by the Whitney Museum of American Art, Jeff Koons: A Retrospective in 2014, which traveled to the Centre Pompidou Paris and then further to Guggenheim Bilbao in 2015. His most recent series, Gazing Ball Paintings, was exhibited for the first time at Gagosian Gallery, New York in 2015. The artist has earned renown for his public sculptures, such as the monumental floral...

Ferdinand Preiss(1882-1943)

The sculpture is signed below, inside Tomasz Bielak born in Lublin in 1967. He graduated of The Academy of Fine Arts, Painting and Graphics Design Department in Gdańsk, in 1994....

The Return of the Prodigal Son or The Reconciliation by Constantin MEUNIER (1831-1905) A rare bronze group with a nuanced dark brown patina signed on the back "C. Meunier" cast by "...

6 x bone china plates with lustre rim 21 cm diameter Grayson Perry hallmark on the back of each. These decorative plates are inspired by the artwork The Great Beauty, 2024. The orig...

Bronze Numbered 5/9 87cm × 44cm × 21cm (incl. base) Pratley is a Sculptor working from life models in his West London studio. His inspirations range from ancient Greek masterpieces ...

Chope Visage, Picasso, Pitcher, Edition, 1950's, Design, earthenware, Figurative Chope Visage Ed. 300 pcs 1959 Earthenware clay, decoration in engobes, g...

Patricia is an elegant figurative sculpture of the female form by Nando Kallweit. Modelled on modern postures but with a nod to the importance of heritage through the stylised Egypt...

Insilit Bronze Marble Stone Nude Contemporary Sculpture Boy Jumping In Stock - Sizes of sculpture, without Stone pedestal : 40 x 32 x 22 cm Wim van der Kant (1949, Kampen) is a sel...

Pablo Picasso Tall Dish witth Goat Head, 1952 Original ceramic of Pablo Picasso, white faience earth and enamel Stamp on the Back : Empreinte originale Picasso - Madoura Plein Feu L...

Pheasant by François Pompon (1855-1933) Exceptional bronze with old gilded patina Cast by Valsuani Period cast France circa 1930 height 8,2 cm length 14,2 cm width 3,6 cm A similar model is represented in "Pompon, Catalog raisonné", Editions Gallimard, RMN, 1995, page 202, n°95B. Biography: François Pompon (1855-1933) is known for his animal sculptures whose innovative style is characterized by the simplification of shapes and polished surfaces. Pompon entered as an apprentice in the workshop of his father, Alban Pompon (1823-1907) who was a "compagnon du devoir" of the carpenter-cabinetmakers. Thanks to a scholarship obtained by the parish priest, he left in 1870 for Dijon where he became an apprentice stonemason with a marble worker. He attended evening classes at the School of Fine Arts in Dijon, first in architecture and engraving with Célestin Nanteuil, then in sculpture with François Dameron (1835-1900). After a short stint in the army in 1875, Pompon arrived in Paris where he became a marble worker in a funeral business near the Montparnasse cemetery. He attended evening classes at the Petite École, the future National School of Decorative Arts. His teachers were the sculptors Aimé Millet (1819-1891) and Pierre Louis Rouillard (1820-1881), also professor of anatomy, who showed him the menagerie of the Jardin des Plantes. In 1890, François Pompon entered the studio of Auguste Rodin (1840-1917), where he worked as a practitioner at the marble depot, rue de l'Université. He quickly gained the master's confidence since he ran the workshop in 1893. His role then was to pass on the accounts, pay for the marbles and supervise the work. It is in this same workshop that he met Ernest Nivet and Camille Claudel. He worked for a long time as a practitioner for other sculptors such as Jean Dampt...

Edward III is a tall, elegant bronze sculpture of a human figure. Nando Kallweit is a German sculptor working in bronze and oak. Kallweit carves the original piece from a piece o...

Deer battle France, bronze, marble, h 29.5 x 66.5 x 18 cm base size 64x20 cm

Abraccio Embrace Togetherness Sculpture Bronze Nude Figure Mythology In Stock The sculptures of Margot Homan (1956, Oss) show a perfect command of ...

Henri Honoré Plé (1853 Paris - 1922 Paris), The Victorious David, around1890. Red-brown and brown patinated bronze with terrain plinth mounted on a round base. 42 cm (total height) x...

Daniel Arsham Future Relic no.3 (Clock), 2015 Plaster and broken glass comes with the original box some minor wear to the box. 14 × 12.7 × 6.4 cm Edition of 400 Daniel Arsham is a c...

Duo is a bronze sculpture by French contemporary artist Martine Demal, dimensions are 48 × 20 × 22 cm (18.9 × 7.9 × 8.7 in).   The sculpture is signed and numbered, it is part of a l...

Carved in the green marble know as verde prato, by a Florentine sculptor of the XX century this grand tour version of the Leone "Marzocco" is an exquisite example of elegance and her...

Publisher GKM. Free shipment worldwide. Foundry Bocquel. Edition of 80 ex. Arman wrote, “The bow on the strings releases an explosion of sounds,” in the book Trio à cordes published...

Louis Vidal, or Vidal l'aveugle (Vidal the blind) (1831 - 1892) Panther Sculptuer, low relief, terracotta 17,5 x 28,7 x 3 cm Inscription and signature on the top : "Panthère, Vidal ...

Pablo Picasso Corrida with Spectators, 1950 Original ceramic of Pablo Picasso, white faience earth and enamel Stamp on the Back : Empreinte originale Picasso - Madoura Plein Feu Lim...

striking hand carved Carrara marble and linden wood sculpture by contemporary Italian sculptor Lorenzo Vignoli, incorporating classical references and Greek mythology influences Med...

Edition of 25. 'Robin' by Richard Smith. A bronze sculpture of a robin perched on a plant pot, with two snails nestled inside, is a charming celebration of nature’s small yet captiv...

Piccola scultura in legno (40 x 7 x 13 cm) con soggetto due figure femminili nude distese che si tengono per mano, su uno sfondo non riconoscibile ma che probabilmente vuole richiama...

Welded nut sculpture. This stunning sculpture is created entirely from steel nuts and chain links. Every sculpture is meticulously hand crafted ensuring that no two pieces are ever...

Herriet is a figurative bronze sculpture in a relaxed pose by Nando Kallweit. Modelled on modern youthful postures but with a nod to the importance of heritage through the stylised ...

Faune aux marottes, Picasso, 1950's, Earthenware, Unique work, 1950's, Design Faune aux marottes Unique work 1.12.1956 Earthenware, decoration with engobes and metallic oxides 15.1 ...

Puffin is a bronze sculpture by contemporary artist Chésade, dimensions are 18 × 10 × 9 cm (7.1 × 3.9 × 3.5 in). The sculpture is signed and numbered, it is part of a limited editio...

"Elephant on Ball" is a bronze sculpture by famous Swiss artist Rolf Knie. The work is an original bronze sculpture in an edition of 25, on a metal pedestal (29x10 x10 cm). It depi...

Tête de Faune, Picasso, Unique work, 1960's, Terracotta, Tiles, Design, Sculptur Tête de faune Unique work 14.03.1961 Painted and glazed terracotta tile...