Europe - Prints

A Dance at Ulietea – Society Islands Scene from Cook’s Voyages, c.1784 This finely hand-colored copper engraving titled A Dance at Ulietea, one of the Society Islands in the South S...

Napoleonic Military Encampment Hand-Coloured Aquatint Panoramic c1810 A large early 19th-century hand-coloured aquatint depicting a military encampment during the Napoleonic era. Th...

This is a stunning set of 4 Greek Architectural steel engraved plates printed in 1850 with Olive colour hand cut mount with hand painted Gold line and professionally framed in 2014 i...

The engraving depicts the assault and capture of the Danish fortress Friderichsodde (now known as Fredericia) located on the island of Fyn. The scene, captured on October 24, 1657, vividly illustrates the Swedish main army's takeover under the command of General Carl Gustaf Wrangel. This historical event is meticulously documented in the artwork, which showcases not only the military action but also the strategic landscape and fortifications characteristic of the time. Erik Jönsson Graf von Dahlberg, the artist behind this work, was a prominent Swedish field marshal, architect, and fortress builder. Born in 1625 and passing in 1703, Dahlberg's contributions to military and architectural fields were significant. He was renowned for his detailed and artistically valuable drawings which served as the basis for large-scale copperplate engravings. These engravings are of substantial topographical and architectural historical importance as they provide a detailed visual account of Swedish territories during the era. In 1661, Dahlberg began work on his magnum opus—a comprehensive geographical and historical depiction of Swedish territories, which received royal privileges. His journey in 1667-1668 to Paris for the engraving of the initial plates reflects the international scope and ambition of his project. However, the work was intermittently paused when Dahlberg was tasked in 1674 with overseeing all Swedish fortress constructions, a role that significantly impacted his career and works. The project resumed and was published in 1684, highlighting a significant period of Swedish history and military achievements under his visual documentation. MORE ABOUT THE BATTLE: The image is an intricate engraving depicting a battle scene. Based on the details and the text in the cartouche, the scene illustrates a significant historical battle involving Prussian forces. The presence of multiple ships and extensive fortifications suggests a combined land and naval engagement. Key Features in the Engraving: 1. Land Battle: The forefront of the image shows numerous troops, artillery pieces, and cavalry in action, depicting the intensity and scale of the land combat. 2. Naval Elements: Ships in the background indicate that this battle had a naval component, which would have been crucial for controlling trade routes or strategic waterways. 3. Fortifications: Extensive fortifications, including bastions and protective walls, suggest a well-defended location, possibly a city or a significant stronghold. Historical Context: From the text, it appears the battle involves "Prinz Heinrich," referring to Prince Henry of Prussia, who was an influential military leader during the reign of his brother, Frederick the Great. Under Frederick’s rule, Prussia engaged in several key conflicts, including the Seven Years' War (1756-1763), which saw major battles across Europe and involved complex alliances. Given the level of detail and the era suggested by the style of ships and fortifications, the battle was of the significant engagements during the Seven Years' War, where Prince Henry played a critical role. His campaigns often involved maneuvering to protect Prussia from multiple fronts, including naval engagements in the Baltic. Interpretation: This engraving serves not only as a historical document but also as a piece of propaganda, likely glorifying the prowess and strategic capabilities of the Prussian military...

Antique print titled 'Dowlutabad (Ostindien)'. View of Daulatabad. Originates from 'Meyers Universum'. Artists and Engravers: Joseph Meyer (May 9, 1796 - June 27, 1856) was a Ger...

Lithograph-Wou Ki-Zhào W-J', 1976 Additional Details: Materials and Techniques: Lithography Printed in 6 colours. Size: Image size: 40.0 x 67.0 cm Paper Size 50 x 76 cm Edition of 99 and 15 Hors Commerce proofs and 15 Artist’s proofs on Arches paper Artist’s signature and date bottom right Artist’s proof E. A. bottom left Printed : Bellini, Paris, France Published : Ediciones Poligrafa, Barcelona Spain Zao Wou-Ki (1920 - 2013) was a Chinese painter and printmaker naturalized French in 1964. He was a member of the Académie des Beaux-Arts in Paris and is one of the most successful Chinese painters. Zao Wou-Ki graduated from the China Academy of Art in Hangzhou, the most famous art school in China, where he studied under Lin Fengmian...

Antique Oriental Arms and Daggers Study from Maximilian in Bavaria, 1846 This exceptionally rich and visually striking 19th-century Orientalist engraving presents a comprehensive st...

The engraving illustrates three marine creatures: 1. **Ophiure serpent de mer** - This is likely an ophiuroid, commonly known as a brittle star. These are echinoderms, related to st...

Title: "Traditional Eleuth Warrior Attire in 1844 Lithograph" Description: This hand-colored lithograph titled *Eleuthe* (Eleuth) portrays a man from the Eleuth tribe, a subgroup of the Oirat Mongols. The image is part of Auguste Wahlen's "Moeurs, Usages et Costumes de tous les Peuples de Monde" (Customs, Manners, and Dress of All the Peoples of the World), published in 1844. The print was created by an anonymous engraver after Wahlen's designs, with notable contributions from artists such as Evrard Duverger, L. Markaert, and R. King. The lithograph is enhanced with Arabic gum on vellum paper, adding a bright gloss and deepening the colors. Notable Features of the Attire: - Helmet: The warrior wears a distinctive helmet, possibly crafted from metal or leather, which suggests a readiness for battle. The helmet design is typical of Mongolian and Central Asian tribes, providing protection while maintaining mobility. - Coat: The long, fur-lined coat is characteristic of the Eleuths, suited to the cold climates of Central Asia. The coat is intricately patterned, showcasing both practicality and status. - Sword: The sword hanging by his side is a symbol of his warrior class. The hilt appears to be ornately decorated, hinting at a higher social rank or experience in battle. Cultural and Historical Insight: The Eleuth people were part of the broader Oirat confederation of nomadic Mongols who lived in what is now Xinjiang and parts of Central Asia. Their warrior culture was highly developed, and this lithograph captures the essence of a soldier's dress during the 19th century. The attire shown here reflects both the harsh environment and the martial lifestyle that characterized their existence. Keywords for Searching: People searching for prints like this might use terms such as "Eleuth warrior lithograph," "Wahlen 1844 Mongolian print...

This authentic 1989 Japanese woodblock print titled "Kikyō" (Balloon Flower) by Masao Ido is a rare and exquisite piece that embodies the essence of eternal love, sincerity, and eleg...

Rivinus botanicals: Trifolium, “Gula / degener” & Lotus tetragonolobos, Leipzig, 1690s Set of three late-17th/early-18th-century botanical copper engravings with period hand-colour,...

The Nightingale's Song - Giacomelli’s Floral and Avian Art, Circa 1891 This beautiful print, titled "Le Rossignol" (The Nightingale), captures a moment of pure elegance as a nightin...

Autumn Flight - Giacomelli’s Sparrows in Falling Leaves, Circa 1891 This evocative print, titled "La Chute des Feuilles" (The Falling of the Leaves), is a beautiful representation o...

New Orleans Harbor, Mississippi River Shipping and Steamers – Antique Engraving This finely engraved 19th-century view presents a bustling panorama of New Orleans seen from the Miss...

Wonderful set of 8 flower fairy prints Lovely bright colors After the artwork by Cicely Mary Barker Published by Blackie Son Unframed. The measurement given is the paper s...

François-Xavier Lalanne (1927-2008) and Claude Lalanne (1925-1919), Sphinx, 2005 Techniques : gelatin silver print hand signed by François Xavier Lalanne, in perfect condition Dime...

Please read the entire description carefully, as we strive to provide complete technical and historical details to ensure the authenticity of our objects. These two “faux bamboo” frames enclose color prints on paper, depicting compositions of marine corals in strange and rare shapes. The print on the left depicts a seaweed-shaped coral, with intricate details reminiscent of some species of the genus Acropora; the composition on the right depicts a coral belonging to the Gorgonian family, with the peculiarity of being depicted coiled on itself. These colored prints, made in Italy, date from a time when naturalists and illustrators created detailed plates to document and study marine flora and fauna, and can be dated between 1750 and 1770. Their uniqueness lies in the fact that they were used as a medium for writing a text (a letter)at the same time or shortly thereafter. Antique color prints with handwritten text on the entire surface represent an example of an ancient practice called manuscript on image or illustrated manuscript. This technique was widespread in various eras and contexts, both artistic and practical. In medieval manuscripts, it was common to embellish texts with elaborate miniatures, illustrations, and initial letters, often in color. Although not entirely identical, this practice reflects the historical interest in the integration of text and image. During the Victorian period and into the early 1900s, it was common to write letters and messages on picture postcards, often embellished with colorful images and decorations, with lettering covering part or all of the illustration. Japanese ukiyo-e prints often combined images with poems or handwritten descriptions, and this practice spread between the 17th and 19th centuries. Modern and contemporary artists have taken up and reinterpreted this tradition: for example, German artist Anselm Kiefer has created works that combine images with handwritten text across the entire surface. In short, handwriting on color prints was not as common as simple illustrations, but there are numerous historical and modern examples of how text and image can be combined in unique and creative ways. Another notable detail of our prints is that the one on the right has the price “5 soldi” imprinted at the top. The "soldo" is a historical Italian currency with a long and rich history. The soldo originated in the Middle Ages, with the first documented issuance dating back to the Carolingian Empire, around 800 AD. The term “soldo” derives from the Latin word “solidus,” which was a Roman gold coin...

Antique print Utrecht titled 'De Toren de Beer'. Old print with a view of tower De Beer (the Bear), a wall tower near the Plompetoren in Utrecht, the Netherlands. Originates from 'Af...

Victorian Military Statesman – Vanity Fair Political Portrait, 1870 Description: Published August 20, 1870, this Vanity Fair portrait depicts a former soldier turned statesman, emph...

Victorian Industrial Magnate – Vanity Fair Statesmen Caricature, 1870 Issued July 16, 1870, this Vanity Fair portrait depicts a powerful industrial figure, reflecting the growing in...

Napoleonic Light Infantry Officer 1795, French Military Uniform Print, 1843 This finely hand-colored 19th-century engraving depicts an officer of the French light infantry (infanterie légère) in 1795, during the crucial transitional years of the French Revolutionary Wars that directly shaped the rise of Napoleon Bonaparte. Shown in an animated combat stance, sword drawn and leading his men forward, the officer embodies the aggressive, mobile tactics that became a defining feature of Napoleonic warfare. Light infantry units played a vital role in Napoleon’s armies, operating as skirmishers, scouts, and advance troops. Their flexibility, speed, and independence marked a clear break from the rigid linear tactics of earlier European armies. The uniform shown here—simpler yet purposeful—reflects the pragmatic military reforms of the Revolutionary period that Napoleon later perfected and expanded across Europe. This print originates from *Histoire de l’Empereur Napoléon* by P.-M. Laurent de l’Ardèche, published in Paris in 1843. The illustrations are based on designs by Horace Vernet, the most important military artist of 19th-century France and the definitive visual chronicler of Napoleon and his era. Vernet’s work is renowned for its historical accuracy, clarity of movement, and enduring influence on the iconography of Napoleonic history. Produced during the great Napoleonic revival of the mid-19th century, this engraving combines documentary precision with romantic heroism. It is particularly well suited for collectors of Napoleonic material, French military history, and antique uniform...

Portrait of Pieter Schrijver – Mennonite Preacher, Engraving by Jacob Folkema, 1739 This finely detailed 18th-century portrait depicts Pieter Schrijver (1663–1706), a prominent Dutc...

Antique print titled 'Peterskoi Palace, Moscow'. Steel engraving of Petrovsky Palace, Moscow, Russia. This print originates from 'Payne's Universum'. Artists and Engravers: A.H. P...

Jesus Appears to Mary Magdalene – Antique German Chromolithograph, c. 1895 This striking late 19th-century German chromolithograph depicts the moving biblical moment in which the risen Christ appears to Mary Magdalene following the Resurrection. Christ is shown standing in quiet majesty, halo radiant with divine light, His right hand placed gently over His heart in a gesture of compassion and reassurance. Mary Magdalene kneels before Him with deep devotion, her long flowing hair and rich garments emphasizing both humility and reverence. The composition is set within a tranquil garden landscape, traditionally associated with the Resurrection narrative, reinforcing the spiritual symbolism of rebirth, forgiveness, and divine mercy. Christ’s red tunic and deep blue mantle radiate warmth and solemnity, while the soft golden halo creates a luminous focal point that draws the eye immediately to His face. This scene, known in Christian tradition as *Noli Me Tangere* (“Touch Me Not”), represents one of the most emotionally powerful moments of the Gospel story. It became a highly favored subject in Catholic devotional art of the late 19th century, commonly displayed in prayer corners, chapels, religious schools, and family interiors. Produced using high-quality chromolithography, this print achieves exceptional painterly depth, with delicate shading in the flesh tones, refined folds in the drapery, and beautifully layered landscape colors. The gold highlights of the halos and the saturated reds and blues are especially well preserved, reflecting the superior production standards of German devotional publishers during this period. This is a visually commanding and spiritually meaningful artwork, highly desirable for Catholic collectors, sacred art interiors, and serious devotional art collections. CONDITION REPORT Good antique condition overall. Light, even age toning to the paper consistent with late 19th-century chromolithographs. Minor edge wear and very gentle corner softening visible upon close inspection. No major stains, no tears, and no restoration observed. Colors remain strong and vivid. FRAMING TIPS This print will display beautifully in a classic gilt or softly antiqued gold wooden frame to echo the sacred halo tones. For a more restrained interior, a dark walnut or black lacquer frame with a wide ivory mat and museum glass will create a dramatic devotional presentation. TECHNIQUE Chromolithography MAKER German devotional publisher, Germany, circa 1895 KEYWORD BLOCK Jesus and Mary Magdalene, Noli Me Tangere, resurrection scene, antique catholic print...

Antique print titled 'Agatopoli - a Port in the Black Sea'. Old print of Agatopoli, a port in the Black Sea. Agatopoli, identified today with the city of Ahtopol in Bulgaria, was...

Antique print titled 'Skye Terrier'. Dog print of a skye terrier. Published circa 1890.

Antique print Utrecht titled 'De Toren en het Bolwerk de Beer'. Old print with a view of the tower and rampart De Beer (The Bear) and the Plompetoren, as well as the Begijne watergat...

Antique print Utrecht titled 'De Toren de Beer'. Old print with a view of tower De Beer (the Bear), a wall tower near the Plompetoren in Utrecht, the Netherlands. Originates from 'Af...

Experience Kamchatka: 'Summer and Winter Habitations' Print from Cook & King's Pacific Ocean Voyage This antique print, titled 'Summer and Winter Habitations in Kamchatka,' offers a...

Original Swedish film poster for The Dam Busters 1955. This British epic war film was directed by Michael Anderson, and stars Richard Todd and Michael Redg...

Engraving by Louis de Surgis de Surugue after a painting by Jacques Dumont dit Le Romain. It is part of a series of 16 engravings illustrating "Le Rom...

"Transport yourself to the vibrant streets of 1920s Berlin with this captivating black woodcut on paper, delicately framed and preserved since its creation in 1973. The artwork encap...

Vue de la Colonnade du Louvre – Architectural Engraving by Louis-Pierre Baltard An elegant architectural engraving by Louis-Pierre Baltard (1764–1846), titled Vue de la Colonnade du...

Antique print titled 'Vue de l'Ostrog du Waywode (..)'. Copper engraving of the Fortress of the voivode (local ruler) of Beryozovo, Siberia. Below, a view of the Prison of Prince Men...

Victorian Judge in Robes – Vanity Fair Judges Series No. 4, 1870 Description: Published April 2, 1870, this striking Vanity Fair portrait belongs to the Judges series. The figure is...

Wonderful image of Napoleon Bonaparte after Jacques Louis David Aquatint. Published C.1800 On paper applied to card Old Hogarth frame Slight restoration above the hair. Shown in ...

Baines football trade card, Knottingley road walk. Well played. A rare circular football trade card in the shape of a leather football ball. Made by the toy shop owner from Bradford, John Baines. Baines went on to produce not only football cards but eventually covered scores of different sports, from golf, cricket, tennis to horse racing and bowls, and just about any kind of sporting affiliations in just about every city, town and village in the UK. The cards were promoted in various prize competitions like finding certain "medal cards", collection a certain amount of empty packets. One could always submit a mini essay on sport with the winner having their writing printed on the backs of the cards. Hence why the backs are so varied and different. The Baines card offered for sale is printed in a red tone with a picture of two football players, one on the ground having just tried to tackle his opponent, to the front with the words 'Well Played, Knottingley Road Walk'. To the reverse 'BAINES' Gold Medal Football Cards, We Guarantee to give every week during our three months' Competition, 50 Jerseys, Shirts or Sweaters. Boys are requested to CAREFULLY READ SHOW BILLS...

A set of three 19th century Geramia Discanno hand coloured lithographs, captured from the walls of Pompeii. The frescoes are believed to be prints from a book published in 1890 by on...

Yacht Wayward, early silver gelatin photographic print by Beken of Cowes.

Antique print titled 'The Place of St. Isaac'. View of Saint Isaac's Square, in Saint Petersburg, Russia. A city square sprawling between the Mariinsky Pal...

Traditional 1986 Japanese wood block print of one of the 5 gardens of the Ryōgen-in, a sub temple of the Daitoku-ji Buddhist complex, located in Kita-ku, Kyoto, Japan, constructed in 1502. Signed and numbered 126/150 in pencil by the artist. Measurements wooden frame : W.48 x H.63 x D.3 cm. The print will be shipped insured overseas in a custom made wooden case. Cost of insured transport to the US, Euro 245, is case included. Colors may slightly vary due to photographic lighting sources or your monitor settings. Masao Ido...

These are original plates coloured by hand from the sixth edition of the publication with title: 'A History of British Butterflies' by Morris. Published in London in 1890. . These i...

The images are hand-colored plates from "A History of British Butterflies" by Morris, showcasing three distinct butterfly species: the Clouded Yellow, the Pale Clouded Yellow, and th...

Great image of crossbills Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. brown with original hand color. ...

François-Xavier Lalanne (1927-2008) Minotaure, 2005 Techniques : watercolored woodcut, hand signed in pencil by François Xavier Lalanne, in perfect condition Dimensions of the pa...

A set of 4 hand colored birds prints, from 1830. By Comte, Achille Joseph (1802-1866), "Keepsake d´histoire naturelle. Description des oiseaux. Suivie d´un exposé de l art de les pré...

These are a set of FOUR digitally remastered prints of Macaws, hand coloured framed prints, originally from Circa 1864. Prints of this style were...

Antique print titled 'Exhibition'. Steel engraved view of the Crystal Palace, known for the Great Exhibition, London. Source unknown, to be determined. ...

Antique print titled Stanchio Rhodus. Original antique print showing panoramic views of Stanchio, Greece and the Island of Rhodes, both with ships. First edition in French, firs...

Pair of very large framed engravings representing panoramic views of the cities of Jerusalem and Scio (or Chios). Some stains, foxing, tears and folds. 19th century period. 20...

This illustration is from Eleazar Albin's work, as indicated by the signature "E. Albin del.", meaning "drawn by Eleazar Albin". It is a plate from his series on natural history, spe...

Antique print titled 'De Engelsche Dog'. Original antique print of an English Mastiff (?) dog. This print originates from 'Volledige Natuurlijke Histor...

Description: Antique print titled 'The Stone Theatre at St. Petgersbourg'. View ofthe Bolshoi Theatre in Saint Petersburg, Russia. In 1886 the building was declared unsafe and, at th...

Description: antique print titled 'The Place of St. Isaac'. View of Saint Isaac's Square, in Saint Petersburg or St Petersbourg, Russia. A city square spra...

This beautiful original hand-colored antique print, made by Ulrik Thersner in 1824, is a fine example of his work. Thersner, known for his detailed and atmospheric landscapes, would have drawn this view of Djursholm Castle with great care, capturing not only the architectural features of the castle but also the surrounding natural landscape and pastoral life, as seen in the foreground with figures and livestock. The aquatint technique allowed Thersner to produce gradations of tone that give the print a remarkable depth and a lifelike quality, a characteristic that was particularly prized in the early 19th century for the way it mimicked the subtleties of watercolor paintings. The composition of the print, with the castle situated amidst the verdant trees and the inclusion of human and animal figures, creates a harmonious balance between the built environment and the natural world, reflecting the romantic sensibilities of the time. The view "from the S.E. angle" provides a unique perspective of the castle, emphasizing its prominence and setting within the landscape. As a historical document, the print serves as a valuable visual record of Djursholm Castle and its environs in the early 1800s. As an artwork, it stands as a testament to Thersner's skill as an artist and his contribution to the tradition of Swedish topographical art. More about the maker: Ulrik Thersner was a multifaceted individual, having an impactful military career alongside his work as a draftsman and topographer. Born on April 2, 1779, in Kyrkslätt parish in Finland, Thersner began his military service early, becoming a ship's boy in the Swedish navy at the tender age of seven. His naval service during Gustav III's Russian War...

Louis Icart (1888-1950). Etching on paper. "At the Urn". Dated 1923. Visible dimensions: 44 x 33 cm. Total dimensions: 48 x 38 cm. The frame measures: 1.5 cm. In excellent condit...

This print is from 'The Military Costume of Turkey. Illustrated by A Series of Engravings. From Drawings made on the Spot. Dedicated by Permission to His Excellency the Minister of t...

This collage contains three botanical illustrations from the book 'Abbildungen der in Deutschland und den angrenzende Gebieten vorkommenden Grundformen der ORCHIDEEN-ARTEN' by Walter...

A set of 4 hand colored birds prints, from 1830. By Comte, Achille Joseph (1802-1866), "Keepsake d´histoire naturelle. Description des oiseaux. Suivie d´un exposé de l art de les pré...

Original antique print titled 'Der Mokoko'. Antique print of a mokoko or Ring-tailed lemur (Lemur catta). The ring-tailed lemur (Lemur catta) is a large strepsirrhine primate and ...