Europe - Prints

WARHOL, ANDY. After. - "Superman", granolithography on sturdy paper. Signed in print at the bottom right, num in pencil at the bottom left. 781/2400. Published by the Carnegie Museu...

Claude Lalanne (1925-2019), Chaise Horta, heliogravure on paper This original print by Claude Lalanne is from a rare and unsigned edition of 350. It depicts the famous Horta chair, one of the most beautiful furniture of the artist. Technique : heliogravure on Rivoli paper Dimensions of the paper : 34 x 27 cm (13,4 x 10,6 inches) With Francois Xavier Lalanne (1908-2008), Claude Lalanne is the most famous French sculptor of the second half of the twentieth century. Her work is characterized by the flower and animal imagery. He studied art at the Académie Julian in Paris. She was introduced to many Surrealist and Modernist figures, such as Man Ray, Max Ernst, Marcel Duchamp, Niki de Saint Phalle, Jean Tinguely, and Constantin Brancusi. Supported by gallerists like Alexandre Iolas, Leo Castelli, Paul Kasmin...

Wonderful bird prints Chromo-lithographs Published by Cassell, C.1880 The measurement shown relates to one of the prints Unframed. Free shipping

Selma Daffre (b. 1951), listed Brazilian artist. Collograph on paper. "Linhas". Numbered 8/9. Dated 1997. Visible dimensions: 25 x 20 cm. Total di...

Embrace the harmonious blend of traditional Japanese aesthetics and modern abstraction with this striking limited edition lithograph, "Balance" by the renowned artist Kumi Sugaï. Cre...

Antique Grasses Sedges – Hand-Colored Botanical Engravings, c.1830 (Set of 8) This beautifully preserved set of eight antique hand-colored botanical engravings features a vari...

Original Japanese style B film poster for the classic Frank Capra 1946 film. starring James Stewart , Donna Reed, Henry Travers, and Lionel Barrymore The art work on this poster is ...

This engraving, titled "Habits of the Hottentot Men & Women" and "Perspective View of the Cape of Good Hope," is a fine example of 18th-century European visual representations of dis...

Wonderful images of birds of prey Chromo-lithographs Published by Cassell, C.1880 The measurement shown relates to one of the prints Unframed. Free shipping

Japanese Woodblock Triptych Scene Of A Kabuki Theatrical Performance Toyohara Kunichika (1835 - 1900) Framed, each woodblock print: 23 ...

Title: "Suspension and Pull Bridges in America and a Natural Rock Bridge in Virginia: Hand-Colored Engraving by Bertuch, 1805" Description: This hand-colored copper engraving depi...

This print is from 'The Military Costume of Turkey. Illustrated by A Series of Engravings. From Drawings made on the Spot. Dedicated by Permission to His Excellency the Minister of the Ottoman Porte to his Britannic Majesty.' London, Published by Thomas M'Lean, Haymarket, (1818). Folio. One of 29 fine handcoloured aquatint plates . Very light offsetting from plates. The original accompanying text of this print is as follows: 'The Spahis, who constitute the principal part of the mounted force of the empire, are chiefly raised in the Asiatic provinces: they are excellent horsemen, and are variously equipped, but in general, the lance is their principal weapon, in the use of which they are very expert: they are divided into sixteen legions, and in the early ages of the Ottoman empire, prior to the institution of the Janizaries, they were considered as its principal strength. The Turkish horses...

"Yaacov Agam – "Purple Matrix"" Technique: Lithograph on paper Title: Purple Matrix Signature: Hand-signed by the artist Numbering: Limited edition, numbered Dimensions (with frame):...

One of a Set of Four different scenes available. This print is a reproduction of a military illustration titled "Garde Impériale" by the 19th-century French artist Alf...

Sensational image by Gustave Doré Woodcut engraving Published C.1880 Unframed. Free shipping

Albrecht Dürer, Saint Eustace. Wood engraving, 1501. Signed with the monogram A.D (Albrecht Dürer) Why not having on a wall a Masterpiece which is also ...

Egypt is governed under a Pacha, who is nominated by the Porte, and who usually resides at Grand Cairo; by twenty-four Beys; who form a divan, of which the Pacha, who has also the ti...

Francois-Xavier Lalanne (1927-2008) Women and man, 2002 etching on paper hand signed in pencil by François Xavier Lalanne, in perfect condition This etching by François Xavier Lala...

Title: Portrait of Admiral Abraham van der Hulst – Dutch Naval Hero, by Jan de Visscher, ca. 1666 Description: An impressive and finely executed 17th-century etching and engraving t...

Antique Hyena Hunt on the Nile Moonlight Scene from Maximilian, 1846 This atmospheric and dramatic 19th-century Orientalist engraving depicts a nocturnal hyena hunt along the banks ...

Sensational image by Gustave Doré Woodcut engraving Published C.1880 Unframed. Free shipping

Rare illustrations under glass depicting young ladies and a girl in fashionable silk dresses of 1873. Prints and wall paintings A Century of French Fashion Illustration. After the...

Sensational image by Gustave Doré Woodcut engraving Published C.1880 Unframed. Free shipping

Antique Arabian Engagement Ceremony Interior Scene, Maximilian Egypt 1846 Description: This refined 19th-century Orientalist interior scene depicts an Arabian engagement ceremony ta...

François-Xavier Lalanne (1927-2008) Sirens (women-headed birds in greek mythology), 2005 Techniques : watercolored aquantint and soft varnish on paper...

Antique Oriental Arms and Daggers Study from Maximilian in Bavaria, 1846 This exceptionally rich and visually striking 19th-century Orientalist engraving presents a comprehensive st...

Antique Islamic Lamps and Hookahs Object Study, Maximilian Egypt 1846 This highly detailed 19th-century Orientalist reference engraving presents a comprehensive visual inventory of ...

Antique Shell Lithographs “Unio” – Hand-Colored Plates by Sowerby, 1860s A pair of beautifully detailed 19th-century hand-colored lithographs depicting various species of freshwater...

Antique Egyptian Infantry Guard Scene from Maximilian in Bavaria, 1846 This refined and historically rich 19th-century Orientalist engraving depicts an Egyptian infantry detachment ...

Antique Egyptian Regular Cavalry on the Nile from Maximilian in Bavaria, 1846 Description: This impressive 19th-century Orientalist engraving depicts...

François-Xavier Lalanne (1927-2008) The Mermaids (les Néréides), 2005 Techniques : aquatint and soft varnish on paper, hand signed in pencil by François...

Antique Egyptian Horsemen Javelin Game Scene from Maximilian, 1846 This vibrant and action-filled 19th-century Orientalist engraving depicts a traditional mounted javelin-throwing g...

Antique Oriental Jewelry & Adornment Study from Maximilian in Bavaria, 1846 This exceptionally refined 19th-century Orientalist engraving presents an extensive and highly detailed study of Middle Eastern jewelry...

Antique Camel & Caravan Equipment Studies from Maximilian in Bavaria, 1846 This exceptionally detailed 19th-century Orientalist engraving presents a comprehensive visual study of ca...

Antique Orientalist Caravan at Rest City Gate Scene from Maximilian, 1846 This richly detailed 19th-century Orientalist engraving portrays a caravan halted at the gate of an Eastern...

Antique Coronation of Mary Religious Chromolithograph with Gold Tones This richly colored antique religious chromolithograph depicts the Coronation of the Virgin Mary, one of the most important devotional themes in Catholic iconography. The composition shows Mary seated among heavenly clouds, modestly inclining her head as Christ gently places the golden crown upon her, while God the Father looks on from the opposite side. Above them, the Holy Spirit appears in the form of the descending dove, radiating divine light. Surrounding the scene, four cherubs float among soft clouds, holding floral garlands and lilies as symbols of purity and divine grace. The scene is executed in vibrant late-19th or early-20th century chromolithography, a technique prized for its intense color saturation and painterly softness. The gold halos, crown, and heavenly glow give the print a luminous presence that shifts beautifully with changing light. The palette combines warm golds, rich blues, soft flesh tones, and delicate pastels, making this one of the most visually striking devotional compositions of its type. This image was most likely published in Germany for the Catholic devotional market, where high-quality chromolithographs were produced for churches, schools, and private home altars. The multilingual caption along the lower margin, referencing the Coronation of Mary in several European languages, confirms its international devotional circulation. The Coronation of Mary is a theological subject derived from the belief in Mary’s assumption into heaven and her role as Queen of Heaven. This theme became especially popular in 19th-century Catholic visual culture as part of renewed Marian devotion. The imagery here directly reflects that revival, emphasizing gentleness, divine hierarchy, and celestial harmony. Because of its powerful religious symbolism, radiant gold accents, and exceptional color quality, this print works beautifully both as a devotional object and as a decorative statement piece in classical, ecclesiastical, or traditional interiors. It also fits exceptionally well within collections of Catholic imagery, Marian iconography, or antique chromolithographs. Condition Good to very good antique condition. Light overall age toning consistent with age. Minor edge wear and soft handling marks visible at the margins. Colors remain strong and vibrant. No major tears or losses observed. Plate mark not present, as expected for chromolithography. Framing Tips This piece frames beautifully in a classic gold leaf frame to enhance the gold halos and crown. A deep dark blue, ivory, or soft champagne mat adds contrast and visual depth. For a more dramatic presentation, a black frame with gold inner slip also works extremely well. Technique: Chromolithograph Maker: German devotional publisher, late 19th–early 20th century Keywords: Antique Catholic print...

Orientalist Title Page Print - Maximilian in Bavaria, Middle East - 19th Century Description: This highly decorative and visually powerful antique title page engraving introduces th...

Marine Fish Print: Swordfish, Anglerfish, Tuna & Pipefish – Antique 1867 This striking antique print depicts a wide variety of marine fish, including swordfish, anglerfish, tuna, pi...

Chacun Son Tour – Humorous Hand-Colored Etching by Boris O’Klein, ca. 1930s This delightful hand-colored etching and aquatint titled “Chacun Son Tour!” (translated as “Everyone Has ...

"The Old Jack Old Rum Rhumprat estilo Jamaica", Bonaparte, Reclamos Vilaró, Barcelona Original Rum advertising poster, Spain, 1920s Rhumprat- The Old J...

Charles Dana Gibson (1867-1944), American illustrator. Art Deco lithography. Two ladies and a dog, 1930s. # 318/750. In very good condition. Si...

Etching with Aquatint, signed, titled and numbered in pencil by Guillermo Silva Santamaria "Golfredo" from 1971. Metal frame.

Antique map titled 'Basin of the Mediterranean'. Original antique map of the basin of the Mediterranean. With inset maps of the Strait of Gibraltar, Morocco, Maltese Islands, Valetta...

Pair of Hand-Colored Botanical Engravings of Garden Flowers, London 1828 Description: This beautifully preserved pair of early 19th-century botanical engravings exemplifies the arti...

Title: Malay Peninsula (Strait Settlements and Federated Malay States) Original photos by C.J. Kleingrothe, Medan Deli An extremely rare boxed Malay Peninsula portfolio containing a...

Etruscan Antiquity Plate with Warriors, Banquet and Dancers, Wasmuth c.1910 Description: This original early 20th-century plate presents a refined study of Etruscan antiquity, publi...

Elegant 1769 Morvant Ram Engraving – Hand-Coloured Buffon Dutch Edition This impressive hand-coloured 18th-century engraving of the Morvant ram, titled Le Morvant, comes from the rare Dutch edition of Buffon’s monumental Histoire Naturelle, published in Amsterdam by J.H. Schneider in 1769. Appearing as Plate XXX in Tome XI, this striking portrait is one of the most distinctive and decorative sheep and goat engravings in the entire Buffon series. Drawn by Jacques de Sève, Buffon’s leading illustrator, and engraved with great refinement, the plate combines scientific accuracy with a strong visual presence, typical of the finest work in the quadruped volumes. The Morvant ram stands in full profile on a raised foreground bank, its powerful build, muscular legs, and long shaggy coat rendered with exquisite detail. De Sève’s elegant cross-hatching gives volume and texture to the thick wool and the dark mane that drapes down the animal’s chest. The curved horns, expressive eye, and firm stance emphasise both the strength and the calm dignity of the breed. The hand colouring, characteristic of the Amsterdam Schneider edition, enriches the engraving with warm brown tones, natural greens, and soft blues that bring the entire composition to life. Behind the ram, a landscape of minarets, domed buildings, and distant walls evokes the North African or Near Eastern setting associated with ancient regional breeds. The broad sky, shaded in subtle blue-grey washes, anchors the scene and provides an atmospheric backdrop that complements the earthy foreground tones. As a result, the plate balances scientific illustration and picturesque landscape in a way that remains highly desirable for collectors and decorators alike. Buffon’s Histoire Naturelle represented one of the most ambitious publishing achievements of the Enlightenment, combining zoological study with an artistic sensibility. The Morvant ram, a robust and historically important breed, was of particular interest for its adaptability, distinctive appearance, and long-standing role in agriculture and local culture. This engraving served as one of the earliest widely circulated visual records of the breed in Western Europe. More than 250 years old, this sheet remains bright, clean, and visually engaging. The strong plate mark, generous margins, and refined hand colouring make it an excellent standalone artwork or a perfect companion to related Buffon plates such as the Tunis ram, zebu, buffalo, or yak. Condition report: Very good for age. Minor toning and small foxing marks mostly confined to margins. Light handling marks typical of 18th-century paper. Strong impression with clearly visible plate mark. Hand colouring fresh and well preserved. No tears or repairs observed. Framing tips: Frame with an ivory, pale grey, or warm cream mat to complement the soft colouring of the wool and sky. A walnut or natural oak frame enhances the warm tones, while a slim black frame creates a more modern contrast. Floating the sheet is an excellent option to highlight the wide margins and plate mark. Keywords: Morvant ram engraving Buffon natural history Amsterdam 1769 Jacques de Sève hand coloured copper engraving antique sheep print...

Jesus Blessing the Children, Antique German Chromolithograph after Meithheuser c.1900 This exceptionally moving late 19th–early 20th century German chromolithograph depicts one of t...

Set of Three De Bry Botanical Engravings of Indian Fruits and Spices, c.1598 – Pineapple, Mango, and Pepper An exceptional trio of original copper engravings from Theodor de Bry’s P...

Title: "ORNITHOLOGY. Div'n. Land Birds – Order 4 PICE.A. Plate III" This 19th-century ornithological print, part of a scientific collection, features an array of land birds from the...

Moroccans – Antique Hand-Colored Ethnographic Engraving (c.1810) Elegant early 19th-century hand-colored copperplate engraving depicting two figures from Morocco in an opulent inter...

Antique map titled 'Alger'. This map shows the region of Algiers, Algeria. With a small inset map of the region of Algiers and a decorative vignette with a harbor view. Originates fr...

Holy Family in the Carpenter’s Workshop, Antique German Chromolithograph c.1900 This beautifully composed late nineteenth-century German chromolithograph portrays the Holy Family in an intimate domestic scene set in the carpenter’s workshop of Saint Joseph. Saint Joseph is shown at work with hand tools, shaping wood with calm concentration, while the young Christ stands beside him holding a carpenter’s mallet and plane, symbolically participating in the labor of His earthly father. The Virgin Mary sits quietly nearby, spinning or winding thread, watching over both with serene devotion. All three figures bear softly glowing halos, emphasizing their sacred presence within this everyday setting. The composition is rich in symbolic meaning. The carpenter’s tools and wooden beams reference Christ’s future Passion and the cross, while the youthful participation of Christ in Joseph’s trade underscores the themes of obedience, humility, and the sanctification of daily labor. The Madonna’s gesture toward her heart reflects maternal love and quiet contemplation. Through the open landscape beyond the wall, distant hills and buildings evoke the Holy Land and create depth and peace within the scene. This type of Holy Family imagery was especially popular in Catholic households at the turn of the century, intended as a model for family life rooted in faith, work, and devotion. The scene offered both spiritual instruction and emotional warmth, presenting the Holy Family not in glory, but in humble daily life. Such images were widely displayed in private homes, schools, convents, and parish buildings. The print was produced using traditional chromolithography, a complex multi-stone printing process that allowed for the rich, luminous colors and fine painterly detail visible in the drapery, skin tones, and landscape. The halos, floral elements, and wooden textures show exceptionally fine tonal control. This is a genuine period devotional chromolithograph and not a modern reproduction. The lower margin printing confirms German production for the Catholic devotional market. Large-format Holy Family scenes of this quality and color preservation are becoming increasingly scarce and are highly desirable to collectors of religious iconography and historic devotional prints. Condition report: Very good overall condition. Colors remain strong, fresh, and well saturated. Light age toning visible mainly in the margins. Minor handling wear consistent with age. No major tears, losses, or water damage observed. The image area itself is clean and visually striking. Framing tips: This print displays beautifully in a soft gilt or antique gold frame that complements the warm tones of the workshop setting. A light ivory or warm cream mat enhances the colors without overpowering the scene. Dark walnut or cherry wood frames also work exceptionally well for church, rectory, or classic interior settings. Technique: Chromolithograph Maker: German devotional press, printed in Germany, circa 1900 holy family carpenter workshop saint joseph carpenter print child jesus with tools virgin mary devotional art antique catholic chromolithograph holy family wall art german religious print christ child carpenter family devotion image religious home interior print antique christian wall art catholic household devotion sacred family scene turn of the century devotional saint joseph and child jesus holy family workshop scene printed in germany religious antique religious lithograph...

Kumi Sugaï, “Crossing 4”, 1978 — Signed & Numbered Silkscreen Printed by Ryoichi Ishida Studio Offered here is a striking limited edition silkscreen by renowned Japanese-French artist Kumi Sugaï (1919–1996), titled “Crossing 4”, created in 1978. Known for his refined visual language merging Zen philosophy, Japanese calligraphy, and European modernism, Sugaï’s work resonates with clarity, movement, and meditative strength. This particular work was printed by the prestigious Ryoichi Ishida printing company in Tokyo, a studio celebrated for its collaborations with contemporary masters including Andy Warhol. The print is hand-signed and numbered by the artist in pencil, marked 237/250, and was originally sold by Sarani Gallery in Tokyo in 1978 or 1979. Title: Crossing 4 Date: 1978 Medium: Silkscreen on paper Edition: 237/250, signed and numbered in pencil Printer: Ryoichi Ishida Studio, Tokyo Provenance: Sarani Gallery, Tokyo Sheet size (unframed): 18 x 18 cm / 7.1 x 7.1 in Condition: Excellent vintage condition, vibrant colors and sharp impression Sugaï’s works are part of major international collections, including MoMA (New York), the Centre Pompidou (Paris), and The National Museum of Modern Art (Tokyo). His “Crossing” series is particularly admired for its rhythmic balance of form and color—embodying motion, intersection, and harmony. This is a rare opportunity to acquire a signed print by a postwar master who bridged Eastern minimalism and Western abstraction, produced by one of the most respected printing studios of the 20th century. Price includes frame. The Art will be shipped insured overseas in a custom made wooden case. Transport to the US, Euro 275, is case included. Kumi Sugaï, one of the most internationally acclaimed Japanese painters of the twentieth century. Colors may slightly vary due to photographic lighting sources or your monitor settings. KUMI SUGAÏ, JAPAN (1919 - 1996) Kumi Sugaï was a painter, sculptor and print maker born in 1919 in Kobe, Japan. Sugaï first experimented with oil painting at age nine and became a student at the Osaka School of Fine Arts in 1933 when he was fourteen. He met with the Gutai Art Association founder, Jiro Yoshihara which had a huge impact on his further artistic development and experimentalism. He was part of the first generation of 20th-century Japanese artists to become acquainted with Western painting techniques (under the instructions of Yoshihara), but he also explored both typography and Japanese calligraphy, important in his subsequent work. Sugaï left art school prematurely to work in commercial advertising for Hankyu electric rail company from 1937 to 1945. These formative years of practicing Western and traditional Japanese mediums gave a dual foundation to his future work. He dedicated himself to painting and moved to Paris in 1952, enrolling at the Académie de la grand chaumière, being one of the first generation of the post-war Japanese artists to join the international avant-garde art scene. Sugai was immediately noticed in Paris for his delicate touch and use of abstract gestures resembling primitive forms. He had his first solo show at Galerie Craven in 1954. In 1955 he made his first work in edition (Diable Rouge, a lithograph) and decided that from now on print work (lithographs, etchings and later silkscreens) was going to be an important part of his oeuvre. One of the reasons was to make his work more accessible. Between 1955 and 1996 Sugaï produced a little under 400 works in edition. Considered part of the École de Paris (School of Paris) and the Nouveau Réalisme (New Realism) movements, in 1962 he began to move from calligraphic, mainly monochromatic, organic motifs to more hard-edge geometric forms painted with clear colors. This aesthetic was more often than not influenced by speeding the curves of the freeways surrounding Paris in his beloved Porsche. He was possessed with speed and in a lot of his work we find abstracted roads (The S shape) details of roadsigns, parkings and in general an abstract visual language inspired by what he would see through his window moving at great speed. City and rural Landscapes transformed into simple colored compositions. Sugaï found great joy in the act of repetition and some iconic shapes have been appearing in his work throughout his whole career, first loosely and soft in his early etchings, paintings and lithographs, later hard edged and straight in his silkscreens. Sugai died in Kobe in 1996. His artworks were shown in numerous exhibitions around the world and most of his paintings are in the collections of well-known museums (Such as MOMA, the Guggenheim and Centre Pompidou) and important collectors. Vintage Objects...

St Mary Protectress of Innocents, Antique German Chromolithograph c.1900 This exceptionally tender and beautifully composed late 19th–early 20th century German chromolithograph depi...

Selma Daffre (b. 1951), listed Brazilian artist. Collograph on paper. "Linhas". Numbered 6/9. Dated 1997. Measures: Visible dimensions: 25 x 20 cm...

Wonderful set of 15 prints of the Himalayas Steel engravings after Turner, Cox, Roberts, Allom etc. Published by Fisher 1830-1840. All dated. Unframed.

Original print (aquatint and soft varnish) hand signed in pencil by François Xavier Lalanne and untitled "Le Pigeon" ("The Pigeon"), in perfect condition This rare lithograph is a va...

Antique Fruit Prints by Poiteau and Turpin, Hand-Colored Botanical Engravings Description: This exquisite compilation features three antique bot...

Medieval European Warriors Plate 800–1300, Antique Hand-Colored Print This impressive antique costume plate presents a richly detailed study of European warriors and military equipm...